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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 182 250 it is the complementary color RGB 194 73 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 182 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 182 250 shade: RGB 66 182 245, RGB 83 200 255, RGB 100 218 255, RGB 117 236 255 and RGB 134 254 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 182 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 182 250 shade: RGB 61 182 250, RGB 44 164 231, RGB 27 146 212, RGB 10 128 193 and RGB 0 110 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 182 250 shade: RGB 61 182 250, RGB 61 131 250, RGB 61 80 250, RGB 92 61 250 and RGB 143 61 250

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 182 250 shade: RGB 61 182 250, RGB 61 131 250, RGB 61 80 250 and RGB 61 61 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 182 250 shade matches the following richer shades: RGB 61 182 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 182 250 shade: RGB 61 182 250, RGB 77 177 233, RGB 93 173 217, RGB 109 168 201 and RGB 125 163 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 182 250 shade: RGB 61 250 215, RGB 61 234 250, RGB 61 183 250, RGB 61 133 250 and RGB 61 83 250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 182 250 shade: RGB 5 144 222, RGB 20 166 248, RGB 61 182 250, RGB 101 197 251 and RGB 141 212 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 182 250 shade: RGB 61 182 250, RGB 164 61 250 and RGB 250 240 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 182 250 shade: RGB 61 182 250, RGB 250 61 183 and RGB 183 250 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 182 250 shade: RGB 61 182 250, RGB 164 61 250, RGB 250 127 61 and RGB 146 250 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 182 250 shade: RGB 61 182 250, RGB 221 61 250, RGB 250 127 61 and RGB 89 250 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 27 / 0 / 2

HEX #3DB6FA

RGB 61 182 250

HSL 201.59, 0.95%, 0.61%

LAB 70.42, -11.05, -43.13

 

Complementary color

CMYK 0 / 62 / 97 / 24

HEX #C24905

RGB 194 73 5

HSL 21.59, 0.95%, 0.39%

LAB 47.29, 46.07, 56.54

 

CMYK 73 / 26 / 0 / 4

HEX #42B6F5

RGB 66 182 245

HSL 201.12, 0.9%, 0.61%

LAB 70.32, -12.14, -40.57

 

CMYK 67 / 22 / 0 / 0

HEX #53C8FF

RGB 83 200 255

HSL 199.19, 1%, 0.66%

LAB 76.29, -16.16, -36.63

 

CMYK 61 / 15 / 0 / 0

HEX #64DAFF

RGB 100 218 255

HSL 194.32, 1%, 0.7%

LAB 81.88, -22.67, -27.99

 

CMYK 54 / 7 / 0 / 0

HEX #75ECFF

RGB 117 236 255

HSL 188.26, 1%, 0.73%

LAB 87.48, -28.42, -19.42

 

CMYK 47 / 0 / 0 / 0

HEX #86FEFF

RGB 134 254 255

HSL 180.5, 1%, 0.76%

LAB 93.09, -33.52, -10.96

 

CMYK 76 / 27 / 0 / 2

HEX #3DB6FA

RGB 61 182 250

HSL 201.59, 0.95%, 0.61%

LAB 70.42, -11.05, -43.13

 

CMYK 81 / 29 / 0 / 9

HEX #2CA4E7

RGB 44 164 231

HSL 201.5, 0.8%, 0.54%

LAB 64.04, -9.43, -42.79

 

CMYK 87 / 31 / 0 / 17

HEX #1B92D4

RGB 27 146 212

HSL 201.41, 0.77%, 0.47%

LAB 57.6, -7.42, -42.38

 

CMYK 95 / 34 / 0 / 24

HEX #0A80C1

RGB 10 128 193

HSL 201.31, 0.9%, 0.4%

LAB 51.1, -4.93, -41.9

 

CMYK 100 / 37 / 0 / 32

HEX #006EAE

RGB 0 110 174

HSL 202.07, 1%, 0.34%

LAB 44.53, -1.87, -41.33

 

