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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 15 100 it is the complementary color RGB 195 240 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 15 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 15 100 shade: RGB 65 15 95, RGB 82 33 114, RGB 99 51 133, RGB 116 69 152 and RGB 133 87 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 15 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 15 100 shade: RGB 60 15 100, RGB 43 0 81, RGB 26 0 62, RGB 9 0 43 and RGB 0 0 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 15 100 shade: RGB 61 15 102, RGB 84 15 102, RGB 102 15 96, RGB 102 15 72 and RGB 102 15 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 15 100 shade: RGB 61 15 102, RGB 37 15 102 and RGB 15 15 102

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 15 100 shade matches the following richer shades: RGB 61 15 102 and RGB 61 5 111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 15 100 shade: RGB 61 15 102, RGB 60 24 92, RGB 60 34 83, RGB 59 43 73 and RGB 58 53 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 15 100 shade: RGB 15 16 102, RGB 36 15 102, RGB 60 15 102, RGB 83 15 102 and RGB 102 15 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 15 100 shade: RGB 18 4 30, RGB 39 9 66, RGB 61 15 102, RGB 82 20 137 and RGB 104 25 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 15 100 shade: RGB 60 15 100, RGB 102 15 39 and RGB 15 102 25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 15 100 shade: RGB 60 15 100, RGB 102 60 15 and RGB 15 102 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 15 100 shade: RGB 60 15 100, RGB 102 15 39, RGB 57 102 15 and RGB 15 102 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 15 100 shade: RGB 60 15 100, RGB 102 16 15, RGB 57 102 15 and RGB 15 100 102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 85 / 0 / 61

HEX #3C0F64

RGB 60 15 100

HSL 271.76, 0.74%, 0.23%

LAB 16.61, 38.06, -40.34

 

Complementary color

CMYK 19 / 0 / 35 / 6

HEX #C3F09B

RGB 195 240 155

HSL 91.76, 0.74%, 0.77%

LAB 89.99, -28.95, 36.47

 

CMYK 32 / 84 / 0 / 63

HEX #410F5F

RGB 65 15 95

HSL 277.5, 0.73%, 0.22%

LAB 16.95, 37.73, -36.44

 

CMYK 28 / 71 / 0 / 55

HEX #522172

RGB 82 33 114

HSL 276.3, 0.55%, 0.29%

LAB 23.99, 37.83, -37.33

 

CMYK 26 / 62 / 0 / 48

HEX #633385

RGB 99 51 133

HSL 275.12, 0.45%, 0.36%

LAB 31.15, 37.18, -37.7

 

CMYK 24 / 55 / 0 / 40

HEX #744598

RGB 116 69 152

HSL 273.98, 0.38%, 0.43%

LAB 38.26, 36.3, -37.86

 

CMYK 22 / 49 / 0 / 33

HEX #8557AB

RGB 133 87 171

HSL 272.86, 0.33%, 0.51%

LAB 45.28, 35.38, -37.94

 

CMYK 40 / 85 / 0 / 61

HEX #3C0F64

RGB 60 15 100

HSL 271.76, 0.74%, 0.23%

LAB 16.61, 38.06, -40.34

 

CMYK 47 / 100 / 0 / 68

HEX #2B0051

RGB 43 0 81

HSL 271.85, 1%, 0.16%

LAB 9.86, 36.87, -38.72

 

CMYK 58 / 100 / 0 / 76

HEX #1A003E

RGB 26 0 62

HSL 265.16, 1%, 0.12%

LAB 5.13, 28.38, -33.23

 

CMYK 79 / 100 / 0 / 83

HEX #09002B

RGB 9 0 43

HSL 252.56, 1%, 0.08%

LAB 2.1, 13.42, -24.09

 

CMYK 100 / 100 / 0 / 91

HEX #000018

RGB 0 0 24

HSL 240, 1%, 0.05%

LAB 0.6, 4.19, -11.39

 

