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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 81 79 it is the complementary color RGB 194 174 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 81 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 81 79 shade: RGB 66 81 74, RGB 83 99 93, RGB 100 117 112, RGB 117 135 131 and RGB 134 153 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 81 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 81 79 shade: RGB 61 81 79, RGB 44 63 60, RGB 27 45 41, RGB 10 27 22 and RGB 0 9 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 81 79 shade: RGB 61 81 79, RGB 61 81 74, RGB 61 81 68, RGB 61 81 63 and RGB 64 81 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 81 79 shade: RGB 61 81 79, RGB 61 78 81, RGB 61 72 81, RGB 61 67 81 and RGB 61 61 81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 81 79 shade matches the following richer shades: RGB 61 81 79, RGB 49 92 88, RGB 38 104 97, RGB 26 116 107 and RGB 15 127 116

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 81 79 shade: RGB 61 81 79, RGB 72 69 70, RGB 84 58 60, RGB 96 46 51 and RGB 107 35 42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 81 79 shade: RGB 61 81 68, RGB 61 81 74, RGB 61 81 79, RGB 61 78 81 and RGB 61 72 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 81 79 shade: RGB 25 34 33, RGB 43 57 56, RGB 61 81 79, RGB 79 104 102 and RGB 96 128 125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 81 79 shade: RGB 61 81 79, RGB 63 61 81 and RGB 81 71 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 81 79 shade: RGB 61 81 79, RGB 79 61 81 and RGB 81 79 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 81 79 shade: RGB 61 81 79, RGB 63 61 81, RGB 81 61 63 and RGB 79 81 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 81 79 shade: RGB 61 81 79, RGB 69 61 81, RGB 81 61 63 and RGB 73 81 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 2 / 68

HEX #3D514F

RGB 61 81 79

HSL 174, 0.14%, 0.28%

LAB 32.79, -8.19, -1.36

 

Complementary color

CMYK 0 / 10 / 9 / 24

HEX #C2AEB0

RGB 194 174 176

HSL 354, 0.14%, 0.72%

LAB 72.81, 7.53, 1.59

 

CMYK 19 / 0 / 9 / 68

HEX #42514A

RGB 66 81 74

HSL 152, 0.1%, 0.29%

LAB 33, -7.53, 2.16

 

CMYK 16 / 0 / 6 / 61

HEX #53635D

RGB 83 99 93

HSL 157.5, 0.09%, 0.36%

LAB 40.5, -7.44, 1.36

 

CMYK 15 / 0 / 4 / 54

HEX #647570

RGB 100 117 112

HSL 162.35, 0.08%, 0.43%

LAB 47.75, -7.38, 0.63

 

CMYK 13 / 0 / 3 / 47

HEX #758783

RGB 117 135 131

HSL 166.67, 0.07%, 0.49%

LAB 54.81, -7.35, -0.06

 

CMYK 12 / 0 / 2 / 40

HEX #869996

RGB 134 153 150

HSL 170.53, 0.09%, 0.56%

LAB 61.7, -7.34, -0.71

 

CMYK 25 / 0 / 2 / 68

HEX #3D514F

RGB 61 81 79

HSL 174, 0.14%, 0.28%

LAB 32.79, -8.19, -1.36

 

CMYK 30 / 0 / 5 / 75

HEX #2C3F3C

RGB 44 63 60

HSL 170.53, 0.18%, 0.21%

LAB 25, -8.33, -0.62

 

CMYK 40 / 0 / 9 / 82

HEX #1B2D29

RGB 27 45 41

HSL 166.67, 0.25%, 0.14%

LAB 16.84, -8.53, 0.23

 

CMYK 63 / 0 / 19 / 89

HEX #0A1B16

RGB 10 27 22

HSL 162.35, 0.46%, 0.07%

LAB 8.19, -8.17, 1.25

 

CMYK 100 / 0 / 67 / 96

HEX #000903

RGB 0 9 3

HSL 140, 1%, 0.02%

LAB 1.82, -3.19, 1.44

 

CMYK 25 / 0 / 2 / 68

HEX #3D514F

RGB 61 81 79

HSL 174, 0.14%, 0.28%

LAB 32.79, -8.19, -1.36

 

