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Color name
RGB 61 106 78

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 106 78 it is the complementary color RGB 194 149 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 106 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 106 78 shade: RGB 66 106 73, RGB 83 124 92, RGB 100 142 111, RGB 117 160 130 and RGB 134 178 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 106 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 106 78 shade: RGB 61 106 78, RGB 44 88 59, RGB 27 70 40, RGB 10 52 21 and RGB 0 34 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 106 78 shade: RGB 61 106 78, RGB 61 106 66, RGB 68 106 61, RGB 81 106 61 and RGB 93 106 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 106 78 shade: RGB 61 106 78, RGB 61 106 90, RGB 61 106 103, RGB 61 98 106 and RGB 61 86 106

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 106 78 shade matches the following richer shades: RGB 61 106 78, RGB 47 120 75, RGB 34 134 71, RGB 20 147 68 and RGB 6 161 65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 106 78 shade: RGB 61 106 78, RGB 75 93 81, RGB 88 79 85, RGB 102 66 88 and RGB 115 52 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 106 78 shade: RGB 69 106 61, RGB 61 106 65, RGB 61 106 78, RGB 61 106 90 and RGB 61 106 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 106 78 shade: RGB 31 54 40, RGB 46 80 59, RGB 61 106 78, RGB 76 133 97 and RGB 91 159 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 106 78 shade: RGB 61 106 78, RGB 61 81 106 and RGB 106 61 62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 106 78 shade: RGB 61 106 78, RGB 78 61 106 and RGB 106 78 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 106 78 shade: RGB 61 106 78, RGB 61 81 106, RGB 106 61 90 and RGB 106 87 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 106 78 shade: RGB 61 106 78, RGB 61 67 106, RGB 106 61 90 and RGB 106 100 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 26 / 58

HEX #3D6A4E

RGB 61 106 78

HSL 142.67, 0.27%, 0.33%

LAB 40.98, -22.4, 10.96

 

Complementary color

CMYK 0 / 23 / 9 / 24

HEX #C295B1

RGB 194 149 177

HSL 322.67, 0.27%, 0.67%

LAB 66.63, 21.44, -8.06

 

CMYK 38 / 0 / 31 / 58

HEX #426A49

RGB 66 106 73

HSL 130.5, 0.23%, 0.34%

LAB 41.13, -21.76, 14.2

 

CMYK 33 / 0 / 26 / 51

HEX #537C5C

RGB 83 124 92

HSL 133.17, 0.2%, 0.41%

LAB 48.29, -21.47, 13.03

 

CMYK 30 / 0 / 22 / 44

HEX #648E6F

RGB 100 142 111

HSL 135.71, 0.17%, 0.47%

LAB 55.28, -21.19, 11.97

 

CMYK 27 / 0 / 19 / 37

HEX #75A082

RGB 117 160 130

HSL 138.14, 0.18%, 0.54%

LAB 62.11, -20.95, 11

 

CMYK 25 / 0 / 16 / 30

HEX #86B295

RGB 134 178 149

HSL 140.45, 0.22%, 0.61%

LAB 68.81, -20.73, 10.09

 

CMYK 42 / 0 / 26 / 58

HEX #3D6A4E

RGB 61 106 78

HSL 142.67, 0.27%, 0.33%

LAB 40.98, -22.4, 10.96

 

CMYK 50 / 0 / 33 / 65

HEX #2C583B

RGB 44 88 59

HSL 140.45, 0.33%, 0.26%

LAB 33.63, -22.68, 12.23

 

CMYK 61 / 0 / 43 / 73

HEX #1B4628

RGB 27 70 40

HSL 138.14, 0.44%, 0.19%

LAB 26.06, -22.83, 13.71

 

CMYK 81 / 0 / 60 / 80

HEX #0A3415

RGB 10 52 21

HSL 135.71, 0.68%, 0.12%

LAB 18.25, -22.55, 15.46

 

CMYK 100 / 0 / 94 / 87

HEX #002202

RGB 0 34 2

HSL 123.53, 1%, 0.07%

LAB 10.17, -19.96, 13.98

 

CMYK 42 / 0 / 26 / 58

HEX #3D6A4E

RGB 61 106 78

HSL 142.67, 0.27%, 0.33%

LAB 40.98, -22.4, 10.96

 

