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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 181 68 it is the complementary color RGB 192 74 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 181 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 63 181 68 shade: RGB 68 181 63, RGB 85 199 82, RGB 102 217 101, RGB 119 235 120 and RGB 136 253 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 181 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 63 181 68 shade: RGB 63 181 68, RGB 46 163 49, RGB 29 145 30, RGB 12 127 11 and RGB 0 109 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 63 181 68 shade: RGB 63 181 68, RGB 90 181 63, RGB 122 181 63, RGB 153 181 63 and RGB 181 176 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 63 181 68 shade: RGB 63 181 68, RGB 63 181 100, RGB 63 181 131, RGB 63 181 163 and RGB 63 166 181

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 63 181 68 shade matches the following richer shades: RGB 63 181 68, RGB 43 200 50, RGB 24 220 32 and RGB 4 240 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 63 181 68 shade: RGB 63 181 68, RGB 83 161 86, RGB 103 141 104, RGB 123 121 123 and RGB 142 101 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 63 181 68 shade: RGB 122 181 63, RGB 91 181 63, RGB 63 181 67, RGB 63 181 98 and RGB 63 181 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 63 181 68 shade: RGB 42 120 45, RGB 52 150 57, RGB 63 181 68, RGB 89 196 93 and RGB 119 207 123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 63 181 68 shade: RGB 63 181 68, RGB 63 153 181 and RGB 181 63 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 63 181 68 shade: RGB 63 181 68, RGB 67 63 181 and RGB 181 67 63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 63 181 68 shade: RGB 63 181 68, RGB 63 153 181, RGB 181 63 177 and RGB 181 91 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 63 181 68 shade: RGB 63 181 68, RGB 63 118 181, RGB 181 63 177 and RGB 181 126 63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 62 / 29

HEX #3FB544

RGB 63 181 68

HSL 122.54, 0.48%, 0.48%

LAB 65.37, -55.27, 46.88

 

Complementary color

CMYK 0 / 61 / 3 / 25

HEX #C04ABB

RGB 192 74 187

HSL 302.54, 0.48%, 0.52%

LAB 51.49, 61.08, -36.98

 

CMYK 62 / 0 / 65 / 29

HEX #44B53F

RGB 68 181 63

HSL 117.46, 0.48%, 0.48%

LAB 65.46, -54.71, 49.2

 

CMYK 57 / 0 / 59 / 22

HEX #55C752

RGB 85 199 82

HSL 118.46, 0.51%, 0.55%

LAB 71.82, -55.23, 48.11

 

CMYK 53 / 0 / 53 / 15

HEX #66D965

RGB 102 217 101

HSL 119.48, 0.6%, 0.62%

LAB 78.1, -55.48, 46.89

 

CMYK 49 / 0 / 49 / 8

HEX #77EB78

RGB 119 235 120

HSL 120.52, 0.74%, 0.69%

LAB 84.33, -55.55, 45.62

 

CMYK 46 / 0 / 45 / 1

HEX #88FD8B

RGB 136 253 139

HSL 121.54, 0.97%, 0.76%

LAB 90.48, -55.51, 44.37

 

CMYK 65 / 0 / 62 / 29

HEX #3FB544

RGB 63 181 68

HSL 122.54, 0.48%, 0.48%

LAB 65.37, -55.27, 46.88

 

CMYK 72 / 0 / 70 / 36

HEX #2EA331

RGB 46 163 49

HSL 121.54, 0.56%, 0.41%

LAB 58.97, -54.29, 47.87

 

CMYK 80 / 0 / 79 / 43

HEX #1D911E

RGB 29 145 30

HSL 120.52, 0.67%, 0.34%

LAB 52.52, -52.65, 48.31

 

CMYK 91 / 0 / 91 / 50

HEX #0C7F0B

RGB 12 127 11

HSL 119.48, 0.84%, 0.27%

LAB 46.02, -50.02, 47.51

 

CMYK 100 / 0 / 100 / 57

HEX #006D00

RGB 0 109 0

HSL 120, 1%, 0.21%

LAB 39.47, -46.09, 44.48

 

CMYK 65 / 0 / 62 / 29

HEX #3FB544

RGB 63 181 68

HSL 122.54, 0.48%, 0.48%

LAB 65.37, -55.27, 46.88

 

