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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 178 100 it is the complementary color RGB 194 77 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 178 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 178 100 shade: RGB 66 178 95, RGB 83 196 114, RGB 100 214 133, RGB 117 232 152 and RGB 134 250 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 178 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 178 100 shade: RGB 61 178 100, RGB 44 160 81, RGB 27 142 62, RGB 10 124 43 and RGB 0 106 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 178 100 shade: RGB 61 178 100, RGB 61 178 68, RGB 85 178 61, RGB 116 178 61 and RGB 148 178 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 178 100 shade: RGB 61 178 100, RGB 61 178 131, RGB 61 178 163, RGB 61 161 178 and RGB 61 130 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 178 100 shade matches the following richer shades: RGB 61 178 100, RGB 41 197 93, RGB 22 217 87 and RGB 2 236 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 178 100 shade: RGB 61 178 100, RGB 80 159 106, RGB 99 139 113, RGB 119 120 119 and RGB 138 101 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 178 100 shade: RGB 84 178 61, RGB 61 178 68, RGB 61 178 100, RGB 61 178 131 and RGB 61 178 162

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 178 100 shade: RGB 40 117 65, RGB 50 147 83, RGB 61 178 100, RGB 84 196 121 and RGB 115 207 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 178 100 shade: RGB 61 178 100, RGB 61 115 178 and RGB 178 61 68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 178 100 shade: RGB 61 178 100, RGB 100 61 178 and RGB 178 100 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 178 100 shade: RGB 61 178 100, RGB 61 115 178, RGB 178 61 139 and RGB 178 123 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 178 100 shade: RGB 61 178 100, RGB 61 80 178, RGB 178 61 139 and RGB 178 159 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 44 / 30

HEX #3DB264

RGB 61 178 100

HSL 140, 0.49%, 0.47%

LAB 64.77, -50.02, 30.49

 

Complementary color

CMYK 0 / 60 / 20 / 24

HEX #C24D9B

RGB 194 77 155

HSL 320, 0.49%, 0.53%

LAB 50.85, 55.33, -19.19

 

CMYK 63 / 0 / 47 / 30

HEX #42B25F

RGB 66 178 95

HSL 135.54, 0.46%, 0.48%

LAB 64.82, -49.83, 33.18

 

CMYK 58 / 0 / 42 / 23

HEX #53C472

RGB 83 196 114

HSL 136.46, 0.49%, 0.55%

LAB 71.24, -50.02, 31.75

 

CMYK 53 / 0 / 38 / 16

HEX #64D685

RGB 100 214 133

HSL 137.37, 0.58%, 0.62%

LAB 77.58, -50.03, 30.4

 

CMYK 50 / 0 / 34 / 9

HEX #75E898

RGB 117 232 152

HSL 138.26, 0.71%, 0.68%

LAB 83.84, -49.94, 29.13

 

CMYK 46 / 0 / 32 / 2

HEX #86FAAB

RGB 134 250 171

HSL 139.14, 0.92%, 0.75%

LAB 90.04, -49.77, 27.94

 

CMYK 66 / 0 / 44 / 30

HEX #3DB264

RGB 61 178 100

HSL 140, 0.49%, 0.47%

LAB 64.77, -50.02, 30.49

 

CMYK 73 / 0 / 49 / 37

HEX #2CA051

RGB 44 160 81

HSL 139.14, 0.57%, 0.4%

LAB 58.29, -49.46, 32.04

 

CMYK 81 / 0 / 56 / 44

HEX #1B8E3E

RGB 27 142 62

HSL 138.26, 0.68%, 0.33%

LAB 51.75, -48.42, 33.67

 

CMYK 92 / 0 / 65 / 51

HEX #0A7C2B

RGB 10 124 43

HSL 137.37, 0.85%, 0.26%

LAB 45.16, -46.62, 35.26

 

CMYK 100 / 0 / 77 / 58

HEX #006A18

RGB 0 106 24

HSL 133.58, 1%, 0.21%

LAB 38.51, -43.69, 36.48

 

CMYK 66 / 0 / 44 / 30

HEX #3DB264

RGB 61 178 100

HSL 140, 0.49%, 0.47%

LAB 64.77, -50.02, 30.49

 

