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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 171 100 it is the complementary color RGB 192 84 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 171 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 63 171 100 shade: RGB 68 171 95, RGB 85 189 114, RGB 102 207 133, RGB 119 225 152 and RGB 136 243 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 171 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 63 171 100 shade: RGB 63 171 100, RGB 46 153 81, RGB 29 135 62, RGB 12 117 43 and RGB 0 99 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 63 171 100 shade: RGB 63 171 100, RGB 63 171 71, RGB 84 171 63, RGB 113 171 63 and RGB 142 171 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 63 171 100 shade: RGB 63 171 100, RGB 63 171 129, RGB 63 171 158, RGB 63 154 171 and RGB 63 125 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 63 171 100 shade matches the following richer shades: RGB 63 171 100, RGB 44 190 94, RGB 25 209 88 and RGB 6 228 82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 63 171 100 shade: RGB 63 171 100, RGB 82 152 106, RGB 101 133 112, RGB 120 114 118 and RGB 139 95 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 63 171 100 shade: RGB 84 171 63, RGB 63 171 70, RGB 63 171 99, RGB 63 171 128 and RGB 63 171 156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 63 171 100 shade: RGB 41 111 65, RGB 52 141 82, RGB 63 171 100, RGB 84 191 120 and RGB 114 202 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 63 171 100 shade: RGB 63 171 100, RGB 63 113 171 and RGB 171 63 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 63 171 100 shade: RGB 63 171 100, RGB 99 63 171 and RGB 171 99 63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 63 171 100 shade: RGB 63 171 100, RGB 63 113 171, RGB 171 63 135 and RGB 171 120 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 63 171 100 shade: RGB 63 171 100, RGB 63 81 171, RGB 171 63 135 and RGB 171 153 63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 42 / 33

HEX #3FAB64

RGB 63 171 100

HSL 140.56, 0.46%, 0.46%

LAB 62.59, -46.86, 27.68

 

Complementary color

CMYK 0 / 56 / 19 / 25

HEX #C0549B

RGB 192 84 155

HSL 320.56, 0.46%, 0.54%

LAB 51.74, 51.54, -17.86

 

CMYK 60 / 0 / 44 / 33

HEX #44AB5F

RGB 68 171 95

HSL 135.73, 0.43%, 0.47%

LAB 62.66, -46.64, 30.43

 

CMYK 55 / 0 / 40 / 26

HEX #55BD72

RGB 85 189 114

HSL 136.73, 0.44%, 0.54%

LAB 69.14, -46.71, 29.02

 

CMYK 51 / 0 / 36 / 19

HEX #66CF85

RGB 102 207 133

HSL 137.71, 0.52%, 0.61%

LAB 75.54, -46.64, 27.7

 

CMYK 47 / 0 / 32 / 12

HEX #77E198

RGB 119 225 152

HSL 138.68, 0.64%, 0.67%

LAB 81.86, -46.49, 26.47

 

CMYK 44 / 0 / 30 / 5

HEX #88F3AB

RGB 136 243 171

HSL 139.63, 0.82%, 0.74%

LAB 88.1, -46.29, 25.32

 

CMYK 63 / 0 / 42 / 33

HEX #3FAB64

RGB 63 171 100

HSL 140.56, 0.46%, 0.46%

LAB 62.59, -46.86, 27.68

 

CMYK 70 / 0 / 47 / 40

HEX #2E9951

RGB 46 153 81

HSL 139.63, 0.54%, 0.39%

LAB 56.05, -46.46, 29.21

 

CMYK 79 / 0 / 54 / 47

HEX #1D873E

RGB 29 135 62

HSL 138.68, 0.65%, 0.32%

LAB 49.42, -45.62, 30.84

 

CMYK 90 / 0 / 63 / 54

HEX #0C752B

RGB 12 117 43

HSL 137.71, 0.81%, 0.25%

LAB 42.73, -44.06, 32.5

 

CMYK 100 / 0 / 76 / 61

HEX #006318

RGB 0 99 24

HSL 134.55, 1%, 0.19%

LAB 35.96, -41.42, 33.87

 

CMYK 63 / 0 / 42 / 33

HEX #3FAB64

RGB 63 171 100

HSL 140.56, 0.46%, 0.46%

LAB 62.59, -46.86, 27.68

 

