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Color name
RGB 61 104 143

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 104 143 it is the complementary color RGB 194 151 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 104 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 104 143 shade: RGB 66 104 138, RGB 83 122 157, RGB 100 140 176, RGB 117 158 195 and RGB 134 176 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 104 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 104 143 shade: RGB 61 104 143, RGB 44 86 124, RGB 27 68 105, RGB 10 50 86 and RGB 0 32 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 104 143 shade: RGB 61 103 142, RGB 61 81 142, RGB 62 61 142, RGB 84 61 142 and RGB 106 61 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 104 143 shade: RGB 61 103 142, RGB 61 81 142 and RGB 61 61 142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 104 143 shade matches the following richer shades: RGB 61 103 142, RGB 44 104 159, RGB 28 105 175 and RGB 11 106 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 104 143 shade: RGB 61 103 142, RGB 77 103 126, RGB 94 102 109, RGB 110 101 93 and RGB 127 100 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 104 143 shade: RGB 61 142 137, RGB 61 126 142, RGB 61 104 142, RGB 61 82 142 and RGB 61 61 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 104 143 shade: RGB 36 61 85, RGB 48 82 113, RGB 61 103 142, RGB 73 125 171 and RGB 98 145 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 104 143 shade: RGB 61 104 143, RGB 115 61 142 and RGB 137 142 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 104 143 shade: RGB 61 104 143, RGB 142 61 104 and RGB 104 142 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 104 143 shade: RGB 61 104 143, RGB 115 61 142, RGB 142 99 61 and RGB 88 142 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 104 143 shade: RGB 61 104 143, RGB 140 61 142, RGB 142 99 61 and RGB 63 142 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 27 / 0 / 44

HEX #3D688F

RGB 61 104 143

HSL 208.54, 0.4%, 0.4%

LAB 42.58, -2.82, -25.96

 

Complementary color

CMYK 0 / 22 / 42 / 24

HEX #C29770

RGB 194 151 112

HSL 28.54, 0.4%, 0.6%

LAB 65.57, 10.96, 26.7

 

CMYK 52 / 25 / 0 / 46

HEX #42688A

RGB 66 104 138

HSL 208.33, 0.35%, 0.4%

LAB 42.6, -3.28, -22.9

 

CMYK 47 / 22 / 0 / 38

HEX #537A9D

RGB 83 122 157

HSL 208.38, 0.31%, 0.47%

LAB 49.73, -3.76, -23.07

 

CMYK 43 / 20 / 0 / 31

HEX #648CB0

RGB 100 140 176

HSL 208.42, 0.32%, 0.54%

LAB 56.68, -4.13, -23.26

 

CMYK 40 / 19 / 0 / 24

HEX #759EC3

RGB 117 158 195

HSL 208.46, 0.39%, 0.61%

LAB 63.49, -4.42, -23.47

 

CMYK 37 / 18 / 0 / 16

HEX #86B0D6

RGB 134 176 214

HSL 208.5, 0.49%, 0.68%

LAB 70.16, -4.67, -23.7

 

CMYK 57 / 27 / 0 / 44

HEX #3D688F

RGB 61 104 143

HSL 208.54, 0.4%, 0.4%

LAB 42.58, -2.82, -25.96

 

CMYK 65 / 31 / 0 / 51

HEX #2C567C

RGB 44 86 124

HSL 208.5, 0.48%, 0.33%

LAB 35.29, -1.93, -25.85

 

CMYK 74 / 35 / 0 / 59

HEX #1B4469

RGB 27 68 105

HSL 208.46, 0.59%, 0.26%

LAB 27.81, -0.63, -25.74

 

CMYK 88 / 42 / 0 / 66

HEX #0A3256

RGB 10 50 86

HSL 208.42, 0.79%, 0.19%

LAB 20.11, 1.39, -25.6

 

CMYK 100 / 52 / 0 / 74

HEX #002043

RGB 0 32 67

HSL 211.34, 1%, 0.13%

LAB 12.21, 4.64, -25.33

 

