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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 136 189 it is the complementary color RGB 194 119 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 136 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 136 189 shade: RGB 66 136 184, RGB 83 154 203, RGB 100 172 222, RGB 117 190 241 and RGB 134 208 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 136 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 136 189 shade: RGB 61 136 189, RGB 44 118 170, RGB 27 100 151, RGB 10 82 132 and RGB 0 64 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 136 189 shade: RGB 61 135 188, RGB 61 101 188, RGB 61 67 188, RGB 89 61 188 and RGB 124 61 188

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 136 189 shade: RGB 61 135 188, RGB 61 101 188, RGB 61 67 188 and RGB 61 61 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 136 189 shade matches the following richer shades: RGB 61 135 188, RGB 41 139 208, RGB 20 142 229 and RGB 0 146 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 136 189 shade: RGB 61 135 188, RGB 81 132 168, RGB 101 128 148, RGB 121 125 128 and RGB 142 122 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 136 189 shade: RGB 61 188 171, RGB 61 171 188, RGB 61 137 188, RGB 61 103 188 and RGB 61 69 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 136 189 shade: RGB 41 91 126, RGB 51 113 157, RGB 61 135 188, RGB 89 155 201 and RGB 120 173 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 136 189 shade: RGB 61 136 189, RGB 137 61 188 and RGB 188 188 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 136 189 shade: RGB 61 136 189, RGB 188 61 137 and RGB 137 188 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 136 189 shade: RGB 61 136 189, RGB 137 61 188, RGB 188 112 61 and RGB 112 188 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 136 189 shade: RGB 61 136 189, RGB 175 61 188, RGB 188 112 61 and RGB 73 188 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 28 / 0 / 26

HEX #3D88BD

RGB 61 136 189

HSL 204.84, 0.51%, 0.49%

LAB 54.32, -6.12, -34.48

 

Complementary color

CMYK 0 / 39 / 66 / 24

HEX #C27742

RGB 194 119 66

HSL 24.84, 0.51%, 0.51%

LAB 57.13, 24.57, 40.88

 

CMYK 64 / 26 / 0 / 28

HEX #4288B8

RGB 66 136 184

HSL 204.41, 0.47%, 0.49%

LAB 54.27, -6.96, -31.7

 

CMYK 59 / 24 / 0 / 20

HEX #539ACB

RGB 83 154 203

HSL 204.5, 0.54%, 0.56%

LAB 61.01, -7.78, -31.9

 

CMYK 55 / 23 / 0 / 13

HEX #64ACDE

RGB 100 172 222

HSL 204.59, 0.65%, 0.63%

LAB 67.64, -8.42, -32.1

 

CMYK 51 / 21 / 0 / 5

HEX #75BEF1

RGB 117 190 241

HSL 204.68, 0.82%, 0.7%

LAB 74.16, -8.93, -32.3

 

CMYK 47 / 18 / 0 / 0

HEX #86D0FF

RGB 134 208 255

HSL 203.31, 1%, 0.76%

LAB 80.4, -10.73, -30.14

 

CMYK 68 / 28 / 0 / 26

HEX #3D88BD

RGB 61 136 189

HSL 204.84, 0.51%, 0.49%

LAB 54.32, -6.12, -34.48

 

CMYK 74 / 31 / 0 / 33

HEX #2C76AA

RGB 44 118 170

HSL 204.76, 0.59%, 0.42%

LAB 47.49, -4.82, -34.27

 

CMYK 82 / 34 / 0 / 41

HEX #1B6497

RGB 27 100 151

HSL 204.68, 0.7%, 0.35%

LAB 40.54, -3.09, -34.02

 

CMYK 92 / 38 / 0 / 48

HEX #0A5284

RGB 10 82 132

HSL 204.59, 0.86%, 0.28%

LAB 33.49, -0.71, -33.69

 

CMYK 100 / 43 / 0 / 56

HEX #004071

RGB 0 64 113

HSL 206.02, 1%, 0.22%

LAB 26.33, 2.54, -33.23

 

CMYK 68 / 28 / 0 / 26

HEX #3D87BC

RGB 61 135 188

HSL 205.04, 0.51%, 0.49%

LAB 53.97, -5.89, -34.45

 

