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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 184 63 it is the complementary color RGB 192 71 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 184 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 63 184 63 shade: RGB 68 184 58, RGB 85 202 77, RGB 102 220 96, RGB 119 238 115 and RGB 136 255 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 184 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 63 184 63 shade: RGB 63 184 63, RGB 46 166 44, RGB 29 148 25, RGB 12 130 6 and RGB 0 112 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 63 184 63 shade: RGB 62 182 62, RGB 94 182 62, RGB 127 182 62, RGB 159 182 62 and RGB 182 172 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 63 184 63 shade: RGB 62 182 62, RGB 62 182 94, RGB 62 182 127, RGB 62 182 159 and RGB 62 172 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 63 184 63 shade matches the following richer shades: RGB 62 182 62, RGB 42 202 42, RGB 22 221 22 and RGB 3 241 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 63 184 63 shade: RGB 62 182 62, RGB 82 162 82, RGB 102 142 102, RGB 121 122 121 and RGB 141 103 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 63 184 63 shade: RGB 126 182 62, RGB 94 182 62, RGB 62 182 62, RGB 62 182 94 and RGB 62 182 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 63 184 63 shade: RGB 41 120 41, RGB 51 151 51, RGB 62 182 62, RGB 88 197 88 and RGB 118 208 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 63 184 63 shade: RGB 63 184 63, RGB 62 158 182 and RGB 182 62 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 63 184 63 shade: RGB 63 184 63, RGB 62 62 182 and RGB 182 62 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 63 184 63 shade: RGB 63 184 63, RGB 62 158 182, RGB 182 62 182 and RGB 182 86 62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 63 184 63 shade: RGB 63 184 63, RGB 62 122 182, RGB 182 62 182 and RGB 182 122 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 66 / 28

HEX #3FB83F

RGB 63 184 63

HSL 120, 0.49%, 0.48%

LAB 66.29, -56.86, 50.06

 

Complementary color

CMYK 0 / 63 / 0 / 25

HEX #C047C0

RGB 192 71 192

HSL 300, 0.49%, 0.52%

LAB 51.29, 63.17, -40.19

 

CMYK 63 / 0 / 68 / 28

HEX #44B83A

RGB 68 184 58

HSL 115.24, 0.52%, 0.47%

LAB 66.38, -56.26, 52.26

 

CMYK 58 / 0 / 62 / 21

HEX #55CA4D

RGB 85 202 77

HSL 116.16, 0.54%, 0.55%

LAB 72.7, -56.89, 51.34

 

CMYK 54 / 0 / 56 / 14

HEX #66DC60

RGB 102 220 96

HSL 117.1, 0.64%, 0.62%

LAB 78.96, -57.23, 50.21

 

CMYK 50 / 0 / 52 / 7

HEX #77EE73

RGB 119 238 115

HSL 118.05, 0.78%, 0.69%

LAB 85.15, -57.37, 49

 

CMYK 47 / 0 / 47 / 0

HEX #88FF86

RGB 136 255 134

HSL 119.01, 1%, 0.76%

LAB 91, -56.98, 47.4

 

CMYK 66 / 0 / 66 / 28

HEX #3FB83F

RGB 63 184 63

HSL 120, 0.49%, 0.48%

LAB 66.29, -56.86, 50.06

 

CMYK 72 / 0 / 73 / 35

HEX #2EA62C

RGB 46 166 44

HSL 119.02, 0.58%, 0.41%

LAB 59.92, -55.74, 50.81

 

CMYK 80 / 0 / 83 / 42

HEX #1D9419

RGB 29 148 25

HSL 118.05, 0.71%, 0.34%

LAB 53.5, -53.93, 50.8

 

CMYK 91 / 0 / 95 / 49

HEX #0C8206

RGB 12 130 6

HSL 117.1, 0.91%, 0.27%

LAB 47.05, -51.12, 49.38

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 66 / 0 / 66 / 29

HEX #3EB63E

RGB 62 182 62

HSL 120, 0.49%, 0.48%

LAB 65.61, -56.47, 49.74

 

