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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 183 173 it is the complementary color RGB 194 72 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 183 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 183 173 shade: RGB 66 183 168, RGB 83 201 187, RGB 100 219 206, RGB 117 237 225 and RGB 134 255 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 183 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 183 173 shade: RGB 61 183 173, RGB 44 165 154, RGB 27 147 135, RGB 10 129 116 and RGB 0 111 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 183 173 shade: RGB 61 183 173, RGB 61 183 140, RGB 61 183 107, RGB 61 183 74 and RGB 80 183 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 183 173 shade: RGB 61 183 173, RGB 61 160 183, RGB 61 127 183, RGB 61 94 183 and RGB 61 61 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 183 173 shade matches the following richer shades: RGB 61 183 173, RGB 41 203 190, RGB 21 223 206 and RGB 1 243 223

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 183 173 shade: RGB 61 183 173, RGB 81 163 157, RGB 100 143 140, RGB 120 124 123 and RGB 140 104 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 183 173 shade: RGB 61 183 108, RGB 61 183 140, RGB 61 183 173, RGB 61 161 183 and RGB 61 128 183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 183 173 shade: RGB 40 121 115, RGB 50 152 144, RGB 61 183 173, RGB 87 199 189 and RGB 117 209 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 183 173 shade: RGB 61 183 173, RGB 75 61 183 and RGB 183 124 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 183 173 shade: RGB 61 183 173, RGB 173 61 183 and RGB 183 173 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 183 173 shade: RGB 61 183 173, RGB 75 61 183, RGB 183 61 71 and RGB 169 183 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 183 173 shade: RGB 61 183 173, RGB 112 61 183, RGB 183 61 71 and RGB 132 183 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 5 / 28

HEX #3DB7AD

RGB 61 183 173

HSL 175.08, 0.5%, 0.48%

LAB 67.93, -35.53, -4.77

 

Complementary color

CMYK 0 / 63 / 58 / 24

HEX #C24852

RGB 194 72 82

HSL 355.08, 0.5%, 0.52%

LAB 47.9, 49.53, 20.43

 

CMYK 64 / 0 / 8 / 28

HEX #42B7A8

RGB 66 183 168

HSL 172.31, 0.47%, 0.49%

LAB 67.91, -36.08, -2.02

 

CMYK 59 / 0 / 7 / 21

HEX #53C9BB

RGB 83 201 187

HSL 172.88, 0.52%, 0.56%

LAB 74.32, -36.38, -2.94

 

CMYK 54 / 0 / 6 / 14

HEX #64DBCE

RGB 100 219 206

HSL 173.45, 0.62%, 0.63%

LAB 80.64, -36.55, -3.79

 

CMYK 51 / 0 / 5 / 7

HEX #75EDE1

RGB 117 237 225

HSL 174, 0.77%, 0.69%

LAB 86.89, -36.64, -4.57

 

CMYK 47 / 0 / 4 / 0

HEX #86FFF4

RGB 134 255 244

HSL 174.55, 1%, 0.76%

LAB 93.07, -36.67, -5.3

 

CMYK 67 / 0 / 5 / 28

HEX #3DB7AD

RGB 61 183 173

HSL 175.08, 0.5%, 0.48%

LAB 67.93, -35.53, -4.77

 

CMYK 73 / 0 / 7 / 35

HEX #2CA59A

RGB 44 165 154

HSL 174.55, 0.58%, 0.41%

LAB 61.46, -34.89, -3.77

 

CMYK 82 / 0 / 8 / 42

HEX #1B9387

RGB 27 147 135

HSL 174, 0.69%, 0.34%

LAB 54.92, -33.93, -2.64

 

CMYK 92 / 0 / 10 / 49

HEX #0A8174

RGB 10 129 116

HSL 173.45, 0.86%, 0.27%

LAB 48.29, -32.52, -1.35

 

CMYK 100 / 0 / 13 / 56

HEX #006F61

RGB 0 111 97

HSL 172.43, 1%, 0.22%

LAB 41.58, -30.53, 0.15

 

CMYK 67 / 0 / 5 / 28

HEX #3DB7AD

RGB 61 183 173

HSL 175.08, 0.5%, 0.48%

LAB 67.93, -35.53, -4.77

 