CMYK 57 / 27 / 0 / 44

HEX #3D678E

RGB 61 103 142

HSL 208.89, 0.4%, 0.4%

LAB 42.22, -2.55, -25.91

 

CMYK 57 / 43 / 0 / 44

HEX #3D518E

RGB 61 81 142

HSL 225.19, 0.4%, 0.4%

LAB 35.65, 11.4, -36.25

 

CMYK 56 / 57 / 0 / 44

HEX #3E3D8E

RGB 62 61 142

HSL 240.74, 0.4%, 0.4%

LAB 30.19, 24.82, -45.01

 

CMYK 41 / 57 / 0 / 44

HEX #543D8E

RGB 84 61 142

HSL 257.04, 0.4%, 0.4%

LAB 32.2, 29.89, -41.66

 

CMYK 25 / 57 / 0 / 44

HEX #6A3D8E

RGB 106 61 142

HSL 273.33, 0.4%, 0.4%

LAB 34.71, 35.65, -37.51

 

CMYK 57 / 27 / 0 / 44

HEX #3D678E

RGB 61 103 142

HSL 208.89, 0.4%, 0.4%

LAB 42.22, -2.55, -25.91

 

CMYK 57 / 43 / 0 / 44

HEX #3D518E

RGB 61 81 142

HSL 225.19, 0.4%, 0.4%

LAB 35.65, 11.4, -36.25

 

CMYK 57 / 57 / 0 / 44

HEX #3D3D8E

RGB 61 61 142

HSL 240, 0.4%, 0.4%

LAB 30.11, 24.61, -45.14

 

CMYK 57 / 27 / 0 / 44

HEX #3D678E

RGB 61 103 142

HSL 208.89, 0.4%, 0.4%

LAB 42.22, -2.55, -25.91

 

CMYK 72 / 35 / 0 / 38

HEX #2C689F

RGB 44 104 159

HSL 208.7, 0.57%, 0.4%

LAB 42.67, -0.35, -35.39

 

CMYK 84 / 40 / 0 / 31

HEX #1C69AF

RGB 28 105 175

HSL 208.57, 0.72%, 0.4%

LAB 43.43, 3.23, -43.65

 

CMYK 94 / 45 / 0 / 25

HEX #0B6AC0

RGB 11 106 192

HSL 208.51, 0.89%, 0.4%

LAB 44.5, 8.27, -51.85

 

CMYK 57 / 27 / 0 / 44

HEX #3D678E

RGB 61 103 142

HSL 208.89, 0.4%, 0.4%

LAB 42.22, -2.55, -25.91

 

CMYK 39 / 18 / 0 / 51

HEX #4D677E

RGB 77 103 126

HSL 208.16, 0.24%, 0.4%

LAB 42.44, -3.32, -15.87

 

CMYK 14 / 6 / 0 / 57

HEX #5E666D

RGB 94 102 109

HSL 208, 0.07%, 0.4%

LAB 42.74, -1.48, -4.99

 

CMYK 0 / 8 / 15 / 57

HEX #6E655D

RGB 110 101 93

HSL 28.24, 0.08%, 0.4%

LAB 43.38, 2.07, 5.81

 

CMYK 0 / 21 / 40 / 50

HEX #7F644C

RGB 127 100 76

HSL 28.24, 0.25%, 0.4%

LAB 44.44, 7.33, 17.75

 

CMYK 57 / 0 / 4 / 44

HEX #3D8E89

RGB 61 142 137

HSL 176.3, 0.4%, 0.4%

LAB 54.18, -25.77, -4.79

 

CMYK 57 / 11 / 0 / 44

HEX #3D7E8E

RGB 61 126 142

HSL 191.85, 0.4%, 0.4%

LAB 49.33, -15.88, -14.97

 

CMYK 57 / 27 / 0 / 44

HEX #3D688E

RGB 61 104 142

HSL 208.15, 0.4%, 0.4%

LAB 42.53, -3.15, -25.43

 

CMYK 57 / 42 / 0 / 44

HEX #3D528E

RGB 61 82 142

HSL 224.44, 0.4%, 0.4%

LAB 35.95, 10.75, -35.79

 

