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Color name
RGB 61 156 11

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 156 11 it is the complementary color RGB 194 99 244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 156 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 156 11 shade: RGB 66 156 6, RGB 83 174 25, RGB 100 192 44, RGB 117 210 63 and RGB 134 228 82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 156 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 156 11 shade: RGB 61 156 11, RGB 44 138 0, RGB 27 120 0, RGB 10 102 0 and RGB 0 84 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 156 11 shade: RGB 61 157 10, RGB 100 157 10, RGB 140 157 10, RGB 157 134 10 and RGB 157 95 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 156 11 shade: RGB 61 157 10, RGB 21 157 10, RGB 10 157 39, RGB 10 157 78 and RGB 10 157 118

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 156 11 shade matches the following richer shades: RGB 61 157 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 156 11 shade: RGB 61 157 10, RGB 65 143 24, RGB 69 130 38, RGB 74 116 51 and RGB 78 102 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 156 11 shade: RGB 140 157 10, RGB 101 157 10, RGB 62 157 10, RGB 23 157 10 and RGB 10 157 37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 156 11 shade: RGB 31 80 5, RGB 46 118 8, RGB 61 157 10, RGB 76 195 13 and RGB 91 234 16

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 156 11 shade: RGB 61 156 11, RGB 10 157 135 and RGB 157 10 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 156 11 shade: RGB 61 156 11, RGB 10 62 157 and RGB 157 10 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 156 11 shade: RGB 61 156 11, RGB 10 157 135, RGB 106 10 157 and RGB 157 10 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 156 11 shade: RGB 61 156 11, RGB 10 135 157, RGB 106 10 157 and RGB 157 32 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 93 / 39

HEX #3D9C0B

RGB 61 156 11

HSL 99.31, 0.87%, 0.33%

LAB 56.87, -50.85, 57.16

 

Complementary color

CMYK 20 / 59 / 0 / 4

HEX #C263F4

RGB 194 99 244

HSL 279.31, 0.87%, 0.67%

LAB 58.9, 61.09, -57.51

 

CMYK 58 / 0 / 96 / 39

HEX #429C06

RGB 66 156 6

HSL 96, 0.93%, 0.32%

LAB 57.03, -49.65, 58.11

 

CMYK 52 / 0 / 86 / 32

HEX #53AE19

RGB 83 174 25

HSL 96.64, 0.75%, 0.39%

LAB 63.49, -50.91, 60.38

 

CMYK 48 / 0 / 77 / 25

HEX #64C02C

RGB 100 192 44

HSL 97.3, 0.63%, 0.46%

LAB 69.89, -51.74, 61.21

 

CMYK 44 / 0 / 70 / 18

HEX #75D23F

RGB 117 210 63

HSL 97.96, 0.62%, 0.54%

LAB 76.21, -52.26, 61.14

 

CMYK 41 / 0 / 64 / 11

HEX #86E452

RGB 134 228 82

HSL 98.63, 0.73%, 0.61%

LAB 82.47, -52.57, 60.56

 

CMYK 61 / 0 / 93 / 39

HEX #3D9C0B

RGB 61 156 11

HSL 99.31, 0.87%, 0.33%

LAB 56.87, -50.85, 57.16

 

CMYK 68 / 0 / 100 / 46

HEX #2C8A00

RGB 44 138 0

HSL 100.87, 1%, 0.27%

LAB 50.35, -48.95, 53.47

 

CMYK 78 / 0 / 100 / 53

HEX #1B7800

RGB 27 120 0

HSL 106.5, 1%, 0.24%

LAB 43.75, -46.29, 48.05

 

CMYK 90 / 0 / 100 / 60

HEX #0A6600

RGB 10 102 0

HSL 114.12, 1%, 0.2%

LAB 37.05, -42.89, 42.59

 

CMYK 100 / 0 / 100 / 67

HEX #005400

RGB 0 84 0

HSL 120, 1%, 0.16%

LAB 30.26, -38.43, 37.09

 

