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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 128 51 it is the complementary color RGB 195 127 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 128 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 128 51 shade: RGB 65 128 46, RGB 82 146 65, RGB 99 164 84, RGB 116 182 103 and RGB 133 200 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 128 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 128 51 shade: RGB 60 128 51, RGB 43 110 32, RGB 26 92 13, RGB 9 74 0 and RGB 0 56 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 128 51 shade: RGB 59 127 50, RGB 80 127 50, RGB 101 127 50, RGB 121 127 50 and RGB 127 112 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 128 51 shade: RGB 59 127 50, RGB 50 127 62, RGB 50 127 83, RGB 50 127 103 and RGB 50 127 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 128 51 shade matches the following richer shades: RGB 59 127 50, RGB 48 142 36, RGB 37 156 21 and RGB 26 170 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 128 51 shade: RGB 59 127 50, RGB 70 113 65, RGB 81 98 79, RGB 93 84 94 and RGB 104 69 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 128 51 shade: RGB 102 127 50, RGB 81 127 50, RGB 61 127 50, RGB 50 127 61 and RGB 50 127 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 128 51 shade: RGB 32 68 27, RGB 46 98 39, RGB 59 127 50, RGB 73 157 62 and RGB 89 184 76

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 128 51 shade: RGB 60 128 51, RGB 50 122 127 and RGB 127 50 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 128 51 shade: RGB 60 128 51, RGB 50 61 127 and RGB 127 50 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 128 51 shade: RGB 60 128 51, RGB 50 122 127, RGB 117 50 127 and RGB 127 55 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 128 51 shade: RGB 60 128 51, RGB 50 99 127, RGB 117 50 127 and RGB 127 79 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 60 / 50

HEX #3C8033

RGB 60 128 51

HSL 112.99, 0.43%, 0.35%

LAB 47.8, -37.55, 34.72

 

Complementary color

CMYK 4 / 38 / 0 / 20

HEX #C37FCC

RGB 195 127 204

HSL 292.99, 0.43%, 0.65%

LAB 62.63, 38.87, -29.29

 

CMYK 49 / 0 / 64 / 50

HEX #41802E

RGB 65 128 46

HSL 106.1, 0.47%, 0.34%

LAB 47.96, -36.58, 37.37

 

CMYK 44 / 0 / 55 / 43

HEX #529241

RGB 82 146 65

HSL 107.41, 0.38%, 0.41%

LAB 54.8, -36.69, 36.21

 

CMYK 40 / 0 / 49 / 36

HEX #63A454

RGB 99 164 84

HSL 108.75, 0.32%, 0.49%

LAB 61.52, -36.63, 34.94

 

CMYK 36 / 0 / 43 / 29

HEX #74B667

RGB 116 182 103

HSL 110.13, 0.35%, 0.56%

LAB 68.13, -36.49, 33.67

 

CMYK 34 / 0 / 39 / 22

HEX #85C87A

RGB 133 200 122

HSL 111.54, 0.41%, 0.63%

LAB 74.64, -36.29, 32.45

 

CMYK 53 / 0 / 60 / 50

HEX #3C8033

RGB 60 128 51

HSL 112.99, 0.43%, 0.35%

LAB 47.8, -37.55, 34.72

 

CMYK 61 / 0 / 71 / 57

HEX #2B6E20

RGB 43 110 32

HSL 111.54, 0.55%, 0.28%

LAB 40.85, -37.13, 35.79

 

CMYK 72 / 0 / 86 / 64

HEX #1A5C0D

RGB 26 92 13

HSL 110.13, 0.75%, 0.21%

LAB 33.78, -36.05, 36.05

 

CMYK 88 / 0 / 100 / 71

HEX #094A00

RGB 9 74 0

HSL 112.7, 1%, 0.15%

LAB 26.61, -33.75, 34.13

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 54 / 0 / 61 / 50

HEX #3B7F32

RGB 59 127 50

HSL 112.99, 0.44%, 0.35%

LAB 47.42, -37.55, 34.76

 

CMYK 37 / 0 / 61 / 50

HEX #507F32

RGB 80 127 50

HSL 96.62, 0.44%, 0.35%

LAB 48.4, -30.5, 36.15

 