CMYK 57 / 57 / 0 / 44

HEX #3D3D8E

RGB 61 61 142

HSL 240, 0.4%, 0.4%

LAB 30.11, 24.61, -45.14

 

CMYK 58 / 28 / 0 / 67

HEX #243D55

RGB 36 61 85

HSL 209.39, 0.4%, 0.24%

LAB 24.85, -1.66, -17.4

 

CMYK 58 / 27 / 0 / 56

HEX #305271

RGB 48 82 113

HSL 208.62, 0.4%, 0.32%

LAB 33.68, -2.41, -21.53

 

CMYK 57 / 27 / 0 / 44

HEX #3D678E

RGB 61 103 142

HSL 208.89, 0.4%, 0.4%

LAB 42.22, -2.55, -25.91

 

CMYK 57 / 27 / 0 / 33

HEX #497DAB

RGB 73 125 171

HSL 208.16, 0.4%, 0.48%

LAB 50.72, -3.49, -29.73

 

CMYK 48 / 22 / 0 / 27

HEX #6291BB

RGB 98 145 187

HSL 208.31, 0.4%, 0.56%

LAB 58.45, -4.29, -26.81

 

CMYK 57 / 27 / 0 / 44

HEX #3D688F

RGB 61 104 143

HSL 208.54, 0.4%, 0.4%

LAB 42.58, -2.82, -25.96

 

CMYK 19 / 57 / 0 / 44

HEX #733D8E

RGB 115 61 142

HSL 280, 0.4%, 0.4%

LAB 35.86, 38.12, -35.61

 

CMYK 4 / 0 / 57 / 44

HEX #898E3D

RGB 137 142 61

HSL 63.7, 0.4%, 0.4%

LAB 57.08, -13.52, 41.73

 

CMYK 57 / 27 / 0 / 44

HEX #3D688F

RGB 61 104 143

HSL 208.54, 0.4%, 0.4%

LAB 42.58, -2.82, -25.96

 

CMYK 0 / 57 / 27 / 44

HEX #8E3D68

RGB 142 61 104

HSL 328.15, 0.4%, 0.4%

LAB 38, 39.37, -8.41

 

CMYK 27 / 0 / 57 / 44

HEX #688E3D

RGB 104 142 61

HSL 88.15, 0.4%, 0.4%

LAB 54.68, -27.32, 38.36

 

CMYK 57 / 27 / 0 / 44

HEX #3D688F

RGB 61 104 143

HSL 208.54, 0.4%, 0.4%

LAB 42.58, -2.82, -25.96

 

CMYK 19 / 57 / 0 / 44

HEX #733D8E

RGB 115 61 142

HSL 280, 0.4%, 0.4%

LAB 35.86, 38.12, -35.61

 

CMYK 0 / 30 / 57 / 44

HEX #8E633D

RGB 142 99 61

HSL 28.15, 0.4%, 0.4%

LAB 45.65, 12.96, 28.35

 

CMYK 38 / 0 / 57 / 44

HEX #588E3D

RGB 88 142 61

HSL 100, 0.4%, 0.4%

LAB 53.77, -33.32, 37.06

 

CMYK 57 / 27 / 0 / 44

HEX #3D688F

RGB 61 104 143

HSL 208.54, 0.4%, 0.4%

LAB 42.58, -2.82, -25.96

 

CMYK 1 / 57 / 0 / 44

HEX #8C3D8E

RGB 140 61 142

HSL 298.52, 0.4%, 0.4%

LAB 39.35, 45.13, -29.86

 

CMYK 0 / 30 / 57 / 44

HEX #8E633D

RGB 142 99 61

HSL 28.15, 0.4%, 0.4%

LAB 45.65, 12.96, 28.35

 

CMYK 56 / 0 / 57 / 44

HEX #3F8E3D

RGB 63 142 61

HSL 118.52, 0.4%, 0.4%

LAB 52.66, -41.25, 35.48

 

Description

Color code: RGB 61 104 143 | qconv.com Color code: RGB 61 104 143 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 104 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 104 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 27 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 27% 0% 44% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

32% - MWP – Agence de Comm...
Link: http://www.mwp.be

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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