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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 179 134 it is the complementary color RGB 195 76 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 179 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 179 134 shade: RGB 65 179 129, RGB 82 197 148, RGB 99 215 167, RGB 116 233 186 and RGB 133 251 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 179 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 179 134 shade: RGB 60 179 134, RGB 43 161 115, RGB 26 143 96, RGB 9 125 77 and RGB 0 107 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 179 134 shade: RGB 59 179 134, RGB 59 179 102, RGB 59 179 69, RGB 82 179 59 and RGB 114 179 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 179 134 shade: RGB 59 179 134, RGB 59 179 166, RGB 59 160 179, RGB 59 128 179 and RGB 59 95 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 179 134 shade matches the following richer shades: RGB 59 179 134, RGB 40 199 139, RGB 21 218 143 and RGB 1 237 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 179 134 shade: RGB 59 179 134, RGB 79 160 129, RGB 98 140 125, RGB 118 121 120 and RGB 137 102 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 179 134 shade: RGB 59 179 69, RGB 59 179 101, RGB 59 179 133, RGB 59 179 165 and RGB 59 161 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 179 134 shade: RGB 39 117 88, RGB 49 148 111, RGB 59 179 134, RGB 83 197 154 and RGB 114 208 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 179 134 shade: RGB 60 179 134, RGB 59 81 179 and RGB 179 85 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 179 134 shade: RGB 60 179 134, RGB 133 59 179 and RGB 179 133 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 179 134 shade: RGB 60 179 134, RGB 59 81 179, RGB 179 59 105 and RGB 179 157 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 179 134 shade: RGB 60 179 134, RGB 73 59 179, RGB 179 59 105 and RGB 165 179 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 25 / 30

HEX #3CB386

RGB 60 179 134

HSL 157.31, 0.5%, 0.47%

LAB 65.69, -43.78, 13.48

 

Complementary color

CMYK 0 / 61 / 38 / 24

HEX #C34C79

RGB 195 76 121

HSL 337.31, 0.5%, 0.53%

LAB 49.68, 51.72, -0.62

 

CMYK 64 / 0 / 28 / 30

HEX #41B381

RGB 65 179 129

HSL 153.68, 0.47%, 0.48%

LAB 65.71, -43.98, 16.26

 

CMYK 58 / 0 / 25 / 23

HEX #52C594

RGB 82 197 148

HSL 154.43, 0.5%, 0.55%

LAB 72.14, -44.11, 15

 

CMYK 54 / 0 / 22 / 16

HEX #63D7A7

RGB 99 215 167

HSL 155.17, 0.59%, 0.62%

LAB 78.49, -44.1, 13.86

 

CMYK 50 / 0 / 20 / 9

HEX #74E9BA

RGB 116 233 186

HSL 155.9, 0.73%, 0.68%

LAB 84.76, -44.02, 12.8

 

CMYK 47 / 0 / 18 / 2

HEX #85FBCD

RGB 133 251 205

HSL 156.61, 0.94%, 0.75%

LAB 90.96, -43.89, 11.81

 

CMYK 66 / 0 / 25 / 30

HEX #3CB386

RGB 60 179 134

HSL 157.31, 0.5%, 0.47%

LAB 65.69, -43.78, 13.48

 

CMYK 73 / 0 / 29 / 37

HEX #2BA173

RGB 43 161 115

HSL 156.61, 0.58%, 0.4%

LAB 59.2, -43.32, 14.85

 

CMYK 82 / 0 / 33 / 44

HEX #1A8F60

RGB 26 143 96

HSL 155.9, 0.69%, 0.33%

LAB 52.63, -42.5, 16.4

 

CMYK 93 / 0 / 38 / 51

HEX #097D4D

RGB 9 125 77

HSL 155.17, 0.87%, 0.26%

LAB 45.99, -41.12, 18.16

 

CMYK 100 / 0 / 46 / 58

HEX #006B3A

RGB 0 107 58

HSL 152.52, 1%, 0.21%

LAB 39.28, -38.94, 20.16

 

CMYK 67 / 0 / 25 / 30

HEX #3BB386

RGB 59 179 134

HSL 157.5, 0.5%, 0.47%

LAB 65.66, -43.95, 13.44

 

