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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 72 227 it is the complementary color RGB 194 183 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 72 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 72 227 shade: RGB 66 72 222, RGB 83 90 241, RGB 100 108 255, RGB 117 126 255 and RGB 134 144 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 72 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 72 227 shade: RGB 61 72 227, RGB 44 54 208, RGB 27 36 189, RGB 10 18 170 and RGB 0 0 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 72 227 shade: RGB 58 69 226, RGB 92 58 226, RGB 138 58 226, RGB 183 58 226 and RGB 226 58 224

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 72 227 shade: RGB 58 69 226 and RGB 58 58 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 72 227 shade matches the following richer shades: RGB 58 69 226 and RGB 40 54 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 72 227 shade: RGB 58 69 226, RGB 76 85 208, RGB 94 101 190, RGB 113 117 172 and RGB 131 132 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 72 227 shade: RGB 58 159 226, RGB 58 114 226, RGB 58 69 226, RGB 92 58 226 and RGB 137 58 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 72 227 shade: RGB 25 35 177, RGB 30 42 213, RGB 58 69 226, RGB 94 103 232 and RGB 130 137 237

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 72 227 shade: RGB 61 72 227, RGB 226 58 204 and RGB 137 226 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 72 227 shade: RGB 61 72 227, RGB 226 58 69 and RGB 69 226 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 72 227 shade: RGB 61 72 227, RGB 226 58 204, RGB 226 215 58 and RGB 58 226 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 72 227 shade: RGB 61 72 227, RGB 226 58 154, RGB 226 215 58 and RGB 58 226 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 68 / 0 / 11

HEX #3D48E3

RGB 61 72 227

HSL 236.02, 0.75%, 0.56%

LAB 39.87, 46.88, -79.41

 

Complementary color

CMYK 0 / 6 / 86 / 24

HEX #C2B71C

RGB 194 183 28

HSL 56.02, 0.75%, 0.44%

LAB 73.17, -11.56, 70.71

 

CMYK 70 / 68 / 0 / 13

HEX #4248DE

RGB 66 72 222

HSL 237.69, 0.7%, 0.56%

LAB 39.69, 45.73, -76.84

 

CMYK 66 / 63 / 0 / 5

HEX #535AF1

RGB 83 90 241

HSL 237.34, 0.85%, 0.64%

LAB 46.31, 43.43, -76.71

 

CMYK 61 / 58 / 0 / 0

HEX #646CFF

RGB 100 108 255

HSL 236.9, 1%, 0.7%

LAB 52.57, 39.76, -74.27

 

CMYK 54 / 51 / 0 / 0

HEX #757EFF

RGB 117 126 255

HSL 236.09, 1%, 0.73%

LAB 57.96, 32.07, -65.5

 

CMYK 47 / 44 / 0 / 0

HEX #8690FF

RGB 134 144 255

HSL 235.04, 1%, 0.76%

LAB 63.54, 25.04, -56.52

 

CMYK 73 / 68 / 0 / 11

HEX #3D48E3

RGB 61 72 227

HSL 236.02, 0.75%, 0.56%

LAB 39.87, 46.88, -79.41

 

CMYK 79 / 74 / 0 / 18

HEX #2C36D0

RGB 44 54 208

HSL 236.34, 0.65%, 0.49%

LAB 33.41, 49.46, -79.18

 

CMYK 86 / 81 / 0 / 26

HEX #1B24BD

RGB 27 36 189

HSL 236.67, 0.75%, 0.42%

LAB 27.21, 51.88, -78.35

 

CMYK 94 / 89 / 0 / 33

HEX #0A12AA

RGB 10 18 170

HSL 237, 0.89%, 0.35%

LAB 21.58, 53.41, -76.38

 

CMYK 100 / 100 / 0 / 41

HEX #000097

RGB 0 0 151

HSL 240, 1%, 0.3%

LAB 16.67, 53.57, -72.96

 

CMYK 74 / 69 / 0 / 11

HEX #3A45E2

RGB 58 69 226

HSL 236.07, 0.74%, 0.56%

LAB 38.98, 48.01, -80.32

 

CMYK 59 / 74 / 0 / 11

HEX #5C3AE2

RGB 92 58 226

HSL 252.14, 0.74%, 0.56%

LAB 39.23, 57.62, -79.82

 

CMYK 39 / 74 / 0 / 11

HEX #8A3AE2

RGB 138 58 226

HSL 268.57, 0.74%, 0.56%

LAB 44.12, 64.28, -71.62

 

CMYK 19 / 74 / 0 / 11

HEX #B73AE2

RGB 183 58 226

HSL 284.64, 0.74%, 0.56%

LAB 50.2, 72.26, -61.47

 

CMYK 0 / 74 / 1 / 11

HEX #E23AE0

RGB 226 58 224

HSL 300.71, 0.74%, 0.56%

LAB 56.66, 80.31, -49.63

 

CMYK 74 / 69 / 0 / 11

HEX #3A45E2

RGB 58 69 226

HSL 236.07, 0.74%, 0.56%

LAB 38.98, 48.01, -80.32

 

CMYK 74 / 74 / 0 / 11

HEX #3A3AE2

RGB 58 58 226

HSL 240, 0.74%, 0.56%

LAB 36.77, 54.16, -83.95

 

CMYK 74 / 69 / 0 / 11

HEX #3A45E2

RGB 58 69 226

HSL 236.07, 0.74%, 0.56%

LAB 38.98, 48.01, -80.32

 

CMYK 84 / 78 / 0 / 4

HEX #2836F5

RGB 40 54 245

HSL 235.9, 0.91%, 0.56%

LAB 37.27, 61.09, -93.94

 

