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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 48 211 it is the complementary color RGB 194 207 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 48 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 48 211 shade: RGB 66 48 206, RGB 83 66 225, RGB 100 84 244, RGB 117 102 255 and RGB 134 120 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 48 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 48 211 shade: RGB 61 48 211, RGB 44 30 192, RGB 27 12 173, RGB 10 0 154 and RGB 0 0 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 48 211 shade: RGB 61 48 211, RGB 105 48 211, RGB 149 48 211, RGB 193 48 211 and RGB 211 48 185

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 48 211 shade: RGB 61 48 211 and RGB 48 48 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 48 211 shade matches the following richer shades: RGB 61 48 211, RGB 44 28 231 and RGB 27 8 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 48 211 shade: RGB 61 48 211, RGB 78 69 191, RGB 95 89 170, RGB 112 109 150 and RGB 129 129 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 48 211 shade: RGB 48 124 211, RGB 48 81 211, RGB 59 48 211, RGB 102 48 211 and RGB 146 48 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 48 211 shade: RGB 40 31 146, RGB 49 38 180, RGB 61 48 211, RGB 93 82 218 and RGB 125 116 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 48 211 shade: RGB 61 48 211, RGB 211 48 167 and RGB 102 211 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 48 211 shade: RGB 61 48 211, RGB 211 59 48 and RGB 48 211 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 48 211 shade: RGB 61 48 211, RGB 211 48 167, RGB 200 211 48 and RGB 48 211 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 48 211 shade: RGB 61 48 211, RGB 211 48 119, RGB 200 211 48 and RGB 48 211 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 77 / 0 / 17

HEX #3D30D3

RGB 61 48 211

HSL 244.79, 0.65%, 0.51%

LAB 33.58, 54.91, -80.6

 

Complementary color

CMYK 6 / 0 / 79 / 19

HEX #C2CF2C

RGB 194 207 44

HSL 64.79, 0.65%, 0.49%

LAB 79.77, -23.06, 72.33

 

CMYK 68 / 77 / 0 / 19

HEX #4230CE

RGB 66 48 206

HSL 246.84, 0.62%, 0.5%

LAB 33.41, 53.85, -77.97

 

CMYK 63 / 71 / 0 / 12

HEX #5342E1

RGB 83 66 225

HSL 246.42, 0.73%, 0.57%

LAB 39.87, 52.09, -78.23

 

CMYK 59 / 66 / 0 / 4

HEX #6454F4

RGB 100 84 244

HSL 246, 0.88%, 0.64%

LAB 46.42, 50.25, -78.17

 

CMYK 54 / 60 / 0 / 0

HEX #7566FF

RGB 117 102 255

HSL 245.88, 1%, 0.7%

LAB 52.4, 46.11, -74.49

 

CMYK 47 / 53 / 0 / 0

HEX #8678FF

RGB 134 120 255

HSL 246.22, 1%, 0.74%

LAB 57.77, 39.02, -65.74

 

CMYK 71 / 77 / 0 / 17

HEX #3D30D3

RGB 61 48 211

HSL 244.79, 0.65%, 0.51%

LAB 33.58, 54.91, -80.6

 

CMYK 77 / 84 / 0 / 25

HEX #2C1EC0

RGB 44 30 192

HSL 245.19, 0.73%, 0.44%

LAB 27.49, 56.33, -79.63

 

CMYK 84 / 93 / 0 / 32

HEX #1B0CAD

RGB 27 12 173

HSL 245.59, 0.87%, 0.36%

LAB 21.99, 56.51, -77.48

 

CMYK 94 / 100 / 0 / 40

HEX #0A009A

RGB 10 0 154

HSL 243.9, 1%, 0.3%

LAB 17.45, 54.44, -73.5

 

CMYK 100 / 100 / 0 / 47

HEX #000087

RGB 0 0 135

HSL 240, 1%, 0.26%

LAB 14.11, 49.37, -67.24

 

