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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 66 181 it is the complementary color RGB 195 189 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 66 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 66 181 shade: RGB 65 66 176, RGB 82 84 195, RGB 99 102 214, RGB 116 120 233 and RGB 133 138 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 66 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 66 181 shade: RGB 60 66 181, RGB 43 48 162, RGB 26 30 143, RGB 9 12 124 and RGB 0 0 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 66 181 shade: RGB 59 65 179, RGB 86 59 179, RGB 118 59 179, RGB 150 59 179 and RGB 179 59 176

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 66 181 shade: RGB 59 65 179 and RGB 59 59 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 66 181 shade matches the following richer shades: RGB 59 65 179, RGB 40 48 199, RGB 21 30 218 and RGB 1 13 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 66 181 shade: RGB 59 65 179, RGB 79 83 160, RGB 98 100 140, RGB 118 118 121 and RGB 137 135 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 66 181 shade: RGB 59 129 179, RGB 59 97 179, RGB 59 65 179, RGB 85 59 179 and RGB 117 59 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 66 181 shade: RGB 39 43 117, RGB 49 54 148, RGB 59 65 179, RGB 83 88 197 and RGB 114 118 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 66 181 shade: RGB 60 66 181, RGB 179 59 161 and RGB 113 179 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 66 181 shade: RGB 60 66 181, RGB 179 59 65 and RGB 65 179 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 66 181 shade: RGB 60 66 181, RGB 179 59 161, RGB 179 173 59 and RGB 59 179 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 66 181 shade: RGB 60 66 181, RGB 179 59 125, RGB 179 173 59 and RGB 59 179 113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 64 / 0 / 29

HEX #3C42B5

RGB 60 66 181

HSL 237.02, 0.5%, 0.47%

LAB 34.38, 34.72, -61.73

 

Complementary color

CMYK 0 / 3 / 62 / 24

HEX #C3BD4A

RGB 195 189 74

HSL 57.02, 0.5%, 0.53%

LAB 75.13, -12.16, 57.08

 

CMYK 63 / 63 / 0 / 31

HEX #4142B0

RGB 65 66 176

HSL 239.46, 0.46%, 0.47%

LAB 34.3, 33.76, -58.88

 

CMYK 58 / 57 / 0 / 24

HEX #5254C3

RGB 82 84 195

HSL 238.94, 0.48%, 0.54%

LAB 41.33, 31.79, -58.56

 

CMYK 54 / 52 / 0 / 16

HEX #6366D6

RGB 99 102 214

HSL 238.43, 0.58%, 0.61%

LAB 48.27, 30.12, -58.22

 

CMYK 50 / 48 / 0 / 9

HEX #7478E9

RGB 116 120 233

HSL 237.95, 0.73%, 0.68%

LAB 55.1, 28.68, -57.9

 

CMYK 47 / 45 / 0 / 1

HEX #858AFC

RGB 133 138 252

HSL 237.48, 0.95%, 0.75%

LAB 61.82, 27.44, -57.61

 

CMYK 67 / 64 / 0 / 29

HEX #3C42B5

RGB 60 66 181

HSL 237.02, 0.5%, 0.47%

LAB 34.38, 34.72, -61.73

 

CMYK 73 / 70 / 0 / 36

HEX #2B30A2

RGB 43 48 162

HSL 237.48, 0.58%, 0.4%

LAB 27.4, 37.19, -61.84

 

CMYK 82 / 79 / 0 / 44

HEX #1A1E8F

RGB 26 30 143

HSL 237.95, 0.69%, 0.33%

LAB 20.56, 39.8, -61.49

 

CMYK 93 / 90 / 0 / 51

HEX #090C7C

RGB 9 12 124

HSL 238.43, 0.86%, 0.26%

LAB 14.27, 41.74, -59.98

 

CMYK 100 / 100 / 0 / 59

HEX #000069

RGB 0 0 105

HSL 240, 1%, 0.21%

LAB 9.16, 41.25, -56.18

 

