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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 180 197 it is the complementary color RGB 194 75 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 180 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 180 197 shade: RGB 66 180 192, RGB 83 198 211, RGB 100 216 230, RGB 117 234 249 and RGB 134 252 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 180 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 180 197 shade: RGB 61 180 197, RGB 44 162 178, RGB 27 144 159, RGB 10 126 140 and RGB 0 108 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 180 197 shade: RGB 62 180 197, RGB 62 144 197, RGB 62 107 197, RGB 62 71 197 and RGB 90 62 197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 180 197 shade: RGB 62 180 197, RGB 62 144 197, RGB 62 107 197, RGB 62 71 197 and RGB 62 62 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 180 197 shade matches the following richer shades: RGB 62 180 197, RGB 42 195 217 and RGB 22 210 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 180 197 shade: RGB 62 180 197, RGB 82 165 177, RGB 103 150 157, RGB 123 135 136 and RGB 143 120 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 180 197 shade: RGB 62 197 141, RGB 62 197 177, RGB 62 181 197, RGB 62 145 197 and RGB 62 109 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 180 197 shade: RGB 40 124 136, RGB 50 153 168, RGB 62 180 197, RGB 94 192 207 and RGB 126 205 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 180 197 shade: RGB 61 180 197, RGB 105 62 197 and RGB 197 159 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 180 197 shade: RGB 61 180 197, RGB 197 62 181 and RGB 181 197 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 180 197 shade: RGB 61 180 197, RGB 105 62 197, RGB 197 78 62 and RGB 154 197 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 180 197 shade: RGB 61 180 197, RGB 145 62 197, RGB 197 78 62 and RGB 114 197 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 9 / 0 / 23

HEX #3DB4C5

RGB 61 180 197

HSL 187.5, 0.54%, 0.51%

LAB 67.77, -27.12, -18.25

 

Complementary color

CMYK 0 / 61 / 70 / 24

HEX #C24B3A

RGB 194 75 58

HSL 7.5, 0.54%, 0.49%

LAB 48.02, 46.67, 34.68

 

CMYK 66 / 6 / 0 / 25

HEX #42B4C0

RGB 66 180 192

HSL 185.71, 0.5%, 0.51%

LAB 67.73, -27.88, -15.54

 

CMYK 61 / 6 / 0 / 17

HEX #53C6D3

RGB 83 198 211

HSL 186.09, 0.59%, 0.58%

LAB 74.15, -28.41, -16.21

 

CMYK 57 / 6 / 0 / 10

HEX #64D8E6

RGB 100 216 230

HSL 186.46, 0.72%, 0.65%

LAB 80.48, -28.79, -16.83

 

CMYK 53 / 6 / 0 / 2

HEX #75EAF9

RGB 117 234 249

HSL 186.82, 0.92%, 0.72%

LAB 86.73, -29.07, -17.4

 

CMYK 47 / 1 / 0 / 0

HEX #86FCFF

RGB 134 252 255

HSL 181.49, 1%, 0.76%

LAB 92.53, -32.58, -11.78

 

CMYK 69 / 9 / 0 / 23

HEX #3DB4C5

RGB 61 180 197

HSL 187.5, 0.54%, 0.51%

LAB 67.77, -27.12, -18.25

 

CMYK 75 / 9 / 0 / 30

HEX #2CA2B2

RGB 44 162 178

HSL 187.16, 0.6%, 0.44%

LAB 61.3, -26.22, -17.52

 

CMYK 83 / 9 / 0 / 38

HEX #1B909F

RGB 27 144 159

HSL 186.82, 0.71%, 0.36%

LAB 54.74, -24.98, -16.71

 

CMYK 93 / 10 / 0 / 45

HEX #0A7E8C

RGB 10 126 140

HSL 186.46, 0.87%, 0.29%

LAB 48.11, -23.29, -15.77

 

CMYK 100 / 11 / 0 / 53

HEX #006C79

RGB 0 108 121

HSL 186.45, 1%, 0.24%

LAB 41.38, -21.03, -14.68

 

CMYK 69 / 9 / 0 / 23

HEX #3EB4C5

RGB 62 180 197

HSL 187.56, 0.54%, 0.51%

LAB 67.8, -26.98, -18.21

 

