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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 131 178 it is the complementary color RGB 195 124 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 131 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 131 178 shade: RGB 65 131 173, RGB 82 149 192, RGB 99 167 211, RGB 116 185 230 and RGB 133 203 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 131 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 131 178 shade: RGB 60 131 178, RGB 43 113 159, RGB 26 95 140, RGB 9 77 121 and RGB 0 59 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 131 178 shade: RGB 59 132 179, RGB 59 99 179, RGB 59 67 179, RGB 84 59 179 and RGB 117 59 179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 131 178 shade: RGB 59 132 179, RGB 59 99 179, RGB 59 67 179 and RGB 59 59 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 131 178 shade matches the following richer shades: RGB 59 132 179, RGB 40 135 199, RGB 21 139 218 and RGB 1 143 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 131 178 shade: RGB 59 132 179, RGB 79 128 160, RGB 98 124 140, RGB 118 120 121 and RGB 137 116 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 131 178 shade: RGB 59 179 161, RGB 59 165 179, RGB 59 133 179, RGB 59 101 179 and RGB 59 69 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 131 178 shade: RGB 39 86 117, RGB 49 109 148, RGB 59 132 179, RGB 83 152 197 and RGB 114 170 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 131 178 shade: RGB 60 131 178, RGB 129 59 179 and RGB 179 177 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 131 178 shade: RGB 60 131 178, RGB 179 59 133 and RGB 133 179 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 131 178 shade: RGB 60 131 178, RGB 129 59 179, RGB 179 105 59 and RGB 109 179 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 131 178 shade: RGB 60 131 178, RGB 165 59 179, RGB 179 105 59 and RGB 73 179 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 26 / 0 / 30

HEX #3C83B2

RGB 60 131 178

HSL 203.9, 0.5%, 0.47%

LAB 52.29, -7.16, -31.35

 

Complementary color

CMYK 0 / 36 / 61 / 24

HEX #C37C4D

RGB 195 124 77

HSL 23.9, 0.5%, 0.53%

LAB 58.56, 23, 36.81

 

CMYK 62 / 24 / 0 / 32

HEX #4183AD

RGB 65 131 173

HSL 203.33, 0.45%, 0.47%

LAB 52.26, -7.94, -28.51

 

CMYK 57 / 22 / 0 / 25

HEX #5295C0

RGB 82 149 192

HSL 203.45, 0.47%, 0.54%

LAB 59.06, -8.65, -28.74

 

CMYK 53 / 21 / 0 / 17

HEX #63A7D3

RGB 99 167 211

HSL 203.57, 0.56%, 0.61%

LAB 65.74, -9.2, -28.97

 

CMYK 50 / 20 / 0 / 10

HEX #74B9E6

RGB 116 185 230

HSL 203.68, 0.7%, 0.68%

LAB 72.31, -9.63, -29.21

 

CMYK 47 / 18 / 0 / 2

HEX #85CBF9

RGB 133 203 249

HSL 203.79, 0.91%, 0.75%

LAB 78.77, -9.99, -29.44

 

CMYK 66 / 26 / 0 / 30

HEX #3C83B2

RGB 60 131 178

HSL 203.9, 0.5%, 0.47%

LAB 52.29, -7.16, -31.35

 

CMYK 73 / 29 / 0 / 38

HEX #2B719F

RGB 43 113 159

HSL 203.79, 0.57%, 0.4%

LAB 45.4, -5.98, -31.11

 

CMYK 81 / 32 / 0 / 45

HEX #1A5F8C

RGB 26 95 140

HSL 203.68, 0.69%, 0.33%

LAB 38.37, -4.36, -30.83

 

CMYK 93 / 36 / 0 / 53

HEX #094D79

RGB 9 77 121

HSL 203.57, 0.86%, 0.25%

LAB 31.22, -2.08, -30.47

 

CMYK 100 / 42 / 0 / 60

HEX #003B66

RGB 0 59 102

HSL 205.29, 1%, 0.2%

LAB 23.96, 1.14, -29.97

 