CMYK 66 / 0 / 62 / 30

HEX #3DB244

RGB 61 178 68

HSL 123.59, 0.49%, 0.47%

LAB 64.36, -54.61, 45.72

 

CMYK 52 / 0 / 66 / 30

HEX #55B23D

RGB 85 178 61

HSL 107.69, 0.49%, 0.47%

LAB 65.05, -49.45, 49.75

 

CMYK 35 / 0 / 66 / 30

HEX #74B23D

RGB 116 178 61

HSL 91.79, 0.49%, 0.47%

LAB 66.44, -39.45, 51.66

 

CMYK 17 / 0 / 66 / 30

HEX #94B23D

RGB 148 178 61

HSL 75.38, 0.49%, 0.47%

LAB 68.37, -27.14, 54.29

 

CMYK 66 / 0 / 44 / 30

HEX #3DB264

RGB 61 178 100

HSL 140, 0.49%, 0.47%

LAB 64.77, -50.02, 30.49

 

CMYK 66 / 0 / 26 / 30

HEX #3DB283

RGB 61 178 131

HSL 155.9, 0.49%, 0.47%

LAB 65.34, -43.86, 14.63

 

CMYK 66 / 0 / 8 / 30

HEX #3DB2A3

RGB 61 178 163

HSL 172.31, 0.49%, 0.47%

LAB 66.12, -35.94, -1.91

 

CMYK 66 / 10 / 0 / 30

HEX #3DA1B2

RGB 61 161 178

HSL 188.72, 0.49%, 0.47%

LAB 61.39, -23.34, -17.35

 

CMYK 66 / 27 / 0 / 30

HEX #3D82B2

RGB 61 130 178

HSL 204.62, 0.49%, 0.47%

LAB 52.03, -6.41, -31.76

 

CMYK 66 / 0 / 44 / 30

HEX #3DB264

RGB 61 178 100

HSL 140, 0.49%, 0.47%

LAB 64.77, -50.02, 30.49

 

CMYK 79 / 0 / 53 / 23

HEX #29C55D

RGB 41 197 93

HSL 140, 0.66%, 0.47%

LAB 70.31, -61.11, 40.9

 

CMYK 90 / 0 / 60 / 15

HEX #16D957

RGB 22 217 87

HSL 140, 0.82%, 0.47%

LAB 76.37, -70, 50.83

 

CMYK 99 / 0 / 66 / 7

HEX #02EC50

RGB 2 236 80

HSL 140, 0.98%, 0.47%

LAB 82.15, -77.18, 60.23

 

CMYK 66 / 0 / 44 / 30

HEX #3DB264

RGB 61 178 100

HSL 140, 0.49%, 0.47%

LAB 64.77, -50.02, 30.49

 

CMYK 50 / 0 / 33 / 38

HEX #509F6A

RGB 80 159 106

HSL 139.75, 0.33%, 0.47%

LAB 59.47, -36.55, 20.39

 

CMYK 29 / 0 / 19 / 45

HEX #638B71

RGB 99 139 113

HSL 141, 0.17%, 0.47%

LAB 54.35, -19.57, 9.51

 

CMYK 1 / 0 / 1 / 53

HEX #777877

RGB 119 120 119

HSL 120, 0%, 0.47%

LAB 50.32, -0.58, 0.41

 

CMYK 0 / 27 / 9 / 46

HEX #8A657E

RGB 138 101 126

HSL 319.46, 0.15%, 0.47%

LAB 47.26, 19.18, -8.07

 

CMYK 53 / 0 / 66 / 30

HEX #54B23D

RGB 84 178 61

HSL 108.21, 0.49%, 0.47%

LAB 65.01, -49.73, 49.7

 

CMYK 66 / 0 / 62 / 30

HEX #3DB244

RGB 61 178 68

HSL 123.59, 0.49%, 0.47%

LAB 64.36, -54.61, 45.72

 

CMYK 66 / 0 / 44 / 30

HEX #3DB264

RGB 61 178 100

HSL 140, 0.49%, 0.47%

LAB 64.77, -50.02, 30.49

 

