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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 142 138 it is the complementary color RGB 195 113 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 142 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 142 138 shade: RGB 65 142 133, RGB 82 160 152, RGB 99 178 171, RGB 116 196 190 and RGB 133 214 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 142 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 142 138 shade: RGB 60 142 138, RGB 43 124 119, RGB 26 106 100, RGB 9 88 81 and RGB 0 70 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 142 138 shade: RGB 60 143 139, RGB 60 143 117, RGB 60 143 94, RGB 60 143 72 and RGB 70 143 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 142 138 shade: RGB 60 143 139, RGB 60 125 143, RGB 60 102 143, RGB 60 80 143 and RGB 60 60 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 142 138 shade matches the following richer shades: RGB 60 143 139, RGB 43 160 154, RGB 27 176 169 and RGB 10 193 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 142 138 shade: RGB 60 143 139, RGB 76 127 124, RGB 93 110 109, RGB 109 94 95 and RGB 126 77 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 142 138 shade: RGB 60 143 95, RGB 60 143 117, RGB 60 143 139, RGB 60 125 143 and RGB 60 103 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 142 138 shade: RGB 35 85 83, RGB 48 114 111, RGB 60 143 139, RGB 72 172 167 and RGB 97 189 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 142 138 shade: RGB 60 142 138, RGB 72 60 143 and RGB 143 106 60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 142 138 shade: RGB 60 142 138, RGB 139 60 143 and RGB 143 139 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 142 138 shade: RGB 60 142 138, RGB 72 60 143, RGB 143 60 64 and RGB 131 143 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 142 138 shade: RGB 60 142 138, RGB 97 60 143, RGB 143 60 64 and RGB 106 143 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 3 / 44

HEX #3C8E8A

RGB 60 142 138

HSL 177.07, 0.41%, 0.4%

LAB 54.18, -25.7, -5.38

 

Complementary color

CMYK 0 / 42 / 40 / 24

HEX #C37175

RGB 195 113 117

HSL 357.07, 0.41%, 0.6%

LAB 56.78, 32.76, 11.92

 

CMYK 54 / 0 / 6 / 44

HEX #418E85

RGB 65 142 133

HSL 172.99, 0.37%, 0.41%

LAB 54.2, -26.01, -2.44

 

CMYK 49 / 0 / 5 / 37

HEX #52A098

RGB 82 160 152

HSL 173.85, 0.32%, 0.47%

LAB 60.96, -26.05, -3.26

 

CMYK 44 / 0 / 4 / 30

HEX #63B2AB

RGB 99 178 171

HSL 174.68, 0.34%, 0.54%

LAB 67.6, -26.02, -4.01

 

CMYK 41 / 0 / 3 / 23

HEX #74C4BE

RGB 116 196 190

HSL 175.5, 0.4%, 0.61%

LAB 74.13, -25.95, -4.71

 

CMYK 38 / 0 / 2 / 16

HEX #85D6D1

RGB 133 214 209

HSL 176.3, 0.5%, 0.68%

LAB 80.56, -25.86, -5.36

 

CMYK 58 / 0 / 3 / 44

HEX #3C8E8A

RGB 60 142 138

HSL 177.07, 0.41%, 0.4%

LAB 54.18, -25.7, -5.38

 

CMYK 65 / 0 / 4 / 51

HEX #2B7C77

RGB 43 124 119

HSL 176.3, 0.49%, 0.33%

LAB 47.31, -25.37, -4.49

 

CMYK 75 / 0 / 6 / 58

HEX #1A6A64

RGB 26 106 100

HSL 175.5, 0.61%, 0.26%

LAB 40.32, -24.75, -3.47

 

CMYK 90 / 0 / 8 / 65

HEX #095851

RGB 9 88 81

HSL 174.68, 0.81%, 0.19%

LAB 33.2, -23.65, -2.25

 

CMYK 100 / 0 / 11 / 73

HEX #00463E

RGB 0 70 62

HSL 173.14, 1%, 0.14%

LAB 25.95, -21.75, -0.74

RGB 0 70 62

CMYK 58 / 0 / 3 / 44

HEX #3C8F8B

RGB 60 143 139

HSL 177.11, 0.41%, 0.4%

LAB 54.52, -25.92, -5.44

 

