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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 71 198 it is the complementary color RGB 194 184 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 71 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 71 198 shade: RGB 66 71 193, RGB 83 89 212, RGB 100 107 231, RGB 117 125 250 and RGB 134 143 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 71 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 71 198 shade: RGB 61 71 198, RGB 44 53 179, RGB 27 35 160, RGB 10 17 141 and RGB 0 0 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 71 198 shade: RGB 61 71 198, RGB 88 61 198, RGB 125 61 198, RGB 162 61 198 and RGB 198 61 197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 71 198 shade: RGB 61 71 198 and RGB 61 61 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 71 198 shade matches the following richer shades: RGB 61 71 198, RGB 41 54 218 and RGB 20 36 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 71 198 shade: RGB 61 71 198, RGB 81 88 178, RGB 101 105 158, RGB 121 123 138 and RGB 142 140 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 71 198 shade: RGB 61 146 198, RGB 61 109 198, RGB 61 72 198, RGB 86 61 198 and RGB 123 61 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 71 198 shade: RGB 39 47 137, RGB 49 58 169, RGB 61 71 198, RGB 93 101 208 and RGB 125 131 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 71 198 shade: RGB 61 71 198, RGB 198 61 182 and RGB 127 198 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 71 198 shade: RGB 61 71 198, RGB 198 61 72 and RGB 72 198 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 71 198 shade: RGB 61 71 198, RGB 198 61 182, RGB 198 187 61 and RGB 61 198 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 71 198 shade: RGB 61 71 198, RGB 198 61 141, RGB 198 187 61 and RGB 61 198 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 64 / 0 / 22

HEX #3D47C6

RGB 61 71 198

HSL 235.62, 0.55%, 0.51%

LAB 37.07, 37.62, -67.31

 

Complementary color

CMYK 0 / 5 / 71 / 24

HEX #C2B839

RGB 194 184 57

HSL 55.62, 0.55%, 0.49%

LAB 73.58, -11.01, 62.31

 

CMYK 66 / 63 / 0 / 24

HEX #4247C1

RGB 66 71 193

HSL 237.64, 0.51%, 0.51%

LAB 36.96, 36.58, -64.57

 

CMYK 61 / 58 / 0 / 17

HEX #5359D4

RGB 83 89 212

HSL 237.21, 0.6%, 0.58%

LAB 43.85, 34.48, -64.28

 

CMYK 57 / 54 / 0 / 9

HEX #646BE7

RGB 100 107 231

HSL 236.79, 0.73%, 0.65%

LAB 50.68, 32.67, -63.95

 

CMYK 53 / 50 / 0 / 2

HEX #757DFA

RGB 117 125 250

HSL 236.39, 0.93%, 0.72%

LAB 57.42, 31.12, -63.62

 

CMYK 47 / 44 / 0 / 0

HEX #868FFF

RGB 134 143 255

HSL 235.54, 1%, 0.76%

LAB 63.29, 25.63, -56.91

 

CMYK 69 / 64 / 0 / 22

HEX #3D47C6

RGB 61 71 198

HSL 235.62, 0.55%, 0.51%

LAB 37.07, 37.62, -67.31

 

CMYK 75 / 70 / 0 / 30

HEX #2C35B3

RGB 44 53 179

HSL 236, 0.61%, 0.44%

LAB 30.25, 40.19, -67.36

 

CMYK 83 / 78 / 0 / 37

HEX #1B23A0

RGB 27 35 160

HSL 236.39, 0.71%, 0.37%

LAB 23.58, 42.87, -66.95

 

CMYK 93 / 88 / 0 / 45

HEX #0A118D

RGB 10 17 141

HSL 236.79, 0.87%, 0.3%

LAB 17.41, 45, -65.5

 

CMYK 100 / 100 / 0 / 52

HEX #00007A

RGB 0 0 122

HSL 240, 1%, 0.24%

LAB 11.99, 45.9, -62.51

 

