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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 59 134 it is the complementary color RGB 194 196 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 59 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 59 134 shade: RGB 66 59 129, RGB 83 77 148, RGB 100 95 167, RGB 117 113 186 and RGB 134 131 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 59 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 59 134 shade: RGB 61 59 134, RGB 44 41 115, RGB 27 23 96, RGB 10 5 77 and RGB 0 0 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 59 134 shade: RGB 61 59 134, RGB 81 59 134, RGB 101 59 134, RGB 122 59 134 and RGB 134 59 126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 59 134 shade: RGB 61 59 134 and RGB 59 59 134

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 59 134 shade matches the following richer shades: RGB 61 59 134, RGB 46 43 150, RGB 31 27 166 and RGB 16 12 181

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 59 134 shade: RGB 61 59 134, RGB 75 74 119, RGB 90 90 103, RGB 105 106 87 and RGB 120 121 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 59 134 shade: RGB 59 98 134, RGB 59 78 134, RGB 60 59 134, RGB 80 59 134 and RGB 100 59 134

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 59 134 shade: RGB 35 33 77, RGB 48 46 106, RGB 61 59 134, RGB 74 71 163 and RGB 95 92 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 59 134 shade: RGB 61 59 134, RGB 134 59 118 and RGB 88 134 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 59 134 shade: RGB 61 59 134, RGB 134 60 59 and RGB 59 134 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 59 134 shade: RGB 61 59 134, RGB 134 59 118, RGB 133 134 59 and RGB 59 134 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 59 134 shade: RGB 61 59 134, RGB 134 59 95, RGB 133 134 59 and RGB 59 134 98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 56 / 0 / 47

HEX #3D3B86

RGB 61 59 134

HSL 241.6, 0.39%, 0.38%

LAB 29.01, 23.2, -41.98

 

Complementary color

CMYK 1 / 0 / 38 / 23

HEX #C2C479

RGB 194 196 121

HSL 61.6, 0.39%, 0.62%

LAB 77.48, -11.96, 37.42

 

CMYK 49 / 54 / 0 / 49

HEX #423B81

RGB 66 59 129

HSL 246, 0.37%, 0.37%

LAB 29.09, 22.7, -38.72

 

CMYK 44 / 48 / 0 / 42

HEX #534D94

RGB 83 77 148

HSL 245.07, 0.32%, 0.44%

LAB 36.53, 21.37, -38.41

 

CMYK 40 / 43 / 0 / 35

HEX #645FA7

RGB 100 95 167

HSL 244.17, 0.29%, 0.51%

LAB 43.78, 20.27, -38.17

 

CMYK 37 / 39 / 0 / 27

HEX #7571BA

RGB 117 113 186

HSL 243.29, 0.35%, 0.59%

LAB 50.85, 19.34, -37.99

 

CMYK 35 / 36 / 0 / 20

HEX #8683CD

RGB 134 131 205

HSL 242.43, 0.43%, 0.66%

LAB 57.76, 18.55, -37.88

 

CMYK 54 / 56 / 0 / 47

HEX #3D3B86

RGB 61 59 134

HSL 241.6, 0.39%, 0.38%

LAB 29.01, 23.2, -41.98

 

CMYK 62 / 64 / 0 / 55

HEX #2C2973

RGB 44 41 115

HSL 242.43, 0.47%, 0.31%

LAB 21.43, 25.09, -42.33

 

CMYK 72 / 76 / 0 / 62

HEX #1B1760

RGB 27 23 96

HSL 243.29, 0.61%, 0.23%

LAB 13.77, 27.37, -42.5

 

CMYK 87 / 94 / 0 / 70

HEX #0A054D

RGB 10 5 77

HSL 244.17, 0.88%, 0.16%

LAB 6.4, 29.38, -41.79

 

CMYK 100 / 100 / 0 / 77

HEX #00003A

RGB 0 0 58

HSL 240, 1%, 0.11%

LAB 2.76, 19.39, -34.26

 