CMYK 48 / 0 / 66 / 29

HEX #5EB63E

RGB 94 182 62

HSL 104, 0.49%, 0.48%

LAB 66.66, -48.31, 51.18

 

CMYK 30 / 0 / 66 / 29

HEX #7FB63E

RGB 127 182 62

HSL 87.5, 0.49%, 0.48%

LAB 68.25, -37.13, 53.36

 

CMYK 13 / 0 / 66 / 29

HEX #9FB63E

RGB 159 182 62

HSL 71.5, 0.49%, 0.48%

LAB 70.3, -24.52, 56.14

 

CMYK 0 / 5 / 66 / 29

HEX #B6AC3E

RGB 182 172 62

HSL 55, 0.49%, 0.48%

LAB 69.33, -9.7, 55.69

 

CMYK 66 / 0 / 66 / 29

HEX #3EB63E

RGB 62 182 62

HSL 120, 0.49%, 0.48%

LAB 65.61, -56.47, 49.74

 

CMYK 66 / 0 / 48 / 29

HEX #3EB65E

RGB 62 182 94

HSL 136, 0.49%, 0.48%

LAB 65.97, -52.34, 35.12

 

CMYK 66 / 0 / 30 / 29

HEX #3EB67F

RGB 62 182 127

HSL 152.5, 0.49%, 0.48%

LAB 66.53, -46.22, 18.46

 

CMYK 66 / 0 / 13 / 29

HEX #3EB69F

RGB 62 182 159

HSL 168.5, 0.49%, 0.48%

LAB 67.26, -38.66, 1.98

 

CMYK 66 / 5 / 0 / 29

HEX #3EACB6

RGB 62 172 182

HSL 185, 0.49%, 0.48%

LAB 64.89, -27.52, -14.29

 

CMYK 66 / 0 / 66 / 29

HEX #3EB63E

RGB 62 182 62

HSL 120, 0.49%, 0.48%

LAB 65.61, -56.47, 49.74

 

CMYK 79 / 0 / 79 / 21

HEX #2ACA2A

RGB 42 202 42

HSL 120, 0.66%, 0.48%

LAB 71.49, -67.83, 62.81

 

CMYK 90 / 0 / 90 / 13

HEX #16DD16

RGB 22 221 22

HSL 120, 0.82%, 0.48%

LAB 77.25, -75.97, 72.39

 

CMYK 99 / 0 / 99 / 5

HEX #03F103

RGB 3 241 3

HSL 120, 0.98%, 0.48%

LAB 83.41, -82.44, 79.47

 

CMYK 66 / 0 / 66 / 29

HEX #3EB63E

RGB 62 182 62

HSL 120, 0.49%, 0.48%

LAB 65.61, -56.47, 49.74

 

CMYK 49 / 0 / 49 / 36

HEX #52A252

RGB 82 162 82

HSL 120, 0.33%, 0.48%

LAB 60.11, -41.33, 34.05

 

CMYK 28 / 0 / 28 / 44

HEX #668E66

RGB 102 142 102

HSL 120, 0.16%, 0.48%

LAB 55.21, -22.2, 16.99

 

CMYK 1 / 0 / 1 / 52

HEX #797A79

RGB 121 122 121

HSL 120, 0%, 0.48%

LAB 51.11, -0.57, 0.41

 

CMYK 0 / 27 / 0 / 45

HEX #8D678D

RGB 141 103 141

HSL 300, 0.16%, 0.48%

LAB 48.62, 22.02, -14.93

 

CMYK 31 / 0 / 66 / 29

HEX #7EB63E

RGB 126 182 62

HSL 88, 0.49%, 0.48%

LAB 68.2, -37.5, 53.28

 

CMYK 48 / 0 / 66 / 29

HEX #5EB63E

RGB 94 182 62

HSL 104, 0.49%, 0.48%

LAB 66.66, -48.31, 51.18

 

CMYK 66 / 0 / 66 / 29

HEX #3EB63E

RGB 62 182 62

HSL 120, 0.49%, 0.48%

LAB 65.61, -56.47, 49.74

 