CMYK 69 / 64 / 0 / 22

HEX #3D47C6

RGB 61 71 198

HSL 235.62, 0.55%, 0.51%

LAB 37.07, 37.62, -67.31

 

CMYK 56 / 69 / 0 / 22

HEX #583DC6

RGB 88 61 198

HSL 251.82, 0.55%, 0.51%

LAB 36.91, 47.36, -67.5

 

CMYK 37 / 69 / 0 / 22

HEX #7D3DC6

RGB 125 61 198

HSL 268.03, 0.55%, 0.51%

LAB 40.86, 53.9, -60.89

 

CMYK 18 / 69 / 0 / 22

HEX #A23DC6

RGB 162 61 198

HSL 284.23, 0.55%, 0.51%

LAB 45.77, 61.48, -52.72

 

CMYK 0 / 69 / 1 / 22

HEX #C63DC5

RGB 198 61 197

HSL 300.44, 0.55%, 0.51%

LAB 51.12, 69.18, -43.28

 

CMYK 69 / 64 / 0 / 22

HEX #3D47C6

RGB 61 71 198

HSL 235.62, 0.55%, 0.51%

LAB 37.07, 37.62, -67.31

 

CMYK 69 / 69 / 0 / 22

HEX #3D3DC6

RGB 61 61 198

HSL 240, 0.55%, 0.51%

LAB 34.82, 43.67, -71.01

 

CMYK 69 / 64 / 0 / 22

HEX #3D47C6

RGB 61 71 198

HSL 235.62, 0.55%, 0.51%

LAB 37.07, 37.62, -67.31

 

CMYK 81 / 75 / 0 / 15

HEX #2936DA

RGB 41 54 218

HSL 235.59, 0.71%, 0.51%

LAB 34.34, 52.56, -83.43

 

CMYK 92 / 85 / 0 / 6

HEX #1424EF

RGB 20 36 239

HSL 235.62, 0.87%, 0.51%

LAB 33.23, 66.73, -97.29

 

CMYK 69 / 64 / 0 / 22

HEX #3D47C6

RGB 61 71 198

HSL 235.62, 0.55%, 0.51%

LAB 37.07, 37.62, -67.31

 

CMYK 54 / 51 / 0 / 30

HEX #5158B2

RGB 81 88 178

HSL 235.67, 0.39%, 0.51%

LAB 41.13, 23.48, -48.96

 

CMYK 36 / 34 / 0 / 38

HEX #65699E

RGB 101 105 158

HSL 235.79, 0.23%, 0.51%

LAB 46.09, 11.78, -29.2

 

CMYK 12 / 11 / 0 / 46

HEX #797B8A

RGB 121 123 138

HSL 232.94, 0.07%, 0.51%

LAB 51.91, 2.45, -8.39

 

CMYK 0 / 1 / 18 / 44

HEX #8E8C75

RGB 142 140 117

HSL 55.2, 0.1%, 0.51%

LAB 57.84, -3.37, 12.57

 

CMYK 69 / 26 / 0 / 22

HEX #3D92C6

RGB 61 146 198

HSL 202.77, 0.55%, 0.51%

LAB 57.68, -8.76, -34.33

 

CMYK 69 / 45 / 0 / 22

HEX #3D6DC6

RGB 61 109 198

HSL 218.98, 0.55%, 0.51%

LAB 46.98, 13.44, -51.26

 

CMYK 69 / 64 / 0 / 22

HEX #3D48C6

RGB 61 72 198

HSL 235.18, 0.55%, 0.51%

LAB 37.31, 37, -66.93

 

CMYK 57 / 69 / 0 / 22

HEX #563DC6

RGB 86 61 198

HSL 250.95, 0.55%, 0.51%

LAB 36.73, 47.05, -67.8

 

CMYK 38 / 69 / 0 / 22

HEX #7B3DC6

RGB 123 61 198

HSL 267.15, 0.55%, 0.51%

LAB 40.61, 53.51, -61.3

 

