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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 118 185 it is the complementary color RGB 195 137 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 118 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 118 185 shade: RGB 65 118 180, RGB 82 136 199, RGB 99 154 218, RGB 116 172 237 and RGB 133 190 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 118 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 118 185 shade: RGB 60 118 185, RGB 43 100 166, RGB 26 82 147, RGB 9 64 128 and RGB 0 46 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 118 185 shade: RGB 59 117 184, RGB 59 84 184, RGB 69 59 184, RGB 103 59 184 and RGB 136 59 184

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 118 185 shade: RGB 59 117 184, RGB 59 84 184 and RGB 59 59 184

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 118 185 shade matches the following richer shades: RGB 59 117 184, RGB 40 116 204, RGB 20 115 224 and RGB 0 113 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 118 185 shade: RGB 59 117 184, RGB 79 119 165, RGB 99 120 145, RGB 119 122 125 and RGB 139 123 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 118 185 shade: RGB 59 184 184, RGB 59 151 184, RGB 59 118 184, RGB 59 84 184 and RGB 68 59 184

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 118 185 shade: RGB 39 78 122, RGB 49 98 153, RGB 59 117 184, RGB 85 138 200 and RGB 117 160 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 118 185 shade: RGB 60 118 185, RGB 151 59 184 and RGB 168 184 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 118 185 shade: RGB 60 118 185, RGB 184 59 118 and RGB 118 184 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 118 185 shade: RGB 60 118 185, RGB 151 59 184, RGB 184 126 59 and RGB 93 184 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 118 185 shade: RGB 60 118 185, RGB 184 59 180, RGB 184 126 59 and RGB 59 184 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 36 / 0 / 27

HEX #3C76B9

RGB 60 118 185

HSL 212.16, 0.51%, 0.48%

LAB 48.79, 3.01, -40.9

 

Complementary color

CMYK 0 / 30 / 64 / 24

HEX #C38946

RGB 195 137 70

HSL 32.16, 0.51%, 0.52%

LAB 61.6, 15.36, 43.99

 

CMYK 64 / 34 / 0 / 29

HEX #4176B4

RGB 65 118 180

HSL 212.35, 0.47%, 0.48%

LAB 48.73, 2.13, -38.08

 

CMYK 59 / 32 / 0 / 22

HEX #5288C7

RGB 82 136 199

HSL 212.31, 0.51%, 0.55%

LAB 55.61, 1.06, -38.08

 

CMYK 55 / 29 / 0 / 15

HEX #639ADA

RGB 99 154 218

HSL 212.27, 0.62%, 0.62%

LAB 62.36, 0.22, -38.11

 

CMYK 51 / 27 / 0 / 7

HEX #74ACED

RGB 116 172 237

HSL 212.23, 0.77%, 0.69%

LAB 68.99, -0.47, -38.16

 

CMYK 48 / 25 / 0 / 0

HEX #85BEFF

RGB 133 190 255

HSL 211.97, 1%, 0.76%

LAB 75.47, -1.33, -37.75

 

CMYK 68 / 36 / 0 / 27

HEX #3C76B9

RGB 60 118 185

HSL 212.16, 0.51%, 0.48%

LAB 48.79, 3.01, -40.9

 

CMYK 74 / 40 / 0 / 35

HEX #2B64A6

RGB 43 100 166

HSL 212.2, 0.59%, 0.41%

LAB 41.82, 4.63, -40.9

 

CMYK 82 / 44 / 0 / 42

HEX #1A5293

RGB 26 82 147

HSL 212.23, 0.7%, 0.34%

LAB 34.72, 6.79, -40.87

 

CMYK 93 / 50 / 0 / 50

HEX #094080

RGB 9 64 128

HSL 212.27, 0.87%, 0.27%

LAB 27.53, 9.71, -40.75

 

CMYK 100 / 58 / 0 / 57

HEX #002E6D

RGB 0 46 109

HSL 214.68, 1%, 0.21%

LAB 20.28, 13.67, -40.43

 

