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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 247 155 it is the complementary color RGB 192 8 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 247 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 63 247 155 shade: RGB 68 247 150, RGB 85 255 169, RGB 102 255 188, RGB 119 255 207 and RGB 136 255 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 247 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 63 247 155 shade: RGB 63 247 155, RGB 46 229 136, RGB 29 211 117, RGB 12 193 98 and RGB 0 175 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 63 247 155 shade: RGB 64 247 155, RGB 64 247 106, RGB 71 247 64, RGB 120 247 64 and RGB 169 247 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 63 247 155 shade: RGB 64 247 155, RGB 64 247 204, RGB 64 239 247, RGB 64 190 247 and RGB 64 141 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 63 247 155 shade matches the following richer shades: RGB 64 247 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 63 247 155 shade: RGB 64 247 155, RGB 80 230 155, RGB 96 214 155, RGB 112 198 155 and RGB 128 182 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 63 247 155 shade: RGB 70 247 64, RGB 64 247 106, RGB 64 247 155, RGB 64 247 204 and RGB 64 240 247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 63 247 155 shade: RGB 9 219 114, RGB 24 245 134, RGB 64 247 155, RGB 103 248 176 and RGB 143 250 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 63 247 155 shade: RGB 63 247 155, RGB 64 118 247 and RGB 247 82 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 63 247 155 shade: RGB 63 247 155, RGB 155 64 247 and RGB 247 155 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 63 247 155 shade: RGB 63 247 155, RGB 64 118 247, RGB 247 64 155 and RGB 247 192 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 63 247 155 shade: RGB 63 247 155, RGB 64 64 247, RGB 247 64 155 and RGB 247 247 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 37 / 3

HEX #3FF79B

RGB 63 247 155

HSL 150, 0.92%, 0.61%

LAB 86.97, -65.35, 31.56

 

Complementary color

CMYK 0 / 96 / 48 / 25

HEX #C00864

RGB 192 8 100

HSL 330, 0.92%, 0.39%

LAB 41.69, 67.92, 0.58

 

CMYK 72 / 0 / 39 / 3

HEX #44F796

RGB 68 247 150

HSL 147.49, 0.92%, 0.62%

LAB 86.97, -65.6, 34.08

 

CMYK 67 / 0 / 34 / 0

HEX #55FFA9

RGB 85 255 169

HSL 149.65, 1%, 0.67%

LAB 90.01, -62.47, 28.67

 

CMYK 60 / 0 / 26 / 0

HEX #66FFBC

RGB 102 255 188

HSL 153.73, 1%, 0.7%

LAB 90.77, -55.73, 20.14

 

CMYK 53 / 0 / 19 / 0

HEX #77FFCF

RGB 119 255 207

HSL 158.82, 1%, 0.73%

LAB 91.66, -48.34, 11.72

 

CMYK 47 / 0 / 11 / 0

HEX #88FFE2

RGB 136 255 226

HSL 165.38, 1%, 0.77%

LAB 92.68, -40.4, 3.46

 

CMYK 74 / 0 / 37 / 3

HEX #3FF79B

RGB 63 247 155

HSL 150, 0.92%, 0.61%

LAB 86.97, -65.35, 31.56

 

CMYK 80 / 0 / 41 / 10

HEX #2EE588

RGB 46 229 136

HSL 149.51, 0.78%, 0.54%

LAB 80.96, -64.42, 33.11

 

CMYK 86 / 0 / 45 / 17

HEX #1DD375

RGB 29 211 117

HSL 149.01, 0.76%, 0.47%

LAB 74.91, -63.12, 34.77

 

CMYK 94 / 0 / 49 / 24

HEX #0CC162

RGB 12 193 98

HSL 148.51, 0.88%, 0.4%

LAB 68.82, -61.32, 36.54

 

CMYK 100 / 0 / 55 / 31

HEX #00AF4F

RGB 0 175 79

HSL 147.09, 1%, 0.34%

LAB 62.7, -58.93, 38.37

 

