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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 55 59 it is the complementary color RGB 194 200 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 55 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 55 59 shade: RGB 66 55 54, RGB 83 73 73, RGB 100 91 92, RGB 117 109 111 and RGB 134 127 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 55 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 55 59 shade: RGB 61 55 59, RGB 44 37 40, RGB 27 19 21 and RGB 10 1 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 55 59 shade: RGB 61 55 59, RGB 61 55 58, RGB 61 55 56 and RGB 61 55 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 55 59 shade: RGB 61 55 59, RGB 61 55 61, RGB 60 55 61, RGB 58 55 61 and RGB 57 55 61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 55 59 shade matches the following richer shades: RGB 61 55 59, RGB 71 46 62, RGB 80 36 65, RGB 90 27 69 and RGB 99 17 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 55 59 shade: RGB 61 55 59, RGB 52 65 56, RGB 42 74 53, RGB 33 84 50 and RGB 23 93 46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 55 59 shade: RGB 60 55 61, RGB 61 55 61, RGB 61 55 59, RGB 61 55 58 and RGB 61 55 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 55 59 shade: RGB 18 16 17, RGB 39 36 38, RGB 61 55 59, RGB 83 75 80 and RGB 104 94 101

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 55 59 shade: RGB 61 55 59, RGB 61 58 55 and RGB 55 61 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 55 59 shade: RGB 61 55 59, RGB 59 61 55 and RGB 55 59 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 55 59 shade: RGB 61 55 59, RGB 61 58 55, RGB 55 61 57 and RGB 55 58 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 55 59 shade: RGB 61 55 59, RGB 61 60 55, RGB 55 61 57 and RGB 55 56 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 3 / 76

HEX #3D373B

RGB 61 55 59

HSL 320, 0.05%, 0.23%

LAB 23.8, 3.5, -1.54

 

Complementary color

CMYK 3 / 0 / 2 / 22

HEX #C2C8C4

RGB 194 200 196

HSL 140, 0.05%, 0.77%

LAB 80.05, -2.8, 1.27

 

CMYK 0 / 17 / 18 / 74

HEX #423736

RGB 66 55 54

HSL 5, 0.1%, 0.24%

LAB 24.18, 4.66, 2.43

 

CMYK 0 / 12 / 12 / 67

HEX #534949

RGB 83 73 73

HSL 0, 0.06%, 0.31%

LAB 32, 4.2, 1.53

 

CMYK 0 / 9 / 8 / 61

HEX #645B5C

RGB 100 91 92

HSL 353.33, 0.05%, 0.37%

LAB 39.52, 3.82, 0.73

 

CMYK 0 / 7 / 5 / 54

HEX #756D6F

RGB 117 109 111

HSL 345, 0.04%, 0.44%

LAB 46.8, 3.5, 0

 

CMYK 0 / 5 / 3 / 47

HEX #867F82

RGB 134 127 130

HSL 334.29, 0.03%, 0.51%

LAB 53.88, 3.22, -0.68

 

CMYK 0 / 10 / 3 / 76

HEX #3D373B

RGB 61 55 59

HSL 320, 0.05%, 0.23%

LAB 23.8, 3.5, -1.54

 

CMYK 0 / 16 / 9 / 83

HEX #2C2528

RGB 44 37 40

HSL 334.29, 0.09%, 0.16%

LAB 15.55, 3.94, -0.78

 

CMYK 0 / 30 / 22 / 89

HEX #1B1315

RGB 27 19 21

HSL 345, 0.17%, 0.09%

LAB 6.8, 4.29, 0.12

 

CMYK 0 / 90 / 80 / 96

HEX #0A0102

RGB 10 1 2

HSL 353.33, 0.82%, 0.02%

LAB 0.82, 2.49, 0.45

 

CMYK 0 / 10 / 3 / 76

HEX #3D373B

RGB 61 55 59

HSL 320, 0.05%, 0.23%

LAB 23.8, 3.5, -1.54

 

CMYK 0 / 10 / 5 / 76

HEX #3D373A

RGB 61 55 58

HSL 330, 0.05%, 0.23%

LAB 23.77, 3.28, -0.92

 