CMYK 76 / 27 / 0 / 2

HEX #3DB6FA

RGB 61 182 250

HSL 201.59, 0.95%, 0.61%

LAB 70.42, -11.05, -43.13

 

CMYK 76 / 48 / 0 / 2

HEX #3D83FA

RGB 61 131 250

HSL 217.78, 0.95%, 0.61%

LAB 56.21, 18.61, -65.7

 

CMYK 76 / 68 / 0 / 2

HEX #3D50FA

RGB 61 80 250

HSL 233.97, 0.95%, 0.61%

LAB 43.7, 49.89, -86.09

 

CMYK 63 / 76 / 0 / 2

HEX #5C3DFA

RGB 92 61 250

HSL 249.84, 0.95%, 0.61%

LAB 42.02, 63, -88.78

 

CMYK 43 / 76 / 0 / 2

HEX #8F3DFA

RGB 143 61 250

HSL 266.03, 0.95%, 0.61%

LAB 47.08, 69.49, -80.29

 

CMYK 76 / 27 / 0 / 2

HEX #3DB6FA

RGB 61 182 250

HSL 201.59, 0.95%, 0.61%

LAB 70.42, -11.05, -43.13

 

CMYK 76 / 48 / 0 / 2

HEX #3D83FA

RGB 61 131 250

HSL 217.78, 0.95%, 0.61%

LAB 56.21, 18.61, -65.7

 

CMYK 76 / 68 / 0 / 2

HEX #3D50FA

RGB 61 80 250

HSL 233.97, 0.95%, 0.61%

LAB 43.7, 49.89, -86.09

 

CMYK 76 / 76 / 0 / 2

HEX #3D3DFA

RGB 61 61 250

HSL 240, 0.95%, 0.61%

LAB 39.97, 60.3, -92.25

 

CMYK 76 / 27 / 0 / 2

HEX #3DB6FA

RGB 61 182 250

HSL 201.59, 0.95%, 0.61%

LAB 70.42, -11.05, -43.13

 

CMYK 76 / 27 / 0 / 2

HEX #3DB6FA

RGB 61 182 250

HSL 201.59, 0.95%, 0.61%

LAB 70.42, -11.05, -43.13

 

CMYK 67 / 24 / 0 / 9

HEX #4DB1E9

RGB 77 177 233

HSL 201.54, 0.78%, 0.61%

LAB 68.68, -11.86, -36.57

 

CMYK 57 / 20 / 0 / 15

HEX #5DADD9

RGB 93 173 217

HSL 201.29, 0.62%, 0.61%

LAB 67.44, -11.9, -29.68

 

CMYK 46 / 16 / 0 / 21

HEX #6DA8C9

RGB 109 168 201

HSL 201.52, 0.46%, 0.61%

LAB 66.12, -10.32, -22.83

 

CMYK 32 / 12 / 0 / 27

HEX #7DA3B9

RGB 125 163 185

HSL 202, 0.3%, 0.61%

LAB 65.01, -7.56, -15.53

 

CMYK 76 / 0 / 14 / 2

HEX #3DFAD7

RGB 61 250 215

HSL 168.89, 0.95%, 0.61%

LAB 89.05, -53.59, 3.65

 

CMYK 76 / 6 / 0 / 2

HEX #3DEAFA

RGB 61 234 250

HSL 185.08, 0.95%, 0.61%

LAB 85.37, -37.12, -20.12

 

CMYK 76 / 27 / 0 / 2

HEX #3DB7FA

RGB 61 183 250

HSL 201.27, 0.95%, 0.61%

LAB 70.71, -11.59, -42.68

 

CMYK 76 / 47 / 0 / 2

HEX #3D85FA

RGB 61 133 250

HSL 217.14, 0.95%, 0.61%

LAB 56.75, 17.38, -64.84

 

CMYK 76 / 67 / 0 / 2

HEX #3D53FA

RGB 61 83 250

HSL 233.02, 0.95%, 0.61%

LAB 44.35, 48.14, -85.02

 

