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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 161 50 it is the complementary color RGB 195 94 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 161 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 161 50 shade: RGB 65 161 45, RGB 82 179 64, RGB 99 197 83, RGB 116 215 102 and RGB 133 233 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 161 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 161 50 shade: RGB 60 161 50, RGB 43 143 31, RGB 26 125 12, RGB 9 107 0 and RGB 0 89 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 161 50 shade: RGB 59 159 49, RGB 89 159 49, RGB 118 159 49, RGB 148 159 49 and RGB 159 141 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 161 50 shade: RGB 59 159 49, RGB 49 159 69, RGB 49 159 98, RGB 49 159 128 and RGB 49 159 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 161 50 shade matches the following richer shades: RGB 59 159 49, RGB 45 176 32 and RGB 31 193 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 161 50 shade: RGB 59 159 49, RGB 72 143 66, RGB 86 126 82, RGB 100 109 99 and RGB 114 92 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 161 50 shade: RGB 119 159 49, RGB 89 159 49, RGB 60 159 49, RGB 49 159 67 and RGB 49 159 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 161 50 shade: RGB 35 96 29, RGB 47 128 39, RGB 59 159 49, RGB 70 191 58 and RGB 98 203 87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 161 50 shade: RGB 60 161 50, RGB 49 148 159 and RGB 159 49 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 161 50 shade: RGB 60 161 50, RGB 49 60 159 and RGB 159 49 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 161 50 shade: RGB 60 161 50, RGB 49 148 159, RGB 148 49 159 and RGB 159 60 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 161 50 shade: RGB 60 161 50, RGB 49 115 159, RGB 148 49 159 and RGB 159 93 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 69 / 37

HEX #3CA132

RGB 60 161 50

HSL 114.59, 0.53%, 0.41%

LAB 58.68, -50.58, 47.26

 

Complementary color

CMYK 5 / 54 / 0 / 20

HEX #C35ECD

RGB 195 94 205

HSL 294.59, 0.53%, 0.59%

LAB 56.1, 56.02, -40.03

 

CMYK 60 / 0 / 72 / 37

HEX #41A12D

RGB 65 161 45

HSL 109.66, 0.56%, 0.4%

LAB 58.79, -49.8, 49.43

 

CMYK 54 / 0 / 64 / 30

HEX #52B340

RGB 82 179 64

HSL 110.61, 0.47%, 0.48%

LAB 65.28, -50.38, 48.69

 

CMYK 50 / 0 / 58 / 23

HEX #63C553

RGB 99 197 83

HSL 111.58, 0.5%, 0.55%

LAB 71.7, -50.65, 47.64

 

CMYK 46 / 0 / 53 / 16

HEX #74D766

RGB 116 215 102

HSL 112.57, 0.59%, 0.62%

LAB 78.04, -50.74, 46.46

 

CMYK 43 / 0 / 48 / 9

HEX #85E979

RGB 133 233 121

HSL 113.57, 0.72%, 0.69%

LAB 84.3, -50.7, 45.24

 

CMYK 63 / 0 / 69 / 37

HEX #3CA132

RGB 60 161 50

HSL 114.59, 0.53%, 0.41%

LAB 58.68, -50.58, 47.26

 

CMYK 70 / 0 / 78 / 44

HEX #2B8F1F

RGB 43 143 31

HSL 113.57, 0.64%, 0.34%

LAB 52.13, -49.5, 47.69

 

CMYK 79 / 0 / 90 / 51

HEX #1A7D0C

RGB 26 125 12

HSL 112.57, 0.82%, 0.27%

LAB 45.52, -47.63, 46.93

 

CMYK 92 / 0 / 100 / 58

HEX #096B00

RGB 9 107 0

HSL 114.95, 1%, 0.21%

LAB 38.85, -44.57, 44.03

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 63 / 0 / 69 / 38

HEX #3B9F31

RGB 59 159 49

HSL 114.55, 0.53%, 0.41%

LAB 57.99, -50.18, 46.93

 

