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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 42 207 it is the complementary color RGB 195 213 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 42 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 42 207 shade: RGB 65 42 202, RGB 82 60 221, RGB 99 78 240, RGB 116 96 255 and RGB 133 114 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 42 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 42 207 shade: RGB 60 42 207, RGB 43 24 188, RGB 26 6 169, RGB 9 0 150 and RGB 0 0 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 42 207 shade: RGB 60 42 207, RGB 104 42 207, RGB 149 42 207, RGB 193 42 207 and RGB 207 42 176

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 42 207 shade: RGB 60 42 207 and RGB 42 42 207

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 42 207 shade matches the following richer shades: RGB 60 42 207, RGB 44 22 227 and RGB 28 2 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 42 207 shade: RGB 60 42 207, RGB 76 62 187, RGB 92 82 166, RGB 107 103 146 and RGB 123 123 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 42 207 shade: RGB 42 113 207, RGB 42 69 207, RGB 58 42 207, RGB 102 42 207 and RGB 146 42 207

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 42 207 shade: RGB 40 28 138, RGB 50 35 173, RGB 60 42 207, RGB 89 73 217 and RGB 120 107 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 42 207 shade: RGB 60 42 207, RGB 207 42 157 and RGB 91 207 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 42 207 shade: RGB 60 42 207, RGB 207 58 42 and RGB 42 207 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 42 207 shade: RGB 60 42 207, RGB 207 42 157, RGB 190 207 42 and RGB 42 207 91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 42 207 shade: RGB 60 42 207, RGB 207 42 108, RGB 190 207 42 and RGB 42 207 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 80 / 0 / 19

HEX #3C2ACF

RGB 60 42 207

HSL 246.55, 0.66%, 0.49%

LAB 32.08, 56.52, -80.77

 

Complementary color

CMYK 8 / 0 / 77 / 16

HEX #C3D530

RGB 195 213 48

HSL 66.55, 0.66%, 0.51%

LAB 81.51, -25.4, 72.79

 

CMYK 68 / 79 / 0 / 21

HEX #412ACA

RGB 65 42 202

HSL 248.63, 0.66%, 0.48%

LAB 31.91, 55.46, -78.13

 

CMYK 63 / 73 / 0 / 13

HEX #523CDD

RGB 82 60 221

HSL 248.2, 0.7%, 0.55%

LAB 38.28, 53.94, -78.56

 

CMYK 59 / 68 / 0 / 6

HEX #634EF0

RGB 99 78 240

HSL 247.78, 0.84%, 0.62%

LAB 44.79, 52.23, -78.6

 

CMYK 55 / 62 / 0 / 0

HEX #7460FF

RGB 116 96 255

HSL 247.55, 1%, 0.69%

LAB 51.03, 49.34, -76.72

 

CMYK 48 / 55 / 0 / 0

HEX #8572FF

RGB 133 114 255

HSL 248.09, 1%, 0.72%

LAB 56.33, 42.27, -68.07

 

CMYK 71 / 80 / 0 / 19

HEX #3C2ACF

RGB 60 42 207

HSL 246.55, 0.66%, 0.49%

LAB 32.08, 56.52, -80.77

 

CMYK 77 / 87 / 0 / 26

HEX #2B18BC

RGB 43 24 188

HSL 246.95, 0.77%, 0.42%

LAB 26.15, 57.47, -79.49

 

CMYK 85 / 96 / 0 / 34

HEX #1A06A9

RGB 26 6 169

HSL 247.36, 0.93%, 0.34%

LAB 20.88, 56.92, -76.91

 

CMYK 94 / 100 / 0 / 41

HEX #090096

RGB 9 0 150

HSL 243.6, 1%, 0.29%

LAB 16.8, 53.4, -72.12

 

CMYK 100 / 100 / 0 / 49

HEX #000083

RGB 0 0 131

HSL 240, 1%, 0.26%

LAB 13.46, 48.31, -65.8

 