CMYK 67 / 0 / 43 / 30

HEX #3BB366

RGB 59 179 102

HSL 141.5, 0.5%, 0.47%

LAB 65.07, -50.44, 29.83

 

CMYK 67 / 0 / 61 / 30

HEX #3BB345

RGB 59 179 69

HSL 125, 0.5%, 0.47%

LAB 64.64, -55.26, 45.57

 

CMYK 54 / 0 / 67 / 30

HEX #52B33B

RGB 82 179 59

HSL 108.5, 0.5%, 0.47%

LAB 65.24, -50.86, 50.76

 

CMYK 36 / 0 / 67 / 30

HEX #72B33B

RGB 114 179 59

HSL 92.5, 0.5%, 0.47%

LAB 66.62, -40.76, 52.65

 

CMYK 67 / 0 / 25 / 30

HEX #3BB386

RGB 59 179 134

HSL 157.5, 0.5%, 0.47%

LAB 65.66, -43.95, 13.44

 

CMYK 67 / 0 / 7 / 30

HEX #3BB3A6

RGB 59 179 166

HSL 173.5, 0.5%, 0.47%

LAB 66.46, -35.9, -3.07

 

CMYK 67 / 11 / 0 / 30

HEX #3BA0B3

RGB 59 160 179

HSL 189.5, 0.5%, 0.47%

LAB 61.07, -22.84, -18.4

 

CMYK 67 / 28 / 0 / 30

HEX #3B80B3

RGB 59 128 179

HSL 205.5, 0.5%, 0.47%

LAB 51.41, -5.24, -33.31

 

CMYK 67 / 47 / 0 / 30

HEX #3B5FB3

RGB 59 95 179

HSL 222, 0.5%, 0.47%

LAB 41.8, 15.14, -48.54

 

CMYK 67 / 0 / 25 / 30

HEX #3BB386

RGB 59 179 134

HSL 157.5, 0.5%, 0.47%

LAB 65.66, -43.95, 13.44

 

CMYK 80 / 0 / 30 / 22

HEX #28C78B

RGB 40 199 139

HSL 157.36, 0.67%, 0.47%

LAB 71.66, -53.46, 19.03

 

CMYK 90 / 0 / 34 / 15

HEX #15DA8F

RGB 21 218 143

HSL 157.16, 0.82%, 0.47%

LAB 77.45, -61.1, 24.8

 

CMYK 100 / 0 / 38 / 7

HEX #01ED94

RGB 1 237 148

HSL 157.37, 0.99%, 0.47%

LAB 83.29, -67.42, 30.08

 

CMYK 67 / 0 / 25 / 30

HEX #3BB386

RGB 59 179 134

HSL 157.5, 0.5%, 0.47%

LAB 65.66, -43.95, 13.44

 

CMYK 51 / 0 / 19 / 37

HEX #4FA081

RGB 79 160 129

HSL 157.04, 0.34%, 0.47%

LAB 60.24, -32.42, 8.64

 

CMYK 30 / 0 / 11 / 45

HEX #628C7D

RGB 98 140 125

HSL 158.57, 0.18%, 0.47%

LAB 54.9, -17.85, 3.38

 

CMYK 2 / 0 / 1 / 53

HEX #767978

RGB 118 121 120

HSL 160, 0.01%, 0.47%

LAB 50.55, -1.33, 0.15

 

CMYK 0 / 26 / 16 / 46

HEX #896673

RGB 137 102 115

HSL 337.71, 0.15%, 0.47%

LAB 47.05, 16.22, -1.79

 

CMYK 67 / 0 / 61 / 30

HEX #3BB345

RGB 59 179 69

HSL 125, 0.5%, 0.47%

LAB 64.64, -55.26, 45.57

 

CMYK 67 / 0 / 44 / 30

HEX #3BB365

RGB 59 179 101

HSL 141, 0.5%, 0.47%

LAB 65.05, -50.61, 30.33

 

CMYK 67 / 0 / 26 / 30

HEX #3BB385

RGB 59 179 133

HSL 157, 0.5%, 0.47%

LAB 65.64, -44.18, 13.96

 

