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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 130 116 it is the complementary color RGB 194 125 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 130 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 130 116 shade: RGB 66 130 111, RGB 83 148 130, RGB 100 166 149, RGB 117 184 168 and RGB 134 202 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 130 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 130 116 shade: RGB 61 130 116, RGB 44 112 97, RGB 27 94 78, RGB 10 76 59 and RGB 0 58 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 130 116 shade: RGB 60 128 114, RGB 60 128 96, RGB 60 128 77, RGB 61 128 60 and RGB 79 128 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 130 116 shade: RGB 60 128 114, RGB 60 123 128, RGB 60 105 128, RGB 60 87 128 and RGB 60 68 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 130 116 shade matches the following richer shades: RGB 60 128 114, RGB 45 143 123, RGB 29 158 132 and RGB 14 174 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 130 116 shade: RGB 60 128 114, RGB 75 113 105, RGB 90 97 96, RGB 106 82 87 and RGB 121 67 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 130 116 shade: RGB 60 128 77, RGB 60 128 95, RGB 60 128 113, RGB 60 124 128 and RGB 60 106 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 130 116 shade: RGB 33 72 64, RGB 47 100 89, RGB 60 128 114, RGB 73 156 139 and RGB 92 178 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 130 116 shade: RGB 61 130 116, RGB 60 61 128 and RGB 128 86 60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 130 116 shade: RGB 61 130 116, RGB 113 60 128 and RGB 128 113 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 130 116 shade: RGB 61 130 116, RGB 60 61 128, RGB 128 60 75 and RGB 128 127 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 130 116 shade: RGB 61 130 116, RGB 79 60 128, RGB 128 60 75 and RGB 109 128 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 11 / 49

HEX #3D8274

RGB 61 130 116

HSL 167.83, 0.36%, 0.37%

LAB 49.76, -25.44, 0.93

 

Complementary color

CMYK 0 / 36 / 28 / 24

HEX #C27D8B

RGB 194 125 139

HSL 347.83, 0.36%, 0.63%

LAB 59.89, 28.67, 3.62

 

CMYK 49 / 0 / 15 / 49

HEX #42826F

RGB 66 130 111

HSL 162.19, 0.33%, 0.38%

LAB 49.82, -25.46, 3.98

 

CMYK 44 / 0 / 12 / 42

HEX #539482

RGB 83 148 130

HSL 163.38, 0.28%, 0.45%

LAB 56.71, -25.3, 3.04

 

CMYK 40 / 0 / 10 / 35

HEX #64A695

RGB 100 166 149

HSL 164.55, 0.27%, 0.52%

LAB 63.47, -25.12, 2.19

 

CMYK 36 / 0 / 9 / 28

HEX #75B8A8

RGB 117 184 168

HSL 165.67, 0.32%, 0.59%

LAB 70.1, -24.94, 1.4

 

CMYK 34 / 0 / 7 / 21

HEX #86CABB

RGB 134 202 187

HSL 166.76, 0.39%, 0.66%

LAB 76.62, -24.76, 0.66

 

CMYK 53 / 0 / 11 / 49

HEX #3D8274

RGB 61 130 116

HSL 167.83, 0.36%, 0.37%

LAB 49.76, -25.44, 0.93

 

CMYK 61 / 0 / 13 / 56

HEX #2C7061

RGB 44 112 97

HSL 166.76, 0.44%, 0.31%

LAB 42.74, -25.39, 1.94

 

CMYK 71 / 0 / 17 / 63

HEX #1B5E4E

RGB 27 94 78

HSL 165.67, 0.55%, 0.24%

LAB 35.57, -25.11, 3.12

 

CMYK 87 / 0 / 22 / 70

HEX #0A4C3B

RGB 10 76 59

HSL 164.55, 0.77%, 0.17%

LAB 28.25, -24.38, 4.55

 

CMYK 100 / 0 / 31 / 77

HEX #003A28

RGB 0 58 40

HSL 161.38, 1%, 0.11%

LAB 20.75, -22.79, 6.35

 

CMYK 53 / 0 / 11 / 50

HEX #3C8072

RGB 60 128 114

HSL 167.65, 0.36%, 0.37%

LAB 49.02, -25.2, 1.03

 