CMYK 58 / 0 / 18 / 44

HEX #3C8F75

RGB 60 143 117

HSL 161.2, 0.41%, 0.4%

LAB 53.91, -31.76, 6.34

 

CMYK 58 / 0 / 34 / 44

HEX #3C8F5E

RGB 60 143 94

HSL 144.58, 0.41%, 0.4%

LAB 53.4, -36.94, 18.71

 

CMYK 58 / 0 / 50 / 44

HEX #3C8F48

RGB 60 143 72

HSL 128.67, 0.41%, 0.4%

LAB 53.03, -40.88, 30.25

 

CMYK 51 / 0 / 58 / 44

HEX #468F3C

RGB 70 143 60

HSL 112.77, 0.41%, 0.4%

LAB 53.25, -39.79, 36.73

 

CMYK 58 / 0 / 3 / 44

HEX #3C8F8B

RGB 60 143 139

HSL 177.11, 0.41%, 0.4%

LAB 54.52, -25.92, -5.44

 

CMYK 58 / 13 / 0 / 44

HEX #3C7D8F

RGB 60 125 143

HSL 193.01, 0.41%, 0.4%

LAB 49.02, -15.23, -16.04

 

CMYK 58 / 29 / 0 / 44

HEX #3C668F

RGB 60 102 143

HSL 209.64, 0.41%, 0.4%

LAB 41.92, -1.82, -26.99

 

CMYK 58 / 44 / 0 / 44

HEX #3C508F

RGB 60 80 143

HSL 225.54, 0.41%, 0.4%

LAB 35.36, 12.19, -37.33

 

CMYK 58 / 58 / 0 / 44

HEX #3C3C8F

RGB 60 60 143

HSL 240, 0.41%, 0.4%

LAB 29.85, 25.41, -46.18

 

CMYK 58 / 0 / 3 / 44

HEX #3C8F8B

RGB 60 143 139

HSL 177.11, 0.41%, 0.4%

LAB 54.52, -25.92, -5.44

 

CMYK 73 / 0 / 4 / 37

HEX #2BA09A

RGB 43 160 154

HSL 176.92, 0.58%, 0.4%

LAB 59.88, -32.67, -6.12

 

CMYK 85 / 0 / 4 / 31

HEX #1BB0A9

RGB 27 176 169

HSL 177.18, 0.73%, 0.4%

LAB 65.08, -37.28, -6.84

 

CMYK 95 / 0 / 5 / 24

HEX #0AC1B8

RGB 10 193 184

HSL 177.05, 0.9%, 0.4%

LAB 70.64, -41.36, -6.87

 

CMYK 58 / 0 / 3 / 44

HEX #3C8F8B

RGB 60 143 139

HSL 177.11, 0.41%, 0.4%

LAB 54.52, -25.92, -5.44

 

CMYK 40 / 0 / 2 / 50

HEX #4C7F7C

RGB 76 127 124

HSL 176.47, 0.25%, 0.4%

LAB 49.7, -17.84, -3.77

 

CMYK 15 / 0 / 1 / 57

HEX #5D6E6D

RGB 93 110 109

HSL 176.47, 0.08%, 0.4%

LAB 45.06, -6.56, -1.58

 

CMYK 0 / 14 / 13 / 57

HEX #6D5E5F

RGB 109 94 95

HSL 356, 0.07%, 0.4%

LAB 41.35, 6.23, 1.66

 

CMYK 0 / 39 / 37 / 51

HEX #7E4D50

RGB 126 77 80

HSL 356.33, 0.24%, 0.4%

LAB 38.42, 21.11, 6.98

 

CMYK 58 / 0 / 34 / 44

HEX #3C8F5F

RGB 60 143 95

HSL 145.3, 0.41%, 0.4%

LAB 53.42, -36.73, 18.17

 

CMYK 58 / 0 / 18 / 44

HEX #3C8F75

RGB 60 143 117

HSL 161.2, 0.41%, 0.4%

LAB 53.91, -31.76, 6.34

 

CMYK 58 / 0 / 3 / 44

HEX #3C8F8B

RGB 60 143 139

HSL 177.11, 0.41%, 0.4%

LAB 54.52, -25.92, -5.44

 