CMYK 25 / 0 / 9 / 68

HEX #3D514A

RGB 61 81 74

HSL 159, 0.14%, 0.28%

LAB 32.64, -9.43, 1.58

 

CMYK 25 / 0 / 16 / 68

HEX #3D5144

RGB 61 81 68

HSL 141, 0.14%, 0.28%

LAB 32.47, -10.82, 5.14

 

CMYK 25 / 0 / 22 / 68

HEX #3D513F

RGB 61 81 63

HSL 126, 0.14%, 0.28%

LAB 32.34, -11.91, 8.11

 

CMYK 21 / 0 / 25 / 68

HEX #40513D

RGB 64 81 61

HSL 111, 0.14%, 0.28%

LAB 32.51, -11.12, 9.63

 

CMYK 25 / 0 / 2 / 68

HEX #3D514F

RGB 61 81 79

HSL 174, 0.14%, 0.28%

LAB 32.79, -8.19, -1.36

 

CMYK 25 / 4 / 0 / 68

HEX #3D4E51

RGB 61 78 81

HSL 189, 0.14%, 0.28%

LAB 31.89, -5.85, -3.97

 

CMYK 25 / 11 / 0 / 68

HEX #3D4851

RGB 61 72 81

HSL 207, 0.14%, 0.28%

LAB 29.96, -2.1, -6.84

 

CMYK 25 / 17 / 0 / 68

HEX #3D4351

RGB 61 67 81

HSL 222, 0.14%, 0.28%

LAB 28.38, 1.12, -9.23

 

CMYK 25 / 25 / 0 / 68

HEX #3D3D51

RGB 61 61 81

HSL 240, 0.14%, 0.28%

LAB 26.52, 5.06, -12.06

 

CMYK 25 / 0 / 2 / 68

HEX #3D514F

RGB 61 81 79

HSL 174, 0.14%, 0.28%

LAB 32.79, -8.19, -1.36

 

CMYK 47 / 0 / 4 / 64

HEX #315C58

RGB 49 92 88

HSL 174.42, 0.3%, 0.28%

LAB 36.01, -16.04, -2.37

 

CMYK 63 / 0 / 7 / 59

HEX #266861

RGB 38 104 97

HSL 173.64, 0.46%, 0.28%

LAB 39.87, -22.57, -2.27

 

CMYK 78 / 0 / 8 / 55

HEX #1A746B

RGB 26 116 107

HSL 174, 0.63%, 0.28%

LAB 43.9, -27.6, -2.43

 

CMYK 88 / 0 / 9 / 50

HEX #0F7F74

RGB 15 127 116

HSL 174.11, 0.79%, 0.28%

LAB 47.68, -31.26, -2.25

 

CMYK 25 / 0 / 2 / 68

HEX #3D514F

RGB 61 81 79

HSL 174, 0.14%, 0.28%

LAB 32.79, -8.19, -1.36

 

CMYK 0 / 4 / 3 / 72

HEX #484546

RGB 72 69 70

HSL 340, 0.02%, 0.28%

LAB 29.6, 1.47, -0.16

 

CMYK 0 / 31 / 29 / 67

HEX #543A3C

RGB 84 58 60

HSL 355.38, 0.18%, 0.28%

LAB 27.4, 11.85, 3.35

 

CMYK 0 / 52 / 47 / 62

HEX #602E33

RGB 96 46 51

HSL 354, 0.35%, 0.28%

LAB 25.8, 23.22, 7.3

 

CMYK 0 / 67 / 61 / 58

HEX #6B232A

RGB 107 35 42

HSL 354.17, 0.51%, 0.28%

LAB 25.24, 32.62, 12.9

 

CMYK 25 / 0 / 16 / 68

HEX #3D5144

RGB 61 81 68

HSL 141, 0.14%, 0.28%

LAB 32.47, -10.82, 5.14

 

CMYK 25 / 0 / 9 / 68

HEX #3D514A

RGB 61 81 74

HSL 159, 0.14%, 0.28%

LAB 32.64, -9.43, 1.58

 

CMYK 25 / 0 / 2 / 68

HEX #3D514F

RGB 61 81 79

HSL 174, 0.14%, 0.28%

LAB 32.79, -8.19, -1.36

 

