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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 186 159 it is the complementary color RGB 192 69 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 186 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 63 186 159 shade: RGB 68 186 154, RGB 85 204 173, RGB 102 222 192, RGB 119 240 211 and RGB 136 255 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 186 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 63 186 159 shade: RGB 63 186 159, RGB 46 168 140, RGB 29 150 121, RGB 12 132 102 and RGB 0 114 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 63 186 159 shade: RGB 63 186 159, RGB 63 186 126, RGB 63 186 93, RGB 67 186 63 and RGB 100 186 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 63 186 159 shade: RGB 63 186 159, RGB 63 180 186, RGB 63 147 186, RGB 63 113 186 and RGB 63 80 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 63 186 159 shade matches the following richer shades: RGB 63 186 159, RGB 43 206 170, RGB 23 226 181 and RGB 3 246 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 63 186 159 shade: RGB 63 186 159, RGB 83 165 147, RGB 104 145 136, RGB 124 125 125 and RGB 144 105 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 63 186 159 shade: RGB 63 186 92, RGB 63 186 124, RGB 63 186 157, RGB 63 182 186 and RGB 63 149 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 63 186 159 shade: RGB 42 124 106, RGB 53 155 132, RGB 63 186 159, RGB 91 199 175 and RGB 122 209 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 63 186 159 shade: RGB 63 186 159, RGB 63 67 186 and RGB 186 108 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 63 186 159 shade: RGB 63 186 159, RGB 157 63 186 and RGB 186 157 63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 63 186 159 shade: RGB 63 186 159, RGB 63 67 186, RGB 186 63 92 and RGB 186 182 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 63 186 159 shade: RGB 63 186 159, RGB 96 63 186, RGB 186 63 92 and RGB 153 186 63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 15 / 27

HEX #3FBA9F

RGB 63 186 159

HSL 166.83, 0.49%, 0.49%

LAB 68.52, -40.28, 3.8

 

Complementary color

CMYK 0 / 64 / 50 / 25

HEX #C04560

RGB 192 69 96

HSL 346.83, 0.49%, 0.51%

LAB 47.38, 51.31, 11.18

 

CMYK 63 / 0 / 17 / 27

HEX #44BA9A

RGB 68 186 154

HSL 163.73, 0.46%, 0.5%

LAB 68.52, -40.67, 6.56

 

CMYK 58 / 0 / 15 / 20

HEX #55CCAD

RGB 85 204 173

HSL 164.37, 0.54%, 0.57%

LAB 74.91, -40.85, 5.49

 

CMYK 54 / 0 / 14 / 13

HEX #66DEC0

RGB 102 222 192

HSL 165, 0.65%, 0.64%

LAB 81.22, -40.91, 4.51

 

CMYK 50 / 0 / 12 / 6

HEX #77F0D3

RGB 119 240 211

HSL 165.62, 0.8%, 0.7%

LAB 87.46, -40.9, 3.6

 

CMYK 47 / 0 / 10 / 0

HEX #88FFE6

RGB 136 255 230

HSL 167.39, 1%, 0.77%

LAB 92.78, -39.5, 1.53

 

CMYK 66 / 0 / 15 / 27

HEX #3FBA9F

RGB 63 186 159

HSL 166.83, 0.49%, 0.49%

LAB 68.52, -40.28, 3.8

 

CMYK 73 / 0 / 17 / 34

HEX #2EA88C

RGB 46 168 140

HSL 166.23, 0.57%, 0.42%

LAB 62.07, -39.78, 4.97

 

CMYK 81 / 0 / 19 / 41

HEX #1D9679

RGB 29 150 121

HSL 165.62, 0.68%, 0.35%

LAB 55.54, -38.97, 6.28

 

CMYK 91 / 0 / 23 / 48

HEX #0C8466

RGB 12 132 102

HSL 165, 0.83%, 0.28%

LAB 48.93, -37.7, 7.78

 

CMYK 100 / 0 / 27 / 55

HEX #007253

RGB 0 114 83

HSL 163.68, 1%, 0.22%

LAB 42.25, -35.85, 9.51

 

CMYK 66 / 0 / 15 / 27

HEX #3FBA9F

RGB 63 186 159

HSL 166.83, 0.49%, 0.49%

LAB 68.52, -40.28, 3.8

 

