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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 177 241 it is the complementary color RGB 192 78 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 177 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 63 177 241 shade: RGB 68 177 236, RGB 85 195 255, RGB 102 213 255, RGB 119 231 255 and RGB 136 249 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 177 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 63 177 241 shade: RGB 63 177 241, RGB 46 159 222, RGB 29 141 203, RGB 12 123 184 and RGB 0 105 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 63 177 241 shade: RGB 65 177 240, RGB 65 130 240, RGB 65 83 240, RGB 94 65 240 and RGB 142 65 240

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 63 177 241 shade: RGB 65 177 240, RGB 65 130 240, RGB 65 83 240 and RGB 65 65 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 63 177 241 shade matches the following richer shades: RGB 65 177 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 63 177 241 shade: RGB 65 177 240, RGB 81 173 224, RGB 98 168 207, RGB 114 163 191 and RGB 131 159 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 63 177 241 shade: RGB 65 240 208, RGB 65 226 240, RGB 65 179 240, RGB 65 132 240 and RGB 65 85 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 63 177 241 shade: RGB 15 138 207, RGB 26 162 237, RGB 65 177 240, RGB 103 193 243 and RGB 142 208 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 63 177 241 shade: RGB 63 177 241, RGB 161 65 240 and RGB 240 231 65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 63 177 241 shade: RGB 63 177 241, RGB 240 65 179 and RGB 179 240 65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 63 177 241 shade: RGB 63 177 241, RGB 161 65 240, RGB 240 126 65 and RGB 144 240 65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 63 177 241 shade: RGB 63 177 241, RGB 214 65 240, RGB 240 126 65 and RGB 91 240 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 27 / 0 / 5

HEX #3FB1F1

RGB 63 177 241

HSL 201.57, 0.86%, 0.6%

LAB 68.64, -11.13, -41.02

 

Complementary color

CMYK 0 / 59 / 93 / 25

HEX #C04E0E

RGB 192 78 14

HSL 21.57, 0.86%, 0.4%

LAB 47.86, 43.12, 54.48

 

CMYK 71 / 25 / 0 / 7

HEX #44B1EC

RGB 68 177 236

HSL 201.07, 0.82%, 0.6%

LAB 68.55, -12.17, -38.43

 

CMYK 67 / 24 / 0 / 0

HEX #55C3FF

RGB 85 195 255

HSL 201.18, 1%, 0.67%

LAB 74.94, -13.23, -38.73

 

CMYK 60 / 16 / 0 / 0

HEX #66D5FF

RGB 102 213 255

HSL 196.47, 1%, 0.7%

LAB 80.53, -19.8, -30.04

 

CMYK 53 / 9 / 0 / 0

HEX #77E7FF

RGB 119 231 255

HSL 190.59, 1%, 0.73%

LAB 86.15, -25.6, -21.42

 

CMYK 47 / 2 / 0 / 0

HEX #88F9FF

RGB 136 249 255

HSL 183.03, 1%, 0.77%

LAB 91.78, -30.74, -12.9

 

CMYK 74 / 27 / 0 / 5

HEX #3FB1F1

RGB 63 177 241

HSL 201.57, 0.86%, 0.6%

LAB 68.64, -11.13, -41.02

 

CMYK 79 / 28 / 0 / 13

HEX #2E9FDE

RGB 46 159 222

HSL 201.48, 0.73%, 0.53%

LAB 62.21, -9.62, -40.69

 

CMYK 86 / 31 / 0 / 20

HEX #1D8DCB

RGB 29 141 203

HSL 201.38, 0.75%, 0.45%

LAB 55.71, -7.72, -40.3

 

CMYK 93 / 33 / 0 / 28

HEX #0C7BB8

RGB 12 123 184

HSL 201.28, 0.88%, 0.38%

LAB 49.14, -5.34, -39.83

 

CMYK 100 / 36 / 0 / 35

HEX #0069A5

RGB 0 105 165

HSL 201.82, 1%, 0.32%

LAB 42.49, -2.38, -39.28

 

