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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 18 190 it is the complementary color RGB 195 237 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 18 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 18 190 shade: RGB 65 18 185, RGB 82 36 204, RGB 99 54 223, RGB 116 72 242 and RGB 133 90 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 18 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 18 190 shade: RGB 60 18 190, RGB 43 0 171, RGB 26 0 152, RGB 9 0 133 and RGB 0 0 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 18 190 shade: RGB 60 17 191, RGB 106 17 191, RGB 153 17 191, RGB 191 17 182 and RGB 191 17 135

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 18 190 shade: RGB 60 17 191 and RGB 17 17 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 18 190 shade matches the following richer shades: RGB 60 17 191 and RGB 51 0 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 18 190 shade: RGB 60 17 191, RGB 68 34 174, RGB 77 51 157, RGB 86 68 140 and RGB 94 85 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 18 190 shade: RGB 17 69 191, RGB 17 23 191, RGB 58 17 191, RGB 104 17 191 and RGB 150 17 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 18 190 shade: RGB 36 10 115, RGB 48 14 153, RGB 60 17 191, RGB 72 21 229 and RGB 99 55 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 18 190 shade: RGB 60 18 190, RGB 191 17 116 and RGB 46 191 17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 18 190 shade: RGB 60 18 190, RGB 191 58 17 and RGB 17 191 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 18 190 shade: RGB 60 18 190, RGB 191 17 116, RGB 150 191 17 and RGB 17 191 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 18 190 shade: RGB 60 18 190, RGB 191 17 64, RGB 150 191 17 and RGB 17 191 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 91 / 0 / 25

HEX #3C12BE

RGB 60 18 190

HSL 254.65, 0.83%, 0.41%

LAB 27.05, 60.84, -79.15

 

Complementary color

CMYK 18 / 0 / 73 / 7

HEX #C3ED41

RGB 195 237 65

HSL 74.65, 0.83%, 0.59%

LAB 88.23, -35.82, 73.8

 

CMYK 65 / 90 / 0 / 27

HEX #4112B9

RGB 65 18 185

HSL 256.89, 0.82%, 0.4%

LAB 26.9, 59.86, -76.41

 

CMYK 60 / 82 / 0 / 20

HEX #5224CC

RGB 82 36 204

HSL 256.43, 0.7%, 0.47%

LAB 32.73, 60.2, -77.88

 

CMYK 56 / 76 / 0 / 13

HEX #6336DF

RGB 99 54 223

HSL 255.98, 0.73%, 0.54%

LAB 38.93, 59.55, -78.58

 

CMYK 52 / 70 / 0 / 5

HEX #7448F2

RGB 116 72 242

HSL 255.53, 0.87%, 0.62%

LAB 45.3, 58.45, -78.83

 

CMYK 48 / 65 / 0 / 0

HEX #855AFF

RGB 133 90 255

HSL 255.64, 1%, 0.68%

LAB 51.29, 55.53, -76.24

 

CMYK 68 / 91 / 0 / 25

HEX #3C12BE

RGB 60 18 190

HSL 254.65, 0.83%, 0.41%

LAB 27.05, 60.84, -79.15

 

CMYK 75 / 100 / 0 / 33

HEX #2B00AB

RGB 43 0 171

HSL 255.09, 1%, 0.34%

LAB 21.78, 59.41, -76.61

 

CMYK 83 / 100 / 0 / 40

HEX #1A0098

RGB 26 0 152

HSL 250.26, 1%, 0.3%

LAB 17.86, 54.18, -71.57

 

CMYK 93 / 100 / 0 / 48

HEX #090085

RGB 9 0 133

HSL 244.06, 1%, 0.26%

LAB 14.13, 48.95, -65.95

 

CMYK 100 / 100 / 0 / 55

HEX #000072

RGB 0 0 114

HSL 240, 1%, 0.22%

LAB 10.67, 43.72, -59.55

 

CMYK 69 / 91 / 0 / 25

HEX #3C11BF

RGB 60 17 191

HSL 254.83, 0.84%, 0.41%

LAB 27.08, 61.37, -79.68

 

CMYK 45 / 91 / 0 / 25

HEX #6A11BF

RGB 106 17 191

HSL 270.69, 0.84%, 0.41%

LAB 32.32, 65.19, -70.86

 

CMYK 20 / 91 / 0 / 25

HEX #9911BF

RGB 153 17 191

HSL 286.9, 0.84%, 0.41%

LAB 39.47, 71.31, -58.87

 

CMYK 0 / 91 / 5 / 25

HEX #BF11B6

RGB 191 17 182

HSL 303.1, 0.84%, 0.41%

LAB 45.43, 76.12, -43.64

 

CMYK 0 / 91 / 29 / 25

HEX #BF1187

RGB 191 17 135

HSL 319.31, 0.84%, 0.41%

LAB 43.1, 70.07, -19.08

 

CMYK 69 / 91 / 0 / 25

HEX #3C11BF

RGB 60 17 191

HSL 254.83, 0.84%, 0.41%

LAB 27.08, 61.37, -79.68

 

CMYK 91 / 91 / 0 / 25

HEX #1111BF

RGB 17 17 191

HSL 240, 0.84%, 0.41%

LAB 24.58, 59.82, -83.92

 

CMYK 69 / 91 / 0 / 25

HEX #3C11BF

RGB 60 17 191

HSL 254.83, 0.84%, 0.41%

LAB 27.08, 61.37, -79.68

 

CMYK 75 / 100 / 0 / 18

HEX #3300D0

RGB 51 0 208

HSL 254.71, 1%, 0.41%

LAB 27.46, 68.64, -89.06

 

