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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 82 115 it is the complementary color RGB 194 173 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 82 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 82 115 shade: RGB 66 82 110, RGB 83 100 129, RGB 100 118 148, RGB 117 136 167 and RGB 134 154 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 82 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 82 115 shade: RGB 61 82 115, RGB 44 64 96, RGB 27 46 77, RGB 10 28 58 and RGB 0 10 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 82 115 shade: RGB 61 83 116, RGB 61 68 116, RGB 69 61 116, RGB 84 61 116 and RGB 99 61 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 82 115 shade: RGB 61 83 116, RGB 61 68 116 and RGB 61 61 116

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 82 115 shade matches the following richer shades: RGB 61 83 116, RGB 47 79 131, RGB 32 76 145, RGB 18 73 160 and RGB 3 70 174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 82 115 shade: RGB 61 83 116, RGB 76 86 102, RGB 90 89 88, RGB 104 92 73 and RGB 119 95 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 82 115 shade: RGB 61 113 116, RGB 61 98 116, RGB 61 83 116, RGB 61 68 116 and RGB 68 61 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 82 115 shade: RGB 33 44 62, RGB 47 63 89, RGB 61 83 116, RGB 75 102 143 and RGB 91 121 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 82 115 shade: RGB 61 82 115, RGB 105 61 116 and RGB 105 116 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 82 115 shade: RGB 61 82 115, RGB 116 61 83 and RGB 83 116 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 82 115 shade: RGB 61 82 115, RGB 105 61 116, RGB 116 94 61 and RGB 72 116 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 82 115 shade: RGB 61 82 115, RGB 116 61 111, RGB 116 94 61 and RGB 61 116 67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 29 / 0 / 55

HEX #3D5273

RGB 61 82 115

HSL 216.67, 0.31%, 0.35%

LAB 34.53, 1.66, -21.4

 

Complementary color

CMYK 0 / 11 / 28 / 24

HEX #C2AD8C

RGB 194 173 140

HSL 36.67, 0.31%, 0.65%

LAB 71.72, 2.49, 19.75

 

CMYK 40 / 25 / 0 / 57

HEX #42526E

RGB 66 82 110

HSL 218.18, 0.25%, 0.35%

LAB 34.64, 1.57, -18.08

 

CMYK 36 / 22 / 0 / 49

HEX #536481

RGB 83 100 129

HSL 217.83, 0.22%, 0.42%

LAB 42.06, 1.18, -18.23

 

CMYK 32 / 20 / 0 / 42

HEX #647694

RGB 100 118 148

HSL 217.5, 0.19%, 0.49%

LAB 49.26, 0.87, -18.42

 

CMYK 30 / 19 / 0 / 35

HEX #7588A7

RGB 117 136 167

HSL 217.2, 0.22%, 0.56%

LAB 56.27, 0.6, -18.65

 

CMYK 28 / 17 / 0 / 27

HEX #869ABA

RGB 134 154 186

HSL 216.92, 0.27%, 0.63%

LAB 63.11, 0.36, -18.9

 

CMYK 47 / 29 / 0 / 55

HEX #3D5273

RGB 61 82 115

HSL 216.67, 0.31%, 0.35%

LAB 34.53, 1.66, -21.4

 

CMYK 54 / 33 / 0 / 62

HEX #2C4060

RGB 44 64 96

HSL 216.92, 0.37%, 0.27%

LAB 26.87, 2.37, -21.38

 

CMYK 65 / 40 / 0 / 70

HEX #1B2E4D

RGB 27 46 77

HSL 217.2, 0.48%, 0.2%

LAB 18.9, 3.42, -21.45

 

CMYK 83 / 52 / 0 / 77

HEX #0A1C3A

RGB 10 28 58

HSL 217.5, 0.71%, 0.13%

LAB 10.56, 5.21, -21.6

 

CMYK 100 / 74 / 0 / 85

HEX #000A27

RGB 0 10 39

HSL 224.62, 1%, 0.08%

LAB 3.28, 5.29, -19.21

 

CMYK 47 / 28 / 0 / 55

HEX #3D5374

RGB 61 83 116

HSL 216, 0.31%, 0.35%

LAB 34.88, 1.35, -21.47

 