CMYK 53 / 0 / 25 / 50

HEX #3C8060

RGB 60 128 96

HSL 151.76, 0.36%, 0.37%

LAB 48.57, -29.62, 10.91

 

CMYK 53 / 0 / 40 / 50

HEX #3C804D

RGB 60 128 77

HSL 135, 0.36%, 0.37%

LAB 48.18, -33.54, 21.28

 

CMYK 52 / 0 / 53 / 50

HEX #3D803C

RGB 61 128 60

HSL 119.12, 0.36%, 0.37%

LAB 47.95, -36.05, 30.3

 

CMYK 38 / 0 / 53 / 50

HEX #4F803C

RGB 79 128 60

HSL 103.24, 0.36%, 0.37%

LAB 48.79, -30.14, 31.52

 

CMYK 53 / 0 / 11 / 50

HEX #3C8072

RGB 60 128 114

HSL 167.65, 0.36%, 0.37%

LAB 49.02, -25.2, 1.03

 

CMYK 53 / 4 / 0 / 50

HEX #3C7B80

RGB 60 123 128

HSL 184.41, 0.36%, 0.37%

LAB 47.86, -18.69, -8.95

 

CMYK 53 / 18 / 0 / 50

HEX #3C6980

RGB 60 105 128

HSL 200.29, 0.36%, 0.37%

LAB 42.19, -8.55, -17.55

 

CMYK 53 / 32 / 0 / 50

HEX #3C5780

RGB 60 87 128

HSL 216.18, 0.36%, 0.37%

LAB 36.62, 2.48, -26.17

 

CMYK 53 / 47 / 0 / 50

HEX #3C4480

RGB 60 68 128

HSL 232.94, 0.36%, 0.37%

LAB 31, 14.92, -35.05

 

CMYK 53 / 0 / 11 / 50

HEX #3C8072

RGB 60 128 114

HSL 167.65, 0.36%, 0.37%

LAB 49.02, -25.2, 1.03

 

CMYK 69 / 0 / 14 / 44

HEX #2D8F7B

RGB 45 143 123

HSL 167.76, 0.52%, 0.37%

LAB 53.64, -33.11, 2.43

 

CMYK 82 / 0 / 16 / 38

HEX #1D9E84

RGB 29 158 132

HSL 167.91, 0.69%, 0.37%

LAB 58.4, -39.53, 4.14

 

CMYK 92 / 0 / 19 / 32

HEX #0EAE8D

RGB 14 174 141

HSL 167.63, 0.85%, 0.37%

LAB 63.58, -45.01, 6.53

 

CMYK 53 / 0 / 11 / 50

HEX #3C8072

RGB 60 128 114

HSL 167.65, 0.36%, 0.37%

LAB 49.02, -25.2, 1.03

 

CMYK 34 / 0 / 7 / 56

HEX #4B7169

RGB 75 113 105

HSL 167.37, 0.2%, 0.37%

LAB 44.7, -15.36, 0.15

 

CMYK 7 / 0 / 1 / 62

HEX #5A6160

RGB 90 97 96

HSL 171.43, 0.04%, 0.37%

LAB 40.52, -2.93, -0.37

 

CMYK 0 / 23 / 18 / 58

HEX #6A5257

RGB 106 82 87

HSL 347.5, 0.13%, 0.37%

LAB 37.46, 10.87, 0.91

 

CMYK 0 / 45 / 36 / 53

HEX #79434E

RGB 121 67 78

HSL 347.78, 0.29%, 0.37%

LAB 35.26, 24.67, 3.65

 

CMYK 53 / 0 / 40 / 50

HEX #3C804D

RGB 60 128 77

HSL 135, 0.36%, 0.37%

LAB 48.18, -33.54, 21.28

 

CMYK 53 / 0 / 26 / 50

HEX #3C805F

RGB 60 128 95

HSL 150.88, 0.36%, 0.37%

LAB 48.54, -29.84, 11.46

 

CMYK 53 / 0 / 12 / 50

HEX #3C8071

RGB 60 128 113

HSL 166.76, 0.36%, 0.37%

LAB 49, -25.46, 1.58

 

