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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 185 98 it is the complementary color RGB 194 70 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 185 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 185 98 shade: RGB 66 185 93, RGB 83 203 112, RGB 100 221 131, RGB 117 239 150 and RGB 134 255 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 185 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 185 98 shade: RGB 61 185 98, RGB 44 167 79, RGB 27 149 60, RGB 10 131 41 and RGB 0 113 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 185 98 shade: RGB 61 183 97, RGB 61 183 64, RGB 90 183 61, RGB 123 183 61 and RGB 156 183 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 185 98 shade: RGB 61 183 97, RGB 61 183 130, RGB 61 183 163, RGB 61 170 183 and RGB 61 137 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 185 98 shade matches the following richer shades: RGB 61 183 97, RGB 41 203 89, RGB 21 223 81 and RGB 1 243 73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 185 98 shade: RGB 61 183 97, RGB 81 163 105, RGB 100 143 113, RGB 120 124 121 and RGB 140 104 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 185 98 shade: RGB 91 183 61, RGB 61 183 63, RGB 61 183 95, RGB 61 183 128 and RGB 61 183 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 185 98 shade: RGB 40 121 64, RGB 50 152 81, RGB 61 183 97, RGB 87 199 120 and RGB 117 209 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 185 98 shade: RGB 61 185 98, RGB 61 124 183 and RGB 183 61 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 185 98 shade: RGB 61 185 98, RGB 95 61 183 and RGB 183 95 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 185 98 shade: RGB 61 185 98, RGB 61 124 183, RGB 183 61 148 and RGB 183 120 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 185 98 shade: RGB 61 185 98, RGB 61 87 183, RGB 183 61 148 and RGB 183 157 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 47 / 27

HEX #3DB962

RGB 61 185 98

HSL 137.9, 0.5%, 0.48%

LAB 66.95, -53.02, 34.32

 

Complementary color

CMYK 0 / 64 / 19 / 24

HEX #C2469D

RGB 194 70 157

HSL 317.9, 0.5%, 0.52%

LAB 49.84, 58.62, -21.93

 

CMYK 64 / 0 / 50 / 27

HEX #42B95D

RGB 66 185 93

HSL 133.61, 0.47%, 0.49%

LAB 67.01, -52.82, 36.94

 

CMYK 59 / 0 / 45 / 20

HEX #53CB70

RGB 83 203 112

HSL 134.5, 0.54%, 0.56%

LAB 73.36, -53.1, 35.51

 

CMYK 55 / 0 / 41 / 13

HEX #64DD83

RGB 100 221 131

HSL 135.37, 0.64%, 0.63%

LAB 79.65, -53.18, 34.14

 

CMYK 51 / 0 / 37 / 6

HEX #75EF96

RGB 117 239 150

HSL 136.23, 0.79%, 0.7%

LAB 85.86, -53.14, 32.84

 

CMYK 47 / 0 / 34 / 0

HEX #86FFA9

RGB 134 255 169

HSL 137.36, 1%, 0.76%

LAB 91.44, -52.2, 30.84

 

CMYK 67 / 0 / 47 / 27

HEX #3DB962

RGB 61 185 98

HSL 137.9, 0.5%, 0.48%

LAB 66.95, -53.02, 34.32

 

CMYK 74 / 0 / 53 / 35

HEX #2CA74F

RGB 44 167 79

HSL 137.07, 0.58%, 0.41%

LAB 60.55, -52.34, 35.86

 

CMYK 82 / 0 / 60 / 42

HEX #1B953C

RGB 27 149 60

HSL 136.23, 0.69%, 0.35%

LAB 54.08, -51.15, 37.42

 

CMYK 92 / 0 / 69 / 49

HEX #0A8329

RGB 10 131 41

HSL 135.37, 0.86%, 0.28%

LAB 47.57, -49.17, 38.86

 

CMYK 100 / 0 / 81 / 56

HEX #007116

RGB 0 113 22

HSL 131.68, 1%, 0.22%

LAB 41.01, -46.08, 39.74

 

CMYK 67 / 0 / 47 / 28

HEX #3DB761

RGB 61 183 97

HSL 137.7, 0.5%, 0.48%

LAB 66.31, -52.43, 34.01

 