CMYK 66 / 0 / 48 / 29

HEX #3EB65E

RGB 62 182 94

HSL 136, 0.49%, 0.48%

LAB 65.97, -52.34, 35.12

 

CMYK 66 / 0 / 31 / 29

HEX #3EB67E

RGB 62 182 126

HSL 152, 0.49%, 0.48%

LAB 66.51, -46.43, 18.98

 

CMYK 66 / 0 / 66 / 53

HEX #297829

RGB 41 120 41

HSL 120, 0.49%, 0.32%

LAB 44.33, -40.62, 35.43

 

CMYK 66 / 0 / 66 / 41

HEX #339733

RGB 51 151 51

HSL 120, 0.5%, 0.4%

LAB 55.15, -48.87, 42.94

 

CMYK 66 / 0 / 66 / 29

HEX #3EB63E

RGB 62 182 62

HSL 120, 0.49%, 0.48%

LAB 65.61, -56.47, 49.74

 

CMYK 55 / 0 / 55 / 23

HEX #58C558

RGB 88 197 88

HSL 120, 0.48%, 0.56%

LAB 71.36, -53.01, 44.82

 

CMYK 43 / 0 / 43 / 18

HEX #76D076

RGB 118 208 118

HSL 120, 0.49%, 0.64%

LAB 76.24, -45.09, 36.42

 

CMYK 66 / 0 / 66 / 28

HEX #3FB83F

RGB 63 184 63

HSL 120, 0.49%, 0.48%

LAB 66.29, -56.86, 50.06

 

CMYK 66 / 13 / 0 / 29

HEX #3E9EB6

RGB 62 158 182

HSL 192, 0.49%, 0.48%

LAB 60.65, -20.38, -20.72

 

CMYK 0 / 66 / 40 / 29

HEX #B63E6E

RGB 182 62 110

HSL 336, 0.49%, 0.48%

LAB 44.96, 52.5, -1.08

 

CMYK 66 / 0 / 66 / 28

HEX #3FB83F

RGB 63 184 63

HSL 120, 0.49%, 0.48%

LAB 66.29, -56.86, 50.06

 

CMYK 66 / 66 / 0 / 29

HEX #3E3EB6

RGB 62 62 182

HSL 240, 0.49%, 0.48%

LAB 33.66, 37.83, -63.49

 

CMYK 0 / 66 / 66 / 29

HEX #B63E3E

RGB 182 62 62

HSL 0, 0.49%, 0.48%

LAB 43.86, 48.46, 26.86

 

CMYK 66 / 0 / 66 / 28

HEX #3FB83F

RGB 63 184 63

HSL 120, 0.49%, 0.48%

LAB 66.29, -56.86, 50.06

 

CMYK 66 / 13 / 0 / 29

HEX #3E9EB6

RGB 62 158 182

HSL 192, 0.49%, 0.48%

LAB 60.65, -20.38, -20.72

 

CMYK 0 / 66 / 0 / 29

HEX #B63EB6

RGB 182 62 182

HSL 300, 0.49%, 0.48%

LAB 47.97, 62.65, -39.72

 

CMYK 0 / 53 / 66 / 29

HEX #B6563E

RGB 182 86 62

HSL 12, 0.49%, 0.48%

LAB 48.2, 37.07, 32.15

 

CMYK 66 / 0 / 66 / 28

HEX #3FB83F

RGB 63 184 63

HSL 120, 0.49%, 0.48%

LAB 66.29, -56.86, 50.06

 

CMYK 66 / 33 / 0 / 29

HEX #3E7AB6

RGB 62 122 182

HSL 210, 0.49%, 0.48%

LAB 49.88, -0.13, -37.43

 

CMYK 0 / 66 / 0 / 29

HEX #B63EB6

RGB 182 62 182

HSL 300, 0.49%, 0.48%

LAB 47.97, 62.65, -39.72

 

CMYK 0 / 33 / 66 / 29

HEX #B67A3E

RGB 182 122 62

HSL 30, 0.49%, 0.48%

LAB 56.3, 17.54, 41.59

 

Description

Color code: RGB 63 184 63 | qconv.com Color code: RGB 63 184 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 184 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 184 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 66 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 66% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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