CMYK 68 / 46 / 0 / 26

HEX #3D65BC

RGB 61 101 188

HSL 221.1, 0.51%, 0.49%

LAB 44.13, 14.89, -50.05

 

CMYK 68 / 64 / 0 / 26

HEX #3D43BC

RGB 61 67 188

HSL 237.17, 0.51%, 0.49%

LAB 35.28, 36.65, -64.4

 

CMYK 53 / 68 / 0 / 26

HEX #593DBC

RGB 89 61 188

HSL 253.23, 0.51%, 0.49%

LAB 36.16, 44.56, -62.86

 

CMYK 34 / 68 / 0 / 26

HEX #7C3DBC

RGB 124 61 188

HSL 269.76, 0.51%, 0.49%

LAB 40, 51.25, -56.44

 

CMYK 68 / 28 / 0 / 26

HEX #3D87BC

RGB 61 135 188

HSL 205.04, 0.51%, 0.49%

LAB 53.97, -5.89, -34.45

 

CMYK 68 / 46 / 0 / 26

HEX #3D65BC

RGB 61 101 188

HSL 221.1, 0.51%, 0.49%

LAB 44.13, 14.89, -50.05

 

CMYK 68 / 64 / 0 / 26

HEX #3D43BC

RGB 61 67 188

HSL 237.17, 0.51%, 0.49%

LAB 35.28, 36.65, -64.4

 

CMYK 68 / 68 / 0 / 26

HEX #3D3DBC

RGB 61 61 188

HSL 240, 0.51%, 0.49%

LAB 33.9, 40.33, -66.65

 

CMYK 68 / 28 / 0 / 26

HEX #3D87BC

RGB 61 135 188

HSL 205.04, 0.51%, 0.49%

LAB 53.97, -5.89, -34.45

 

CMYK 80 / 33 / 0 / 18

HEX #298BD0

RGB 41 139 208

HSL 204.79, 0.67%, 0.49%

LAB 55.57, -3.71, -43.32

 

CMYK 91 / 38 / 0 / 10

HEX #148EE5

RGB 20 142 229

HSL 204.98, 0.84%, 0.49%

LAB 57.22, 0.87, -52.49

 

CMYK 100 / 41 / 0 / 2

HEX #0092F9

RGB 0 146 249

HSL 204.82, 1%, 0.49%

LAB 59.34, 5.47, -60.18

 

CMYK 68 / 28 / 0 / 26

HEX #3D87BC

RGB 61 135 188

HSL 205.04, 0.51%, 0.49%

LAB 53.97, -5.89, -34.45

 

CMYK 52 / 21 / 0 / 34

HEX #5184A8

RGB 81 132 168

HSL 204.83, 0.35%, 0.49%

LAB 53.04, -6.7, -24.37

 

CMYK 32 / 14 / 0 / 42

HEX #658094

RGB 101 128 148

HSL 205.53, 0.19%, 0.49%

LAB 52.22, -4.66, -13.91

 

CMYK 5 / 2 / 0 / 50

HEX #797D80

RGB 121 125 128

HSL 205.71, 0.03%, 0.49%

LAB 52.16, -0.87, -2.16

 

CMYK 0 / 14 / 25 / 44

HEX #8E7A6B

RGB 142 122 107

HSL 25.71, 0.14%, 0.49%

LAB 52.65, 5.23, 11.06

 

CMYK 68 / 0 / 9 / 26

HEX #3DBCAB

RGB 61 188 171

HSL 171.97, 0.51%, 0.49%

LAB 69.4, -38.36, -1.51

 

CMYK 68 / 9 / 0 / 26

HEX #3DABBC

RGB 61 171 188

HSL 188.03, 0.51%, 0.49%

LAB 64.76, -25.36, -17.83

 

CMYK 68 / 27 / 0 / 26

HEX #3D89BC

RGB 61 137 188

HSL 204.09, 0.51%, 0.49%

LAB 54.57, -7.04, -33.52

 

CMYK 68 / 45 / 0 / 26

HEX #3D67BC

RGB 61 103 188

HSL 220.16, 0.51%, 0.49%

LAB 44.69, 13.61, -49.15

 