CMYK 71 / 77 / 0 / 17

HEX #3D30D3

RGB 61 48 211

HSL 244.79, 0.65%, 0.51%

LAB 33.58, 54.91, -80.6

 

CMYK 50 / 77 / 0 / 17

HEX #6930D3

RGB 105 48 211

HSL 260.98, 0.65%, 0.51%

LAB 37.52, 59.82, -73.98

 

CMYK 29 / 77 / 0 / 17

HEX #9530D3

RGB 149 48 211

HSL 277.18, 0.65%, 0.51%

LAB 43.07, 66.63, -64.67

 

CMYK 9 / 77 / 0 / 17

HEX #C130D3

RGB 193 48 211

HSL 293.37, 0.65%, 0.51%

LAB 49.68, 74.61, -53.67

 

CMYK 0 / 77 / 12 / 17

HEX #D330B9

RGB 211 48 185

HSL 309.57, 0.65%, 0.51%

LAB 51.23, 74.25, -36.01

 

CMYK 71 / 77 / 0 / 17

HEX #3D30D3

RGB 61 48 211

HSL 244.79, 0.65%, 0.51%

LAB 33.58, 54.91, -80.6

 

CMYK 77 / 77 / 0 / 17

HEX #3030D3

RGB 48 48 211

HSL 240, 0.65%, 0.51%

LAB 32.8, 53.92, -81.92

 

CMYK 71 / 77 / 0 / 17

HEX #3D30D3

RGB 61 48 211

HSL 244.79, 0.65%, 0.51%

LAB 33.58, 54.91, -80.6

 

CMYK 81 / 88 / 0 / 9

HEX #2C1CE7

RGB 44 28 231

HSL 244.73, 0.81%, 0.51%

LAB 32.11, 67.99, -94.57

 

CMYK 89 / 97 / 0 / 2

HEX #1B08FB

RGB 27 8 251

HSL 244.69, 0.97%, 0.51%

LAB 32.64, 77.22, -105.04

 

CMYK 71 / 77 / 0 / 17

HEX #3D30D3

RGB 61 48 211

HSL 244.79, 0.65%, 0.51%

LAB 33.58, 54.91, -80.6

 

CMYK 59 / 64 / 0 / 25

HEX #4E45BF

RGB 78 69 191

HSL 244.43, 0.49%, 0.51%

LAB 37.18, 38.99, -62.99

 

CMYK 44 / 48 / 0 / 33

HEX #5F59AA

RGB 95 89 170

HSL 244.44, 0.32%, 0.51%

LAB 41.97, 23.58, -42.84

 

CMYK 25 / 27 / 0 / 41

HEX #706D96

RGB 112 109 150

HSL 244.39, 0.16%, 0.51%

LAB 47.73, 10.58, -21.87

 

CMYK 1 / 1 / 0 / 49

HEX #818182

RGB 129 129 130

HSL 240, 0%, 0.51%

LAB 54.01, 0.2, -0.55

 

CMYK 77 / 41 / 0 / 17

HEX #307CD3

RGB 48 124 211

HSL 212.02, 0.65%, 0.51%

LAB 51.55, 7.14, -51.4

 

CMYK 77 / 62 / 0 / 17

HEX #3051D3

RGB 48 81 211

HSL 227.85, 0.65%, 0.51%

LAB 39.94, 34.48, -70.16

 

CMYK 72 / 77 / 0 / 17

HEX #3B30D3

RGB 59 48 211

HSL 244.05, 0.65%, 0.51%

LAB 33.45, 54.74, -80.83

 

CMYK 52 / 77 / 0 / 17

HEX #6630D3

RGB 102 48 211

HSL 259.88, 0.65%, 0.51%

LAB 37.19, 59.41, -74.53

 

CMYK 31 / 77 / 0 / 17

HEX #9230D3

RGB 146 48 211

HSL 276.07, 0.65%, 0.51%

LAB 42.65, 66.12, -65.37

 

