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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 232 42 it is the complementary color RGB 192 23 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 232 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 63 232 42 shade: RGB 68 232 37, RGB 85 250 56, RGB 102 255 75, RGB 119 255 94 and RGB 136 255 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 232 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 63 232 42 shade: RGB 63 232 42, RGB 46 214 23, RGB 29 196 4, RGB 12 178 0 and RGB 0 160 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 63 232 42 shade: RGB 63 232 42, RGB 114 232 42, RGB 166 232 42, RGB 217 232 42 and RGB 232 196 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 63 232 42 shade: RGB 63 232 42, RGB 42 232 72, RGB 42 232 124, RGB 42 232 175 and RGB 42 232 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 63 232 42 shade matches the following richer shades: RGB 63 232 42 and RGB 48 251 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 63 232 42 shade: RGB 63 232 42, RGB 78 213 61, RGB 93 194 80, RGB 108 175 99 and RGB 122 156 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 63 232 42 shade: RGB 166 232 42, RGB 115 232 42, RGB 64 232 42, RGB 42 232 71 and RGB 42 232 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 63 232 42 shade: RGB 35 174 18, RGB 43 211 22, RGB 63 232 42, RGB 97 236 80 and RGB 130 240 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 63 232 42 shade: RGB 63 232 42, RGB 42 216 232 and RGB 232 42 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 63 232 42 shade: RGB 63 232 42, RGB 42 64 232 and RGB 232 42 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 63 232 42 shade: RGB 63 232 42, RGB 42 216 232, RGB 210 42 232 and RGB 232 58 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 63 232 42 shade: RGB 63 232 42, RGB 42 159 232, RGB 210 42 232 and RGB 232 115 42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 82 / 9

HEX #3FE82A

RGB 63 232 42

HSL 113.37, 0.81%, 0.54%

LAB 81.26, -73.84, 72.02

 

Complementary color

CMYK 10 / 89 / 0 / 16

HEX #C017D5

RGB 192 23 213

HSL 293.37, 0.81%, 0.46%

LAB 47.78, 80.2, -57.88

 

CMYK 71 / 0 / 84 / 9

HEX #44E825

RGB 68 232 37

HSL 110.46, 0.81%, 0.53%

LAB 81.33, -73.25, 73.31

 

CMYK 66 / 0 / 78 / 2

HEX #55FA38

RGB 85 250 56

HSL 111.03, 0.95%, 0.6%

LAB 87.28, -74.77, 74.03

 

CMYK 60 / 0 / 71 / 0

HEX #66FF4B

RGB 102 255 75

HSL 111, 1%, 0.65%

LAB 89.32, -71.61, 70.1

 

CMYK 53 / 0 / 63 / 0

HEX #77FF5E

RGB 119 255 94

HSL 110.68, 1%, 0.68%

LAB 89.98, -65.98, 63.75

 

CMYK 47 / 0 / 56 / 0

HEX #88FF71

RGB 136 255 113

HSL 110.28, 1%, 0.72%

LAB 90.76, -59.52, 56.74

 

CMYK 73 / 0 / 82 / 9

HEX #3FE82A

RGB 63 232 42

HSL 113.37, 0.81%, 0.54%

LAB 81.26, -73.84, 72.02

 

CMYK 79 / 0 / 89 / 16

HEX #2ED617

RGB 46 214 23

HSL 112.77, 0.81%, 0.46%

LAB 75.29, -71.72, 70.65

 

CMYK 85 / 0 / 98 / 23

HEX #1DC404

RGB 29 196 4

HSL 112.19, 0.96%, 0.39%

LAB 69.29, -68.91, 68.02

 

CMYK 93 / 0 / 100 / 30

HEX #0CB200

RGB 12 178 0

HSL 115.96, 1%, 0.35%

LAB 63.28, -65.22, 63.59

 

CMYK 100 / 0 / 100 / 37

HEX #00A000

RGB 0 160 0

HSL 120, 1%, 0.31%

LAB 57.21, -60.83, 58.71

 