CMYK 0 / 10 / 8 / 76

HEX #3D3738

RGB 61 55 56

HSL 350, 0.05%, 0.23%

LAB 23.7, 2.84, 0.32

 

CMYK 0 / 10 / 10 / 76

HEX #3D3737

RGB 61 55 55

HSL 0, 0.05%, 0.23%

LAB 23.67, 2.63, 0.95

 

CMYK 0 / 10 / 3 / 76

HEX #3D373B

RGB 61 55 59

HSL 320, 0.05%, 0.23%

LAB 23.8, 3.5, -1.54

 

CMYK 0 / 10 / 0 / 76

HEX #3D373D

RGB 61 55 61

HSL 300, 0.05%, 0.23%

LAB 23.87, 3.96, -2.78

 

CMYK 2 / 10 / 0 / 76

HEX #3C373D

RGB 60 55 61

HSL 290, 0.05%, 0.23%

LAB 23.77, 3.53, -2.95

 

CMYK 5 / 10 / 0 / 76

HEX #3A373D

RGB 58 55 61

HSL 270, 0.05%, 0.23%

LAB 23.57, 2.69, -3.27

 

CMYK 7 / 10 / 0 / 76

HEX #39373D

RGB 57 55 61

HSL 260, 0.05%, 0.23%

LAB 23.47, 2.27, -3.43

 

CMYK 0 / 10 / 3 / 76

HEX #3D373B

RGB 61 55 59

HSL 320, 0.05%, 0.23%

LAB 23.8, 3.5, -1.54

 

CMYK 0 / 35 / 13 / 72

HEX #472E3E

RGB 71 46 62

HSL 321.6, 0.21%, 0.23%

LAB 22.45, 14.42, -5.45

 

CMYK 0 / 55 / 19 / 69

HEX #502441

RGB 80 36 65

HSL 320.45, 0.38%, 0.23%

LAB 21.39, 24.84, -8.97

 

CMYK 0 / 70 / 23 / 65

HEX #5A1B45

RGB 90 27 69

HSL 320, 0.54%, 0.23%

LAB 21.53, 33.73, -11.33

 

CMYK 0 / 83 / 27 / 61

HEX #631148

RGB 99 17 72

HSL 319.76, 0.71%, 0.23%

LAB 22.02, 40.75, -12.48

 

CMYK 0 / 10 / 3 / 76

HEX #3D373B

RGB 61 55 59

HSL 320, 0.05%, 0.23%

LAB 23.8, 3.5, -1.54

 

CMYK 20 / 0 / 14 / 75

HEX #344138

RGB 52 65 56

HSL 138.46, 0.11%, 0.23%

LAB 26.15, -7.45, 3.75

 

CMYK 43 / 0 / 28 / 71

HEX #2A4A35

RGB 42 74 53

HSL 140.63, 0.28%, 0.23%

LAB 28.5, -17.24, 8.91

 

CMYK 61 / 0 / 40 / 67

HEX #215432

RGB 33 84 50

HSL 140, 0.44%, 0.23%

LAB 31.56, -25.85, 14.88

 

CMYK 75 / 0 / 51 / 64

HEX #175D2E

RGB 23 93 46

HSL 139.71, 0.6%, 0.23%

LAB 34.41, -32.98, 20.89

 

CMYK 2 / 10 / 0 / 76

HEX #3C373D

RGB 60 55 61

HSL 290, 0.05%, 0.23%

LAB 23.77, 3.53, -2.95

 

CMYK 0 / 10 / 0 / 76

HEX #3D373D

RGB 61 55 61

HSL 300, 0.05%, 0.23%

LAB 23.87, 3.96, -2.78

 

CMYK 0 / 10 / 3 / 76

HEX #3D373B

RGB 61 55 59

HSL 320, 0.05%, 0.23%

LAB 23.8, 3.5, -1.54

 

CMYK 0 / 10 / 5 / 76

HEX #3D373A

RGB 61 55 58

HSL 330, 0.05%, 0.23%

LAB 23.77, 3.28, -0.92

 