CMYK 67 / 0 / 23 / 28

HEX #3DB78C

RGB 61 183 140

HSL 158.85, 0.5%, 0.48%

LAB 67.09, -43.92, 12.17

 

CMYK 67 / 0 / 42 / 28

HEX #3DB76B

RGB 61 183 107

HSL 142.62, 0.5%, 0.48%

LAB 66.46, -50.72, 29.03

 

CMYK 67 / 0 / 60 / 28

HEX #3DB74A

RGB 61 183 74

HSL 126.39, 0.5%, 0.48%

LAB 66.02, -55.69, 44.89

 

CMYK 56 / 0 / 67 / 28

HEX #50B73D

RGB 80 183 61

HSL 110.66, 0.5%, 0.48%

LAB 66.45, -52.72, 51.22

 

CMYK 67 / 0 / 5 / 28

HEX #3DB7AD

RGB 61 183 173

HSL 175.08, 0.5%, 0.48%

LAB 67.93, -35.53, -4.77

 

CMYK 67 / 13 / 0 / 28

HEX #3DA0B7

RGB 61 160 183

HSL 191.31, 0.5%, 0.48%

LAB 61.27, -21.27, -20.35

 

CMYK 67 / 31 / 0 / 28

HEX #3D7FB7

RGB 61 127 183

HSL 207.54, 0.5%, 0.48%

LAB 51.37, -2.93, -35.67

 

CMYK 67 / 49 / 0 / 28

HEX #3D5EB7

RGB 61 94 183

HSL 223.77, 0.5%, 0.48%

LAB 41.87, 17.57, -50.76

 

CMYK 67 / 67 / 0 / 28

HEX #3D3DB7

RGB 61 61 183

HSL 240, 0.5%, 0.48%

LAB 33.45, 38.65, -64.43

 

CMYK 67 / 0 / 5 / 28

HEX #3DB7AD

RGB 61 183 173

HSL 175.08, 0.5%, 0.48%

LAB 67.93, -35.53, -4.77

 

CMYK 80 / 0 / 6 / 20

HEX #29CBBE

RGB 41 203 190

HSL 175.19, 0.66%, 0.48%

LAB 74.13, -42.22, -4.95

 

CMYK 91 / 0 / 8 / 13

HEX #15DFCE

RGB 21 223 206

HSL 174.95, 0.83%, 0.48%

LAB 80.4, -47.7, -4.31

 

CMYK 100 / 0 / 8 / 5

HEX #01F3DF

RGB 1 243 223

HSL 175.04, 0.99%, 0.48%

LAB 86.72, -51.96, -3.99

 

CMYK 67 / 0 / 5 / 28

HEX #3DB7AD

RGB 61 183 173

HSL 175.08, 0.5%, 0.48%

LAB 67.93, -35.53, -4.77

 

CMYK 50 / 0 / 4 / 36

HEX #51A39D

RGB 81 163 157

HSL 175.61, 0.34%, 0.48%

LAB 61.98, -26.46, -4.58

 

CMYK 30 / 0 / 2 / 44

HEX #648F8C

RGB 100 143 140

HSL 175.81, 0.18%, 0.48%

LAB 56.33, -15.33, -3.14

 

CMYK 3 / 0 / 1 / 51

HEX #787C7B

RGB 120 124 123

HSL 165, 0.02%, 0.48%

LAB 51.65, -1.7, 0.02

 

CMYK 0 / 26 / 24 / 45

HEX #8C686B

RGB 140 104 107

HSL 355, 0.15%, 0.48%

LAB 47.67, 14.9, 3.95

 

CMYK 67 / 0 / 41 / 28

HEX #3DB76C

RGB 61 183 108

HSL 143.11, 0.5%, 0.48%

LAB 66.48, -50.54, 28.53

 

CMYK 67 / 0 / 23 / 28

HEX #3DB78C

RGB 61 183 140

HSL 158.85, 0.5%, 0.48%

LAB 67.09, -43.92, 12.17

 

CMYK 67 / 0 / 5 / 28

HEX #3DB7AD

RGB 61 183 173

HSL 175.08, 0.5%, 0.48%

LAB 67.93, -35.53, -4.77

 