CMYK 73 / 0 / 82 / 9

HEX #3FE82A

RGB 63 232 42

HSL 113.37, 0.81%, 0.54%

LAB 81.26, -73.84, 72.02

 

CMYK 51 / 0 / 82 / 9

HEX #72E82A

RGB 114 232 42

HSL 97.26, 0.81%, 0.54%

LAB 82.62, -62.63, 73.77

 

CMYK 28 / 0 / 82 / 9

HEX #A6E82A

RGB 166 232 42

HSL 80.84, 0.81%, 0.54%

LAB 84.99, -45.6, 76.77

 

CMYK 6 / 0 / 82 / 9

HEX #D9E82A

RGB 217 232 42

HSL 64.74, 0.81%, 0.54%

LAB 88.27, -25.62, 80.9

 

CMYK 0 / 16 / 82 / 9

HEX #E8C42A

RGB 232 196 42

HSL 48.63, 0.81%, 0.54%

LAB 80.07, -1.42, 74.39

 

CMYK 73 / 0 / 82 / 9

HEX #3FE82A

RGB 63 232 42

HSL 113.37, 0.81%, 0.54%

LAB 81.26, -73.84, 72.02

 

CMYK 82 / 0 / 69 / 9

HEX #2AE848

RGB 42 232 72

HSL 129.47, 0.81%, 0.54%

LAB 81.11, -74.48, 62.28

 

CMYK 82 / 0 / 47 / 9

HEX #2AE87C

RGB 42 232 124

HSL 145.89, 0.81%, 0.54%

LAB 81.65, -67.91, 39.95

 

CMYK 82 / 0 / 25 / 9

HEX #2AE8AF

RGB 42 232 175

HSL 162, 0.81%, 0.54%

LAB 82.54, -57.86, 15.18

 

CMYK 82 / 0 / 3 / 9

HEX #2AE8E2

RGB 42 232 226

HSL 178.11, 0.81%, 0.54%

LAB 83.81, -44.77, -9.84

 

CMYK 73 / 0 / 82 / 9

HEX #3FE82A

RGB 63 232 42

HSL 113.37, 0.81%, 0.54%

LAB 81.26, -73.84, 72.02

 

CMYK 81 / 0 / 91 / 2

HEX #30FB17

RGB 48 251 23

HSL 113.42, 0.97%, 0.54%

LAB 86.84, -81.95, 80.45

 

CMYK 73 / 0 / 82 / 9

HEX #3FE82A

RGB 63 232 42

HSL 113.37, 0.81%, 0.54%

LAB 81.26, -73.84, 72.02

 

CMYK 63 / 0 / 71 / 16

HEX #4ED53D

RGB 78 213 61

HSL 113.29, 0.64%, 0.54%

LAB 75.79, -63.83, 61.02

 

CMYK 52 / 0 / 59 / 24

HEX #5DC250

RGB 93 194 80

HSL 113.16, 0.48%, 0.54%

LAB 70.52, -51.48, 47.59

 

CMYK 38 / 0 / 43 / 31

HEX #6CAF63

RGB 108 175 99

HSL 112.89, 0.32%, 0.54%

LAB 65.55, -36.52, 32.37

 

CMYK 22 / 0 / 24 / 39

HEX #7A9C76

RGB 122 156 118

HSL 113.68, 0.16%, 0.54%

LAB 60.98, -19.39, 16.15

 

CMYK 28 / 0 / 82 / 9

HEX #A6E82A

RGB 166 232 42

HSL 80.84, 0.81%, 0.54%

LAB 84.99, -45.6, 76.77

 

CMYK 50 / 0 / 82 / 9

HEX #73E82A

RGB 115 232 42

HSL 96.95, 0.81%, 0.54%

LAB 82.66, -62.35, 73.82

 

CMYK 72 / 0 / 82 / 9

HEX #40E82A

RGB 64 232 42

HSL 113.05, 0.81%, 0.54%

LAB 81.28, -73.68, 72.04

 

CMYK 82 / 0 / 69 / 9

HEX #2AE847

RGB 42 232 71

HSL 129.16, 0.81%, 0.54%

LAB 81.1, -74.57, 62.65

 