CMYK 20 / 0 / 61 / 50

HEX #657F32

RGB 101 127 50

HSL 80.26, 0.44%, 0.35%

LAB 49.71, -22.14, 37.98

 

CMYK 5 / 0 / 61 / 50

HEX #797F32

RGB 121 127 50

HSL 64.68, 0.44%, 0.35%

LAB 51.24, -13.45, 40.11

 

CMYK 0 / 12 / 61 / 50

HEX #7F7032

RGB 127 112 50

HSL 48.31, 0.44%, 0.35%

LAB 47.41, -2.37, 35.96

 

CMYK 54 / 0 / 61 / 50

HEX #3B7F32

RGB 59 127 50

HSL 112.99, 0.44%, 0.35%

LAB 47.42, -37.55, 34.76

 

CMYK 61 / 0 / 51 / 50

HEX #327F3E

RGB 50 127 62

HSL 129.35, 0.44%, 0.35%

LAB 47.24, -38.34, 28.27

 

CMYK 61 / 0 / 35 / 50

HEX #327F53

RGB 50 127 83

HSL 145.71, 0.44%, 0.35%

LAB 47.6, -34.48, 17.04

 

CMYK 61 / 0 / 19 / 50

HEX #327F67

RGB 50 127 103

HSL 161.3, 0.44%, 0.35%

LAB 48.05, -29.85, 6.04

 

CMYK 61 / 0 / 2 / 50

HEX #327F7C

RGB 50 127 124

HSL 177.66, 0.44%, 0.35%

LAB 48.65, -24.11, -5.44

 

CMYK 54 / 0 / 61 / 50

HEX #3B7F32

RGB 59 127 50

HSL 112.99, 0.44%, 0.35%

LAB 47.42, -37.55, 34.76

 

CMYK 66 / 0 / 75 / 44

HEX #308E24

RGB 48 142 36

HSL 113.21, 0.6%, 0.35%

LAB 51.95, -47.69, 45.74

 

CMYK 76 / 0 / 87 / 39

HEX #259C15

RGB 37 156 21

HSL 112.89, 0.76%, 0.35%

LAB 56.31, -55.49, 54.46

 

CMYK 85 / 0 / 96 / 33

HEX #1AAA07

RGB 26 170 7

HSL 113.01, 0.92%, 0.35%

LAB 60.77, -61.66, 60.67

 

CMYK 54 / 0 / 61 / 50

HEX #3B7F32

RGB 59 127 50

HSL 112.99, 0.44%, 0.35%

LAB 47.42, -37.55, 34.76

 

CMYK 38 / 0 / 42 / 56

HEX #467141

RGB 70 113 65

HSL 113.75, 0.27%, 0.35%

LAB 43.5, -25.36, 22.04

 

CMYK 17 / 0 / 19 / 62

HEX #51624F

RGB 81 98 79

HSL 113.68, 0.11%, 0.35%

LAB 39.66, -10.59, 8.7

 

CMYK 1 / 11 / 0 / 63

HEX #5D545E

RGB 93 84 94

HSL 294, 0.06%, 0.35%

LAB 36.88, 5.75, -4.46

 

CMYK 4 / 36 / 0 / 58

HEX #68456C

RGB 104 69 108

HSL 293.85, 0.22%, 0.35%

LAB 34.56, 22.3, -16.64

 

CMYK 20 / 0 / 61 / 50

HEX #667F32

RGB 102 127 50

HSL 79.48, 0.44%, 0.35%

LAB 49.78, -21.72, 38.08

 

CMYK 36 / 0 / 61 / 50

HEX #517F32

RGB 81 127 50

HSL 95.84, 0.44%, 0.35%

LAB 48.46, -30.12, 36.23

 

CMYK 52 / 0 / 61 / 50

HEX #3D7F32

RGB 61 127 50

HSL 111.43, 0.44%, 0.35%

LAB 47.5, -36.95, 34.87

 

CMYK 61 / 0 / 52 / 50

HEX #327F3D

RGB 50 127 61

HSL 128.57, 0.44%, 0.35%

LAB 47.23, -38.5, 28.79

 