CMYK 67 / 64 / 0 / 30

HEX #3B41B3

RGB 59 65 179

HSL 237, 0.5%, 0.47%

LAB 33.91, 34.52, -61.32

 

CMYK 52 / 67 / 0 / 30

HEX #563BB3

RGB 86 59 179

HSL 253.5, 0.5%, 0.47%

LAB 34.72, 42.49, -59.9

 

CMYK 34 / 67 / 0 / 30

HEX #763BB3

RGB 118 59 179

HSL 269.5, 0.5%, 0.47%

LAB 38.26, 48.78, -54

 

CMYK 16 / 67 / 0 / 30

HEX #963BB3

RGB 150 59 179

HSL 285.5, 0.5%, 0.47%

LAB 42.56, 55.86, -46.85

 

CMYK 0 / 67 / 2 / 30

HEX #B33BB0

RGB 179 59 176

HSL 301.5, 0.5%, 0.47%

LAB 46.77, 62.09, -38.12

 

CMYK 67 / 64 / 0 / 30

HEX #3B41B3

RGB 59 65 179

HSL 237, 0.5%, 0.47%

LAB 33.91, 34.52, -61.32

 

CMYK 67 / 67 / 0 / 30

HEX #3B3BB3

RGB 59 59 179

HSL 240, 0.5%, 0.47%

LAB 32.51, 38.24, -63.61

 

CMYK 67 / 64 / 0 / 30

HEX #3B41B3

RGB 59 65 179

HSL 237, 0.5%, 0.47%

LAB 33.91, 34.52, -61.32

 

CMYK 80 / 76 / 0 / 22

HEX #2830C7

RGB 40 48 199

HSL 236.98, 0.67%, 0.47%

LAB 31.09, 49.54, -77.79

 

CMYK 90 / 86 / 0 / 15

HEX #151EDA

RGB 21 30 218

HSL 237.26, 0.82%, 0.47%

LAB 29.79, 63.05, -91.01

 

CMYK 100 / 95 / 0 / 7

HEX #010DED

RGB 1 13 237

HSL 236.95, 0.99%, 0.47%

LAB 30.42, 72.74, -100.84

 

CMYK 67 / 64 / 0 / 30

HEX #3B41B3

RGB 59 65 179

HSL 237, 0.5%, 0.47%

LAB 33.91, 34.52, -61.32

 

CMYK 51 / 48 / 0 / 37

HEX #4F53A0

RGB 79 83 160

HSL 237.04, 0.34%, 0.47%

LAB 38.53, 20.33, -42.46

 

CMYK 30 / 29 / 0 / 45

HEX #62648C

RGB 98 100 140

HSL 237.14, 0.18%, 0.47%

LAB 43.66, 8.95, -22.29

 

CMYK 2 / 2 / 0 / 53

HEX #767679

RGB 118 118 121

HSL 240, 0.01%, 0.47%

LAB 49.72, 0.62, -1.65

 

CMYK 0 / 1 / 26 / 46

HEX #898766

RGB 137 135 102

HSL 56.57, 0.15%, 0.47%

LAB 55.69, -4.93, 18.07

 

CMYK 67 / 28 / 0 / 30

HEX #3B81B3

RGB 59 129 179

HSL 205, 0.5%, 0.47%

LAB 51.71, -5.83, -32.84

 

CMYK 67 / 46 / 0 / 30

HEX #3B61B3

RGB 59 97 179

HSL 221, 0.5%, 0.47%

LAB 42.36, 13.85, -47.64

 

CMYK 67 / 64 / 0 / 30

HEX #3B41B3

RGB 59 65 179

HSL 237, 0.5%, 0.47%

LAB 33.91, 34.52, -61.32

 

CMYK 53 / 67 / 0 / 30

HEX #553BB3

RGB 85 59 179

HSL 253, 0.5%, 0.47%

LAB 34.63, 42.31, -60.06

 