CMYK 44 / 0 / 69 / 38

HEX #599F31

RGB 89 159 49

HSL 98.18, 0.53%, 0.41%

LAB 59.11, -41.62, 48.45

 

CMYK 26 / 0 / 69 / 38

HEX #769F31

RGB 118 159 49

HSL 82.36, 0.53%, 0.41%

LAB 60.67, -30.98, 50.56

 

CMYK 7 / 0 / 69 / 38

HEX #949F31

RGB 148 159 49

HSL 66, 0.53%, 0.41%

LAB 62.77, -18.47, 53.38

 

CMYK 0 / 11 / 69 / 38

HEX #9F8D31

RGB 159 141 49

HSL 50.18, 0.53%, 0.41%

LAB 58.64, -4.06, 49.49

 

CMYK 63 / 0 / 69 / 38

HEX #3B9F31

RGB 59 159 49

HSL 114.55, 0.53%, 0.41%

LAB 57.99, -50.18, 46.93

 

CMYK 69 / 0 / 57 / 38

HEX #319F45

RGB 49 159 69

HSL 130.91, 0.53%, 0.41%

LAB 57.92, -50, 37.67

 

CMYK 69 / 0 / 38 / 38

HEX #319F62

RGB 49 159 98

HSL 146.73, 0.53%, 0.41%

LAB 58.35, -45.15, 23.09

 

CMYK 69 / 0 / 19 / 38

HEX #319F80

RGB 49 159 128

HSL 163.09, 0.53%, 0.41%

LAB 58.98, -38.42, 7.29

 

CMYK 69 / 0 / 1 / 38

HEX #319F9E

RGB 49 159 158

HSL 179.45, 0.53%, 0.41%

LAB 59.81, -30.2, -8.46

 

CMYK 63 / 0 / 69 / 38

HEX #3B9F31

RGB 59 159 49

HSL 114.55, 0.53%, 0.41%

LAB 57.99, -50.18, 46.93

 

CMYK 74 / 0 / 82 / 31

HEX #2DB020

RGB 45 176 32

HSL 114.58, 0.69%, 0.41%

LAB 63.1, -59.99, 57.83

 

CMYK 84 / 0 / 92 / 24

HEX #1FC10F

RGB 31 193 15

HSL 114.61, 0.86%, 0.41%

LAB 68.36, -67.62, 65.96

 

CMYK 63 / 0 / 69 / 38

HEX #3B9F31

RGB 59 159 49

HSL 114.55, 0.53%, 0.41%

LAB 57.99, -50.18, 46.93

 

CMYK 50 / 0 / 54 / 44

HEX #488F42

RGB 72 143 66

HSL 115.32, 0.37%, 0.41%

LAB 53.4, -38.41, 33.92

 

CMYK 32 / 0 / 35 / 51

HEX #567E52

RGB 86 126 82

HSL 114.55, 0.21%, 0.41%

LAB 48.9, -23.29, 19.63

 

CMYK 8 / 0 / 9 / 57

HEX #646D63

RGB 100 109 99

HSL 114, 0.05%, 0.41%

LAB 45.01, -5.51, 4.41

 

CMYK 2 / 21 / 0 / 55

HEX #725C74

RGB 114 92 116

HSL 295, 0.12%, 0.41%

LAB 41.99, 13.6, -10.19

 

CMYK 25 / 0 / 69 / 38

HEX #779F31

RGB 119 159 49

HSL 81.82, 0.53%, 0.41%

LAB 60.73, -30.58, 50.64

 

CMYK 44 / 0 / 69 / 38

HEX #599F31

RGB 89 159 49

HSL 98.18, 0.53%, 0.41%

LAB 59.11, -41.62, 48.45

 

CMYK 62 / 0 / 69 / 38

HEX #3C9F31

RGB 60 159 49

HSL 114, 0.53%, 0.41%

LAB 58.02, -49.95, 46.97

 

CMYK 69 / 0 / 58 / 38

HEX #319F43

RGB 49 159 67

HSL 129.82, 0.53%, 0.41%

LAB 57.9, -50.28, 38.62

 