CMYK 73 / 26 / 0 / 6

HEX #41B1F0

RGB 65 177 240

HSL 201.6, 0.85%, 0.6%

LAB 68.65, -11.22, -40.47

 

CMYK 73 / 46 / 0 / 6

HEX #4182F0

RGB 65 130 240

HSL 217.71, 0.85%, 0.6%

LAB 55.46, 16.09, -61.37

 

CMYK 73 / 65 / 0 / 6

HEX #4153F0

RGB 65 83 240

HSL 233.83, 0.85%, 0.6%

LAB 43.66, 45.14, -80.54

 

CMYK 61 / 73 / 0 / 6

HEX #5E41F0

RGB 94 65 240

HSL 249.94, 0.85%, 0.6%

LAB 41.92, 58.41, -83.32

 

CMYK 41 / 73 / 0 / 6

HEX #8E41F0

RGB 142 65 240

HSL 266.4, 0.85%, 0.6%

LAB 46.74, 65.29, -75.24

 

CMYK 73 / 26 / 0 / 6

HEX #41B1F0

RGB 65 177 240

HSL 201.6, 0.85%, 0.6%

LAB 68.65, -11.22, -40.47

 

CMYK 73 / 46 / 0 / 6

HEX #4182F0

RGB 65 130 240

HSL 217.71, 0.85%, 0.6%

LAB 55.46, 16.09, -61.37

 

CMYK 73 / 65 / 0 / 6

HEX #4153F0

RGB 65 83 240

HSL 233.83, 0.85%, 0.6%

LAB 43.66, 45.14, -80.54

 

CMYK 73 / 73 / 0 / 6

HEX #4141F0

RGB 65 65 240

HSL 240, 0.85%, 0.6%

LAB 39.91, 55.41, -86.71

 

CMYK 73 / 26 / 0 / 6

HEX #41B1F0

RGB 65 177 240

HSL 201.6, 0.85%, 0.6%

LAB 68.65, -11.22, -40.47

 

CMYK 73 / 26 / 0 / 6

HEX #41B1F0

RGB 65 177 240

HSL 201.6, 0.85%, 0.6%

LAB 68.65, -11.22, -40.47

 

CMYK 64 / 23 / 0 / 12

HEX #51ADE0

RGB 81 173 224

HSL 201.4, 0.7%, 0.6%

LAB 67.29, -11.93, -33.8

 

CMYK 53 / 19 / 0 / 19

HEX #62A8CF

RGB 98 168 207

HSL 201.47, 0.53%, 0.6%

LAB 65.83, -11.15, -26.63

 

CMYK 40 / 15 / 0 / 25

HEX #72A3BF

RGB 114 163 191

HSL 201.82, 0.38%, 0.6%

LAB 64.59, -9.07, -19.57

 

CMYK 25 / 9 / 0 / 32

HEX #839FAE

RGB 131 159 174

HSL 200.93, 0.21%, 0.6%

LAB 63.9, -6.25, -11

 

CMYK 73 / 0 / 13 / 6

HEX #41F0D0

RGB 65 240 208

HSL 169.03, 0.85%, 0.6%

LAB 86.01, -50.78, 2.89

 

CMYK 73 / 6 / 0 / 6

HEX #41E2F0

RGB 65 226 240

HSL 184.8, 0.85%, 0.6%

LAB 82.81, -35.91, -18.71

 

CMYK 73 / 25 / 0 / 6

HEX #41B3F0

RGB 65 179 240

HSL 200.91, 0.85%, 0.6%

LAB 69.22, -12.31, -39.57

 

CMYK 73 / 45 / 0 / 6

HEX #4184F0

RGB 65 132 240

HSL 217.03, 0.85%, 0.6%

LAB 56.01, 14.87, -60.49

 

CMYK 73 / 65 / 0 / 6

HEX #4155F0

RGB 65 85 240

HSL 233.14, 0.85%, 0.6%

LAB 44.11, 43.94, -79.8

 