CMYK 61 / 0 / 36 / 50

HEX #327F51

RGB 50 127 81

HSL 144.16, 0.44%, 0.35%

LAB 47.56, -34.9, 18.13

 

CMYK 53 / 0 / 60 / 73

HEX #20441B

RGB 32 68 27

HSL 112.68, 0.43%, 0.19%

LAB 25.32, -22.59, 20.69

 

CMYK 53 / 0 / 60 / 62

HEX #2E6227

RGB 46 98 39

HSL 112.88, 0.43%, 0.27%

LAB 36.86, -30.31, 27.93

 

CMYK 54 / 0 / 61 / 50

HEX #3B7F32

RGB 59 127 50

HSL 112.99, 0.44%, 0.35%

LAB 47.42, -37.55, 34.76

 

CMYK 54 / 0 / 61 / 38

HEX #499D3E

RGB 73 157 62

HSL 113.05, 0.43%, 0.43%

LAB 57.92, -44.44, 41.22

 

CMYK 52 / 0 / 59 / 28

HEX #59B84C

RGB 89 184 76

HSL 112.78, 0.43%, 0.51%

LAB 67.22, -49.12, 45.57

 

CMYK 53 / 0 / 60 / 50

HEX #3C8033

RGB 60 128 51

HSL 112.99, 0.43%, 0.35%

LAB 47.8, -37.55, 34.72

 

CMYK 61 / 4 / 0 / 50

HEX #327A7F

RGB 50 122 127

HSL 183.9, 0.44%, 0.35%

LAB 47.14, -20.6, -9.47

 

CMYK 0 / 61 / 28 / 50

HEX #7F325B

RGB 127 50 91

HSL 328.05, 0.44%, 0.35%

LAB 33.02, 37.99, -7.87

 

CMYK 53 / 0 / 60 / 50

HEX #3C8033

RGB 60 128 51

HSL 112.99, 0.43%, 0.35%

LAB 47.8, -37.55, 34.72

 

CMYK 61 / 52 / 0 / 50

HEX #323D7F

RGB 50 61 127

HSL 231.43, 0.44%, 0.35%

LAB 28.24, 17.02, -38.89

 

CMYK 0 / 61 / 52 / 50

HEX #7F323D

RGB 127 50 61

HSL 351.43, 0.44%, 0.35%

LAB 32.1, 34.36, 10.25

 

CMYK 53 / 0 / 60 / 50

HEX #3C8033

RGB 60 128 51

HSL 112.99, 0.43%, 0.35%

LAB 47.8, -37.55, 34.72

 

CMYK 61 / 4 / 0 / 50

HEX #327A7F

RGB 50 122 127

HSL 183.9, 0.44%, 0.35%

LAB 47.14, -20.6, -9.47

 

CMYK 8 / 61 / 0 / 50

HEX #75327F

RGB 117 50 127

HSL 292.21, 0.44%, 0.35%

LAB 33.13, 41.21, -30.66

 

CMYK 0 / 57 / 61 / 50

HEX #7F3732

RGB 127 55 50

HSL 3.9, 0.44%, 0.35%

LAB 32.86, 30.76, 18.34

 

CMYK 53 / 0 / 60 / 50

HEX #3C8033

RGB 60 128 51

HSL 112.99, 0.43%, 0.35%

LAB 47.8, -37.55, 34.72

 

CMYK 61 / 22 / 0 / 50

HEX #32637F

RGB 50 99 127

HSL 201.82, 0.44%, 0.35%

LAB 39.81, -7.62, -20.65

 

CMYK 8 / 61 / 0 / 50

HEX #75327F

RGB 117 50 127

HSL 292.21, 0.44%, 0.35%

LAB 33.13, 41.21, -30.66

 

CMYK 0 / 38 / 61 / 50

HEX #7F4F32

RGB 127 79 50

HSL 22.6, 0.44%, 0.35%

LAB 38.44, 17.06, 25.36

 

Description

Color code: RGB 60 128 51 | qconv.com Color code: RGB 60 128 51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 128 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 128 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 60 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 60% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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