CMYK 69 / 27 / 0 / 23

HEX #3E90C5

RGB 62 144 197

HSL 203.56, 0.54%, 0.51%

LAB 57.08, -7.82, -34.71

 

CMYK 69 / 46 / 0 / 23

HEX #3E6BC5

RGB 62 107 197

HSL 220, 0.54%, 0.51%

LAB 46.41, 14.49, -51.6

 

CMYK 69 / 64 / 0 / 23

HEX #3E47C5

RGB 62 71 197

HSL 236, 0.54%, 0.51%

LAB 37.04, 37.4, -66.77

 

CMYK 54 / 69 / 0 / 23

HEX #5A3EC5

RGB 90 62 197

HSL 252.44, 0.54%, 0.51%

LAB 37.21, 46.83, -66.42

 

CMYK 69 / 9 / 0 / 23

HEX #3EB4C5

RGB 62 180 197

HSL 187.56, 0.54%, 0.51%

LAB 67.8, -26.98, -18.21

 

CMYK 69 / 27 / 0 / 23

HEX #3E90C5

RGB 62 144 197

HSL 203.56, 0.54%, 0.51%

LAB 57.08, -7.82, -34.71

 

CMYK 69 / 46 / 0 / 23

HEX #3E6BC5

RGB 62 107 197

HSL 220, 0.54%, 0.51%

LAB 46.41, 14.49, -51.6

 

CMYK 69 / 64 / 0 / 23

HEX #3E47C5

RGB 62 71 197

HSL 236, 0.54%, 0.51%

LAB 37.04, 37.4, -66.77

 

CMYK 69 / 69 / 0 / 23

HEX #3E3EC5

RGB 62 62 197

HSL 240, 0.54%, 0.51%

LAB 35, 42.87, -70.11

 

CMYK 69 / 9 / 0 / 23

HEX #3EB4C5

RGB 62 180 197

HSL 187.56, 0.54%, 0.51%

LAB 67.8, -26.98, -18.21

 

CMYK 81 / 10 / 0 / 15

HEX #2AC3D9

RGB 42 195 217

HSL 187.54, 0.7%, 0.51%

LAB 72.58, -30.42, -21.92

 

CMYK 91 / 11 / 0 / 7

HEX #16D2ED

RGB 22 210 237

HSL 187.53, 0.86%, 0.51%

LAB 77.51, -32.57, -25.21

 

CMYK 69 / 9 / 0 / 23

HEX #3EB4C5

RGB 62 180 197

HSL 187.56, 0.54%, 0.51%

LAB 67.8, -26.98, -18.21

 

CMYK 54 / 7 / 0 / 31

HEX #52A5B1

RGB 82 165 177

HSL 187.58, 0.38%, 0.51%

LAB 63.24, -21.76, -13.92

 

CMYK 34 / 4 / 0 / 38

HEX #67969D

RGB 103 150 157

HSL 187.78, 0.22%, 0.51%

LAB 59.09, -13.99, -8.75

 

CMYK 10 / 1 / 0 / 47

HEX #7B8788

RGB 123 135 136

HSL 184.62, 0.05%, 0.51%

LAB 55.4, -4.15, -2.04

 

CMYK 0 / 16 / 19 / 44

HEX #8F7874

RGB 143 120 116

HSL 8.89, 0.11%, 0.51%

LAB 52.44, 8.23, 5.51

 

CMYK 69 / 0 / 28 / 23

HEX #3EC58D

RGB 62 197 141

HSL 155.11, 0.54%, 0.51%

LAB 71.47, -49.33, 17.75

 

CMYK 69 / 0 / 10 / 23

HEX #3EC5B1

RGB 62 197 177

HSL 171.11, 0.54%, 0.51%

LAB 72.32, -40.66, -0.51

 

CMYK 69 / 8 / 0 / 23

HEX #3EB5C5

RGB 62 181 197

HSL 187.11, 0.54%, 0.51%

LAB 68.1, -27.48, -17.75

 

CMYK 69 / 26 / 0 / 23

HEX #3E91C5

RGB 62 145 197

HSL 203.11, 0.54%, 0.51%

LAB 57.37, -8.38, -34.25

 