CMYK 42 / 0 / 38 / 58

HEX #3D6A42

RGB 61 106 66

HSL 126.67, 0.27%, 0.33%

LAB 40.72, -24.82, 17.73

 

CMYK 36 / 0 / 42 / 58

HEX #446A3D

RGB 68 106 61

HSL 110.67, 0.27%, 0.33%

LAB 41.02, -23.21, 21.09

 

CMYK 24 / 0 / 42 / 58

HEX #516A3D

RGB 81 106 61

HSL 93.33, 0.27%, 0.33%

LAB 41.84, -18.15, 22.31

 

CMYK 12 / 0 / 42 / 58

HEX #5D6A3D

RGB 93 106 61

HSL 77.33, 0.27%, 0.33%

LAB 42.72, -13.12, 23.62

 

CMYK 42 / 0 / 26 / 58

HEX #3D6A4E

RGB 61 106 78

HSL 142.67, 0.27%, 0.33%

LAB 40.98, -22.4, 10.96

 

CMYK 42 / 0 / 15 / 58

HEX #3D6A5A

RGB 61 106 90

HSL 158.67, 0.27%, 0.33%

LAB 41.28, -19.63, 4.14

 

CMYK 42 / 0 / 3 / 58

HEX #3D6A67

RGB 61 106 103

HSL 176, 0.27%, 0.33%

LAB 41.66, -16.26, -3.19

 

CMYK 42 / 8 / 0 / 58

HEX #3D626A

RGB 61 98 106

HSL 190.67, 0.27%, 0.33%

LAB 39.19, -10.88, -8.7

 

CMYK 42 / 19 / 0 / 58

HEX #3D566A

RGB 61 86 106

HSL 206.67, 0.27%, 0.33%

LAB 35.38, -3.67, -14.48

 

CMYK 42 / 0 / 26 / 58

HEX #3D6A4E

RGB 61 106 78

HSL 142.67, 0.27%, 0.33%

LAB 40.98, -22.4, 10.96

 

CMYK 61 / 0 / 38 / 53

HEX #2F784B

RGB 47 120 75

HSL 143.01, 0.44%, 0.33%

LAB 45, -33.72, 18.12

 

CMYK 75 / 0 / 47 / 47

HEX #228647

RGB 34 134 71

HSL 142.2, 0.6%, 0.33%

LAB 49.31, -42.95, 25.93

 

CMYK 86 / 0 / 54 / 42

HEX #149344

RGB 20 147 68

HSL 142.68, 0.76%, 0.33%

LAB 53.42, -50.04, 32.62

 

CMYK 96 / 0 / 60 / 37

HEX #06A141

RGB 6 161 65

HSL 142.84, 0.93%, 0.33%

LAB 57.95, -56.13, 39.5

 

CMYK 42 / 0 / 26 / 58

HEX #3D6A4E

RGB 61 106 78

HSL 142.67, 0.27%, 0.33%

LAB 40.98, -22.4, 10.96

 

CMYK 19 / 0 / 13 / 64

HEX #4B5D51

RGB 75 93 81

HSL 140, 0.11%, 0.33%

LAB 37.7, -9.61, 4.62

 

CMYK 0 / 10 / 3 / 65

HEX #584F55

RGB 88 79 85

HSL 320, 0.05%, 0.33%

LAB 34.65, 4.95, -2.17

 

CMYK 0 / 35 / 14 / 60

HEX #664258

RGB 102 66 88

HSL 323.33, 0.21%, 0.33%

LAB 32.76, 19.32, -6.71

 

CMYK 0 / 55 / 21 / 55

HEX #73345B

RGB 115 52 91

HSL 322.86, 0.38%, 0.33%

LAB 31.48, 32.86, -10.39

 

CMYK 35 / 0 / 42 / 58

HEX #456A3D

RGB 69 106 61

HSL 109.33, 0.27%, 0.33%

LAB 41.07, -22.84, 21.18

 

CMYK 42 / 0 / 39 / 58

HEX #3D6A41

RGB 61 106 65

HSL 125.33, 0.27%, 0.33%

LAB 40.71, -25, 18.29

 

CMYK 42 / 0 / 26 / 58

HEX #3D6A4E

RGB 61 106 78

HSL 142.67, 0.27%, 0.33%

LAB 40.98, -22.4, 10.96

 