CMYK 68 / 36 / 0 / 28

HEX #3B75B8

RGB 59 117 184

HSL 212.16, 0.51%, 0.48%

LAB 48.4, 3.1, -40.93

 

CMYK 68 / 54 / 0 / 28

HEX #3B54B8

RGB 59 84 184

HSL 228, 0.51%, 0.48%

LAB 39.12, 24.08, -55.79

 

CMYK 63 / 68 / 0 / 28

HEX #453BB8

RGB 69 59 184

HSL 244.8, 0.51%, 0.48%

LAB 33.68, 41.29, -64.63

 

CMYK 44 / 68 / 0 / 28

HEX #673BB8

RGB 103 59 184

HSL 261.12, 0.51%, 0.48%

LAB 36.88, 47.05, -59.27

 

CMYK 26 / 68 / 0 / 28

HEX #883BB8

RGB 136 59 184

HSL 276.96, 0.51%, 0.48%

LAB 40.93, 53.81, -52.51

 

CMYK 68 / 36 / 0 / 28

HEX #3B75B8

RGB 59 117 184

HSL 212.16, 0.51%, 0.48%

LAB 48.4, 3.1, -40.93

 

CMYK 68 / 54 / 0 / 28

HEX #3B54B8

RGB 59 84 184

HSL 228, 0.51%, 0.48%

LAB 39.12, 24.08, -55.79

 

CMYK 68 / 68 / 0 / 28

HEX #3B3BB8

RGB 59 59 184

HSL 240, 0.51%, 0.48%

LAB 32.96, 39.94, -65.84

 

CMYK 68 / 36 / 0 / 28

HEX #3B75B8

RGB 59 117 184

HSL 212.16, 0.51%, 0.48%

LAB 48.4, 3.1, -40.93

 

CMYK 80 / 43 / 0 / 20

HEX #2874CC

RGB 40 116 204

HSL 212.2, 0.67%, 0.48%

LAB 48.64, 8.62, -52.08

 

CMYK 91 / 49 / 0 / 12

HEX #1473E0

RGB 20 115 224

HSL 212.06, 0.84%, 0.48%

LAB 49.24, 15.55, -62.48

 

CMYK 100 / 54 / 0 / 4

HEX #0071F4

RGB 0 113 244

HSL 212.21, 1%, 0.48%

LAB 49.91, 23.99, -72.63

 

CMYK 68 / 36 / 0 / 28

HEX #3B75B8

RGB 59 117 184

HSL 212.16, 0.51%, 0.48%

LAB 48.4, 3.1, -40.93

 

CMYK 52 / 28 / 0 / 35

HEX #4F77A5

RGB 79 119 165

HSL 212.09, 0.35%, 0.48%

LAB 48.97, -0.5, -28.93

 

CMYK 32 / 17 / 0 / 43

HEX #637891

RGB 99 120 145

HSL 212.61, 0.19%, 0.48%

LAB 49.65, -1.43, -16.06

 

CMYK 5 / 2 / 0 / 51

HEX #777A7D

RGB 119 122 125

HSL 210, 0.02%, 0.48%

LAB 51.06, -0.5, -2.04

 

CMYK 0 / 12 / 24 / 45

HEX #8B7B69

RGB 139 123 105

HSL 31.76, 0.14%, 0.48%

LAB 52.59, 3.12, 12.1

 

CMYK 68 / 0 / 0 / 28

HEX #3BB8B8

RGB 59 184 184

HSL 180, 0.51%, 0.48%

LAB 68.51, -33.19, -9.97

 

CMYK 68 / 18 / 0 / 28

HEX #3B97B8

RGB 59 151 184

HSL 195.84, 0.51%, 0.48%

LAB 58.53, -16.5, -25.11

 

CMYK 68 / 36 / 0 / 28

HEX #3B76B8

RGB 59 118 184

HSL 211.68, 0.51%, 0.48%

LAB 48.69, 2.49, -40.46

 

CMYK 68 / 54 / 0 / 28

HEX #3B54B8

RGB 59 84 184

HSL 228, 0.51%, 0.48%

LAB 39.12, 24.08, -55.79

 