CMYK 69 / 0 / 39 / 38

HEX #319F61

RGB 49 159 97

HSL 146.18, 0.53%, 0.41%

LAB 58.33, -45.35, 23.61

 

CMYK 64 / 0 / 70 / 62

HEX #23601D

RGB 35 96 29

HSL 114.63, 0.54%, 0.25%

LAB 35.62, -33.94, 31.45

 

CMYK 63 / 0 / 70 / 50

HEX #2F8027

RGB 47 128 39

HSL 114.61, 0.53%, 0.33%

LAB 47.22, -42.46, 39.57

 

CMYK 63 / 0 / 69 / 38

HEX #3B9F31

RGB 59 159 49

HSL 114.55, 0.53%, 0.41%

LAB 57.99, -50.18, 46.93

 

CMYK 63 / 0 / 70 / 25

HEX #46BF3A

RGB 70 191 58

HSL 114.59, 0.53%, 0.49%

LAB 68.66, -58.27, 54.68

 

CMYK 52 / 0 / 57 / 20

HEX #62CB57

RGB 98 203 87

HSL 114.31, 0.53%, 0.57%

LAB 73.54, -52.82, 47.94

 

CMYK 63 / 0 / 69 / 37

HEX #3CA132

RGB 60 161 50

HSL 114.59, 0.53%, 0.41%

LAB 58.68, -50.58, 47.26

 

CMYK 69 / 7 / 0 / 38

HEX #31949F

RGB 49 148 159

HSL 186, 0.53%, 0.41%

LAB 56.42, -24.43, -14.12

 

CMYK 0 / 69 / 35 / 38

HEX #9F3168

RGB 159 49 104

HSL 330, 0.53%, 0.41%

LAB 38.84, 50.19, -6.85

 

CMYK 63 / 0 / 69 / 37

HEX #3CA132

RGB 60 161 50

HSL 114.59, 0.53%, 0.41%

LAB 58.68, -50.58, 47.26

 

CMYK 69 / 62 / 0 / 38

HEX #313C9F

RGB 49 60 159

HSL 234, 0.53%, 0.41%

LAB 30.37, 29.2, -55.14

 

CMYK 0 / 69 / 62 / 38

HEX #9F313C

RGB 159 49 60

HSL 354, 0.53%, 0.41%

LAB 37.65, 46.04, 19.34

 

CMYK 63 / 0 / 69 / 37

HEX #3CA132

RGB 60 161 50

HSL 114.59, 0.53%, 0.41%

LAB 58.68, -50.58, 47.26

 

CMYK 69 / 7 / 0 / 38

HEX #31949F

RGB 49 148 159

HSL 186, 0.53%, 0.41%

LAB 56.42, -24.43, -14.12

 

CMYK 7 / 69 / 0 / 38

HEX #94319F

RGB 148 49 159

HSL 294, 0.53%, 0.41%

LAB 39.57, 55.7, -39.73

 

CMYK 0 / 62 / 69 / 38

HEX #9F3C31

RGB 159 60 49

HSL 6, 0.53%, 0.41%

LAB 39.28, 40.46, 28.13

 

CMYK 63 / 0 / 69 / 37

HEX #3CA132

RGB 60 161 50

HSL 114.59, 0.53%, 0.41%

LAB 58.68, -50.58, 47.26

 

CMYK 69 / 28 / 0 / 38

HEX #31739F

RGB 49 115 159

HSL 204, 0.53%, 0.41%

LAB 46.2, -6.23, -29.84

 

CMYK 7 / 69 / 0 / 38

HEX #94319F

RGB 148 49 159

HSL 294, 0.53%, 0.41%

LAB 39.57, 55.7, -39.73

 

CMYK 0 / 42 / 69 / 38

HEX #9F5D31

RGB 159 93 49

HSL 24, 0.53%, 0.41%

LAB 46.21, 23.02, 36.15

 

Description

Color code: RGB 60 161 50 | qconv.com Color code: RGB 60 161 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 161 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 161 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 69 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 69% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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