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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 173 194 it is the complementary color RGB 195 82 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 173 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 173 194 shade: RGB 65 173 189, RGB 82 191 208, RGB 99 209 227, RGB 116 227 246 and RGB 133 245 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 173 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 173 194 shade: RGB 60 173 194, RGB 43 155 175, RGB 26 137 156, RGB 9 119 137 and RGB 0 101 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 173 194 shade: RGB 59 173 195, RGB 59 137 195, RGB 59 101 195, RGB 59 64 195 and RGB 91 59 195

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 173 194 shade: RGB 59 173 195, RGB 59 137 195, RGB 59 101 195, RGB 59 64 195 and RGB 59 59 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 173 194 shade matches the following richer shades: RGB 59 173 195, RGB 39 188 215 and RGB 18 202 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 173 194 shade: RGB 59 173 195, RGB 80 159 174, RGB 101 145 153, RGB 121 131 133 and RGB 142 117 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 173 194 shade: RGB 59 195 143, RGB 59 195 179, RGB 59 174 195, RGB 59 138 195 and RGB 59 102 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 173 194 shade: RGB 40 117 131, RGB 50 145 163, RGB 59 173 195, RGB 91 187 204 and RGB 123 200 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 173 194 shade: RGB 60 173 194, RGB 107 59 195 and RGB 195 161 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 173 194 shade: RGB 60 173 194, RGB 195 59 174 and RGB 174 195 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 173 194 shade: RGB 60 173 194, RGB 107 59 195, RGB 195 80 59 and RGB 147 195 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 173 194 shade: RGB 60 173 194, RGB 147 59 195, RGB 195 80 59 and RGB 107 195 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 11 / 0 / 24

HEX #3CADC2

RGB 60 173 194

HSL 189.4, 0.53%, 0.5%

LAB 65.55, -24.67, -19.97

 

Complementary color

CMYK 0 / 58 / 69 / 24

HEX #C3523D

RGB 195 82 61

HSL 9.4, 0.53%, 0.5%

LAB 49.46, 43.92, 34.73

 

CMYK 66 / 8 / 0 / 26

HEX #41ADBD

RGB 65 173 189

HSL 187.74, 0.49%, 0.5%

LAB 65.5, -25.45, -17.25

 

CMYK 61 / 8 / 0 / 18

HEX #52BFD0

RGB 82 191 208

HSL 188.1, 0.57%, 0.57%

LAB 71.97, -25.99, -17.87

 

CMYK 56 / 8 / 0 / 11

HEX #63D1E3

RGB 99 209 227

HSL 188.44, 0.7%, 0.64%

LAB 78.34, -26.39, -18.45

 

CMYK 53 / 8 / 0 / 4

HEX #74E3F6

RGB 116 227 246

HSL 188.77, 0.88%, 0.71%

LAB 84.64, -26.68, -18.98

 

CMYK 48 / 4 / 0 / 0

HEX #85F5FF

RGB 133 245 255

HSL 184.92, 1%, 0.76%

LAB 90.56, -29.48, -14.74

 

CMYK 69 / 11 / 0 / 24

HEX #3CADC2

RGB 60 173 194

HSL 189.4, 0.53%, 0.5%

LAB 65.55, -24.67, -19.97

 

CMYK 75 / 11 / 0 / 31

HEX #2B9BAF

RGB 43 155 175

HSL 189.09, 0.61%, 0.43%

LAB 59.02, -23.73, -19.3

 

CMYK 83 / 12 / 0 / 39

HEX #1A899C

RGB 26 137 156

HSL 188.77, 0.71%, 0.36%

LAB 52.41, -22.45, -18.53

 

CMYK 93 / 13 / 0 / 46

HEX #097789

RGB 9 119 137

HSL 188.44, 0.88%, 0.29%

LAB 45.71, -20.69, -17.65

 

CMYK 100 / 14 / 0 / 54

HEX #006576

RGB 0 101 118

HSL 188.64, 1%, 0.23%

LAB 38.92, -18.32, -16.61

 

CMYK 70 / 11 / 0 / 24

HEX #3BADC3

RGB 59 173 195

HSL 189.71, 0.54%, 0.5%

LAB 65.56, -24.51, -20.51

 