CMYK 63 / 68 / 0 / 28

HEX #443BB8

RGB 68 59 184

HSL 244.32, 0.51%, 0.48%

LAB 33.6, 41.15, -64.76

 

CMYK 68 / 36 / 0 / 52

HEX #274E7A

RGB 39 78 122

HSL 211.81, 0.52%, 0.32%

LAB 32.45, 1.49, -29.1

 

CMYK 68 / 36 / 0 / 40

HEX #316299

RGB 49 98 153

HSL 211.73, 0.51%, 0.4%

LAB 40.72, 2, -34.9

 

CMYK 68 / 36 / 0 / 28

HEX #3B75B8

RGB 59 117 184

HSL 212.16, 0.51%, 0.48%

LAB 48.4, 3.1, -40.93

 

CMYK 58 / 31 / 0 / 22

HEX #558AC8

RGB 85 138 200

HSL 212.35, 0.51%, 0.56%

LAB 56.37, 0.83, -37.45

 

CMYK 44 / 24 / 0 / 18

HEX #75A0D2

RGB 117 160 210

HSL 212.26, 0.51%, 0.64%

LAB 64.63, -1.36, -30.07

 

CMYK 68 / 36 / 0 / 27

HEX #3C76B9

RGB 60 118 185

HSL 212.16, 0.51%, 0.48%

LAB 48.79, 3.01, -40.9

 

CMYK 18 / 68 / 0 / 28

HEX #973BB8

RGB 151 59 184

HSL 284.16, 0.51%, 0.48%

LAB 43.02, 57.1, -49.05

 

CMYK 9 / 0 / 68 / 28

HEX #A8B83B

RGB 168 184 59

HSL 67.68, 0.51%, 0.48%

LAB 71.5, -21.95, 58.78

 

CMYK 68 / 36 / 0 / 27

HEX #3C76B9

RGB 60 118 185

HSL 212.16, 0.51%, 0.48%

LAB 48.79, 3.01, -40.9

 

CMYK 0 / 68 / 36 / 28

HEX #B83B76

RGB 184 59 118

HSL 331.68, 0.51%, 0.48%

LAB 45.12, 55.21, -5.73

 

CMYK 36 / 0 / 68 / 28

HEX #76B83B

RGB 118 184 59

HSL 91.68, 0.51%, 0.48%

LAB 68.35, -41.51, 54.54

 

CMYK 68 / 36 / 0 / 27

HEX #3C76B9

RGB 60 118 185

HSL 212.16, 0.51%, 0.48%

LAB 48.79, 3.01, -40.9

 

CMYK 18 / 68 / 0 / 28

HEX #973BB8

RGB 151 59 184

HSL 284.16, 0.51%, 0.48%

LAB 43.02, 57.1, -49.05

 

CMYK 0 / 32 / 68 / 28

HEX #B87E3B

RGB 184 126 59

HSL 32.16, 0.51%, 0.48%

LAB 57.49, 15.99, 44.47

 

CMYK 49 / 0 / 68 / 28

HEX #5DB83B

RGB 93 184 59

HSL 103.68, 0.51%, 0.48%

LAB 67.22, -49.66, 53

 

CMYK 68 / 36 / 0 / 27

HEX #3C76B9

RGB 60 118 185

HSL 212.16, 0.51%, 0.48%

LAB 48.79, 3.01, -40.9

 

CMYK 0 / 68 / 2 / 28

HEX #B83BB4

RGB 184 59 180

HSL 301.92, 0.51%, 0.48%

LAB 47.77, 63.93, -38.84

 

CMYK 0 / 32 / 68 / 28

HEX #B87E3B

RGB 184 126 59

HSL 32.16, 0.51%, 0.48%

LAB 57.49, 15.99, 44.47

 

CMYK 68 / 0 / 65 / 28

HEX #3BB840

RGB 59 184 64

HSL 122.4, 0.51%, 0.48%

LAB 66.2, -57.56, 49.51

 

Description

Color code: RGB 60 118 185 | qconv.com Color code: RGB 60 118 185 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 118 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 118 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 36 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 36% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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