CMYK 93 / 33 / 0 / 19

HEX #0F8ACF

RGB 15 138 207

HSL 201.56, 0.86%, 0.44%

LAB 54.85, -5.3, -43.93

 

CMYK 89 / 32 / 0 / 7

HEX #1AA2ED

RGB 26 162 237

HSL 201.33, 0.85%, 0.52%

LAB 63.49, -7.44, -46.98

 

CMYK 73 / 26 / 0 / 6

HEX #41B1F0

RGB 65 177 240

HSL 201.6, 0.85%, 0.6%

LAB 68.65, -11.22, -40.47

 

CMYK 58 / 21 / 0 / 5

HEX #67C1F3

RGB 103 193 243

HSL 201.43, 0.85%, 0.68%

LAB 74.51, -12.81, -32.9

 

CMYK 42 / 15 / 0 / 4

HEX #8ED0F6

RGB 142 208 246

HSL 201.92, 0.85%, 0.76%

LAB 80.47, -11.26, -25.21

 

CMYK 74 / 27 / 0 / 5

HEX #3FB1F1

RGB 63 177 241

HSL 201.57, 0.86%, 0.6%

LAB 68.64, -11.13, -41.02

 

CMYK 33 / 73 / 0 / 6

HEX #A141F0

RGB 161 65 240

HSL 272.91, 0.85%, 0.6%

LAB 49.07, 68.51, -71.35

 

CMYK 0 / 4 / 73 / 6

HEX #F0E741

RGB 240 231 65

HSL 56.91, 0.85%, 0.6%

LAB 89.89, -14.84, 76.52

 

CMYK 74 / 27 / 0 / 5

HEX #3FB1F1

RGB 63 177 241

HSL 201.57, 0.86%, 0.6%

LAB 68.64, -11.13, -41.02

 

CMYK 0 / 73 / 25 / 6

HEX #F041B3

RGB 240 65 179

HSL 320.91, 0.85%, 0.6%

LAB 57.62, 75.14, -22.22

 

CMYK 25 / 0 / 73 / 6

HEX #B3F041

RGB 179 240 65

HSL 80.91, 0.85%, 0.6%

LAB 88.11, -43.22, 73.34

 

CMYK 74 / 27 / 0 / 5

HEX #3FB1F1

RGB 63 177 241

HSL 201.57, 0.86%, 0.6%

LAB 68.64, -11.13, -41.02

 

CMYK 33 / 73 / 0 / 6

HEX #A141F0

RGB 161 65 240

HSL 272.91, 0.85%, 0.6%

LAB 49.07, 68.51, -71.35

 

CMYK 0 / 48 / 73 / 6

HEX #F07E41

RGB 240 126 65

HSL 20.91, 0.85%, 0.6%

LAB 64.83, 39.42, 51.62

 

CMYK 40 / 0 / 73 / 6

HEX #90F041

RGB 144 240 65

HSL 92.91, 0.85%, 0.6%

LAB 86.32, -55.38, 70.99

 

CMYK 74 / 27 / 0 / 5

HEX #3FB1F1

RGB 63 177 241

HSL 201.57, 0.86%, 0.6%

LAB 68.64, -11.13, -41.02

 

CMYK 11 / 73 / 0 / 6

HEX #D641F0

RGB 214 65 240

HSL 291.09, 0.85%, 0.6%

LAB 56.45, 78.4, -59.05

 

CMYK 0 / 48 / 73 / 6

HEX #F07E41

RGB 240 126 65

HSL 20.91, 0.85%, 0.6%

LAB 64.83, 39.42, 51.62

 

CMYK 62 / 0 / 73 / 6

HEX #5BF041

RGB 91 240 65

HSL 111.09, 0.85%, 0.6%

LAB 84.45, -69.76, 68.5

 

Description

Color code: RGB 63 177 241 | qconv.com Color code: RGB 63 177 241 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 177 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 177 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 27 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 27% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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