CMYK 54 / 56 / 0 / 47

HEX #3D3B86

RGB 61 59 134

HSL 241.6, 0.39%, 0.38%

LAB 29.01, 23.2, -41.98

 

CMYK 40 / 56 / 0 / 47

HEX #513B86

RGB 81 59 134

HSL 257.6, 0.39%, 0.38%

LAB 30.87, 28.03, -38.88

 

CMYK 25 / 56 / 0 / 47

HEX #653B86

RGB 101 59 134

HSL 273.6, 0.39%, 0.38%

LAB 33.17, 33.44, -35.08

 

CMYK 9 / 56 / 0 / 47

HEX #7A3B86

RGB 122 59 134

HSL 290.4, 0.39%, 0.38%

LAB 35.96, 39.42, -30.48

 

CMYK 0 / 56 / 6 / 47

HEX #863B7E

RGB 134 59 126

HSL 306.4, 0.39%, 0.38%

LAB 37.3, 41.41, -23.31

 

CMYK 54 / 56 / 0 / 47

HEX #3D3B86

RGB 61 59 134

HSL 241.6, 0.39%, 0.38%

LAB 29.01, 23.2, -41.98

 

CMYK 56 / 56 / 0 / 47

HEX #3B3B86

RGB 59 59 134

HSL 240, 0.39%, 0.38%

LAB 28.85, 22.76, -42.24

 

CMYK 54 / 56 / 0 / 47

HEX #3D3B86

RGB 61 59 134

HSL 241.6, 0.39%, 0.38%

LAB 29.01, 23.2, -41.98

 

CMYK 69 / 71 / 0 / 41

HEX #2E2B96

RGB 46 43 150

HSL 241.68, 0.55%, 0.38%

LAB 25.29, 36.43, -57.97

 

CMYK 81 / 84 / 0 / 35

HEX #1F1BA6

RGB 31 27 166

HSL 241.73, 0.72%, 0.38%

LAB 23.1, 49.14, -71.4

 

CMYK 91 / 93 / 0 / 29

HEX #100CB5

RGB 16 12 181

HSL 241.42, 0.88%, 0.38%

LAB 22.69, 58.46, -81.13

 

CMYK 54 / 56 / 0 / 47

HEX #3D3B86

RGB 61 59 134

HSL 241.6, 0.39%, 0.38%

LAB 29.01, 23.2, -41.98

 

CMYK 37 / 38 / 0 / 53

HEX #4B4A77

RGB 75 74 119

HSL 241.33, 0.23%, 0.38%

LAB 33.4, 12.22, -25.57

 

CMYK 13 / 13 / 0 / 60

HEX #5A5A67

RGB 90 90 103

HSL 240, 0.07%, 0.38%

LAB 38.66, 2.92, -7.43

 

CMYK 1 / 0 / 18 / 58

HEX #696A57

RGB 105 106 87

HSL 63.16, 0.1%, 0.38%

LAB 44.23, -4, 10.56

 

CMYK 1 / 0 / 41 / 53

HEX #787947

RGB 120 121 71

HSL 61.2, 0.26%, 0.38%

LAB 49.64, -8.49, 27.27

 

CMYK 56 / 27 / 0 / 47

HEX #3B6286

RGB 59 98 134

HSL 208.8, 0.39%, 0.38%

LAB 40.22, -2.63, -24.21

 

CMYK 56 / 42 / 0 / 47

HEX #3B4E86

RGB 59 78 134

HSL 224.8, 0.39%, 0.38%

LAB 34.19, 10.13, -33.69

 

CMYK 55 / 56 / 0 / 47

HEX #3C3B86

RGB 60 59 134

HSL 240.8, 0.39%, 0.38%

LAB 28.93, 22.98, -42.11

 

CMYK 40 / 56 / 0 / 47

HEX #503B86

RGB 80 59 134

HSL 256.8, 0.39%, 0.38%

LAB 30.77, 27.77, -39.05

 