CMYK 67 / 0 / 65 / 28

HEX #3DB740

RGB 61 183 64

HSL 121.48, 0.5%, 0.48%

LAB 65.93, -56.82, 49.23

 

CMYK 51 / 0 / 67 / 28

HEX #5AB73D

RGB 90 183 61

HSL 105.74, 0.5%, 0.48%

LAB 66.81, -49.97, 51.71

 

CMYK 33 / 0 / 67 / 28

HEX #7BB73D

RGB 123 183 61

HSL 89.51, 0.5%, 0.48%

LAB 68.33, -39.13, 53.78

 

CMYK 15 / 0 / 67 / 28

HEX #9CB73D

RGB 156 183 61

HSL 73.28, 0.5%, 0.48%

LAB 70.37, -26.3, 56.55

 

CMYK 67 / 0 / 47 / 28

HEX #3DB761

RGB 61 183 97

HSL 137.7, 0.5%, 0.48%

LAB 66.31, -52.43, 34.01

 

CMYK 67 / 0 / 29 / 28

HEX #3DB782

RGB 61 183 130

HSL 153.93, 0.5%, 0.48%

LAB 66.88, -46.17, 17.32

 

CMYK 67 / 0 / 11 / 28

HEX #3DB7A3

RGB 61 183 163

HSL 170.16, 0.5%, 0.48%

LAB 67.65, -38.22, 0.34

 

CMYK 67 / 7 / 0 / 28

HEX #3DAAB7

RGB 61 170 183

HSL 186.39, 0.5%, 0.48%

LAB 64.29, -26.38, -15.76

 

CMYK 67 / 25 / 0 / 28

HEX #3D89B7

RGB 61 137 183

HSL 202.62, 0.5%, 0.48%

LAB 54.35, -8.74, -31.01

 

CMYK 67 / 0 / 47 / 28

HEX #3DB761

RGB 61 183 97

HSL 137.7, 0.5%, 0.48%

LAB 66.31, -52.43, 34.01

 

CMYK 80 / 0 / 56 / 20

HEX #29CB59

RGB 41 203 89

HSL 137.78, 0.66%, 0.48%

LAB 72.16, -63.67, 45.04

 

CMYK 91 / 0 / 64 / 13

HEX #15DF51

RGB 21 223 81

HSL 137.82, 0.83%, 0.48%

LAB 78.19, -72.56, 55.48

 

CMYK 100 / 0 / 70 / 5

HEX #01F349

RGB 1 243 73

HSL 137.85, 0.99%, 0.48%

LAB 84.27, -79.84, 65.15

 

CMYK 67 / 0 / 47 / 28

HEX #3DB761

RGB 61 183 97

HSL 137.7, 0.5%, 0.48%

LAB 66.31, -52.43, 34.01

 

CMYK 50 / 0 / 36 / 36

HEX #51A369

RGB 81 163 105

HSL 137.56, 0.34%, 0.48%

LAB 60.75, -38.26, 22.66

 

CMYK 30 / 0 / 21 / 44

HEX #648F71

RGB 100 143 113

HSL 138.14, 0.18%, 0.48%

LAB 55.63, -21.31, 11.32

 

CMYK 3 / 0 / 2 / 51

HEX #787C79

RGB 120 124 121

HSL 135, 0.02%, 0.48%

LAB 51.6, -2.1, 1.11

 

CMYK 0 / 26 / 8 / 45

HEX #8C6881

RGB 140 104 129

HSL 318.33, 0.15%, 0.48%

LAB 48.34, 18.73, -8.22

 

CMYK 50 / 0 / 67 / 28

HEX #5BB73D

RGB 91 183 61

HSL 105.25, 0.5%, 0.48%

LAB 66.85, -49.68, 51.76

 

CMYK 67 / 0 / 66 / 28

HEX #3DB73F

RGB 61 183 63

HSL 120.98, 0.5%, 0.48%

LAB 65.92, -56.92, 49.64

 

CMYK 67 / 0 / 48 / 28

HEX #3DB75F

RGB 61 183 95

HSL 136.72, 0.5%, 0.48%

LAB 66.28, -52.75, 34.99

 