CMYK 67 / 0 / 8 / 30

HEX #3BB3A5

RGB 59 179 165

HSL 173, 0.5%, 0.47%

LAB 66.43, -36.18, -2.56

 

CMYK 67 / 10 / 0 / 30

HEX #3BA1B3

RGB 59 161 179

HSL 189, 0.5%, 0.47%

LAB 61.37, -23.35, -17.94

 

CMYK 67 / 0 / 25 / 54

HEX #277558

RGB 39 117 88

HSL 157.69, 0.5%, 0.31%

LAB 44.03, -31.19, 9.14

 

CMYK 67 / 0 / 25 / 42

HEX #31946F

RGB 49 148 111

HSL 157.58, 0.5%, 0.39%

LAB 55.05, -37.71, 11.34

 

CMYK 67 / 0 / 25 / 30

HEX #3BB386

RGB 59 179 134

HSL 157.5, 0.5%, 0.47%

LAB 65.66, -43.95, 13.44

 

CMYK 58 / 0 / 22 / 23

HEX #53C59A

RGB 83 197 154

HSL 157.37, 0.5%, 0.55%

LAB 72.3, -42.58, 12

 

CMYK 45 / 0 / 17 / 18

HEX #72D0AC

RGB 114 208 172

HSL 157.02, 0.5%, 0.63%

LAB 77.08, -36.32, 9.28

 

CMYK 66 / 0 / 25 / 30

HEX #3CB386

RGB 60 179 134

HSL 157.31, 0.5%, 0.47%

LAB 65.69, -43.78, 13.48

 

CMYK 67 / 55 / 0 / 30

HEX #3B51B3

RGB 59 81 179

HSL 229, 0.5%, 0.47%

LAB 37.97, 24.22, -54.72

 

CMYK 0 / 53 / 67 / 30

HEX #B3553B

RGB 179 85 59

HSL 13, 0.5%, 0.47%

LAB 47.49, 36.22, 32.9

 

CMYK 66 / 0 / 25 / 30

HEX #3CB386

RGB 60 179 134

HSL 157.31, 0.5%, 0.47%

LAB 65.69, -43.78, 13.48

 

CMYK 26 / 67 / 0 / 30

HEX #853BB3

RGB 133 59 179

HSL 277, 0.5%, 0.47%

LAB 40.2, 52.04, -50.77

 

CMYK 0 / 26 / 67 / 30

HEX #B3853B

RGB 179 133 59

HSL 37, 0.5%, 0.47%

LAB 58.67, 9.91, 45.6

 

CMYK 66 / 0 / 25 / 30

HEX #3CB386

RGB 60 179 134

HSL 157.31, 0.5%, 0.47%

LAB 65.69, -43.78, 13.48

 

CMYK 67 / 55 / 0 / 30

HEX #3B51B3

RGB 59 81 179

HSL 229, 0.5%, 0.47%

LAB 37.97, 24.22, -54.72

 

CMYK 0 / 67 / 41 / 30

HEX #B33B69

RGB 179 59 105

HSL 337, 0.5%, 0.47%

LAB 43.85, 52.28, 0.31

 

CMYK 0 / 12 / 67 / 30

HEX #B39D3B

RGB 179 157 59

HSL 49, 0.5%, 0.47%

LAB 64.97, -3.24, 52.34

 

CMYK 66 / 0 / 25 / 30

HEX #3CB386

RGB 60 179 134

HSL 157.31, 0.5%, 0.47%

LAB 65.69, -43.78, 13.48

 

CMYK 59 / 67 / 0 / 30

HEX #493BB3

RGB 73 59 179

HSL 247, 0.5%, 0.47%

LAB 33.56, 40.29, -61.85

 

CMYK 0 / 67 / 41 / 30

HEX #B33B69

RGB 179 59 105

HSL 337, 0.5%, 0.47%

LAB 43.85, 52.28, 0.31

 

CMYK 8 / 0 / 67 / 30

HEX #A5B33B

RGB 165 179 59

HSL 67, 0.5%, 0.47%

LAB 69.86, -20.73, 57.04

 

Description

Color code: RGB 60 179 134 | qconv.com Color code: RGB 60 179 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 179 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 179 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 25 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 25% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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