CMYK 70 / 30 / 0 / 24

HEX #3B89C3

RGB 59 137 195

HSL 205.59, 0.54%, 0.5%

LAB 54.83, -4.94, -37.11

 

CMYK 70 / 48 / 0 / 24

HEX #3B65C3

RGB 59 101 195

HSL 221.47, 0.54%, 0.5%

LAB 44.49, 17.12, -53.54

 

CMYK 70 / 67 / 0 / 24

HEX #3B40C3

RGB 59 64 195

HSL 237.79, 0.54%, 0.5%

LAB 35.08, 40.64, -68.83

 

CMYK 53 / 70 / 0 / 24

HEX #5B3BC3

RGB 91 59 195

HSL 254.12, 0.54%, 0.5%

LAB 36.54, 48.04, -66.34

 

CMYK 70 / 11 / 0 / 24

HEX #3BADC3

RGB 59 173 195

HSL 189.71, 0.54%, 0.5%

LAB 65.56, -24.51, -20.51

 

CMYK 70 / 30 / 0 / 24

HEX #3B89C3

RGB 59 137 195

HSL 205.59, 0.54%, 0.5%

LAB 54.83, -4.94, -37.11

 

CMYK 70 / 48 / 0 / 24

HEX #3B65C3

RGB 59 101 195

HSL 221.47, 0.54%, 0.5%

LAB 44.49, 17.12, -53.54

 

CMYK 70 / 67 / 0 / 24

HEX #3B40C3

RGB 59 64 195

HSL 237.79, 0.54%, 0.5%

LAB 35.08, 40.64, -68.83

 

CMYK 70 / 70 / 0 / 24

HEX #3B3BC3

RGB 59 59 195

HSL 240, 0.54%, 0.5%

LAB 33.98, 43.62, -70.64

 

CMYK 70 / 11 / 0 / 24

HEX #3BADC3

RGB 59 173 195

HSL 189.71, 0.54%, 0.5%

LAB 65.56, -24.51, -20.51

 

CMYK 82 / 13 / 0 / 16

HEX #27BCD7

RGB 39 188 215

HSL 189.2, 0.69%, 0.5%

LAB 70.39, -27.87, -24.18

 

CMYK 92 / 14 / 0 / 7

HEX #12CAEC

RGB 18 202 236

HSL 189.36, 0.86%, 0.5%

LAB 75.09, -29.18, -28.37

 

CMYK 70 / 11 / 0 / 24

HEX #3BADC3

RGB 59 173 195

HSL 189.71, 0.54%, 0.5%

LAB 65.56, -24.51, -20.51

 

CMYK 54 / 9 / 0 / 32

HEX #509FAE

RGB 80 159 174

HSL 189.57, 0.37%, 0.5%

LAB 61.27, -19.93, -15.22

 

CMYK 34 / 5 / 0 / 40

HEX #659199

RGB 101 145 153

HSL 189.23, 0.2%, 0.5%

LAB 57.38, -12.88, -9.04

 

CMYK 9 / 2 / 0 / 48

HEX #798385

RGB 121 131 133

HSL 190, 0.05%, 0.5%

LAB 54.02, -3.24, -2.35

 

CMYK 0 / 18 / 21 / 44

HEX #8E7570

RGB 142 117 112

HSL 10, 0.12%, 0.5%

LAB 51.43, 8.91, 6.41

 

CMYK 70 / 0 / 27 / 24

HEX #3BC38F

RGB 59 195 143

HSL 157.06, 0.54%, 0.5%

LAB 70.83, -48.55, 15.78

 

CMYK 70 / 0 / 8 / 24

HEX #3BC3B3

RGB 59 195 179

HSL 172.94, 0.54%, 0.5%

LAB 71.7, -39.66, -2.51

 

CMYK 70 / 11 / 0 / 24

HEX #3BAEC3

RGB 59 174 195

HSL 189.26, 0.54%, 0.5%

LAB 65.86, -25.01, -20.05

 

CMYK 70 / 29 / 0 / 24

HEX #3B8AC3

RGB 59 138 195

HSL 205.15, 0.54%, 0.5%

LAB 55.12, -5.52, -36.64

 