CMYK 73 / 79 / 0 / 43

HEX #281F92

RGB 40 31 146

HSL 244.7, 0.65%, 0.35%

LAB 21.97, 41.37, -61

 

CMYK 73 / 79 / 0 / 29

HEX #3126B4

RGB 49 38 180

HSL 244.65, 0.65%, 0.43%

LAB 27.67, 49.37, -72.21

 

CMYK 71 / 77 / 0 / 17

HEX #3D30D3

RGB 61 48 211

HSL 244.79, 0.65%, 0.51%

LAB 33.58, 54.91, -80.6

 

CMYK 57 / 62 / 0 / 15

HEX #5D52DA

RGB 93 82 218

HSL 244.85, 0.65%, 0.59%

LAB 43.39, 42.3, -68.43

 

CMYK 44 / 48 / 0 / 12

HEX #7D74E1

RGB 125 116 225

HSL 244.95, 0.64%, 0.67%

LAB 54.33, 30.7, -54.62

 

CMYK 71 / 77 / 0 / 17

HEX #3D30D3

RGB 61 48 211

HSL 244.79, 0.65%, 0.51%

LAB 33.58, 54.91, -80.6

 

CMYK 0 / 77 / 21 / 17

HEX #D330A7

RGB 211 48 167

HSL 316.2, 0.65%, 0.51%

LAB 50.4, 71.83, -26.75

 

CMYK 52 / 0 / 77 / 17

HEX #66D330

RGB 102 211 48

HSL 100.12, 0.65%, 0.51%

LAB 75.84, -58.07, 65.68

 

CMYK 71 / 77 / 0 / 17

HEX #3D30D3

RGB 61 48 211

HSL 244.79, 0.65%, 0.51%

LAB 33.58, 54.91, -80.6

 

CMYK 0 / 72 / 77 / 17

HEX #D33B30

RGB 211 59 48

HSL 4.05, 0.65%, 0.51%

LAB 48.5, 58.45, 41.61

 

CMYK 77 / 0 / 72 / 17

HEX #30D33B

RGB 48 211 59

HSL 124.05, 0.65%, 0.51%

LAB 74.53, -68.57, 60.25

 

CMYK 71 / 77 / 0 / 17

HEX #3D30D3

RGB 61 48 211

HSL 244.79, 0.65%, 0.51%

LAB 33.58, 54.91, -80.6

 

CMYK 0 / 77 / 21 / 17

HEX #D330A7

RGB 211 48 167

HSL 316.2, 0.65%, 0.51%

LAB 50.4, 71.83, -26.75

 

CMYK 5 / 0 / 77 / 17

HEX #C8D330

RGB 200 211 48

HSL 64.05, 0.65%, 0.51%

LAB 81.34, -22.36, 72.77

 

CMYK 77 / 0 / 56 / 17

HEX #30D35C

RGB 48 211 92

HSL 136.2, 0.65%, 0.51%

LAB 74.82, -65.04, 46.83

 

CMYK 71 / 77 / 0 / 17

HEX #3D30D3

RGB 61 48 211

HSL 244.79, 0.65%, 0.51%

LAB 33.58, 54.91, -80.6

 

CMYK 0 / 77 / 44 / 17

HEX #D33077

RGB 211 48 119

HSL 333.87, 0.65%, 0.51%

LAB 48.63, 66.52, -0.61

 

CMYK 5 / 0 / 77 / 17

HEX #C8D330

RGB 200 211 48

HSL 64.05, 0.65%, 0.51%

LAB 81.34, -22.36, 72.77

 

CMYK 77 / 0 / 34 / 17

HEX #30D38C

RGB 48 211 140

HSL 153.87, 0.65%, 0.51%

LAB 75.52, -56.92, 23.79

 

Description

Color code: RGB 61 48 211 | qconv.com Color code: RGB 61 48 211 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 48 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 48 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 77 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 77% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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