CMYK 66 / 0 / 26 / 30

HEX #3DB283

RGB 61 178 131

HSL 155.9, 0.49%, 0.47%

LAB 65.34, -43.86, 14.63

 

CMYK 66 / 0 / 9 / 30

HEX #3DB2A2

RGB 61 178 162

HSL 171.79, 0.49%, 0.47%

LAB 66.09, -36.21, -1.39

 

CMYK 66 / 0 / 44 / 54

HEX #287541

RGB 40 117 65

HSL 139.48, 0.49%, 0.31%

LAB 43.59, -36, 21.92

 

CMYK 66 / 0 / 44 / 42

HEX #329353

RGB 50 147 83

HSL 140.41, 0.49%, 0.39%

LAB 54.21, -42.97, 25.8

 

CMYK 66 / 0 / 44 / 30

HEX #3DB264

RGB 61 178 100

HSL 140, 0.49%, 0.47%

LAB 64.77, -50.02, 30.49

 

CMYK 57 / 0 / 38 / 23

HEX #54C479

RGB 84 196 121

HSL 139.82, 0.49%, 0.55%

LAB 71.38, -48.58, 28.31

 

CMYK 44 / 0 / 30 / 19

HEX #73CF91

RGB 115 207 145

HSL 139.57, 0.49%, 0.63%

LAB 76.26, -41.03, 22.49

 

CMYK 66 / 0 / 44 / 30

HEX #3DB264

RGB 61 178 100

HSL 140, 0.49%, 0.47%

LAB 64.77, -50.02, 30.49

 

CMYK 66 / 35 / 0 / 30

HEX #3D73B2

RGB 61 115 178

HSL 212.31, 0.49%, 0.47%

LAB 47.58, 2.54, -38.74

 

CMYK 0 / 66 / 62 / 30

HEX #B23D44

RGB 178 61 68

HSL 356.41, 0.49%, 0.47%

LAB 43.09, 47.91, 22.11

 

CMYK 66 / 0 / 44 / 30

HEX #3DB264

RGB 61 178 100

HSL 140, 0.49%, 0.47%

LAB 64.77, -50.02, 30.49

 

CMYK 44 / 66 / 0 / 30

HEX #643DB2

RGB 100 61 178

HSL 260, 0.49%, 0.47%

LAB 36.48, 43.74, -56.38

 

CMYK 0 / 44 / 66 / 30

HEX #B2643D

RGB 178 100 61

HSL 20, 0.49%, 0.47%

LAB 50.59, 27.95, 35.41

 

CMYK 66 / 0 / 44 / 30

HEX #3DB264

RGB 61 178 100

HSL 140, 0.49%, 0.47%

LAB 64.77, -50.02, 30.49

 

CMYK 66 / 35 / 0 / 30

HEX #3D73B2

RGB 61 115 178

HSL 212.31, 0.49%, 0.47%

LAB 47.58, 2.54, -38.74

 

CMYK 0 / 66 / 22 / 30

HEX #B23D8B

RGB 178 61 139

HSL 320, 0.49%, 0.47%

LAB 45.17, 55.34, -18.54

 

CMYK 0 / 31 / 66 / 30

HEX #B27B3D

RGB 178 123 61

HSL 31.79, 0.49%, 0.47%

LAB 56.06, 15.17, 41.69

 

CMYK 66 / 0 / 44 / 30

HEX #3DB264

RGB 61 178 100

HSL 140, 0.49%, 0.47%

LAB 64.77, -50.02, 30.49

 

CMYK 66 / 55 / 0 / 30

HEX #3D50B2

RGB 61 80 178

HSL 230.26, 0.49%, 0.47%

LAB 37.74, 24.84, -54.49

 

CMYK 0 / 66 / 22 / 30

HEX #B23D8B

RGB 178 61 139

HSL 320, 0.49%, 0.47%

LAB 45.17, 55.34, -18.54

 

CMYK 0 / 11 / 66 / 30

HEX #B29F3D

RGB 178 159 61

HSL 50.26, 0.49%, 0.47%

LAB 65.43, -4.63, 51.93

 

Description

Color code: RGB 61 178 100 | qconv.com Color code: RGB 61 178 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 178 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 178 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 44 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 44% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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