CMYK 68 / 63 / 0 / 26

HEX #3D45BC

RGB 61 69 188

HSL 236.22, 0.51%, 0.49%

LAB 35.75, 35.41, -63.62

 

CMYK 67 / 28 / 0 / 51

HEX #295B7E

RGB 41 91 126

HSL 204.71, 0.51%, 0.33%

LAB 36.86, -4.92, -24.64

 

CMYK 68 / 28 / 0 / 38

HEX #33719D

RGB 51 113 157

HSL 204.91, 0.51%, 0.41%

LAB 45.56, -5.41, -29.65

 

CMYK 68 / 28 / 0 / 26

HEX #3D87BC

RGB 61 135 188

HSL 205.04, 0.51%, 0.49%

LAB 53.97, -5.89, -34.45

 

CMYK 56 / 23 / 0 / 21

HEX #599BC9

RGB 89 155 201

HSL 204.64, 0.51%, 0.57%

LAB 61.47, -7.75, -30.05

 

CMYK 43 / 18 / 0 / 17

HEX #78ADD3

RGB 120 173 211

HSL 205.05, 0.51%, 0.65%

LAB 68.45, -7.52, -24.73

 

CMYK 68 / 28 / 0 / 26

HEX #3D88BD

RGB 61 136 189

HSL 204.84, 0.51%, 0.49%

LAB 54.32, -6.12, -34.48

 

CMYK 27 / 68 / 0 / 26

HEX #893DBC

RGB 137 61 188

HSL 275.91, 0.51%, 0.49%

LAB 41.67, 54, -53.67

 

CMYK 0 / 0 / 68 / 26

HEX #BCBC3D

RGB 188 188 61

HSL 60, 0.51%, 0.49%

LAB 74.19, -15.4, 61.23

 

CMYK 68 / 28 / 0 / 26

HEX #3D88BD

RGB 61 136 189

HSL 204.84, 0.51%, 0.49%

LAB 54.32, -6.12, -34.48

 

CMYK 0 / 68 / 27 / 26

HEX #BC3D89

RGB 188 61 137

HSL 324.09, 0.51%, 0.49%

LAB 46.76, 57.87, -14.76

 

CMYK 27 / 0 / 68 / 26

HEX #89BC3D

RGB 137 188 61

HSL 84.09, 0.51%, 0.49%

LAB 70.61, -36.16, 56.43

 

CMYK 68 / 28 / 0 / 26

HEX #3D88BD

RGB 61 136 189

HSL 204.84, 0.51%, 0.49%

LAB 54.32, -6.12, -34.48

 

CMYK 27 / 68 / 0 / 26

HEX #893DBC

RGB 137 61 188

HSL 275.91, 0.51%, 0.49%

LAB 41.67, 54, -53.67

 

CMYK 0 / 40 / 68 / 26

HEX #BC703D

RGB 188 112 61

HSL 24.09, 0.51%, 0.49%

LAB 54.68, 25.57, 40.47

 

CMYK 40 / 0 / 68 / 26

HEX #70BC3D

RGB 112 188 61

HSL 95.91, 0.51%, 0.49%

LAB 69.29, -45.12, 54.64

 

CMYK 68 / 28 / 0 / 26

HEX #3D88BD

RGB 61 136 189

HSL 204.84, 0.51%, 0.49%

LAB 54.32, -6.12, -34.48

 

CMYK 7 / 68 / 0 / 26

HEX #AF3DBC

RGB 175 61 188

HSL 293.86, 0.51%, 0.49%

LAB 47.08, 62.46, -44.69

 

CMYK 0 / 40 / 68 / 26

HEX #BC703D

RGB 188 112 61

HSL 24.09, 0.51%, 0.49%

LAB 54.68, 25.57, 40.47

 

CMYK 61 / 0 / 68 / 26

HEX #49BC3D

RGB 73 188 61

HSL 114.33, 0.51%, 0.49%

LAB 67.81, -56.27, 52.62

 

Description

Color code: RGB 61 136 189 | qconv.com Color code: RGB 61 136 189 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 136 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 136 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 28 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 28% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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