CMYK 0 / 10 / 8 / 76

HEX #3D3738

RGB 61 55 56

HSL 350, 0.05%, 0.23%

LAB 23.7, 2.84, 0.32

 

CMYK 0 / 11 / 6 / 93

HEX #121011

RGB 18 16 17

HSL 330, 0.06%, 0.07%

LAB 4.87, 0.94, -0.27

 

CMYK 0 / 8 / 3 / 85

HEX #272426

RGB 39 36 38

HSL 320, 0.04%, 0.15%

LAB 14.59, 1.87, -0.83

 

CMYK 0 / 10 / 3 / 76

HEX #3D373B

RGB 61 55 59

HSL 320, 0.05%, 0.23%

LAB 23.8, 3.5, -1.54

 

CMYK 0 / 10 / 4 / 67

HEX #534B50

RGB 83 75 80

HSL 322.5, 0.05%, 0.31%

LAB 32.81, 4.37, -1.76

 

CMYK 0 / 10 / 3 / 59

HEX #685E65

RGB 104 94 101

HSL 318, 0.05%, 0.39%

LAB 41.04, 5.4, -2.53

 

CMYK 0 / 10 / 3 / 76

HEX #3D373B

RGB 61 55 59

HSL 320, 0.05%, 0.23%

LAB 23.8, 3.5, -1.54

 

CMYK 0 / 5 / 10 / 76

HEX #3D3A37

RGB 61 58 55

HSL 30, 0.05%, 0.23%

LAB 24.62, 0.65, 2.32

 

CMYK 10 / 0 / 0 / 76

HEX #373D3D

RGB 55 61 61

HSL 180, 0.05%, 0.23%

LAB 25.22, -2.5, -0.86

 

CMYK 0 / 10 / 3 / 76

HEX #3D373B

RGB 61 55 59

HSL 320, 0.05%, 0.23%

LAB 23.8, 3.5, -1.54

 

CMYK 3 / 0 / 10 / 76

HEX #3B3D37

RGB 59 61 55

HSL 80, 0.05%, 0.23%

LAB 25.39, -2.18, 3.4

 

CMYK 10 / 3 / 0 / 76

HEX #373B3D

RGB 55 59 61

HSL 200, 0.05%, 0.23%

LAB 24.57, -1.2, -1.82

 

CMYK 0 / 10 / 3 / 76

HEX #3D373B

RGB 61 55 59

HSL 320, 0.05%, 0.23%

LAB 23.8, 3.5, -1.54

 

CMYK 0 / 5 / 10 / 76

HEX #3D3A37

RGB 61 58 55

HSL 30, 0.05%, 0.23%

LAB 24.62, 0.65, 2.32

 

CMYK 10 / 0 / 7 / 76

HEX #373D39

RGB 55 61 57

HSL 140, 0.05%, 0.23%

LAB 25.09, -3.45, 1.6

 

CMYK 10 / 5 / 0 / 76

HEX #373A3D

RGB 55 58 61

HSL 210, 0.05%, 0.23%

LAB 24.24, -0.55, -2.3

 

CMYK 0 / 10 / 3 / 76

HEX #3D373B

RGB 61 55 59

HSL 320, 0.05%, 0.23%

LAB 23.8, 3.5, -1.54

 

CMYK 0 / 2 / 10 / 76

HEX #3D3C37

RGB 61 60 55

HSL 50, 0.05%, 0.23%

LAB 25.26, -0.65, 3.24

 

CMYK 10 / 0 / 7 / 76

HEX #373D39

RGB 55 61 57

HSL 140, 0.05%, 0.23%

LAB 25.09, -3.45, 1.6

 

CMYK 10 / 8 / 0 / 76

HEX #37383D

RGB 55 56 61

HSL 230, 0.05%, 0.23%

LAB 23.6, 0.77, -3.26

 

Description

Color code: RGB 61 55 59 | qconv.com Color code: RGB 61 55 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 55 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 55 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 3 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 3% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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