CMYK 82 / 0 / 48 / 9

HEX #2AE879

RGB 42 232 121

HSL 144.95, 0.81%, 0.54%

LAB 81.61, -68.39, 41.36

 

CMYK 80 / 0 / 90 / 32

HEX #23AE12

RGB 35 174 18

HSL 113.46, 0.81%, 0.38%

LAB 62.23, -61.48, 60.27

 

CMYK 80 / 0 / 90 / 17

HEX #2BD316

RGB 43 211 22

HSL 113.33, 0.81%, 0.46%

LAB 74.29, -71.26, 69.95

 

CMYK 73 / 0 / 82 / 9

HEX #3FE82A

RGB 63 232 42

HSL 113.37, 0.81%, 0.54%

LAB 81.26, -73.84, 72.02

 

CMYK 59 / 0 / 66 / 7

HEX #61EC50

RGB 97 236 80

HSL 113.46, 0.8%, 0.62%

LAB 83.5, -65.87, 62.08

 

CMYK 46 / 0 / 51 / 6

HEX #82F075

RGB 130 240 117

HSL 113.66, 0.8%, 0.7%

LAB 86.18, -54.89, 49.41

 

CMYK 73 / 0 / 82 / 9

HEX #3FE82A

RGB 63 232 42

HSL 113.37, 0.81%, 0.54%

LAB 81.26, -73.84, 72.02

 

CMYK 82 / 7 / 0 / 9

HEX #2AD8E8

RGB 42 216 232

HSL 185.05, 0.81%, 0.54%

LAB 79.29, -35.79, -19.81

 

CMYK 0 / 82 / 40 / 9

HEX #E82A8C

RGB 232 42 140

HSL 329.05, 0.81%, 0.54%

LAB 52.63, 75.24, -6.96

 

CMYK 73 / 0 / 82 / 9

HEX #3FE82A

RGB 63 232 42

HSL 113.37, 0.81%, 0.54%

LAB 81.26, -73.84, 72.02

 

CMYK 82 / 72 / 0 / 9

HEX #2A40E8

RGB 42 64 232

HSL 233.05, 0.81%, 0.54%

LAB 37.82, 51.69, -85.67

 

CMYK 0 / 82 / 72 / 9

HEX #E82A40

RGB 232 42 64

HSL 353.05, 0.81%, 0.54%

LAB 50.9, 70.13, 36.36

 

CMYK 73 / 0 / 82 / 9

HEX #3FE82A

RGB 63 232 42

HSL 113.37, 0.81%, 0.54%

LAB 81.26, -73.84, 72.02

 

CMYK 82 / 7 / 0 / 9

HEX #2AD8E8

RGB 42 216 232

HSL 185.05, 0.81%, 0.54%

LAB 79.29, -35.79, -19.81

 

CMYK 9 / 82 / 0 / 9

HEX #D22AE8

RGB 210 42 232

HSL 293.05, 0.81%, 0.54%

LAB 53.15, 82.69, -59.9

 

CMYK 0 / 75 / 82 / 9

HEX #E83A2A

RGB 232 58 42

HSL 5.05, 0.81%, 0.54%

LAB 52.23, 65, 49.73

 

CMYK 73 / 0 / 82 / 9

HEX #3FE82A

RGB 63 232 42

HSL 113.37, 0.81%, 0.54%

LAB 81.26, -73.84, 72.02

 

CMYK 82 / 31 / 0 / 9

HEX #2A9FE8

RGB 42 159 232

HSL 203.05, 0.81%, 0.54%

LAB 62.6, -6.44, -45.6

 

CMYK 9 / 82 / 0 / 9

HEX #D22AE8

RGB 210 42 232

HSL 293.05, 0.81%, 0.54%

LAB 53.15, 82.69, -59.9

 

CMYK 0 / 50 / 82 / 9

HEX #E8732A

RGB 232 115 42

HSL 23.05, 0.81%, 0.54%

LAB 61.29, 40.99, 58.01

 

Description

Color code: RGB 63 232 42 | qconv.com Color code: RGB 63 232 42 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 232 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 232 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 82 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 82% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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