CMYK 67 / 12 / 0 / 28

HEX #3DA1B7

RGB 61 161 183

HSL 190.82, 0.5%, 0.48%

LAB 61.57, -21.79, -19.89

 

CMYK 67 / 30 / 0 / 28

HEX #3D80B7

RGB 61 128 183

HSL 207.05, 0.5%, 0.48%

LAB 51.67, -3.52, -35.2

 

CMYK 67 / 0 / 5 / 53

HEX #287973

RGB 40 121 115

HSL 175.56, 0.5%, 0.32%

LAB 46.13, -25.57, -3.89

 

CMYK 67 / 0 / 5 / 40

HEX #329890

RGB 50 152 144

HSL 175.29, 0.5%, 0.4%

LAB 57.22, -30.73, -4.35

 

CMYK 67 / 0 / 5 / 28

HEX #3DB7AD

RGB 61 183 173

HSL 175.08, 0.5%, 0.48%

LAB 67.93, -35.53, -4.77

 

CMYK 56 / 0 / 5 / 22

HEX #57C7BD

RGB 87 199 189

HSL 174.64, 0.5%, 0.56%

LAB 73.9, -34.17, -4.63

 

CMYK 44 / 0 / 4 / 18

HEX #75D1C9

RGB 117 209 201

HSL 174.78, 0.5%, 0.64%

LAB 78.23, -29.35, -4.6

 

CMYK 67 / 0 / 5 / 28

HEX #3DB7AD

RGB 61 183 173

HSL 175.08, 0.5%, 0.48%

LAB 67.93, -35.53, -4.77

 

CMYK 59 / 67 / 0 / 28

HEX #4B3DB7

RGB 75 61 183

HSL 246.89, 0.5%, 0.48%

LAB 34.5, 40.71, -62.67

 

CMYK 0 / 32 / 67 / 28

HEX #B77C3D

RGB 183 124 61

HSL 30.98, 0.5%, 0.48%

LAB 56.9, 16.79, 42.8

 

CMYK 67 / 0 / 5 / 28

HEX #3DB7AD

RGB 61 183 173

HSL 175.08, 0.5%, 0.48%

LAB 67.93, -35.53, -4.77

 

CMYK 5 / 67 / 0 / 28

HEX #AD3DB7

RGB 173 61 183

HSL 295.08, 0.5%, 0.48%

LAB 46.5, 61.1, -42.72

 

CMYK 0 / 5 / 67 / 28

HEX #B7AD3D

RGB 183 173 61

HSL 55.08, 0.5%, 0.48%

LAB 69.68, -9.84, 56.5

 

CMYK 67 / 0 / 5 / 28

HEX #3DB7AD

RGB 61 183 173

HSL 175.08, 0.5%, 0.48%

LAB 67.93, -35.53, -4.77

 

CMYK 59 / 67 / 0 / 28

HEX #4B3DB7

RGB 75 61 183

HSL 246.89, 0.5%, 0.48%

LAB 34.5, 40.71, -62.67

 

CMYK 0 / 67 / 61 / 28

HEX #B73D47

RGB 183 61 71

HSL 355.08, 0.5%, 0.48%

LAB 44.03, 49.79, 21.67

 

CMYK 8 / 0 / 67 / 28

HEX #A9B73D

RGB 169 183 61

HSL 66.89, 0.5%, 0.48%

LAB 71.31, -20.92, 57.82

 

CMYK 67 / 0 / 5 / 28

HEX #3DB7AD

RGB 61 183 173

HSL 175.08, 0.5%, 0.48%

LAB 67.93, -35.53, -4.77

 

CMYK 39 / 67 / 0 / 28

HEX #703DB7

RGB 112 61 183

HSL 265.08, 0.5%, 0.48%

LAB 38.2, 47.52, -56.49

 

CMYK 0 / 67 / 61 / 28

HEX #B73D47

RGB 183 61 71

HSL 355.08, 0.5%, 0.48%

LAB 44.03, 49.79, 21.67

 

CMYK 28 / 0 / 67 / 28

HEX #84B73D

RGB 132 183 61

HSL 85.08, 0.5%, 0.48%

LAB 68.83, -35.79, 54.47

 

Description

Color code: RGB 61 183 173 | qconv.com Color code: RGB 61 183 173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 183 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 183 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 5 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 5% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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