CMYK 50 / 0 / 65 / 29

HEX #5AB53F

RGB 90 181 63

HSL 106.27, 0.48%, 0.48%

LAB 66.2, -49, 50.21

 

CMYK 33 / 0 / 65 / 29

HEX #7AB53F

RGB 122 181 63

HSL 90, 0.48%, 0.48%

LAB 67.68, -38.45, 52.25

 

CMYK 15 / 0 / 65 / 29

HEX #99B53F

RGB 153 181 63

HSL 74.24, 0.48%, 0.48%

LAB 69.6, -26.42, 54.87

 

CMYK 0 / 3 / 65 / 29

HEX #B5B03F

RGB 181 176 63

HSL 57.46, 0.48%, 0.48%

LAB 70.34, -12.14, 56.3

 

CMYK 65 / 0 / 62 / 29

HEX #3FB544

RGB 63 181 68

HSL 122.54, 0.48%, 0.48%

LAB 65.37, -55.27, 46.88

 

CMYK 65 / 0 / 45 / 29

HEX #3FB564

RGB 63 181 100

HSL 138.81, 0.48%, 0.48%

LAB 65.77, -50.78, 31.79

 

CMYK 65 / 0 / 28 / 29

HEX #3FB583

RGB 63 181 131

HSL 154.58, 0.48%, 0.48%

LAB 66.32, -44.76, 16.01

 

CMYK 65 / 0 / 10 / 29

HEX #3FB5A3

RGB 63 181 163

HSL 170.85, 0.48%, 0.48%

LAB 67.09, -36.99, -0.48

 

CMYK 65 / 8 / 0 / 29

HEX #3FA6B5

RGB 63 166 181

HSL 187.63, 0.48%, 0.48%

LAB 63.07, -24.65, -16.49

 

CMYK 65 / 0 / 62 / 29

HEX #3FB544

RGB 63 181 68

HSL 122.54, 0.48%, 0.48%

LAB 65.37, -55.27, 46.88

 

CMYK 79 / 0 / 75 / 22

HEX #2BC832

RGB 43 200 50

HSL 122.68, 0.65%, 0.48%

LAB 70.91, -66.56, 59.72

 

CMYK 89 / 0 / 85 / 14

HEX #18DC20

RGB 24 220 32

HSL 122.45, 0.8%, 0.48%

LAB 76.97, -75.21, 70.3

 

CMYK 98 / 0 / 94 / 6

HEX #04F00E

RGB 4 240 14

HSL 122.54, 0.97%, 0.48%

LAB 83.11, -81.97, 78.29

 

CMYK 65 / 0 / 62 / 29

HEX #3FB544

RGB 63 181 68

HSL 122.54, 0.48%, 0.48%

LAB 65.37, -55.27, 46.88

 

CMYK 48 / 0 / 47 / 37

HEX #53A156

RGB 83 161 86

HSL 122.31, 0.32%, 0.48%

LAB 59.89, -40.02, 31.71

 

CMYK 27 / 0 / 26 / 45

HEX #678D68

RGB 103 141 104

HSL 121.58, 0.16%, 0.48%

LAB 55, -20.97, 15.59

 

CMYK 0 / 2 / 0 / 52

HEX #7B797B

RGB 123 121 123

HSL 300, 0.01%, 0.48%

LAB 51.05, 1.16, -0.83

 

CMYK 0 / 29 / 1 / 44

HEX #8E658D

RGB 142 101 141

HSL 301.46, 0.17%, 0.48%

LAB 48.24, 23.54, -15.5

 

CMYK 33 / 0 / 65 / 29

HEX #7AB53F

RGB 122 181 63

HSL 90, 0.48%, 0.48%

LAB 67.68, -38.45, 52.25

 

CMYK 50 / 0 / 65 / 29

HEX #5BB53F

RGB 91 181 63

HSL 105.76, 0.48%, 0.48%

LAB 66.24, -48.71, 50.26

 

CMYK 65 / 0 / 63 / 29

HEX #3FB543

RGB 63 181 67

HSL 122.03, 0.48%, 0.48%

LAB 65.37, -55.38, 47.31

 