CMYK 63 / 0 / 58 / 33

HEX #3FAB47

RGB 63 171 71

HSL 124.44, 0.46%, 0.46%

LAB 62.2, -51.27, 41.85

 

CMYK 51 / 0 / 63 / 33

HEX #54AB3F

RGB 84 171 63

HSL 108.33, 0.46%, 0.46%

LAB 62.82, -46.79, 46.42

 

CMYK 34 / 0 / 63 / 33

HEX #71AB3F

RGB 113 171 63

HSL 92.22, 0.46%, 0.46%

LAB 64.16, -37.26, 48.28

 

CMYK 17 / 0 / 63 / 33

HEX #8EAB3F

RGB 142 171 63

HSL 76.11, 0.46%, 0.46%

LAB 65.93, -26.04, 50.72

 

CMYK 63 / 0 / 42 / 33

HEX #3FAB64

RGB 63 171 100

HSL 140.56, 0.46%, 0.46%

LAB 62.59, -46.86, 27.68

 

CMYK 63 / 0 / 25 / 33

HEX #3FAB81

RGB 63 171 129

HSL 156.67, 0.46%, 0.46%

LAB 63.15, -40.95, 12.68

 

CMYK 63 / 0 / 8 / 33

HEX #3FAB9E

RGB 63 171 158

HSL 172.78, 0.46%, 0.46%

LAB 63.88, -33.7, -2.41

 

CMYK 63 / 10 / 0 / 33

HEX #3F9AAB

RGB 63 154 171

HSL 189.44, 0.46%, 0.46%

LAB 59.07, -21.54, -16.9

 

CMYK 63 / 27 / 0 / 33

HEX #3F7DAB

RGB 63 125 171

HSL 205.56, 0.46%, 0.46%

LAB 50.29, -5.5, -30.42

 

CMYK 63 / 0 / 42 / 33

HEX #3FAB64

RGB 63 171 100

HSL 140.56, 0.46%, 0.46%

LAB 62.59, -46.86, 27.68

 

CMYK 77 / 0 / 51 / 25

HEX #2CBE5E

RGB 44 190 94

HSL 140.55, 0.62%, 0.46%

LAB 68.15, -58.18, 37.75

 

CMYK 88 / 0 / 58 / 18

HEX #19D158

RGB 25 209 88

HSL 140.54, 0.79%, 0.46%

LAB 73.88, -67.2, 47.49

 

CMYK 97 / 0 / 64 / 11

HEX #06E452

RGB 6 228 82

HSL 140.54, 0.95%, 0.46%

LAB 79.69, -74.54, 56.72

 

CMYK 63 / 0 / 42 / 33

HEX #3FAB64

RGB 63 171 100

HSL 140.56, 0.46%, 0.46%

LAB 62.59, -46.86, 27.68

 

CMYK 46 / 0 / 30 / 40

HEX #52986A

RGB 82 152 106

HSL 140.57, 0.3%, 0.46%

LAB 57.36, -32.79, 17.52

 

CMYK 24 / 0 / 16 / 48

HEX #658570

RGB 101 133 112

HSL 140.63, 0.14%, 0.46%

LAB 52.63, -15.9, 7.66

 

CMYK 0 / 5 / 2 / 53

HEX #787276

RGB 120 114 118

HSL 320, 0.03%, 0.46%

LAB 48.68, 3.1, -1.39

 

CMYK 0 / 32 / 11 / 45

HEX #8B5F7C

RGB 139 95 124

HSL 320.45, 0.19%, 0.46%

LAB 45.81, 22.7, -9.02

 

CMYK 51 / 0 / 63 / 33

HEX #54AB3F

RGB 84 171 63

HSL 108.33, 0.46%, 0.46%

LAB 62.82, -46.79, 46.42

 

CMYK 63 / 0 / 59 / 33

HEX #3FAB46

RGB 63 171 70

HSL 123.89, 0.46%, 0.46%

LAB 62.19, -51.4, 42.31

 

CMYK 63 / 0 / 42 / 33

HEX #3FAB63

RGB 63 171 99

HSL 140, 0.46%, 0.46%

LAB 62.58, -47.04, 28.19

 