CMYK 47 / 41 / 0 / 55

HEX #3D4474

RGB 61 68 116

HSL 232.36, 0.31%, 0.35%

LAB 30.37, 11.14, -28.54

 

CMYK 41 / 47 / 0 / 55

HEX #453D74

RGB 69 61 116

HSL 248.73, 0.31%, 0.35%

LAB 29.07, 18.05, -30.56

 

CMYK 28 / 47 / 0 / 55

HEX #543D74

RGB 84 61 116

HSL 265.09, 0.31%, 0.35%

LAB 30.6, 22.53, -28.04

 

CMYK 15 / 47 / 0 / 55

HEX #633D74

RGB 99 61 116

HSL 281.45, 0.31%, 0.35%

LAB 32.37, 27.28, -25.13

 

CMYK 47 / 28 / 0 / 55

HEX #3D5374

RGB 61 83 116

HSL 216, 0.31%, 0.35%

LAB 34.88, 1.35, -21.47

 

CMYK 47 / 41 / 0 / 55

HEX #3D4474

RGB 61 68 116

HSL 232.36, 0.31%, 0.35%

LAB 30.37, 11.14, -28.54

 

CMYK 47 / 47 / 0 / 55

HEX #3D3D74

RGB 61 61 116

HSL 240, 0.31%, 0.35%

LAB 28.36, 15.83, -31.74

 

CMYK 47 / 28 / 0 / 55

HEX #3D5374

RGB 61 83 116

HSL 216, 0.31%, 0.35%

LAB 34.88, 1.35, -21.47

 

CMYK 64 / 40 / 0 / 49

HEX #2F4F83

RGB 47 79 131

HSL 217.14, 0.47%, 0.35%

LAB 33.64, 5.76, -32.77

 

CMYK 78 / 48 / 0 / 43

HEX #204C91

RGB 32 76 145

HSL 216.64, 0.64%, 0.35%

LAB 32.96, 10.7, -42.46

 

CMYK 89 / 54 / 0 / 37

HEX #1249A0

RGB 18 73 160

HSL 216.76, 0.8%, 0.35%

LAB 32.77, 17.49, -51.89

 

CMYK 98 / 60 / 0 / 32

HEX #0346AE

RGB 3 70 174

HSL 216.49, 0.97%, 0.35%

LAB 32.82, 24.56, -60.2

 

CMYK 47 / 28 / 0 / 55

HEX #3D5374

RGB 61 83 116

HSL 216, 0.31%, 0.35%

LAB 34.88, 1.35, -21.47

 

CMYK 25 / 16 / 0 / 60

HEX #4C5666

RGB 76 86 102

HSL 216.92, 0.15%, 0.35%

LAB 36.27, 0.07, -10.52

 

CMYK 0 / 1 / 2 / 65

HEX #5A5958

RGB 90 89 88

HSL 30, 0.01%, 0.35%

LAB 37.88, 0.19, 0.71

 

CMYK 0 / 12 / 30 / 59

HEX #685C49

RGB 104 92 73

HSL 36.77, 0.18%, 0.35%

LAB 39.71, 1.58, 12.72

 

CMYK 0 / 20 / 50 / 53

HEX #775F3B

RGB 119 95 59

HSL 36, 0.34%, 0.35%

LAB 41.88, 4.72, 24.21

 

CMYK 47 / 3 / 0 / 55

HEX #3D7174

RGB 61 113 116

HSL 183.27, 0.31%, 0.35%

LAB 44.32, -16.49, -7.08

 

CMYK 47 / 16 / 0 / 55

HEX #3D6274

RGB 61 98 116

HSL 199.64, 0.31%, 0.35%

LAB 39.56, -7.9, -14.27

 

CMYK 47 / 28 / 0 / 55

HEX #3D5374

RGB 61 83 116

HSL 216, 0.31%, 0.35%

LAB 34.88, 1.35, -21.47

 

CMYK 47 / 41 / 0 / 55

HEX #3D4474

RGB 61 68 116

HSL 232.36, 0.31%, 0.35%

LAB 30.37, 11.14, -28.54

 