CMYK 98 / 35 / 0 / 13

HEX #0590DE

RGB 5 144 222

HSL 201.57, 0.96%, 0.45%

LAB 57.32, -3.47, -48.44

 

CMYK 92 / 33 / 0 / 3

HEX #14A6F8

RGB 20 166 248

HSL 201.58, 0.94%, 0.53%

LAB 65.12, -5.97, -50.43

 

CMYK 76 / 27 / 0 / 2

HEX #3DB6FA

RGB 61 182 250

HSL 201.59, 0.95%, 0.61%

LAB 70.42, -11.05, -43.13

 

CMYK 60 / 22 / 0 / 2

HEX #65C5FB

RGB 101 197 251

HSL 201.6, 0.95%, 0.69%

LAB 75.86, -12.88, -35.11

 

CMYK 44 / 16 / 0 / 1

HEX #8DD4FC

RGB 141 212 252

HSL 201.62, 0.95%, 0.77%

LAB 81.72, -12, -26.5

 

CMYK 76 / 27 / 0 / 2

HEX #3DB6FA

RGB 61 182 250

HSL 201.59, 0.95%, 0.61%

LAB 70.42, -11.05, -43.13

 

CMYK 34 / 76 / 0 / 2

HEX #A43DFA

RGB 164 61 250

HSL 272.7, 0.95%, 0.61%

LAB 49.66, 72.75, -75.97

 

CMYK 0 / 4 / 76 / 2

HEX #FAF03D

RGB 250 240 61

HSL 56.83, 0.95%, 0.61%

LAB 93.01, -15.27, 80.95

 

CMYK 76 / 27 / 0 / 2

HEX #3DB6FA

RGB 61 182 250

HSL 201.59, 0.95%, 0.61%

LAB 70.42, -11.05, -43.13

 

CMYK 0 / 76 / 27 / 2

HEX #FA3DB7

RGB 250 61 183

HSL 321.27, 0.95%, 0.61%

LAB 59.05, 79.17, -22.19

 

CMYK 27 / 0 / 76 / 2

HEX #B7FA3D

RGB 183 250 61

HSL 81.27, 0.95%, 0.61%

LAB 91.13, -46.25, 77.56

 

CMYK 76 / 27 / 0 / 2

HEX #3DB6FA

RGB 61 182 250

HSL 201.59, 0.95%, 0.61%

LAB 70.42, -11.05, -43.13

 

CMYK 34 / 76 / 0 / 2

HEX #A43DFA

RGB 164 61 250

HSL 272.7, 0.95%, 0.61%

LAB 49.66, 72.75, -75.97

 

CMYK 0 / 49 / 76 / 2

HEX #FA7F3D

RGB 250 127 61

HSL 20.95, 0.95%, 0.61%

LAB 66.4, 42.61, 55.56

 

CMYK 42 / 0 / 76 / 2

HEX #92FA3D

RGB 146 250 61

HSL 93.02, 0.95%, 0.61%

LAB 89.31, -58.86, 75.19

 

CMYK 76 / 27 / 0 / 2

HEX #3DB6FA

RGB 61 182 250

HSL 201.59, 0.95%, 0.61%

LAB 70.42, -11.05, -43.13

 

CMYK 12 / 76 / 0 / 2

HEX #DD3DFA

RGB 221 61 250

HSL 290.79, 0.95%, 0.61%

LAB 57.67, 82.69, -62.62

 

CMYK 0 / 49 / 76 / 2

HEX #FA7F3D

RGB 250 127 61

HSL 20.95, 0.95%, 0.61%

LAB 66.4, 42.61, 55.56

 

CMYK 64 / 0 / 76 / 2

HEX #59FA3D

RGB 89 250 61

HSL 111.11, 0.95%, 0.61%

LAB 87.4, -73.69, 72.69

 

Description

Color code: RGB 61 182 250 | qconv.com Color code: RGB 61 182 250 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 182 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 182 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 27 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 27% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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