CMYK 67 / 26 / 0 / 30

HEX #3B84B3

RGB 59 132 179

HSL 203.5, 0.5%, 0.47%

LAB 52.61, -7.57, -31.44

 

CMYK 67 / 45 / 0 / 30

HEX #3B63B3

RGB 59 99 179

HSL 220, 0.5%, 0.47%

LAB 42.93, 12.57, -46.74

 

CMYK 67 / 63 / 0 / 30

HEX #3B43B3

RGB 59 67 179

HSL 236, 0.5%, 0.47%

LAB 34.39, 33.25, -60.53

 

CMYK 53 / 67 / 0 / 30

HEX #543BB3

RGB 84 59 179

HSL 252.5, 0.5%, 0.47%

LAB 34.53, 42.13, -60.22

 

CMYK 35 / 67 / 0 / 30

HEX #753BB3

RGB 117 59 179

HSL 269, 0.5%, 0.47%

LAB 38.14, 48.57, -54.2

 

CMYK 67 / 26 / 0 / 30

HEX #3B84B3

RGB 59 132 179

HSL 203.5, 0.5%, 0.47%

LAB 52.61, -7.57, -31.44

 

CMYK 67 / 45 / 0 / 30

HEX #3B63B3

RGB 59 99 179

HSL 220, 0.5%, 0.47%

LAB 42.93, 12.57, -46.74

 

CMYK 67 / 63 / 0 / 30

HEX #3B43B3

RGB 59 67 179

HSL 236, 0.5%, 0.47%

LAB 34.39, 33.25, -60.53

 

CMYK 67 / 67 / 0 / 30

HEX #3B3BB3

RGB 59 59 179

HSL 240, 0.5%, 0.47%

LAB 32.51, 38.24, -63.61

 

CMYK 67 / 26 / 0 / 30

HEX #3B84B3

RGB 59 132 179

HSL 203.5, 0.5%, 0.47%

LAB 52.61, -7.57, -31.44

 

CMYK 80 / 32 / 0 / 22

HEX #2887C7

RGB 40 135 199

HSL 204.15, 0.67%, 0.47%

LAB 53.92, -4.76, -40.83

 

CMYK 90 / 36 / 0 / 15

HEX #158BDA

RGB 21 139 218

HSL 204.06, 0.82%, 0.47%

LAB 55.77, -1.46, -48.65

 

CMYK 100 / 40 / 0 / 7

HEX #018FED

RGB 1 143 237

HSL 203.9, 0.99%, 0.47%

LAB 57.81, 2.71, -56

 

CMYK 67 / 26 / 0 / 30

HEX #3B84B3

RGB 59 132 179

HSL 203.5, 0.5%, 0.47%

LAB 52.61, -7.57, -31.44

 

CMYK 51 / 20 / 0 / 37

HEX #4F80A0

RGB 79 128 160

HSL 203.7, 0.34%, 0.47%

LAB 51.43, -7.33, -22.22

 

CMYK 30 / 11 / 0 / 45

HEX #627C8C

RGB 98 124 140

HSL 202.86, 0.18%, 0.47%

LAB 50.58, -5.37, -11.73

 

CMYK 2 / 1 / 0 / 53

HEX #767879

RGB 118 120 121

HSL 200, 0.01%, 0.47%

LAB 50.29, -0.55, -0.82

 

CMYK 0 / 15 / 26 / 46

HEX #897466

RGB 137 116 102

HSL 24, 0.15%, 0.47%

LAB 50.42, 5.88, 10.77

 

CMYK 67 / 0 / 10 / 30

HEX #3BB3A1

RGB 59 179 161

HSL 171, 0.5%, 0.47%

LAB 66.32, -37.25, -0.5

 

CMYK 67 / 8 / 0 / 30

HEX #3BA5B3

RGB 59 165 179

HSL 187, 0.5%, 0.47%

LAB 62.59, -25.39, -16.1

 

CMYK 67 / 26 / 0 / 30

HEX #3B85B3

RGB 59 133 179

HSL 203, 0.5%, 0.47%

LAB 52.91, -8.14, -30.97

 

CMYK 67 / 44 / 0 / 30

HEX #3B65B3

RGB 59 101 179

HSL 219, 0.5%, 0.47%

LAB 43.5, 11.3, -45.82

 