CMYK 74 / 0 / 37 / 3

HEX #40F79B

RGB 64 247 155

HSL 149.84, 0.92%, 0.61%

LAB 86.99, -65.22, 31.58

 

CMYK 74 / 0 / 57 / 3

HEX #40F76A

RGB 64 247 106

HSL 133.77, 0.92%, 0.61%

LAB 86.33, -72.82, 54.15

 

CMYK 71 / 0 / 74 / 3

HEX #47F740

RGB 71 247 64

HSL 117.7, 0.92%, 0.61%

LAB 86.12, -75.81, 70.35

 

CMYK 51 / 0 / 74 / 3

HEX #78F740

RGB 120 247 64

HSL 101.64, 0.92%, 0.61%

LAB 87.43, -65.18, 72.08

 

CMYK 32 / 0 / 74 / 3

HEX #A9F740

RGB 169 247 64

HSL 85.57, 0.92%, 0.61%

LAB 89.55, -49.84, 74.86

 

CMYK 74 / 0 / 37 / 3

HEX #40F79B

RGB 64 247 155

HSL 149.84, 0.92%, 0.61%

LAB 86.99, -65.22, 31.58

 

CMYK 74 / 0 / 17 / 3

HEX #40F7CC

RGB 64 247 204

HSL 165.9, 0.92%, 0.61%

LAB 87.95, -54.74, 7.79

 

CMYK 74 / 3 / 0 / 3

HEX #40EFF7

RGB 64 239 247

HSL 182.62, 0.92%, 0.61%

LAB 86.77, -39.97, -16.43

 

CMYK 74 / 23 / 0 / 3

HEX #40BEF7

RGB 64 190 247

HSL 198.69, 0.92%, 0.61%

LAB 72.65, -15.99, -38.03

 

CMYK 74 / 43 / 0 / 3

HEX #408DF7

RGB 64 141 247

HSL 214.75, 0.92%, 0.61%

LAB 58.84, 11.79, -59.82

 

CMYK 74 / 0 / 37 / 3

HEX #40F79B

RGB 64 247 155

HSL 149.84, 0.92%, 0.61%

LAB 86.99, -65.22, 31.58

 

CMYK 74 / 0 / 37 / 3

HEX #40F79B

RGB 64 247 155

HSL 149.84, 0.92%, 0.61%

LAB 86.99, -65.22, 31.58

 

CMYK 65 / 0 / 33 / 10

HEX #50E69B

RGB 80 230 155

HSL 150, 0.75%, 0.61%

LAB 82.2, -56.48, 25.19

 

CMYK 55 / 0 / 28 / 16

HEX #60D69B

RGB 96 214 155

HSL 150, 0.59%, 0.61%

LAB 77.84, -46.84, 19.28

 

CMYK 43 / 0 / 22 / 22

HEX #70C69B

RGB 112 198 155

HSL 150, 0.43%, 0.61%

LAB 73.67, -35.85, 13.55

 

CMYK 30 / 0 / 15 / 29

HEX #80B69B

RGB 128 182 155

HSL 150, 0.27%, 0.61%

LAB 69.76, -23.48, 8.11

 

CMYK 72 / 0 / 74 / 3

HEX #46F740

RGB 70 247 64

HSL 118.03, 0.92%, 0.61%

LAB 86.1, -75.97, 70.33

 

CMYK 74 / 0 / 57 / 3

HEX #40F76A

RGB 64 247 106

HSL 133.77, 0.92%, 0.61%

LAB 86.33, -72.82, 54.15

 

CMYK 74 / 0 / 37 / 3

HEX #40F79B

RGB 64 247 155

HSL 149.84, 0.92%, 0.61%

LAB 86.99, -65.22, 31.58

 

CMYK 74 / 0 / 17 / 3

HEX #40F7CC

RGB 64 247 204

HSL 165.9, 0.92%, 0.61%

LAB 87.95, -54.74, 7.79

 