CMYK 66 / 0 / 32 / 27

HEX #3FBA7E

RGB 63 186 126

HSL 150.73, 0.49%, 0.49%

LAB 67.78, -47.88, 20.73

 

CMYK 66 / 0 / 50 / 27

HEX #3FBA5D

RGB 63 186 93

HSL 134.63, 0.49%, 0.49%

LAB 67.25, -53.79, 37.22

 

CMYK 64 / 0 / 66 / 27

HEX #43BA3F

RGB 67 186 63

HSL 118.05, 0.49%, 0.49%

LAB 67.03, -56.71, 50.9

 

CMYK 46 / 0 / 66 / 27

HEX #64BA3F

RGB 100 186 63

HSL 101.95, 0.49%, 0.49%

LAB 68.16, -47.99, 52.45

 

CMYK 66 / 0 / 15 / 27

HEX #3FBA9F

RGB 63 186 159

HSL 166.83, 0.49%, 0.49%

LAB 68.52, -40.28, 3.8

 

CMYK 66 / 3 / 0 / 27

HEX #3FB4BA

RGB 63 180 186

HSL 182.93, 0.49%, 0.49%

LAB 67.46, -30.11, -12.64

 

CMYK 66 / 21 / 0 / 27

HEX #3F93BA

RGB 63 147 186

HSL 199.02, 0.49%, 0.49%

LAB 57.53, -13.01, -27.78

 

CMYK 66 / 39 / 0 / 27

HEX #3F71BA

RGB 63 113 186

HSL 215.61, 0.49%, 0.49%

LAB 47.51, 6.95, -43.49

 

CMYK 66 / 57 / 0 / 27

HEX #3F50BA

RGB 63 80 186

HSL 231.71, 0.49%, 0.49%

LAB 38.44, 28, -58.05

 

CMYK 66 / 0 / 15 / 27

HEX #3FBA9F

RGB 63 186 159

HSL 166.83, 0.49%, 0.49%

LAB 68.52, -40.28, 3.8

 

CMYK 79 / 0 / 17 / 19

HEX #2BCEAA

RGB 43 206 170

HSL 166.75, 0.65%, 0.49%

LAB 74.55, -48.63, 6.47

 

CMYK 90 / 0 / 20 / 11

HEX #17E2B5

RGB 23 226 181

HSL 166.7, 0.82%, 0.49%

LAB 80.69, -55.37, 9.38

 

CMYK 99 / 0 / 22 / 4

HEX #03F6C1

RGB 3 246 193

HSL 166.91, 0.98%, 0.49%

LAB 86.89, -60.79, 11.92

 

CMYK 66 / 0 / 15 / 27

HEX #3FBA9F

RGB 63 186 159

HSL 166.83, 0.49%, 0.49%

LAB 68.52, -40.28, 3.8

 

CMYK 50 / 0 / 11 / 35

HEX #53A593

RGB 83 165 147

HSL 166.83, 0.33%, 0.49%

LAB 62.39, -29.54, 1.65

 

CMYK 28 / 0 / 6 / 43

HEX #689188

RGB 104 145 136

HSL 166.83, 0.16%, 0.49%

LAB 57.05, -16.09, 0.23

 

CMYK 1 / 0 / 0 / 51

HEX #7C7D7D

RGB 124 125 125

HSL 180, 0%, 0.49%

LAB 52.32, -0.37, -0.14

 

CMYK 0 / 27 / 22 / 44

HEX #906971

RGB 144 105 113

HSL 347.69, 0.16%, 0.49%

LAB 48.54, 16.87, 1.68

 

CMYK 66 / 0 / 51 / 27

HEX #3FBA5C

RGB 63 186 92

HSL 134.15, 0.49%, 0.49%

LAB 67.24, -53.94, 37.71

 

CMYK 66 / 0 / 33 / 27

HEX #3FBA7C

RGB 63 186 124

HSL 149.76, 0.49%, 0.49%

LAB 67.75, -48.29, 21.75

 

CMYK 66 / 0 / 16 / 27

HEX #3FBA9D

RGB 63 186 157

HSL 165.85, 0.49%, 0.49%

LAB 68.47, -40.78, 4.83

 