CMYK 61 / 0 / 94 / 38

HEX #3D9D0A

RGB 61 157 10

HSL 99.18, 0.88%, 0.33%

LAB 57.2, -51.23, 57.59

 

CMYK 36 / 0 / 94 / 38

HEX #649D0A

RGB 100 157 10

HSL 83.27, 0.88%, 0.33%

LAB 58.83, -38.82, 59.6

 

CMYK 11 / 0 / 94 / 38

HEX #8C9D0A

RGB 140 157 10

HSL 66.94, 0.88%, 0.33%

LAB 61.4, -22.39, 62.74

 

CMYK 0 / 15 / 94 / 38

HEX #9D860A

RGB 157 134 10

HSL 50.61, 0.88%, 0.33%

LAB 56.33, -2.52, 59.45

 

CMYK 0 / 39 / 94 / 38

HEX #9D5F0A

RGB 157 95 10

HSL 34.69, 0.88%, 0.33%

LAB 46.14, 19.55, 51.83

 

CMYK 61 / 0 / 94 / 38

HEX #3D9D0A

RGB 61 157 10

HSL 99.18, 0.88%, 0.33%

LAB 57.2, -51.23, 57.59

 

CMYK 87 / 0 / 94 / 38

HEX #159D0A

RGB 21 157 10

HSL 115.51, 0.88%, 0.33%

LAB 56.38, -58.26, 56.57

 

CMYK 94 / 0 / 75 / 38

HEX #0A9D27

RGB 10 157 39

HSL 131.84, 0.88%, 0.33%

LAB 56.41, -57.52, 48.94

 

CMYK 94 / 0 / 50 / 38

HEX #0A9D4E

RGB 10 157 78

HSL 147.76, 0.88%, 0.33%

LAB 56.81, -52.59, 31.64

 

CMYK 94 / 0 / 25 / 38

HEX #0A9D76

RGB 10 157 118

HSL 164.08, 0.88%, 0.33%

LAB 57.55, -44.12, 10.8

 

CMYK 61 / 0 / 94 / 38

HEX #3D9D0A

RGB 61 157 10

HSL 99.18, 0.88%, 0.33%

LAB 57.2, -51.23, 57.59

 

CMYK 61 / 0 / 94 / 38

HEX #3D9D0A

RGB 61 157 10

HSL 99.18, 0.88%, 0.33%

LAB 57.2, -51.23, 57.59

 

CMYK 55 / 0 / 83 / 44

HEX #418F18

RGB 65 143 24

HSL 99.33, 0.71%, 0.33%

LAB 52.77, -44.42, 50.75

 

CMYK 47 / 0 / 71 / 49

HEX #458226

RGB 69 130 38

HSL 99.78, 0.55%, 0.33%

LAB 48.72, -36.9, 41.84

 

CMYK 36 / 0 / 56 / 55

HEX #4A7433

RGB 74 116 51

HSL 98.77, 0.39%, 0.33%

LAB 44.5, -27.37, 31.01

 

CMYK 24 / 0 / 36 / 60

HEX #4E6641

RGB 78 102 65

HSL 98.92, 0.22%, 0.33%

LAB 40.42, -16.57, 18.1

 

CMYK 11 / 0 / 94 / 38

HEX #8C9D0A

RGB 140 157 10

HSL 66.94, 0.88%, 0.33%

LAB 61.4, -22.39, 62.74

 

CMYK 36 / 0 / 94 / 38

HEX #659D0A

RGB 101 157 10

HSL 82.86, 0.88%, 0.33%

LAB 58.88, -38.44, 59.66

 

CMYK 61 / 0 / 94 / 38

HEX #3E9D0A

RGB 62 157 10

HSL 98.78, 0.88%, 0.33%

LAB 57.23, -50.98, 57.63

 

CMYK 85 / 0 / 94 / 38

HEX #179D0A

RGB 23 157 10

HSL 114.69, 0.88%, 0.33%

LAB 56.4, -58.06, 56.6

 

CMYK 94 / 0 / 76 / 38

HEX #0A9D25

RGB 10 157 37

HSL 131.02, 0.88%, 0.33%

LAB 56.4, -57.69, 49.65

 