CMYK 71 / 80 / 0 / 19

HEX #3C2ACF

RGB 60 42 207

HSL 246.55, 0.66%, 0.49%

LAB 32.08, 56.52, -80.77

 

CMYK 50 / 80 / 0 / 19

HEX #682ACF

RGB 104 42 207

HSL 262.55, 0.66%, 0.49%

LAB 36.18, 61.13, -73.86

 

CMYK 28 / 80 / 0 / 19

HEX #952ACF

RGB 149 42 207

HSL 278.91, 0.66%, 0.49%

LAB 42.08, 67.81, -63.98

 

CMYK 7 / 80 / 0 / 19

HEX #C12ACF

RGB 193 42 207

HSL 294.91, 0.66%, 0.49%

LAB 48.88, 75.56, -52.66

 

CMYK 0 / 80 / 15 / 19

HEX #CF2AB0

RGB 207 42 176

HSL 311.27, 0.66%, 0.49%

LAB 49.56, 73.71, -33.4

 

CMYK 71 / 80 / 0 / 19

HEX #3C2ACF

RGB 60 42 207

HSL 246.55, 0.66%, 0.49%

LAB 32.08, 56.52, -80.77

 

CMYK 80 / 80 / 0 / 19

HEX #2A2ACF

RGB 42 42 207

HSL 240, 0.66%, 0.49%

LAB 31, 55.31, -82.59

 

CMYK 71 / 80 / 0 / 19

HEX #3C2ACF

RGB 60 42 207

HSL 246.55, 0.66%, 0.49%

LAB 32.08, 56.52, -80.77

 

CMYK 81 / 90 / 0 / 11

HEX #2C16E3

RGB 44 22 227

HSL 246.44, 0.82%, 0.49%

LAB 31.01, 68.72, -94.12

 

CMYK 89 / 99 / 0 / 3

HEX #1C02F7

RGB 28 2 247

HSL 246.37, 0.98%, 0.49%

LAB 31.82, 77.18, -104.16

 

CMYK 71 / 80 / 0 / 19

HEX #3C2ACF

RGB 60 42 207

HSL 246.55, 0.66%, 0.49%

LAB 32.08, 56.52, -80.77

 

CMYK 59 / 67 / 0 / 27

HEX #4C3EBB

RGB 76 62 187

HSL 246.72, 0.5%, 0.49%

LAB 35.14, 41.54, -63.98

 

CMYK 45 / 51 / 0 / 35

HEX #5C52A6

RGB 92 82 166

HSL 247.14, 0.34%, 0.49%

LAB 39.69, 25.99, -44.13

 

CMYK 27 / 29 / 0 / 43

HEX #6B6792

RGB 107 103 146

HSL 245.58, 0.17%, 0.49%

LAB 45.5, 11.58, -22.97

 

CMYK 2 / 2 / 0 / 51

HEX #7B7B7E

RGB 123 123 126

HSL 240, 0.01%, 0.49%

LAB 51.7, 0.61, -1.64

 

CMYK 80 / 45 / 0 / 19

HEX #2A71CF

RGB 42 113 207

HSL 214.18, 0.66%, 0.49%

LAB 48.02, 11.85, -54.79

 

CMYK 80 / 67 / 0 / 19

HEX #2A45CF

RGB 42 69 207

HSL 230.18, 0.66%, 0.49%

LAB 36.47, 40.06, -73.56

 

CMYK 72 / 80 / 0 / 19

HEX #3A2ACF

RGB 58 42 207

HSL 245.82, 0.66%, 0.49%

LAB 31.94, 56.36, -81

 

CMYK 51 / 80 / 0 / 19

HEX #662ACF

RGB 102 42 207

HSL 261.82, 0.66%, 0.49%

LAB 35.96, 60.88, -74.24

 

CMYK 29 / 80 / 0 / 19

HEX #922ACF

RGB 146 42 207

HSL 277.82, 0.66%, 0.49%

LAB 41.65, 67.32, -64.71

 