CMYK 25 / 4 / 0 / 68

HEX #3D4E51

RGB 61 78 81

HSL 189, 0.14%, 0.28%

LAB 31.89, -5.85, -3.97

 

CMYK 25 / 11 / 0 / 68

HEX #3D4851

RGB 61 72 81

HSL 207, 0.14%, 0.28%

LAB 29.96, -2.1, -6.84

 

CMYK 26 / 0 / 3 / 87

HEX #192221

RGB 25 34 33

HSL 173.33, 0.15%, 0.12%

LAB 12.35, -4.28, -0.65

 

CMYK 25 / 0 / 2 / 78

HEX #2B3938

RGB 43 57 56

HSL 175.71, 0.14%, 0.2%

LAB 22.74, -5.99, -1.28

 

CMYK 25 / 0 / 2 / 68

HEX #3D514F

RGB 61 81 79

HSL 174, 0.14%, 0.28%

LAB 32.79, -8.19, -1.36

 

CMYK 24 / 0 / 2 / 59

HEX #4F6866

RGB 79 104 102

HSL 175.2, 0.14%, 0.36%

LAB 42.03, -9.68, -1.91

 

CMYK 25 / 0 / 2 / 50

HEX #60807D

RGB 96 128 125

HSL 174.38, 0.14%, 0.44%

LAB 51.16, -12, -2.08

 

CMYK 25 / 0 / 2 / 68

HEX #3D514F

RGB 61 81 79

HSL 174, 0.14%, 0.28%

LAB 32.79, -8.19, -1.36

 

CMYK 22 / 25 / 0 / 68

HEX #3F3D51

RGB 63 61 81

HSL 246, 0.14%, 0.28%

LAB 26.7, 5.8, -11.76

 

CMYK 0 / 12 / 25 / 68

HEX #51473D

RGB 81 71 61

HSL 30, 0.14%, 0.28%

LAB 30.86, 2.36, 7.56

 

CMYK 25 / 0 / 2 / 68

HEX #3D514F

RGB 61 81 79

HSL 174, 0.14%, 0.28%

LAB 32.79, -8.19, -1.36

 

CMYK 2 / 25 / 0 / 68

HEX #4F3D51

RGB 79 61 81

HSL 294, 0.14%, 0.28%

LAB 28.36, 11.96, -9.08

 

CMYK 0 / 2 / 25 / 68

HEX #514F3D

RGB 81 79 61

HSL 54, 0.14%, 0.28%

LAB 33.3, -2.62, 10.96

 

CMYK 25 / 0 / 2 / 68

HEX #3D514F

RGB 61 81 79

HSL 174, 0.14%, 0.28%

LAB 32.79, -8.19, -1.36

 

CMYK 22 / 25 / 0 / 68

HEX #3F3D51

RGB 63 61 81

HSL 246, 0.14%, 0.28%

LAB 26.7, 5.8, -11.76

 

CMYK 0 / 25 / 22 / 68

HEX #513D3F

RGB 81 61 63

HSL 354, 0.14%, 0.28%

LAB 27.97, 9.11, 2.15

 

CMYK 2 / 0 / 25 / 68

HEX #4F513D

RGB 79 81 61

HSL 66, 0.14%, 0.28%

LAB 33.74, -4.72, 11.53

 

CMYK 25 / 0 / 2 / 68

HEX #3D514F

RGB 61 81 79

HSL 174, 0.14%, 0.28%

LAB 32.79, -8.19, -1.36

 

CMYK 15 / 25 / 0 / 68

HEX #453D51

RGB 69 61 81

HSL 264, 0.14%, 0.28%

LAB 27.29, 8.07, -10.82

 

CMYK 0 / 25 / 22 / 68

HEX #513D3F

RGB 81 61 63

HSL 354, 0.14%, 0.28%

LAB 27.97, 9.11, 2.15

 

CMYK 10 / 0 / 25 / 68

HEX #49513D

RGB 73 81 61

HSL 84, 0.14%, 0.28%

LAB 33.22, -7.34, 10.73

 

Description

Color code: RGB 61 81 79 | qconv.com Color code: RGB 61 81 79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 81 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 81 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 2 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 2% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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