CMYK 69 / 91 / 0 / 25

HEX #3C11BF

RGB 60 17 191

HSL 254.83, 0.84%, 0.41%

LAB 27.08, 61.37, -79.68

 

CMYK 61 / 80 / 0 / 32

HEX #4422AE

RGB 68 34 174

HSL 254.57, 0.67%, 0.41%

LAB 27.92, 51.32, -68.14

 

CMYK 51 / 68 / 0 / 38

HEX #4D339D

RGB 77 51 157

HSL 254.72, 0.51%, 0.41%

LAB 30.35, 38.82, -53.86

 

CMYK 39 / 51 / 0 / 45

HEX #56448C

RGB 86 68 140

HSL 255, 0.35%, 0.41%

LAB 34, 25.46, -37.55

 

CMYK 24 / 31 / 0 / 52

HEX #5E557B

RGB 94 85 123

HSL 254.21, 0.18%, 0.41%

LAB 38.39, 12.44, -20.16

 

CMYK 91 / 64 / 0 / 25

HEX #1145BF

RGB 17 69 191

HSL 222.07, 0.84%, 0.41%

LAB 34.27, 32.51, -67.88

 

CMYK 91 / 88 / 0 / 25

HEX #1117BF

RGB 17 23 191

HSL 237.93, 0.84%, 0.41%

LAB 25.24, 57.82, -82.82

 

CMYK 70 / 91 / 0 / 25

HEX #3A11BF

RGB 58 17 191

HSL 254.14, 0.84%, 0.41%

LAB 26.91, 61.25, -79.98

 

CMYK 46 / 91 / 0 / 25

HEX #6811BF

RGB 104 17 191

HSL 270, 0.84%, 0.41%

LAB 32.05, 64.98, -71.31

 

CMYK 21 / 91 / 0 / 25

HEX #9611BF

RGB 150 17 191

HSL 285.86, 0.84%, 0.41%

LAB 38.98, 70.86, -59.69

 

CMYK 69 / 91 / 0 / 55

HEX #240A73

RGB 36 10 115

HSL 254.86, 0.84%, 0.25%

LAB 14.57, 41.15, -53.63

 

CMYK 69 / 91 / 0 / 40

HEX #300E99

RGB 48 14 153

HSL 254.68, 0.83%, 0.33%

LAB 20.99, 51.39, -66.92

 

CMYK 69 / 91 / 0 / 25

HEX #3C11BF

RGB 60 17 191

HSL 254.83, 0.84%, 0.41%

LAB 27.08, 61.37, -79.68

 

CMYK 69 / 91 / 0 / 10

HEX #4815E5

RGB 72 21 229

HSL 254.71, 0.83%, 0.49%

LAB 33.07, 70.65, -91.78

 

CMYK 58 / 77 / 0 / 7

HEX #6337EC

RGB 99 55 236

HSL 254.59, 0.83%, 0.57%

LAB 40.31, 62.64, -83.7

 

CMYK 68 / 91 / 0 / 25

HEX #3C12BE

RGB 60 18 190

HSL 254.65, 0.83%, 0.41%

LAB 27.05, 60.84, -79.15

 

CMYK 0 / 91 / 39 / 25

HEX #BF1174

RGB 191 17 116

HSL 325.86, 0.84%, 0.41%

LAB 42.37, 68.09, -8.47

 

CMYK 76 / 0 / 91 / 25

HEX #2EBF11

RGB 46 191 17

HSL 110, 0.84%, 0.41%

LAB 67.93, -65.09, 65.38

 

CMYK 68 / 91 / 0 / 25

HEX #3C12BE

RGB 60 18 190

HSL 254.65, 0.83%, 0.41%

LAB 27.05, 60.84, -79.15

 

CMYK 0 / 70 / 91 / 25

HEX #BF3A11

RGB 191 58 17

HSL 14.14, 0.84%, 0.41%

LAB 44.44, 51.52, 51.06

 

CMYK 91 / 0 / 70 / 25

HEX #11BF3A

RGB 17 191 58

HSL 134.14, 0.84%, 0.41%

LAB 67.79, -65.63, 53.5

 

CMYK 68 / 91 / 0 / 25

HEX #3C12BE

RGB 60 18 190

HSL 254.65, 0.83%, 0.41%

LAB 27.05, 60.84, -79.15

 

CMYK 0 / 91 / 39 / 25

HEX #BF1174

RGB 191 17 116

HSL 325.86, 0.84%, 0.41%

LAB 42.37, 68.09, -8.47

 

CMYK 21 / 0 / 91 / 25

HEX #96BF11

RGB 150 191 17

HSL 74.14, 0.84%, 0.41%

LAB 72.09, -34.36, 70.5

 

CMYK 91 / 0 / 52 / 25

HEX #11BF5C

RGB 17 191 92

HSL 145.86, 0.84%, 0.41%

LAB 68.13, -61.37, 38.66

 

CMYK 68 / 91 / 0 / 25

HEX #3C12BE

RGB 60 18 190

HSL 254.65, 0.83%, 0.41%

LAB 27.05, 60.84, -79.15

 

CMYK 0 / 91 / 66 / 25

HEX #BF1140

RGB 191 17 64

HSL 343.79, 0.84%, 0.41%

LAB 40.97, 64.24, 22.35

 

CMYK 21 / 0 / 91 / 25

HEX #96BF11

RGB 150 191 17

HSL 74.14, 0.84%, 0.41%

LAB 72.09, -34.36, 70.5

 

CMYK 91 / 0 / 24 / 25

HEX #11BF91

RGB 17 191 145

HSL 164.14, 0.84%, 0.41%

LAB 69.06, -50.72, 12.13

 

Description

Color code: RGB 60 18 190 | qconv.com Color code: RGB 60 18 190 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 18 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 18 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 91 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 91% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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