CMYK 53 / 3 / 0 / 50

HEX #3C7C80

RGB 60 124 128

HSL 183.53, 0.36%, 0.37%

LAB 48.18, -19.23, -8.47

 

CMYK 53 / 17 / 0 / 50

HEX #3C6A80

RGB 60 106 128

HSL 199.41, 0.36%, 0.37%

LAB 42.5, -9.14, -17.07

 

CMYK 54 / 0 / 11 / 72

HEX #214840

RGB 33 72 64

HSL 167.69, 0.37%, 0.21%

LAB 27.65, -16.13, 0.55

 

CMYK 53 / 0 / 11 / 61

HEX #2F6459

RGB 47 100 89

HSL 167.55, 0.36%, 0.29%

LAB 38.62, -20.66, 0.83

 

CMYK 53 / 0 / 11 / 50

HEX #3C8072

RGB 60 128 114

HSL 167.65, 0.36%, 0.37%

LAB 49.02, -25.2, 1.03

 

CMYK 53 / 0 / 11 / 39

HEX #499C8B

RGB 73 156 139

HSL 167.71, 0.36%, 0.45%

LAB 59.03, -29.53, 1.23

 

CMYK 48 / 0 / 10 / 30

HEX #5CB2A1

RGB 92 178 161

HSL 168.14, 0.36%, 0.53%

LAB 67.04, -30.21, 0.67

 

CMYK 53 / 0 / 11 / 49

HEX #3D8274

RGB 61 130 116

HSL 167.83, 0.36%, 0.37%

LAB 49.76, -25.44, 0.93

 

CMYK 53 / 52 / 0 / 50

HEX #3C3D80

RGB 60 61 128

HSL 239.12, 0.36%, 0.37%

LAB 29.05, 19.6, -38.18

 

CMYK 0 / 33 / 53 / 50

HEX #80563C

RGB 128 86 60

HSL 22.94, 0.36%, 0.37%

LAB 40.53, 14.27, 22.12

 

CMYK 53 / 0 / 11 / 49

HEX #3D8274

RGB 61 130 116

HSL 167.83, 0.36%, 0.37%

LAB 49.76, -25.44, 0.93

 

CMYK 12 / 53 / 0 / 50

HEX #713C80

RGB 113 60 128

HSL 286.76, 0.36%, 0.37%

LAB 34.6, 34.95, -28.99

 

CMYK 0 / 12 / 53 / 50

HEX #80713C

RGB 128 113 60

HSL 46.76, 0.36%, 0.37%

LAB 47.91, -1.59, 31.31

 

CMYK 53 / 0 / 11 / 49

HEX #3D8274

RGB 61 130 116

HSL 167.83, 0.36%, 0.37%

LAB 49.76, -25.44, 0.93

 

CMYK 53 / 52 / 0 / 50

HEX #3C3D80

RGB 60 61 128

HSL 239.12, 0.36%, 0.37%

LAB 29.05, 19.6, -38.18

 

CMYK 0 / 53 / 41 / 50

HEX #803C4B

RGB 128 60 75

HSL 346.76, 0.36%, 0.37%

LAB 34.66, 30.99, 4.84

 

CMYK 0 / 1 / 53 / 50

HEX #807F3C

RGB 128 127 60

HSL 59.12, 0.36%, 0.37%

LAB 51.94, -9.46, 36.11

 

CMYK 53 / 0 / 11 / 49

HEX #3D8274

RGB 61 130 116

HSL 167.83, 0.36%, 0.37%

LAB 49.76, -25.44, 0.93

 

CMYK 38 / 53 / 0 / 50

HEX #4F3C80

RGB 79 60 128

HSL 256.76, 0.36%, 0.37%

LAB 30.53, 25.11, -35.71

 

CMYK 0 / 53 / 41 / 50

HEX #803C4B

RGB 128 60 75

HSL 346.76, 0.36%, 0.37%

LAB 34.66, 30.99, 4.84

 

CMYK 15 / 0 / 53 / 50

HEX #6D803C

RGB 109 128 60

HSL 76.76, 0.36%, 0.37%

LAB 50.71, -18.28, 34.27

 

Description

Color code: RGB 61 130 116 | qconv.com Color code: RGB 61 130 116 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 130 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 130 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 11 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 11% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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