CMYK 69 / 45 / 0 / 23

HEX #3E6DC5

RGB 62 109 197

HSL 219.11, 0.54%, 0.51%

LAB 46.96, 13.23, -50.71

 

CMYK 71 / 9 / 0 / 47

HEX #287C88

RGB 40 124 136

HSL 187.5, 0.55%, 0.35%

LAB 47.81, -20.59, -13.82

 

CMYK 70 / 9 / 0 / 34

HEX #3299A8

RGB 50 153 168

HSL 187.63, 0.54%, 0.43%

LAB 58.31, -24.02, -16.4

 

CMYK 69 / 9 / 0 / 23

HEX #3EB4C5

RGB 62 180 197

HSL 187.56, 0.54%, 0.51%

LAB 67.8, -26.98, -18.21

 

CMYK 55 / 7 / 0 / 19

HEX #5EC0CF

RGB 94 192 207

HSL 187.96, 0.54%, 0.59%

LAB 72.62, -24.52, -16.31

 

CMYK 42 / 5 / 0 / 15

HEX #7ECDD8

RGB 126 205 216

HSL 187.33, 0.54%, 0.67%

LAB 77.91, -21.45, -13.09

 

CMYK 69 / 9 / 0 / 23

HEX #3DB4C5

RGB 61 180 197

HSL 187.5, 0.54%, 0.51%

LAB 67.77, -27.12, -18.25

 

CMYK 47 / 69 / 0 / 23

HEX #693EC5

RGB 105 62 197

HSL 259.11, 0.54%, 0.51%

LAB 38.69, 49.4, -63.94

 

CMYK 0 / 19 / 69 / 23

HEX #C59F3E

RGB 197 159 62

HSL 43.11, 0.54%, 0.51%

LAB 67.29, 3.74, 54

 

CMYK 69 / 9 / 0 / 23

HEX #3DB4C5

RGB 61 180 197

HSL 187.5, 0.54%, 0.51%

LAB 67.77, -27.12, -18.25

 

CMYK 0 / 69 / 8 / 23

HEX #C53EB5

RGB 197 62 181

HSL 307.11, 0.54%, 0.51%

LAB 50.28, 66.06, -35.33

 

CMYK 8 / 0 / 69 / 23

HEX #B5C53E

RGB 181 197 62

HSL 67.11, 0.54%, 0.51%

LAB 76.13, -22.77, 62.63

 

CMYK 69 / 9 / 0 / 23

HEX #3DB4C5

RGB 61 180 197

HSL 187.5, 0.54%, 0.51%

LAB 67.77, -27.12, -18.25

 

CMYK 47 / 69 / 0 / 23

HEX #693EC5

RGB 105 62 197

HSL 259.11, 0.54%, 0.51%

LAB 38.69, 49.4, -63.94

 

CMYK 0 / 60 / 69 / 23

HEX #C54E3E

RGB 197 78 62

HSL 7.11, 0.54%, 0.51%

LAB 49.09, 46.58, 33.8

 

CMYK 22 / 0 / 69 / 23

HEX #9AC53E

RGB 154 197 62

HSL 79.11, 0.54%, 0.51%

LAB 74.29, -33.66, 60.16

 

CMYK 69 / 9 / 0 / 23

HEX #3DB4C5

RGB 61 180 197

HSL 187.5, 0.54%, 0.51%

LAB 67.77, -27.12, -18.25

 

CMYK 26 / 69 / 0 / 23

HEX #913EC5

RGB 145 62 197

HSL 276.89, 0.54%, 0.51%

LAB 43.5, 57.25, -55.91

 

CMYK 0 / 60 / 69 / 23

HEX #C54E3E

RGB 197 78 62

HSL 7.11, 0.54%, 0.51%

LAB 49.09, 46.58, 33.8

 

CMYK 42 / 0 / 69 / 23

HEX #72C53E

RGB 114 197 62

HSL 96.89, 0.54%, 0.51%

LAB 72.13, -48.09, 57.25

 

Description

Color code: RGB 61 180 197 | qconv.com Color code: RGB 61 180 197 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 180 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 180 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 9 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 9% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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