CMYK 41 / 47 / 0 / 55

HEX #443D74

RGB 68 61 116

HSL 247.64, 0.31%, 0.35%

LAB 28.97, 17.76, -30.72

 

CMYK 47 / 29 / 0 / 76

HEX #212C3E

RGB 33 44 62

HSL 217.24, 0.31%, 0.19%

LAB 17.79, 0.97, -12.91

 

CMYK 47 / 29 / 0 / 65

HEX #2F3F59

RGB 47 63 89

HSL 217.14, 0.31%, 0.27%

LAB 26.39, 1.49, -17.57

 

CMYK 47 / 28 / 0 / 55

HEX #3D5374

RGB 61 83 116

HSL 216, 0.31%, 0.35%

LAB 34.88, 1.35, -21.47

 

CMYK 48 / 29 / 0 / 44

HEX #4B668F

RGB 75 102 143

HSL 216.18, 0.31%, 0.43%

LAB 42.74, 1.85, -25.65

 

CMYK 46 / 28 / 0 / 34

HEX #5B79A9

RGB 91 121 169

HSL 216.92, 0.31%, 0.51%

LAB 50.41, 2.54, -28.97

 

CMYK 47 / 29 / 0 / 55

HEX #3D5273

RGB 61 82 115

HSL 216.67, 0.31%, 0.35%

LAB 34.53, 1.66, -21.4

 

CMYK 9 / 47 / 0 / 55

HEX #693D74

RGB 105 61 116

HSL 288, 0.31%, 0.35%

LAB 33.14, 29.22, -23.87

 

CMYK 9 / 0 / 47 / 55

HEX #69743D

RGB 105 116 61

HSL 72, 0.31%, 0.35%

LAB 46.75, -13.44, 28.88

 

CMYK 47 / 29 / 0 / 55

HEX #3D5273

RGB 61 82 115

HSL 216.67, 0.31%, 0.35%

LAB 34.53, 1.66, -21.4

 

CMYK 0 / 47 / 28 / 55

HEX #743D53

RGB 116 61 83

HSL 336, 0.31%, 0.35%

LAB 33.3, 26.91, -2.5

 

CMYK 28 / 0 / 47 / 55

HEX #53743D

RGB 83 116 61

HSL 96, 0.31%, 0.35%

LAB 45.17, -22.59, 26.58

 

CMYK 47 / 29 / 0 / 55

HEX #3D5273

RGB 61 82 115

HSL 216.67, 0.31%, 0.35%

LAB 34.53, 1.66, -21.4

 

CMYK 9 / 47 / 0 / 55

HEX #693D74

RGB 105 61 116

HSL 288, 0.31%, 0.35%

LAB 33.14, 29.22, -23.87

 

CMYK 0 / 19 / 47 / 55

HEX #745E3D

RGB 116 94 61

HSL 36, 0.31%, 0.35%

LAB 41.3, 4.16, 22.24

 

CMYK 38 / 0 / 47 / 55

HEX #48743D

RGB 72 116 61

HSL 108, 0.31%, 0.35%

LAB 44.53, -26.75, 25.62

 

CMYK 47 / 29 / 0 / 55

HEX #3D5273

RGB 61 82 115

HSL 216.67, 0.31%, 0.35%

LAB 34.53, 1.66, -21.4

 

CMYK 0 / 47 / 4 / 55

HEX #743D6F

RGB 116 61 111

HSL 305.45, 0.31%, 0.35%

LAB 34.39, 31.8, -18.66

 

CMYK 0 / 19 / 47 / 55

HEX #745E3D

RGB 116 94 61

HSL 36, 0.31%, 0.35%

LAB 41.3, 4.16, 22.24

 

CMYK 47 / 0 / 42 / 55

HEX #3D7443

RGB 61 116 67

HSL 126.55, 0.31%, 0.35%

LAB 44.07, -29.5, 21.56

 

Description

Color code: RGB 61 82 115 | qconv.com Color code: RGB 61 82 115 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 82 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 82 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 29 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 29% 0% 55% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - The Church of Jesus ...
Link: http://www.lds.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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