CMYK 40 / 85 / 0 / 60

HEX #3D0F66

RGB 61 15 102

HSL 271.72, 0.74%, 0.23%

LAB 16.96, 38.75, -41.09

 

CMYK 18 / 85 / 0 / 60

HEX #540F66

RGB 84 15 102

HSL 287.59, 0.74%, 0.23%

LAB 20.77, 43.04, -34.72

 

CMYK 0 / 85 / 6 / 60

HEX #660F60

RGB 102 15 96

HSL 304.14, 0.74%, 0.23%

LAB 23.71, 45.77, -25.89

 

CMYK 0 / 85 / 29 / 60

HEX #660F48

RGB 102 15 72

HSL 320.69, 0.74%, 0.23%

LAB 22.42, 42.15, -11.81

 

CMYK 0 / 85 / 52 / 60

HEX #660F31

RGB 102 15 49

HSL 336.55, 0.74%, 0.23%

LAB 21.54, 39.53, 2.79

 

CMYK 40 / 85 / 0 / 60

HEX #3D0F66

RGB 61 15 102

HSL 271.72, 0.74%, 0.23%

LAB 16.96, 38.75, -41.09

 

CMYK 64 / 85 / 0 / 60

HEX #250F66

RGB 37 15 102

HSL 255.17, 0.74%, 0.23%

LAB 13.79, 35.22, -46.41

 

CMYK 85 / 85 / 0 / 60

HEX #0F0F66

RGB 15 15 102

HSL 240, 0.74%, 0.23%

LAB 11.97, 33.22, -49.47

 

CMYK 40 / 85 / 0 / 60

HEX #3D0F66

RGB 61 15 102

HSL 271.72, 0.74%, 0.23%

LAB 16.96, 38.75, -41.09

 

CMYK 45 / 95 / 0 / 56

HEX #3D056F

RGB 61 5 111

HSL 271.7, 0.91%, 0.23%

LAB 16.74, 44.31, -47.34

 

CMYK 40 / 85 / 0 / 60

HEX #3D0F66

RGB 61 15 102

HSL 271.72, 0.74%, 0.23%

LAB 16.96, 38.75, -41.09

 

CMYK 35 / 74 / 0 / 64

HEX #3C185C

RGB 60 24 92

HSL 271.76, 0.59%, 0.23%

LAB 17.4, 31.71, -33.75

 

CMYK 28 / 59 / 0 / 67

HEX #3C2253

RGB 60 34 83

HSL 271.84, 0.42%, 0.23%

LAB 18.93, 23.33, -25.26

 

CMYK 19 / 41 / 0 / 71

HEX #3B2B49

RGB 59 43 73

HSL 272, 0.26%, 0.23%

LAB 20.59, 14.3, -15.89

 

CMYK 9 / 17 / 0 / 75

HEX #3A3540

RGB 58 53 64

HSL 267.27, 0.09%, 0.23%

LAB 23.05, 4.76, -6.05

 

CMYK 85 / 84 / 0 / 60

HEX #0F1066

RGB 15 16 102

HSL 239.31, 0.74%, 0.23%

LAB 12.17, 32.66, -49.16

 

CMYK 65 / 85 / 0 / 60

HEX #240F66

RGB 36 15 102

HSL 254.48, 0.74%, 0.23%

LAB 13.69, 35.1, -46.59

 

CMYK 41 / 85 / 0 / 60

HEX #3C0F66

RGB 60 15 102

HSL 271.03, 0.74%, 0.23%

LAB 16.8, 38.58, -41.35

 

CMYK 19 / 85 / 0 / 60

HEX #530F66

RGB 83 15 102

HSL 286.9, 0.74%, 0.23%

LAB 20.6, 42.84, -35.01

 

CMYK 0 / 85 / 5 / 60

HEX #660F61

RGB 102 15 97

HSL 303.45, 0.74%, 0.23%

LAB 23.77, 45.94, -26.45

 