CMYK 65 / 0 / 46 / 29

HEX #3FB562

RGB 63 181 98

HSL 137.8, 0.48%, 0.48%

LAB 65.74, -51.11, 32.78

 

CMYK 65 / 0 / 28 / 29

HEX #3FB582

RGB 63 181 130

HSL 154.07, 0.48%, 0.48%

LAB 66.3, -44.98, 16.53

 

CMYK 65 / 0 / 63 / 53

HEX #2A782D

RGB 42 120 45

HSL 122.31, 0.48%, 0.32%

LAB 44.4, -39.89, 33.59

 

CMYK 65 / 0 / 62 / 41

HEX #349639

RGB 52 150 57

HSL 123.06, 0.49%, 0.4%

LAB 54.91, -47.61, 39.94

 

CMYK 65 / 0 / 62 / 29

HEX #3FB544

RGB 63 181 68

HSL 122.54, 0.48%, 0.48%

LAB 65.37, -55.27, 46.88

 

CMYK 55 / 0 / 53 / 23

HEX #59C45D

RGB 89 196 93

HSL 122.24, 0.48%, 0.56%

LAB 71.14, -51.72, 42.18

 

CMYK 43 / 0 / 41 / 19

HEX #77CF7B

RGB 119 207 123

HSL 122.73, 0.48%, 0.64%

LAB 76.06, -43.62, 33.66

 

CMYK 65 / 0 / 62 / 29

HEX #3FB544

RGB 63 181 68

HSL 122.54, 0.48%, 0.48%

LAB 65.37, -55.27, 46.88

 

CMYK 65 / 15 / 0 / 29

HEX #3F99B5

RGB 63 153 181

HSL 194.24, 0.48%, 0.48%

LAB 59.14, -17.89, -22.47

 

CMYK 0 / 65 / 41 / 29

HEX #B53F6A

RGB 181 63 106

HSL 338.14, 0.48%, 0.48%

LAB 44.83, 51.34, 1.16

 

CMYK 65 / 0 / 62 / 29

HEX #3FB544

RGB 63 181 68

HSL 122.54, 0.48%, 0.48%

LAB 65.37, -55.27, 46.88

 

CMYK 63 / 65 / 0 / 29

HEX #433FB5

RGB 67 63 181

HSL 242.03, 0.48%, 0.48%

LAB 34.16, 37.61, -62.08

 

CMYK 0 / 63 / 65 / 29

HEX #B5433F

RGB 181 67 63

HSL 2.03, 0.48%, 0.48%

LAB 44.51, 45.97, 27.04

 

CMYK 65 / 0 / 62 / 29

HEX #3FB544

RGB 63 181 68

HSL 122.54, 0.48%, 0.48%

LAB 65.37, -55.27, 46.88

 

CMYK 65 / 15 / 0 / 29

HEX #3F99B5

RGB 63 153 181

HSL 194.24, 0.48%, 0.48%

LAB 59.14, -17.89, -22.47

 

CMYK 0 / 65 / 2 / 29

HEX #B53FB1

RGB 181 63 177

HSL 302.03, 0.48%, 0.48%

LAB 47.69, 61.18, -37.23

 

CMYK 0 / 50 / 65 / 29

HEX #B55B3F

RGB 181 91 63

HSL 14.24, 0.48%, 0.48%

LAB 49.09, 34.13, 32.62

 

CMYK 65 / 0 / 62 / 29

HEX #3FB544

RGB 63 181 68

HSL 122.54, 0.48%, 0.48%

LAB 65.37, -55.27, 46.88

 

CMYK 65 / 35 / 0 / 29

HEX #3F76B5

RGB 63 118 181

HSL 212.03, 0.48%, 0.48%

LAB 48.7, 2.12, -38.71

 

CMYK 0 / 65 / 2 / 29

HEX #B53FB1

RGB 181 63 177

HSL 302.03, 0.48%, 0.48%

LAB 47.69, 61.18, -37.23

 

CMYK 0 / 30 / 65 / 29

HEX #B57E3F

RGB 181 126 63

HSL 32.03, 0.48%, 0.48%

LAB 57.18, 14.94, 42.04

 

Description

Color code: RGB 63 181 68 | qconv.com Color code: RGB 63 181 68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 181 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 181 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 62 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 62% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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