CMYK 74 / 69 / 0 / 11

HEX #3A45E2

RGB 58 69 226

HSL 236.07, 0.74%, 0.56%

LAB 38.98, 48.01, -80.32

 

CMYK 63 / 59 / 0 / 18

HEX #4C55D0

RGB 76 85 208

HSL 235.91, 0.58%, 0.56%

LAB 42.14, 34.48, -64.8

 

CMYK 51 / 47 / 0 / 25

HEX #5E65BE

RGB 94 101 190

HSL 235.63, 0.42%, 0.56%

LAB 46.18, 22.07, -47.81

 

CMYK 34 / 32 / 0 / 33

HEX #7175AC

RGB 113 117 172

HSL 235.93, 0.26%, 0.56%

LAB 50.93, 11.92, -29.78

 

CMYK 15 / 14 / 0 / 40

HEX #83849A

RGB 131 132 154

HSL 237.39, 0.1%, 0.56%

LAB 55.75, 4.32, -11.86

 

CMYK 74 / 30 / 0 / 11

HEX #3A9FE2

RGB 58 159 226

HSL 203.93, 0.74%, 0.56%

LAB 62.67, -6.89, -42.17

 

CMYK 74 / 50 / 0 / 11

HEX #3A72E2

RGB 58 114 226

HSL 220, 0.74%, 0.56%

LAB 50.01, 20.09, -62.33

 

CMYK 74 / 69 / 0 / 11

HEX #3A45E2

RGB 58 69 226

HSL 236.07, 0.74%, 0.56%

LAB 38.98, 48.01, -80.32

 

CMYK 59 / 74 / 0 / 11

HEX #5C3AE2

RGB 92 58 226

HSL 252.14, 0.74%, 0.56%

LAB 39.23, 57.62, -79.82

 

CMYK 39 / 74 / 0 / 11

HEX #893AE2

RGB 137 58 226

HSL 268.21, 0.74%, 0.56%

LAB 44, 64.12, -71.82

 

CMYK 86 / 80 / 0 / 31

HEX #1923B1

RGB 25 35 177

HSL 236.05, 0.75%, 0.4%

LAB 25.51, 48.44, -74.03

 

CMYK 86 / 80 / 0 / 16

HEX #1E2AD5

RGB 30 42 213

HSL 236.07, 0.75%, 0.48%

LAB 31.2, 56.62, -85.76

 

CMYK 74 / 69 / 0 / 11

HEX #3A45E2

RGB 58 69 226

HSL 236.07, 0.74%, 0.56%

LAB 38.98, 48.01, -80.32

 

CMYK 59 / 56 / 0 / 9

HEX #5E67E8

RGB 94 103 232

HSL 236.09, 0.75%, 0.64%

LAB 49.38, 34.35, -66.63

 

CMYK 45 / 42 / 0 / 7

HEX #8289ED

RGB 130 137 237

HSL 236.07, 0.75%, 0.72%

LAB 60.56, 22.96, -51.36

 

CMYK 73 / 68 / 0 / 11

HEX #3D48E3

RGB 61 72 227

HSL 236.02, 0.75%, 0.56%

LAB 39.87, 46.88, -79.41

 

CMYK 0 / 74 / 10 / 11

HEX #E23ACC

RGB 226 58 204

HSL 307.86, 0.74%, 0.56%

LAB 55.64, 77.34, -39.87

 

CMYK 39 / 0 / 74 / 11

HEX #89E23A

RGB 137 226 58

HSL 91.79, 0.74%, 0.56%

LAB 81.85, -52.52, 68.8

 

CMYK 73 / 68 / 0 / 11

HEX #3D48E3

RGB 61 72 227

HSL 236.02, 0.75%, 0.56%

LAB 39.87, 46.88, -79.41

 

CMYK 0 / 74 / 69 / 11

HEX #E23A45

RGB 226 58 69

HSL 356.07, 0.74%, 0.56%

LAB 51.41, 64.21, 33.77

 

CMYK 69 / 0 / 74 / 11

HEX #45E23A

RGB 69 226 58

HSL 116.07, 0.74%, 0.56%

LAB 79.59, -70.05, 65.83

 

CMYK 73 / 68 / 0 / 11

HEX #3D48E3

RGB 61 72 227

HSL 236.02, 0.75%, 0.56%

LAB 39.87, 46.88, -79.41

 

CMYK 0 / 74 / 10 / 11

HEX #E23ACC

RGB 226 58 204

HSL 307.86, 0.74%, 0.56%

LAB 55.64, 77.34, -39.87

 

CMYK 0 / 5 / 74 / 11

HEX #E2D73A

RGB 226 215 58

HSL 56.07, 0.74%, 0.56%

LAB 84.52, -13.05, 73.37

 

CMYK 74 / 0 / 64 / 11

HEX #3AE251

RGB 58 226 81

HSL 128.21, 0.74%, 0.56%

LAB 79.55, -69.81, 57.11

 

CMYK 73 / 68 / 0 / 11

HEX #3D48E3

RGB 61 72 227

HSL 236.02, 0.75%, 0.56%

LAB 39.87, 46.88, -79.41

 

CMYK 0 / 74 / 32 / 11

HEX #E23A9A

RGB 226 58 154

HSL 325.71, 0.74%, 0.56%

LAB 53.52, 70.96, -14.05

 

CMYK 0 / 5 / 74 / 11

HEX #E2D73A

RGB 226 215 58

HSL 56.07, 0.74%, 0.56%

LAB 84.52, -13.05, 73.37

 

CMYK 74 / 0 / 42 / 11

HEX #3AE283

RGB 58 226 131

HSL 146.07, 0.74%, 0.56%

LAB 80.14, -62.84, 34.58

 

Description

Color code: RGB 61 72 227 | qconv.com Color code: RGB 61 72 227 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 72 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 72 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 68 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 68% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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