CMYK 40 / 87 / 0 / 88

HEX #12041E

RGB 18 4 30

HSL 272.31, 0.76%, 0.07%

LAB 2.79, 9.56, -12.84

 

CMYK 41 / 86 / 0 / 74

HEX #270942

RGB 39 9 66

HSL 271.58, 0.76%, 0.15%

LAB 9.16, 27.68, -29.42

 

CMYK 40 / 85 / 0 / 60

HEX #3D0F66

RGB 61 15 102

HSL 271.72, 0.74%, 0.23%

LAB 16.96, 38.75, -41.09

 

CMYK 40 / 85 / 0 / 46

HEX #521489

RGB 82 20 137

HSL 271.79, 0.75%, 0.31%

LAB 24, 48.92, -51.89

 

CMYK 40 / 86 / 0 / 32

HEX #6819AD

RGB 104 25 173

HSL 272.03, 0.75%, 0.39%

LAB 31.01, 58.89, -62.31

 

CMYK 40 / 85 / 0 / 61

HEX #3C0F64

RGB 60 15 100

HSL 271.76, 0.74%, 0.23%

LAB 16.61, 38.06, -40.34

 

CMYK 0 / 85 / 62 / 60

HEX #660F27

RGB 102 15 39

HSL 343.45, 0.74%, 0.23%

LAB 21.26, 38.68, 9.42

 

CMYK 85 / 0 / 75 / 60

HEX #0F6619

RGB 15 102 25

HSL 126.9, 0.74%, 0.23%

LAB 37.25, -40.65, 34.84

 

CMYK 40 / 85 / 0 / 61

HEX #3C0F64

RGB 60 15 100

HSL 271.76, 0.74%, 0.23%

LAB 16.61, 38.06, -40.34

 

CMYK 0 / 41 / 85 / 60

HEX #663C0F

RGB 102 60 15

HSL 31.03, 0.74%, 0.23%

LAB 29.64, 14.65, 33.58

 

CMYK 85 / 0 / 41 / 60

HEX #0F663C

RGB 15 102 60

HSL 151.03, 0.74%, 0.23%

LAB 37.72, -35.1, 16.99

 

CMYK 40 / 85 / 0 / 61

HEX #3C0F64

RGB 60 15 100

HSL 271.76, 0.74%, 0.23%

LAB 16.61, 38.06, -40.34

 

CMYK 0 / 85 / 62 / 60

HEX #660F27

RGB 102 15 39

HSL 343.45, 0.74%, 0.23%

LAB 21.26, 38.68, 9.42

 

CMYK 44 / 0 / 85 / 60

HEX #39660F

RGB 57 102 15

HSL 91.03, 0.74%, 0.23%

LAB 38.56, -30.46, 40.3

 

CMYK 85 / 0 / 25 / 60

HEX #0F664D

RGB 15 102 77

HSL 162.76, 0.74%, 0.23%

LAB 38.09, -30.94, 7.3

 

CMYK 40 / 85 / 0 / 61

HEX #3C0F64

RGB 60 15 100

HSL 271.76, 0.74%, 0.23%

LAB 16.61, 38.06, -40.34

 

CMYK 0 / 84 / 85 / 60

HEX #66100F

RGB 102 16 15

HSL 0.69, 0.74%, 0.23%

LAB 20.94, 37.06, 25.06

 

CMYK 44 / 0 / 85 / 60

HEX #39660F

RGB 57 102 15

HSL 91.03, 0.74%, 0.23%

LAB 38.56, -30.46, 40.3

 

CMYK 85 / 2 / 0 / 60

HEX #0F6466

RGB 15 100 102

HSL 181.38, 0.74%, 0.23%

LAB 38.16, -22.33, -7.95

 

Description

Color code: RGB 60 15 100 | qconv.com Color code: RGB 60 15 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 15 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 15 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 85 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 85% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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