CMYK 67 / 61 / 0 / 30

HEX #3B45B3

RGB 59 69 179

HSL 235, 0.5%, 0.47%

LAB 34.88, 31.98, -59.73

 

CMYK 67 / 26 / 0 / 54

HEX #275675

RGB 39 86 117

HSL 203.85, 0.5%, 0.31%

LAB 34.74, -5.46, -22.39

 

CMYK 67 / 26 / 0 / 42

HEX #316D94

RGB 49 109 148

HSL 203.64, 0.5%, 0.39%

LAB 43.84, -6.54, -27.01

 

CMYK 67 / 26 / 0 / 30

HEX #3B84B3

RGB 59 132 179

HSL 203.5, 0.5%, 0.47%

LAB 52.61, -7.57, -31.44

 

CMYK 58 / 23 / 0 / 23

HEX #5398C5

RGB 83 152 197

HSL 203.68, 0.5%, 0.55%

LAB 60.18, -8.56, -29.82

 

CMYK 45 / 18 / 0 / 18

HEX #72AAD0

RGB 114 170 208

HSL 204.26, 0.5%, 0.63%

LAB 67.19, -8.22, -25.04

 

CMYK 66 / 26 / 0 / 30

HEX #3C83B2

RGB 60 131 178

HSL 203.9, 0.5%, 0.47%

LAB 52.29, -7.16, -31.35

 

CMYK 28 / 67 / 0 / 30

HEX #813BB3

RGB 129 59 179

HSL 275, 0.5%, 0.47%

LAB 39.66, 51.15, -51.66

 

CMYK 0 / 1 / 67 / 30

HEX #B3B13B

RGB 179 177 59

HSL 59, 0.5%, 0.47%

LAB 70.42, -13.75, 57.96

 

CMYK 66 / 26 / 0 / 30

HEX #3C83B2

RGB 60 131 178

HSL 203.9, 0.5%, 0.47%

LAB 52.29, -7.16, -31.35

 

CMYK 0 / 67 / 26 / 30

HEX #B33B85

RGB 179 59 133

HSL 323, 0.5%, 0.47%

LAB 44.81, 55.62, -15.44

 

CMYK 26 / 0 / 67 / 30

HEX #85B33B

RGB 133 179 59

HSL 83, 0.5%, 0.47%

LAB 67.68, -33.72, 54.1

 

CMYK 66 / 26 / 0 / 30

HEX #3C83B2

RGB 60 131 178

HSL 203.9, 0.5%, 0.47%

LAB 52.29, -7.16, -31.35

 

CMYK 28 / 67 / 0 / 30

HEX #813BB3

RGB 129 59 179

HSL 275, 0.5%, 0.47%

LAB 39.66, 51.15, -51.66

 

CMYK 0 / 41 / 67 / 30

HEX #B3693B

RGB 179 105 59

HSL 23, 0.5%, 0.47%

LAB 51.84, 25.5, 37.96

 

CMYK 39 / 0 / 67 / 30

HEX #6DB33B

RGB 109 179 59

HSL 95, 0.5%, 0.47%

LAB 66.37, -42.5, 52.31

 

CMYK 66 / 26 / 0 / 30

HEX #3C83B2

RGB 60 131 178

HSL 203.9, 0.5%, 0.47%

LAB 52.29, -7.16, -31.35

 

CMYK 8 / 67 / 0 / 30

HEX #A53BB3

RGB 165 59 179

HSL 293, 0.5%, 0.47%

LAB 44.78, 59.32, -43.18

 

CMYK 0 / 41 / 67 / 30

HEX #B3693B

RGB 179 105 59

HSL 23, 0.5%, 0.47%

LAB 51.84, 25.5, 37.96

 

CMYK 59 / 0 / 67 / 30

HEX #49B33B

RGB 73 179 59

HSL 113, 0.5%, 0.47%

LAB 64.94, -53.2, 50.36

 

Description

Color code: RGB 60 131 178 | qconv.com Color code: RGB 60 131 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 131 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 131 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 26 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 26% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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