CMYK 66 / 2 / 0 / 27

HEX #3FB6BA

RGB 63 182 186

HSL 181.95, 0.49%, 0.49%

LAB 68.06, -31.08, -11.74

 

CMYK 66 / 20 / 0 / 27

HEX #3F95BA

RGB 63 149 186

HSL 198.05, 0.49%, 0.49%

LAB 58.13, -14.11, -26.85

 

CMYK 66 / 0 / 15 / 51

HEX #2A7C6A

RGB 42 124 106

HSL 166.83, 0.49%, 0.33%

LAB 46.91, -29.24, 2.6

 

CMYK 66 / 0 / 15 / 39

HEX #359B84

RGB 53 155 132

HSL 166.47, 0.49%, 0.41%

LAB 57.91, -34.92, 3.5

 

CMYK 66 / 0 / 15 / 27

HEX #3FBA9F

RGB 63 186 159

HSL 166.83, 0.49%, 0.49%

LAB 68.52, -40.28, 3.8

 

CMYK 54 / 0 / 12 / 22

HEX #5BC7AF

RGB 91 199 175

HSL 166.67, 0.49%, 0.57%

LAB 73.65, -36.89, 2.62

 

CMYK 42 / 0 / 9 / 18

HEX #7AD1BE

RGB 122 209 190

HSL 166.9, 0.49%, 0.65%

LAB 78.14, -30.72, 1.2

 

CMYK 66 / 0 / 15 / 27

HEX #3FBA9F

RGB 63 186 159

HSL 166.83, 0.49%, 0.49%

LAB 68.52, -40.28, 3.8

 

CMYK 66 / 64 / 0 / 27

HEX #3F43BA

RGB 63 67 186

HSL 238.05, 0.49%, 0.49%

LAB 35.23, 36.25, -63.28

 

CMYK 0 / 42 / 66 / 27

HEX #BA6C3F

RGB 186 108 63

HSL 21.95, 0.49%, 0.49%

LAB 53.52, 27.04, 38.02

 

CMYK 66 / 0 / 15 / 27

HEX #3FBA9F

RGB 63 186 159

HSL 166.83, 0.49%, 0.49%

LAB 68.52, -40.28, 3.8

 

CMYK 16 / 66 / 0 / 27

HEX #9D3FBA

RGB 157 63 186

HSL 285.85, 0.49%, 0.49%

LAB 44.62, 57.13, -47.62

 

CMYK 0 / 16 / 66 / 27

HEX #BA9D3F

RGB 186 157 63

HSL 45.85, 0.49%, 0.49%

LAB 65.68, 0.07, 51.53

 

CMYK 66 / 0 / 15 / 27

HEX #3FBA9F

RGB 63 186 159

HSL 166.83, 0.49%, 0.49%

LAB 68.52, -40.28, 3.8

 

CMYK 66 / 64 / 0 / 27

HEX #3F43BA

RGB 63 67 186

HSL 238.05, 0.49%, 0.49%

LAB 35.23, 36.25, -63.28

 

CMYK 0 / 66 / 51 / 27

HEX #BA3F5C

RGB 186 63 92

HSL 345.85, 0.49%, 0.49%

LAB 45.31, 51.57, 10.59

 

CMYK 0 / 2 / 66 / 27

HEX #BAB63F

RGB 186 182 63

HSL 58.05, 0.49%, 0.49%

LAB 72.4, -13.09, 58.57

 

CMYK 66 / 0 / 15 / 27

HEX #3FBA9F

RGB 63 186 159

HSL 166.83, 0.49%, 0.49%

LAB 68.52, -40.28, 3.8

 

CMYK 48 / 66 / 0 / 27

HEX #603FBA

RGB 96 63 186

HSL 256.1, 0.49%, 0.49%

LAB 37.09, 44.12, -60.14

 

CMYK 0 / 66 / 51 / 27

HEX #BA3F5C

RGB 186 63 92

HSL 345.85, 0.49%, 0.49%

LAB 45.31, 51.57, 10.59

 

CMYK 18 / 0 / 66 / 27

HEX #99BA3F

RGB 153 186 63

HSL 76.1, 0.49%, 0.49%

LAB 71.04, -28.83, 56.38

 

Description

Color code: RGB 63 186 159 | qconv.com Color code: RGB 63 186 159 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 186 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 186 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 15 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 15% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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