CMYK 71 / 80 / 0 / 46

HEX #281C8A

RGB 40 28 138

HSL 246.55, 0.66%, 0.33%

LAB 20.5, 40.38, -58.44

 

CMYK 71 / 80 / 0 / 32

HEX #3223AD

RGB 50 35 173

HSL 246.52, 0.66%, 0.41%

LAB 26.44, 48.78, -70.05

 

CMYK 71 / 80 / 0 / 19

HEX #3C2ACF

RGB 60 42 207

HSL 246.55, 0.66%, 0.49%

LAB 32.08, 56.52, -80.77

 

CMYK 59 / 66 / 0 / 15

HEX #5949D9

RGB 89 73 217

HSL 246.67, 0.65%, 0.57%

LAB 41.05, 46.57, -71.69

 

CMYK 46 / 52 / 0 / 12

HEX #786BE0

RGB 120 107 224

HSL 246.67, 0.65%, 0.65%

LAB 51.71, 34.6, -58.27

 

CMYK 71 / 80 / 0 / 19

HEX #3C2ACF

RGB 60 42 207

HSL 246.55, 0.66%, 0.49%

LAB 32.08, 56.52, -80.77

 

CMYK 0 / 80 / 24 / 19

HEX #CF2A9D

RGB 207 42 157

HSL 318.18, 0.66%, 0.49%

LAB 48.71, 71.26, -23.49

 

CMYK 56 / 0 / 80 / 19

HEX #5BCF2A

RGB 91 207 42

HSL 102.18, 0.66%, 0.49%

LAB 74.2, -59.93, 65.77

 

CMYK 71 / 80 / 0 / 19

HEX #3C2ACF

RGB 60 42 207

HSL 246.55, 0.66%, 0.49%

LAB 32.08, 56.52, -80.77

 

CMYK 0 / 72 / 80 / 19

HEX #CF3A2A

RGB 207 58 42

HSL 5.82, 0.66%, 0.49%

LAB 47.57, 57.34, 43.62

 

CMYK 80 / 0 / 72 / 19

HEX #2ACF3A

RGB 42 207 58

HSL 125.82, 0.66%, 0.49%

LAB 73.17, -68.19, 59.19

 

CMYK 71 / 80 / 0 / 19

HEX #3C2ACF

RGB 60 42 207

HSL 246.55, 0.66%, 0.49%

LAB 32.08, 56.52, -80.77

 

CMYK 0 / 80 / 24 / 19

HEX #CF2A9D

RGB 207 42 157

HSL 318.18, 0.66%, 0.49%

LAB 48.71, 71.26, -23.49

 

CMYK 8 / 0 / 80 / 19

HEX #BECF2A

RGB 190 207 42

HSL 66.18, 0.66%, 0.49%

LAB 79.47, -24.8, 72.5

 

CMYK 80 / 0 / 56 / 19

HEX #2ACF5B

RGB 42 207 91

HSL 137.82, 0.66%, 0.49%

LAB 73.46, -64.59, 45.66

 

CMYK 71 / 80 / 0 / 19

HEX #3C2ACF

RGB 60 42 207

HSL 246.55, 0.66%, 0.49%

LAB 32.08, 56.52, -80.77

 

CMYK 0 / 80 / 48 / 19

HEX #CF2A6C

RGB 207 42 108

HSL 336, 0.66%, 0.49%

LAB 46.98, 66.17, 3.63

 

CMYK 8 / 0 / 80 / 19

HEX #BECF2A

RGB 190 207 42

HSL 66.18, 0.66%, 0.49%

LAB 79.47, -24.8, 72.5

 

CMYK 80 / 0 / 32 / 19

HEX #2ACF8D

RGB 42 207 141

HSL 156, 0.66%, 0.49%

LAB 74.22, -55.87, 21.47

 

Description

Color code: RGB 60 42 207 | qconv.com Color code: RGB 60 42 207 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 42 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 42 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 80 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 80% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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