CMYK 42 / 0 / 15 / 58

HEX #3D6A5A

RGB 61 106 90

HSL 158.67, 0.27%, 0.33%

LAB 41.28, -19.63, 4.14

 

CMYK 42 / 0 / 4 / 58

HEX #3D6A66

RGB 61 106 102

HSL 174.67, 0.27%, 0.33%

LAB 41.63, -16.53, -2.63

 

CMYK 43 / 0 / 26 / 79

HEX #1F3628

RGB 31 54 40

HSL 143.48, 0.27%, 0.17%

LAB 20.37, -12.85, 6

 

CMYK 43 / 0 / 26 / 69

HEX #2E503B

RGB 46 80 59

HSL 142.94, 0.27%, 0.25%

LAB 30.96, -17.79, 8.56

 

CMYK 42 / 0 / 26 / 58

HEX #3D6A4E

RGB 61 106 78

HSL 142.67, 0.27%, 0.33%

LAB 40.98, -22.4, 10.96

 

CMYK 43 / 0 / 27 / 48

HEX #4C8561

RGB 76 133 97

HSL 142.11, 0.27%, 0.41%

LAB 50.89, -27.28, 13.67

 

CMYK 43 / 0 / 26 / 38

HEX #5B9F75

RGB 91 159 117

HSL 142.94, 0.27%, 0.49%

LAB 60.16, -31.27, 15.32

 

CMYK 42 / 0 / 26 / 58

HEX #3D6A4E

RGB 61 106 78

HSL 142.67, 0.27%, 0.33%

LAB 40.98, -22.4, 10.96

 

CMYK 42 / 24 / 0 / 58

HEX #3D516A

RGB 61 81 106

HSL 213.33, 0.27%, 0.33%

LAB 33.81, -0.54, -16.88

 

CMYK 0 / 42 / 42 / 58

HEX #6A3D3E

RGB 106 61 62

HSL 358.67, 0.27%, 0.33%

LAB 31.23, 19.86, 7.89

 

CMYK 42 / 0 / 26 / 58

HEX #3D6A4E

RGB 61 106 78

HSL 142.67, 0.27%, 0.33%

LAB 40.98, -22.4, 10.96

 

CMYK 26 / 42 / 0 / 58

HEX #4E3D6A

RGB 78 61 106

HSL 262.67, 0.27%, 0.33%

LAB 29.41, 17.9, -23.62

 

CMYK 0 / 26 / 42 / 58

HEX #6A4E3D

RGB 106 78 61

HSL 22.67, 0.27%, 0.33%

LAB 35.69, 9.31, 14.65

 

CMYK 42 / 0 / 26 / 58

HEX #3D6A4E

RGB 61 106 78

HSL 142.67, 0.27%, 0.33%

LAB 40.98, -22.4, 10.96

 

CMYK 42 / 24 / 0 / 58

HEX #3D516A

RGB 61 81 106

HSL 213.33, 0.27%, 0.33%

LAB 33.81, -0.54, -16.88

 

CMYK 0 / 42 / 15 / 58

HEX #6A3D5A

RGB 106 61 90

HSL 321.33, 0.27%, 0.33%

LAB 32.12, 24.27, -8.9

 

CMYK 0 / 18 / 42 / 58

HEX #6A573D

RGB 106 87 61

HSL 34.67, 0.27%, 0.33%

LAB 38.23, 3.81, 18.03

 

CMYK 42 / 0 / 26 / 58

HEX #3D6A4E

RGB 61 106 78

HSL 142.67, 0.27%, 0.33%

LAB 40.98, -22.4, 10.96

 

CMYK 42 / 37 / 0 / 58

HEX #3D436A

RGB 61 67 106

HSL 232, 0.27%, 0.33%

LAB 29.53, 8.56, -23.53

 

CMYK 0 / 42 / 15 / 58

HEX #6A3D5A

RGB 106 61 90

HSL 321.33, 0.27%, 0.33%

LAB 32.12, 24.27, -8.9

 

CMYK 0 / 6 / 42 / 58

HEX #6A643D

RGB 106 100 61

HSL 52, 0.27%, 0.33%

LAB 42.02, -3.93, 22.96

 

Description

Color code: RGB 61 106 78 | qconv.com Color code: RGB 61 106 78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 106 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 106 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 26 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 26% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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