CMYK 72 / 66 / 0 / 46

HEX #272F89

RGB 39 47 137

HSL 235.1, 0.56%, 0.35%

LAB 24.55, 28.31, -51.17

 

CMYK 71 / 66 / 0 / 34

HEX #313AA9

RGB 49 58 169

HSL 235.5, 0.55%, 0.43%

LAB 30.74, 34.09, -60.56

 

CMYK 69 / 64 / 0 / 22

HEX #3D47C6

RGB 61 71 198

HSL 235.62, 0.55%, 0.51%

LAB 37.07, 37.62, -67.31

 

CMYK 55 / 51 / 0 / 18

HEX #5D65D0

RGB 93 101 208

HSL 235.83, 0.55%, 0.59%

LAB 47.22, 27.61, -56.52

 

CMYK 42 / 40 / 0 / 15

HEX #7D83D9

RGB 125 131 217

HSL 236.09, 0.55%, 0.67%

LAB 57.66, 19.5, -44.84

 

CMYK 69 / 64 / 0 / 22

HEX #3D47C6

RGB 61 71 198

HSL 235.62, 0.55%, 0.51%

LAB 37.07, 37.62, -67.31

 

CMYK 0 / 69 / 8 / 22

HEX #C63DB6

RGB 198 61 182

HSL 307.01, 0.55%, 0.51%

LAB 50.36, 66.81, -35.78

 

CMYK 36 / 0 / 69 / 22

HEX #7FC63D

RGB 127 198 61

HSL 91.09, 0.55%, 0.51%

LAB 73.05, -44.19, 58.78

 

CMYK 69 / 64 / 0 / 22

HEX #3D47C6

RGB 61 71 198

HSL 235.62, 0.55%, 0.51%

LAB 37.07, 37.62, -67.31

 

CMYK 0 / 69 / 64 / 22

HEX #C63D48

RGB 198 61 72

HSL 355.18, 0.55%, 0.51%

LAB 46.73, 54.73, 25.06

 

CMYK 64 / 0 / 69 / 22

HEX #48C63D

RGB 72 198 61

HSL 115.18, 0.55%, 0.51%

LAB 70.94, -60, 55.93

 

CMYK 69 / 64 / 0 / 22

HEX #3D47C6

RGB 61 71 198

HSL 235.62, 0.55%, 0.51%

LAB 37.07, 37.62, -67.31

 

CMYK 0 / 69 / 8 / 22

HEX #C63DB6

RGB 198 61 182

HSL 307.01, 0.55%, 0.51%

LAB 50.36, 66.81, -35.78

 

CMYK 0 / 6 / 69 / 22

HEX #C6BB3D

RGB 198 187 61

HSL 55.18, 0.55%, 0.51%

LAB 74.75, -10.63, 62.07

 

CMYK 69 / 0 / 61 / 22

HEX #3DC64D

RGB 61 198 77

HSL 127.01, 0.55%, 0.51%

LAB 70.81, -60.56, 49.03

 

CMYK 69 / 64 / 0 / 22

HEX #3D47C6

RGB 61 71 198

HSL 235.62, 0.55%, 0.51%

LAB 37.07, 37.62, -67.31

 

CMYK 0 / 69 / 29 / 22

HEX #C63D8D

RGB 198 61 141

HSL 324.96, 0.55%, 0.51%

LAB 48.59, 61.12, -14.22

 

CMYK 0 / 6 / 69 / 22

HEX #C6BB3D

RGB 198 187 61

HSL 55.18, 0.55%, 0.51%

LAB 74.75, -10.63, 62.07

 

CMYK 69 / 0 / 40 / 22

HEX #3DC676

RGB 61 198 118

HSL 144.96, 0.55%, 0.51%

LAB 71.34, -54.47, 29.71

 

Description

Color code: RGB 61 71 198 | qconv.com Color code: RGB 61 71 198 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 71 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 71 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 64 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 64% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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