CMYK 58 / 13 / 0 / 44

HEX #3C7D8F

RGB 60 125 143

HSL 193.01, 0.41%, 0.4%

LAB 49.02, -15.23, -16.04

 

CMYK 58 / 28 / 0 / 44

HEX #3C678F

RGB 60 103 143

HSL 208.92, 0.41%, 0.4%

LAB 42.22, -2.43, -26.51

 

CMYK 59 / 0 / 2 / 67

HEX #235553

RGB 35 85 83

HSL 177.6, 0.42%, 0.24%

LAB 32.87, -17.23, -3.93

 

CMYK 58 / 0 / 3 / 55

HEX #30726F

RGB 48 114 111

HSL 177.27, 0.41%, 0.32%

LAB 43.96, -21.58, -4.68

 

CMYK 58 / 0 / 3 / 44

HEX #3C8F8B

RGB 60 143 139

HSL 177.11, 0.41%, 0.4%

LAB 54.52, -25.92, -5.44

 

CMYK 58 / 0 / 3 / 33

HEX #48ACA7

RGB 72 172 167

HSL 177, 0.41%, 0.48%

LAB 64.7, -30.08, -6.18

 

CMYK 49 / 0 / 3 / 26

HEX #61BDB8

RGB 97 189 184

HSL 176.74, 0.41%, 0.56%

LAB 71.14, -28.59, -5.94

 

CMYK 58 / 0 / 3 / 44

HEX #3C8E8A

RGB 60 142 138

HSL 177.07, 0.41%, 0.4%

LAB 54.18, -25.7, -5.38

 

CMYK 50 / 58 / 0 / 44

HEX #483C8F

RGB 72 60 143

HSL 248.67, 0.41%, 0.4%

LAB 30.86, 27.97, -44.5

 

CMYK 0 / 26 / 58 / 44

HEX #8F6A3C

RGB 143 106 60

HSL 33.25, 0.41%, 0.4%

LAB 47.59, 9.25, 31.3

 

CMYK 58 / 0 / 3 / 44

HEX #3C8E8A

RGB 60 142 138

HSL 177.07, 0.41%, 0.4%

LAB 54.18, -25.7, -5.38

 

CMYK 3 / 58 / 0 / 44

HEX #8B3C8F

RGB 139 60 143

HSL 297.11, 0.41%, 0.4%

LAB 39.08, 45.53, -30.91

 

CMYK 0 / 3 / 58 / 44

HEX #8F8B3C

RGB 143 139 60

HSL 57.11, 0.41%, 0.4%

LAB 56.71, -9.36, 41.94

 

CMYK 58 / 0 / 3 / 44

HEX #3C8E8A

RGB 60 142 138

HSL 177.07, 0.41%, 0.4%

LAB 54.18, -25.7, -5.38

 

CMYK 50 / 58 / 0 / 44

HEX #483C8F

RGB 72 60 143

HSL 248.67, 0.41%, 0.4%

LAB 30.86, 27.97, -44.5

 

CMYK 0 / 58 / 55 / 44

HEX #8F3C40

RGB 143 60 64

HSL 357.11, 0.41%, 0.4%

LAB 36.82, 35.56, 15.21

 

CMYK 8 / 0 / 58 / 44

HEX #838F3C

RGB 131 143 60

HSL 68.67, 0.41%, 0.4%

LAB 56.88, -16.74, 41.86

 

CMYK 58 / 0 / 3 / 44

HEX #3C8E8A

RGB 60 142 138

HSL 177.07, 0.41%, 0.4%

LAB 54.18, -25.7, -5.38

 

CMYK 32 / 58 / 0 / 44

HEX #613C8F

RGB 97 60 143

HSL 266.75, 0.41%, 0.4%

LAB 33.47, 34.09, -40.17

 

CMYK 0 / 58 / 55 / 44

HEX #8F3C40

RGB 143 60 64

HSL 357.11, 0.41%, 0.4%

LAB 36.82, 35.56, 15.21

 

CMYK 26 / 0 / 58 / 44

HEX #6A8F3C

RGB 106 143 60

HSL 86.75, 0.41%, 0.4%

LAB 55.11, -27.12, 39.37

 

Description

Color code: RGB 60 142 138 | qconv.com Color code: RGB 60 142 138 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 142 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 142 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 3 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 3% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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