CMYK 67 / 0 / 30 / 28

HEX #3DB780

RGB 61 183 128

HSL 152.95, 0.5%, 0.48%

LAB 66.84, -46.6, 18.34

 

CMYK 67 / 0 / 12 / 28

HEX #3DB7A1

RGB 61 183 161

HSL 169.18, 0.5%, 0.48%

LAB 67.6, -38.75, 1.37

 

CMYK 67 / 0 / 47 / 53

HEX #287940

RGB 40 121 64

HSL 137.78, 0.5%, 0.32%

LAB 44.94, -37.86, 24.21

 

CMYK 67 / 0 / 47 / 40

HEX #329851

RGB 50 152 81

HSL 138.24, 0.5%, 0.4%

LAB 55.82, -45.31, 28.94

 

CMYK 67 / 0 / 47 / 28

HEX #3DB761

RGB 61 183 97

HSL 137.7, 0.5%, 0.48%

LAB 66.31, -52.43, 34.01

 

CMYK 56 / 0 / 40 / 22

HEX #57C778

RGB 87 199 120

HSL 137.68, 0.5%, 0.56%

LAB 72.38, -49.28, 30.17

 

CMYK 44 / 0 / 31 / 18

HEX #75D191

RGB 117 209 145

HSL 138.26, 0.5%, 0.64%

LAB 76.94, -41.37, 23.42

 

CMYK 67 / 0 / 47 / 27

HEX #3DB962

RGB 61 185 98

HSL 137.9, 0.5%, 0.48%

LAB 66.95, -53.02, 34.32

 

CMYK 67 / 32 / 0 / 28

HEX #3D7CB7

RGB 61 124 183

HSL 209.02, 0.5%, 0.48%

LAB 50.48, -1.15, -37.06

 

CMYK 0 / 67 / 59 / 28

HEX #B73D4B

RGB 183 61 75

HSL 353.11, 0.5%, 0.48%

LAB 44.11, 50.07, 19.32

 

CMYK 67 / 0 / 47 / 27

HEX #3DB962

RGB 61 185 98

HSL 137.9, 0.5%, 0.48%

LAB 66.95, -53.02, 34.32

 

CMYK 48 / 67 / 0 / 28

HEX #5F3DB7

RGB 95 61 183

HSL 256.72, 0.5%, 0.48%

LAB 36.35, 44.18, -59.59

 

CMYK 0 / 48 / 67 / 28

HEX #B75F3D

RGB 183 95 61

HSL 16.72, 0.5%, 0.48%

LAB 50.2, 32.69, 35.13

 

CMYK 67 / 0 / 47 / 27

HEX #3DB962

RGB 61 185 98

HSL 137.9, 0.5%, 0.48%

LAB 66.95, -53.02, 34.32

 

CMYK 67 / 32 / 0 / 28

HEX #3D7CB7

RGB 61 124 183

HSL 209.02, 0.5%, 0.48%

LAB 50.48, -1.15, -37.06

 

CMYK 0 / 67 / 19 / 28

HEX #B73D94

RGB 183 61 148

HSL 317.21, 0.5%, 0.48%

LAB 46.37, 57.99, -22.05

 

CMYK 0 / 34 / 67 / 28

HEX #B7783D

RGB 183 120 61

HSL 29.02, 0.5%, 0.48%

LAB 55.92, 19.02, 41.7

 

CMYK 67 / 0 / 47 / 27

HEX #3DB962

RGB 61 185 98

HSL 137.9, 0.5%, 0.48%

LAB 66.95, -53.02, 34.32

 

CMYK 67 / 52 / 0 / 28

HEX #3D57B7

RGB 61 87 183

HSL 227.21, 0.5%, 0.48%

LAB 39.96, 22.09, -53.84

 

CMYK 0 / 67 / 19 / 28

HEX #B73D94

RGB 183 61 148

HSL 317.21, 0.5%, 0.48%

LAB 46.37, 57.99, -22.05

 

CMYK 0 / 14 / 67 / 28

HEX #B79D3D

RGB 183 157 61

HSL 47.21, 0.5%, 0.48%

LAB 65.37, -1.36, 52

 

Description

Color code: RGB 61 185 98 | qconv.com Color code: RGB 61 185 98 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 185 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 185 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 47 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 47% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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