CMYK 74 / 3 / 0 / 3

HEX #40F0F7

RGB 64 240 247

HSL 182.3, 0.92%, 0.61%

LAB 87.06, -40.42, -16

 

CMYK 96 / 0 / 48 / 14

HEX #09DB72

RGB 9 219 114

HSL 150, 0.92%, 0.45%

LAB 77.24, -67.32, 39.21

 

CMYK 90 / 0 / 45 / 4

HEX #18F586

RGB 24 245 134

HSL 149.86, 0.92%, 0.53%

LAB 85.62, -71.82, 40.1

 

CMYK 74 / 0 / 37 / 3

HEX #40F79B

RGB 64 247 155

HSL 149.84, 0.92%, 0.61%

LAB 86.99, -65.22, 31.58

 

CMYK 58 / 0 / 29 / 3

HEX #67F8B0

RGB 103 248 176

HSL 150.21, 0.91%, 0.69%

LAB 88.52, -55.14, 23.16

 

CMYK 43 / 0 / 22 / 2

HEX #8FFAC4

RGB 143 250 196

HSL 149.72, 0.91%, 0.77%

LAB 90.87, -42.79, 16.38

 

CMYK 74 / 0 / 37 / 3

HEX #3FF79B

RGB 63 247 155

HSL 150, 0.92%, 0.61%

LAB 86.97, -65.35, 31.56

 

CMYK 74 / 52 / 0 / 3

HEX #4076F7

RGB 64 118 247

HSL 222.3, 0.92%, 0.61%

LAB 52.69, 25.91, -69.73

 

CMYK 0 / 67 / 74 / 3

HEX #F75240

RGB 247 82 64

HSL 5.9, 0.92%, 0.61%

LAB 58.21, 61.89, 45.33

 

CMYK 74 / 0 / 37 / 3

HEX #3FF79B

RGB 63 247 155

HSL 150, 0.92%, 0.61%

LAB 86.97, -65.35, 31.56

 

CMYK 37 / 74 / 0 / 3

HEX #9B40F7

RGB 155 64 247

HSL 269.84, 0.92%, 0.61%

LAB 48.7, 69.47, -75.9

 

CMYK 0 / 37 / 74 / 3

HEX #F79B40

RGB 247 155 64

HSL 29.84, 0.92%, 0.61%

LAB 71.95, 27.21, 59.71

 

CMYK 74 / 0 / 37 / 3

HEX #3FF79B

RGB 63 247 155

HSL 150, 0.92%, 0.61%

LAB 86.97, -65.35, 31.56

 

CMYK 74 / 52 / 0 / 3

HEX #4076F7

RGB 64 118 247

HSL 222.3, 0.92%, 0.61%

LAB 52.69, 25.91, -69.73

 

CMYK 0 / 74 / 37 / 3

HEX #F7409B

RGB 247 64 155

HSL 330.16, 0.92%, 0.61%

LAB 57.85, 74.53, -7.77

 

CMYK 0 / 22 / 74 / 3

HEX #F7C040

RGB 247 192 64

HSL 41.97, 0.92%, 0.61%

LAB 80.65, 7.82, 68.28

 

CMYK 74 / 0 / 37 / 3

HEX #3FF79B

RGB 63 247 155

HSL 150, 0.92%, 0.61%

LAB 86.97, -65.35, 31.56

 

CMYK 74 / 74 / 0 / 3

HEX #4040F7

RGB 64 64 247

HSL 240, 0.92%, 0.61%

LAB 40.36, 58.05, -89.9

 

CMYK 0 / 74 / 37 / 3

HEX #F7409B

RGB 247 64 155

HSL 330.16, 0.92%, 0.61%

LAB 57.85, 74.53, -7.77

 

CMYK 0 / 0 / 74 / 3

HEX #F7F740

RGB 247 247 64

HSL 60, 0.92%, 0.61%

LAB 94.6, -19.77, 81.42

 

Description

Color code: RGB 63 247 155 | qconv.com Color code: RGB 63 247 155 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 247 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 247 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 37 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 37% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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