CMYK 35 / 67 / 0 / 30

HEX #753BB3

RGB 117 59 179

HSL 269, 0.5%, 0.47%

LAB 38.14, 48.57, -54.2

 

CMYK 67 / 63 / 0 / 54

HEX #272B75

RGB 39 43 117

HSL 236.92, 0.5%, 0.31%

LAB 21.74, 23.57, -43.12

 

CMYK 67 / 64 / 0 / 42

HEX #313694

RGB 49 54 148

HSL 236.97, 0.5%, 0.39%

LAB 27.92, 29.16, -52.42

 

CMYK 67 / 64 / 0 / 30

HEX #3B41B3

RGB 59 65 179

HSL 237, 0.5%, 0.47%

LAB 33.91, 34.52, -61.32

 

CMYK 58 / 55 / 0 / 23

HEX #5358C5

RGB 83 88 197

HSL 237.37, 0.5%, 0.55%

LAB 42.54, 30.15, -57.78

 

CMYK 45 / 43 / 0 / 18

HEX #7276D0

RGB 114 118 208

HSL 237.45, 0.5%, 0.63%

LAB 53.05, 21.9, -47.11

 

CMYK 67 / 64 / 0 / 29

HEX #3C42B5

RGB 60 66 181

HSL 237.02, 0.5%, 0.47%

LAB 34.38, 34.72, -61.73

 

CMYK 0 / 67 / 10 / 30

HEX #B33BA1

RGB 179 59 161

HSL 309, 0.5%, 0.47%

LAB 46.02, 59.67, -30.42

 

CMYK 37 / 0 / 67 / 30

HEX #71B33B

RGB 113 179 59

HSL 93, 0.5%, 0.47%

LAB 66.57, -41.12, 52.58

 

CMYK 67 / 64 / 0 / 29

HEX #3C42B5

RGB 60 66 181

HSL 237.02, 0.5%, 0.47%

LAB 34.38, 34.72, -61.73

 

CMYK 0 / 67 / 64 / 30

HEX #B33B41

RGB 179 59 65

HSL 357, 0.5%, 0.47%

LAB 42.9, 48.9, 23.73

 

CMYK 64 / 0 / 67 / 30

HEX #41B33B

RGB 65 179 59

HSL 117, 0.5%, 0.47%

LAB 64.71, -55.07, 50.04

 

CMYK 67 / 64 / 0 / 29

HEX #3C42B5

RGB 60 66 181

HSL 237.02, 0.5%, 0.47%

LAB 34.38, 34.72, -61.73

 

CMYK 0 / 67 / 10 / 30

HEX #B33BA1

RGB 179 59 161

HSL 309, 0.5%, 0.47%

LAB 46.02, 59.67, -30.42

 

CMYK 0 / 3 / 67 / 30

HEX #B3AD3B

RGB 179 173 59

HSL 57, 0.5%, 0.47%

LAB 69.32, -11.69, 56.84

 

CMYK 67 / 0 / 57 / 30

HEX #3BB34D

RGB 59 179 77

HSL 129, 0.5%, 0.47%

LAB 64.73, -54.27, 41.95

 

CMYK 67 / 64 / 0 / 29

HEX #3C42B5

RGB 60 66 181

HSL 237.02, 0.5%, 0.47%

LAB 34.38, 34.72, -61.73

 

CMYK 0 / 67 / 30 / 30

HEX #B33B7D

RGB 179 59 125

HSL 327, 0.5%, 0.47%

LAB 44.51, 54.59, -11.02

 

CMYK 0 / 3 / 67 / 30

HEX #B3AD3B

RGB 179 173 59

HSL 57, 0.5%, 0.47%

LAB 69.32, -11.69, 56.84

 

CMYK 67 / 0 / 37 / 30

HEX #3BB371

RGB 59 179 113

HSL 147, 0.5%, 0.47%

LAB 65.25, -48.4, 24.25

 

Description

Color code: RGB 60 66 181 | qconv.com Color code: RGB 60 66 181 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 66 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 66 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 64 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 64% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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