CMYK 63 / 0 / 25 / 33

HEX #3FAB80

RGB 63 171 128

HSL 156.11, 0.46%, 0.46%

LAB 63.13, -41.17, 13.2

 

CMYK 63 / 0 / 9 / 33

HEX #3FAB9C

RGB 63 171 156

HSL 171.67, 0.46%, 0.46%

LAB 63.82, -34.24, -1.37

 

CMYK 63 / 0 / 41 / 56

HEX #296F41

RGB 41 111 65

HSL 140.57, 0.46%, 0.3%

LAB 41.57, -33.17, 19.28

 

CMYK 63 / 0 / 42 / 45

HEX #348D52

RGB 52 141 82

HSL 140.22, 0.46%, 0.38%

LAB 52.27, -40.26, 23.83

 

CMYK 63 / 0 / 42 / 33

HEX #3FAB64

RGB 63 171 100

HSL 140.56, 0.46%, 0.46%

LAB 62.59, -46.86, 27.68

 

CMYK 56 / 0 / 37 / 25

HEX #54BF78

RGB 84 191 120

HSL 140.19, 0.46%, 0.54%

LAB 69.83, -46.71, 26.77

 

CMYK 44 / 0 / 29 / 21

HEX #72CA90

RGB 114 202 144

HSL 140.45, 0.45%, 0.62%

LAB 74.72, -39.27, 20.89

 

CMYK 63 / 0 / 42 / 33

HEX #3FAB64

RGB 63 171 100

HSL 140.56, 0.46%, 0.46%

LAB 62.59, -46.86, 27.68

 

CMYK 63 / 34 / 0 / 33

HEX #3F71AB

RGB 63 113 171

HSL 212.22, 0.46%, 0.46%

LAB 46.72, 1.68, -36.02

 

CMYK 0 / 63 / 59 / 33

HEX #AB3F46

RGB 171 63 70

HSL 356.11, 0.46%, 0.46%

LAB 42.24, 44.76, 19.54

 

CMYK 63 / 0 / 42 / 33

HEX #3FAB64

RGB 63 171 100

HSL 140.56, 0.46%, 0.46%

LAB 62.59, -46.86, 27.68

 

CMYK 42 / 63 / 0 / 33

HEX #633FAB

RGB 99 63 171

HSL 260, 0.46%, 0.46%

LAB 36.27, 40.48, -52.57

 

CMYK 0 / 42 / 63 / 33

HEX #AB633F

RGB 171 99 63

HSL 20, 0.46%, 0.46%

LAB 49.42, 25.71, 32.69

 

CMYK 63 / 0 / 42 / 33

HEX #3FAB64

RGB 63 171 100

HSL 140.56, 0.46%, 0.46%

LAB 62.59, -46.86, 27.68

 

CMYK 63 / 34 / 0 / 33

HEX #3F71AB

RGB 63 113 171

HSL 212.22, 0.46%, 0.46%

LAB 46.72, 1.68, -36.02

 

CMYK 0 / 63 / 21 / 33

HEX #AB3F87

RGB 171 63 135

HSL 320, 0.46%, 0.46%

LAB 44.18, 51.94, -17.74

 

CMYK 0 / 30 / 63 / 33

HEX #AB783F

RGB 171 120 63

HSL 31.67, 0.46%, 0.46%

LAB 54.5, 13.93, 38.67

 

CMYK 63 / 0 / 42 / 33

HEX #3FAB64

RGB 63 171 100

HSL 140.56, 0.46%, 0.46%

LAB 62.59, -46.86, 27.68

 

CMYK 63 / 53 / 0 / 33

HEX #3F51AB

RGB 63 81 171

HSL 230, 0.46%, 0.46%

LAB 37.63, 22.04, -50.52

 

CMYK 0 / 63 / 21 / 33

HEX #AB3F87

RGB 171 63 135

HSL 320, 0.46%, 0.46%

LAB 44.18, 51.94, -17.74

 

CMYK 0 / 11 / 63 / 33

HEX #AB993F

RGB 171 153 63

HSL 50, 0.46%, 0.46%

LAB 63.18, -4.35, 48.41

 

Description

Color code: RGB 63 171 100 | qconv.com Color code: RGB 63 171 100 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 171 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 171 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 42 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 42% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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