CMYK 25 / 56 / 0 / 47

HEX #643B86

RGB 100 59 134

HSL 272.8, 0.39%, 0.38%

LAB 33.05, 33.16, -35.28

 

CMYK 55 / 57 / 0 / 70

HEX #23214D

RGB 35 33 77

HSL 242.73, 0.4%, 0.22%

LAB 15.39, 14.91, -27.01

 

CMYK 55 / 57 / 0 / 58

HEX #302E6A

RGB 48 46 106

HSL 242, 0.39%, 0.3%

LAB 22.38, 19.34, -34.96

 

CMYK 54 / 56 / 0 / 47

HEX #3D3B86

RGB 61 59 134

HSL 241.6, 0.39%, 0.38%

LAB 29.01, 23.2, -41.98

 

CMYK 55 / 56 / 0 / 36

HEX #4A47A3

RGB 74 71 163

HSL 241.96, 0.39%, 0.46%

LAB 35.22, 27.88, -49.6

 

CMYK 48 / 50 / 0 / 28

HEX #5F5CB7

RGB 95 92 183

HSL 241.98, 0.39%, 0.54%

LAB 43.52, 25.69, -48

 

CMYK 54 / 56 / 0 / 47

HEX #3D3B86

RGB 61 59 134

HSL 241.6, 0.39%, 0.38%

LAB 29.01, 23.2, -41.98

 

CMYK 0 / 56 / 12 / 47

HEX #863B76

RGB 134 59 118

HSL 312.8, 0.39%, 0.38%

LAB 36.94, 40, -18.9

 

CMYK 34 / 0 / 56 / 47

HEX #58863B

RGB 88 134 59

HSL 96.8, 0.39%, 0.38%

LAB 51.2, -29.81, 35.03

 

CMYK 54 / 56 / 0 / 47

HEX #3D3B86

RGB 61 59 134

HSL 241.6, 0.39%, 0.38%

LAB 29.01, 23.2, -41.98

 

CMYK 0 / 55 / 56 / 47

HEX #863C3B

RGB 134 60 59

HSL 0.8, 0.39%, 0.38%

LAB 35.23, 31.64, 15.98

 

CMYK 56 / 0 / 55 / 47

HEX #3B863C

RGB 59 134 60

HSL 120.8, 0.39%, 0.38%

LAB 49.87, -39.18, 32.61

 

CMYK 54 / 56 / 0 / 47

HEX #3D3B86

RGB 61 59 134

HSL 241.6, 0.39%, 0.38%

LAB 29.01, 23.2, -41.98

 

CMYK 0 / 56 / 12 / 47

HEX #863B76

RGB 134 59 118

HSL 312.8, 0.39%, 0.38%

LAB 36.94, 40, -18.9

 

CMYK 1 / 0 / 56 / 47

HEX #85863B

RGB 133 134 59

HSL 60.8, 0.39%, 0.38%

LAB 54.4, -11.16, 39.57

 

CMYK 56 / 0 / 44 / 47

HEX #3B864B

RGB 59 134 75

HSL 132.8, 0.39%, 0.38%

LAB 50.08, -36.83, 24.88

 

CMYK 54 / 56 / 0 / 47

HEX #3D3B86

RGB 61 59 134

HSL 241.6, 0.39%, 0.38%

LAB 29.01, 23.2, -41.98

 

CMYK 0 / 56 / 29 / 47

HEX #863B5F

RGB 134 59 95

HSL 331.2, 0.39%, 0.38%

LAB 36.03, 36.37, -5.81

 

CMYK 1 / 0 / 56 / 47

HEX #85863B

RGB 133 134 59

HSL 60.8, 0.39%, 0.38%

LAB 54.4, -11.16, 39.57

 

CMYK 56 / 0 / 27 / 47

HEX #3B8662

RGB 59 134 98

HSL 151.2, 0.39%, 0.38%

LAB 50.53, -32.25, 12.48

 

Description

Color code: RGB 61 59 134 | qconv.com Color code: RGB 61 59 134 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 59 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 59 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 56 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 56% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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