CMYK 70 / 48 / 0 / 24

HEX #3B66C3

RGB 59 102 195

HSL 221.03, 0.54%, 0.5%

LAB 44.76, 16.48, -53.1

 

CMYK 69 / 11 / 0 / 49

HEX #287583

RGB 40 117 131

HSL 189.23, 0.53%, 0.34%

LAB 45.38, -18.46, -14.54

 

CMYK 69 / 11 / 0 / 36

HEX #3291A3

RGB 50 145 163

HSL 189.56, 0.53%, 0.42%

LAB 55.66, -21.46, -17.57

 

CMYK 70 / 11 / 0 / 24

HEX #3BADC3

RGB 59 173 195

HSL 189.71, 0.54%, 0.5%

LAB 65.56, -24.51, -20.51

 

CMYK 55 / 8 / 0 / 20

HEX #5BBBCC

RGB 91 187 204

HSL 189.03, 0.53%, 0.58%

LAB 70.96, -23.45, -17.19

 

CMYK 43 / 7 / 0 / 16

HEX #7BC8D6

RGB 123 200 214

HSL 189.23, 0.53%, 0.66%

LAB 76.3, -20.17, -14.45

 

CMYK 69 / 11 / 0 / 24

HEX #3CADC2

RGB 60 173 194

HSL 189.4, 0.53%, 0.5%

LAB 65.55, -24.67, -19.97

 

CMYK 45 / 70 / 0 / 24

HEX #6B3BC3

RGB 107 59 195

HSL 261.18, 0.54%, 0.5%

LAB 38.19, 50.76, -63.58

 

CMYK 0 / 17 / 70 / 24

HEX #C3A13B

RGB 195 161 59

HSL 45, 0.54%, 0.5%

LAB 67.58, 1.63, 55.53

 

CMYK 69 / 11 / 0 / 24

HEX #3CADC2

RGB 60 173 194

HSL 189.4, 0.53%, 0.5%

LAB 65.55, -24.67, -19.97

 

CMYK 0 / 70 / 11 / 24

HEX #C33BAE

RGB 195 59 174

HSL 309.26, 0.54%, 0.5%

LAB 49.24, 65.59, -32.89

 

CMYK 11 / 0 / 70 / 24

HEX #AEC33B

RGB 174 195 59

HSL 69.26, 0.54%, 0.5%

LAB 75.04, -24.86, 62.49

 

CMYK 69 / 11 / 0 / 24

HEX #3CADC2

RGB 60 173 194

HSL 189.4, 0.53%, 0.5%

LAB 65.55, -24.67, -19.97

 

CMYK 45 / 70 / 0 / 24

HEX #6B3BC3

RGB 107 59 195

HSL 261.18, 0.54%, 0.5%

LAB 38.19, 50.76, -63.58

 

CMYK 0 / 59 / 70 / 24

HEX #C3503B

RGB 195 80 59

HSL 9.26, 0.54%, 0.5%

LAB 49.08, 44.76, 35.39

 

CMYK 25 / 0 / 70 / 24

HEX #93C33B

RGB 147 195 59

HSL 81.18, 0.54%, 0.5%

LAB 73.25, -35.65, 60.1

 

CMYK 69 / 11 / 0 / 24

HEX #3CADC2

RGB 60 173 194

HSL 189.4, 0.53%, 0.5%

LAB 65.55, -24.67, -19.97

 

CMYK 25 / 70 / 0 / 24

HEX #933BC3

RGB 147 59 195

HSL 278.82, 0.54%, 0.5%

LAB 43.17, 58.54, -55.27

 

CMYK 0 / 59 / 70 / 24

HEX #C3503B

RGB 195 80 59

HSL 9.26, 0.54%, 0.5%

LAB 49.08, 44.76, 35.39

 

CMYK 45 / 0 / 70 / 24

HEX #6BC33B

RGB 107 195 59

HSL 98.82, 0.54%, 0.5%

LAB 71.19, -49.74, 57.34

 

Description

Color code: RGB 60 173 194 | qconv.com Color code: RGB 60 173 194 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 173 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 173 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 11 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 11% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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