CMYK 61 / 0 / 94 / 69

HEX #1F5005

RGB 31 80 5

HSL 99.2, 0.88%, 0.17%

LAB 29.51, -30.44, 34.88

 

CMYK 61 / 0 / 93 / 54

HEX #2E7608

RGB 46 118 8

HSL 99.27, 0.87%, 0.25%

LAB 43.59, -40.98, 46.33

 

CMYK 61 / 0 / 94 / 38

HEX #3D9D0A

RGB 61 157 10

HSL 99.18, 0.88%, 0.33%

LAB 57.2, -51.23, 57.59

 

CMYK 61 / 0 / 93 / 24

HEX #4CC30D

RGB 76 195 13

HSL 99.23, 0.88%, 0.41%

LAB 69.89, -60.61, 67.87

 

CMYK 61 / 0 / 93 / 8

HEX #5BEA10

RGB 91 234 16

HSL 99.36, 0.87%, 0.49%

LAB 82.44, -69.95, 78

 

CMYK 61 / 0 / 93 / 39

HEX #3D9C0B

RGB 61 156 11

HSL 99.31, 0.87%, 0.33%

LAB 56.87, -50.85, 57.16

 

CMYK 94 / 0 / 14 / 38

HEX #0A9D87

RGB 10 157 135

HSL 171.02, 0.88%, 0.33%

LAB 57.97, -39.59, 1.8

 

CMYK 0 / 94 / 24 / 38

HEX #9D0A78

RGB 157 10 120

HSL 315.1, 0.88%, 0.33%

LAB 35.48, 62.02, -22.09

 

CMYK 61 / 0 / 93 / 39

HEX #3D9C0B

RGB 61 156 11

HSL 99.31, 0.87%, 0.33%

LAB 56.87, -50.85, 57.16

 

CMYK 94 / 61 / 0 / 38

HEX #0A3E9D

RGB 10 62 157

HSL 218.78, 0.88%, 0.33%

LAB 29.27, 23.38, -55.78

 

CMYK 0 / 94 / 61 / 38

HEX #9D0A3E

RGB 157 10 62

HSL 338.78, 0.88%, 0.33%

LAB 33.42, 56.48, 12.34

 

CMYK 61 / 0 / 93 / 39

HEX #3D9C0B

RGB 61 156 11

HSL 99.31, 0.87%, 0.33%

LAB 56.87, -50.85, 57.16

 

CMYK 94 / 0 / 14 / 38

HEX #0A9D87

RGB 10 157 135

HSL 171.02, 0.88%, 0.33%

LAB 57.97, -39.59, 1.8

 

CMYK 32 / 94 / 0 / 38

HEX #6A0A9D

RGB 106 10 157

HSL 279.18, 0.88%, 0.33%

LAB 28.68, 59.19, -56.43

 

CMYK 0 / 94 / 80 / 38

HEX #9D0A20

RGB 157 10 32

HSL 351.02, 0.88%, 0.33%

LAB 32.9, 55.01, 31.01

 

CMYK 61 / 0 / 93 / 39

HEX #3D9C0B

RGB 61 156 11

HSL 99.31, 0.87%, 0.33%

LAB 56.87, -50.85, 57.16

 

CMYK 94 / 14 / 0 / 38

HEX #0A879D

RGB 10 135 157

HSL 188.98, 0.88%, 0.33%

LAB 51.64, -22.11, -20.31

 

CMYK 32 / 94 / 0 / 38

HEX #6A0A9D

RGB 106 10 157

HSL 279.18, 0.88%, 0.33%

LAB 28.68, 59.19, -56.43

 

CMYK 0 / 80 / 94 / 38

HEX #9D200A

RGB 157 32 10

HSL 8.98, 0.88%, 0.33%

LAB 34.44, 49.59, 43.59

 

Description

Color code: RGB 61 156 11 | qconv.com Color code: RGB 61 156 11 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 156 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 156 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 93 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 93% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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