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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 73 49 it is the complementary color RGB 192 182 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 73 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 63 73 49 shade: RGB 68 73 44, RGB 85 91 63, RGB 102 109 82, RGB 119 127 101 and RGB 136 145 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 73 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 63 73 49 shade: RGB 63 73 49, RGB 46 55 30, RGB 29 37 11, RGB 12 19 0 and RGB 0 1 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 63 73 49 shade: RGB 63 73 48, RGB 69 73 48, RGB 73 70 48, RGB 73 63 48 and RGB 73 57 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 63 73 49 shade: RGB 63 73 48, RGB 56 73 48, RGB 50 73 48, RGB 48 73 54 and RGB 48 73 61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 63 73 49 shade matches the following richer shades: RGB 63 73 48, RGB 64 83 39, RGB 66 93 29, RGB 68 103 19 and RGB 69 113 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 63 73 49 shade: RGB 63 73 48, RGB 61 63 58, RGB 59 53 68, RGB 58 43 78 and RGB 56 33 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 63 73 49 shade: RGB 73 70 48, RGB 69 73 48, RGB 63 73 48, RGB 56 73 48 and RGB 50 73 48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 63 73 49 shade: RGB 20 23 15, RGB 41 48 32, RGB 63 73 48, RGB 84 98 65 and RGB 105 122 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 63 73 49 shade: RGB 63 73 49, RGB 48 73 64 and RGB 73 48 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 63 73 49 shade: RGB 63 73 49, RGB 48 63 73 and RGB 73 48 63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 63 73 49 shade: RGB 63 73 49, RGB 48 73 64, RGB 59 48 73 and RGB 73 48 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 63 73 49 shade: RGB 63 73 49, RGB 48 73 71, RGB 59 48 73 and RGB 73 48 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 33 / 71

HEX #3F4931

RGB 63 73 49

HSL 85, 0.2%, 0.24%

LAB 29.52, -9.03, 13.07

 

Complementary color

CMYK 7 / 12 / 0 / 19

HEX #C0B6CE

RGB 192 182 206

HSL 265, 0.2%, 0.76%

LAB 75.53, 8.06, -10.82

 

CMYK 7 / 0 / 40 / 71

HEX #44492C

RGB 68 73 44

HSL 70.34, 0.25%, 0.23%

LAB 29.85, -7.57, 16.7

 

CMYK 7 / 0 / 31 / 64

HEX #555B3F

RGB 85 91 63

HSL 72.86, 0.18%, 0.3%

LAB 37.43, -7.73, 15.4

 

CMYK 6 / 0 / 25 / 57

HEX #666D52

RGB 102 109 82

HSL 75.56, 0.14%, 0.37%

LAB 44.76, -7.83, 14.23

 

CMYK 6 / 0 / 20 / 50

HEX #777F65

RGB 119 127 101

HSL 78.46, 0.11%, 0.45%

LAB 51.88, -7.9, 13.16

 

CMYK 6 / 0 / 17 / 43

HEX #889178

RGB 136 145 120

HSL 81.6, 0.1%, 0.52%

LAB 58.83, -7.96, 12.18

 

CMYK 14 / 0 / 33 / 71

HEX #3F4931

RGB 63 73 49

HSL 85, 0.2%, 0.24%

LAB 29.52, -9.03, 13.07

 

CMYK 16 / 0 / 45 / 78

HEX #2E371E

RGB 46 55 30

HSL 81.6, 0.29%, 0.17%

LAB 21.61, -9.02, 14.44

 

CMYK 22 / 0 / 70 / 85

HEX #1D250B

RGB 29 37 11

HSL 78.46, 0.54%, 0.09%

LAB 13.28, -8.87, 14.86

 

CMYK 37 / 0 / 100 / 93

HEX #0C1300

RGB 12 19 0

HSL 82.11, 1%, 0.04%

LAB 4.91, -5.43, 7.26

 

CMYK 100 / 0 / 100 / 100

HEX #000100

RGB 0 1 0

HSL 120, 1%, 0%

LAB 0.2, -0.4, 0.29

 

CMYK 14 / 0 / 34 / 71

HEX #3F4930

RGB 63 73 48

HSL 84, 0.21%, 0.24%

LAB 29.5, -9.21, 13.67

 

CMYK 5 / 0 / 34 / 71

HEX #454930

RGB 69 73 48

HSL 69.6, 0.21%, 0.24%

LAB 30.02, -6.5, 14.46

 

CMYK 0 / 4 / 34 / 71

HEX #494630

RGB 73 70 48

HSL 52.8, 0.21%, 0.24%

LAB 29.44, -2.8, 13.75

 

CMYK 0 / 14 / 34 / 71

HEX #493F30

RGB 73 63 48

HSL 36, 0.21%, 0.24%

LAB 27.26, 1.63, 10.8

 

CMYK 0 / 22 / 34 / 71

HEX #493930

RGB 73 57 48

HSL 21.6, 0.21%, 0.24%

LAB 25.43, 5.52, 8.29

 

CMYK 14 / 0 / 34 / 71

HEX #3F4930

RGB 63 73 48

HSL 84, 0.21%, 0.24%

LAB 29.5, -9.21, 13.67

 

CMYK 23 / 0 / 34 / 71

HEX #384930

RGB 56 73 48

HSL 100.8, 0.21%, 0.24%

LAB 28.95, -12.25, 12.84

 

CMYK 32 / 0 / 34 / 71

HEX #324930

RGB 50 73 48

HSL 115.2, 0.21%, 0.24%

LAB 28.53, -14.73, 12.2

 

CMYK 34 / 0 / 26 / 71

HEX #304936

RGB 48 73 54

HSL 134.4, 0.21%, 0.24%

LAB 28.54, -14.26, 8.38

 

CMYK 34 / 0 / 16 / 71

HEX #30493D

RGB 48 73 61

HSL 151.2, 0.21%, 0.24%

LAB 28.72, -12.64, 4.14

 

CMYK 14 / 0 / 34 / 71

HEX #3F4930

RGB 63 73 48

HSL 84, 0.21%, 0.24%

LAB 29.5, -9.21, 13.67

 

CMYK 23 / 0 / 53 / 67

HEX #405327

RGB 64 83 39

HSL 85.91, 0.36%, 0.24%

LAB 32.75, -15.88, 23.26

 

CMYK 29 / 0 / 69 / 64

HEX #425D1D

RGB 66 93 29

HSL 85.31, 0.52%, 0.24%

LAB 36.13, -21.46, 32.45

 

CMYK 34 / 0 / 82 / 60

HEX #446713

RGB 68 103 19

HSL 85, 0.69%, 0.24%

LAB 39.54, -26.36, 40.1

 

CMYK 39 / 0 / 92 / 56

HEX #457109

RGB 69 113 9

HSL 85.38, 0.85%, 0.24%

LAB 42.91, -31.11, 45.93

 

CMYK 14 / 0 / 34 / 71

HEX #3F4930

RGB 63 73 48

HSL 84, 0.21%, 0.24%

LAB 29.5, -9.21, 13.67

 

CMYK 3 / 0 / 8 / 75

HEX #3D3F3A

RGB 61 63 58

HSL 84, 0.04%, 0.24%

LAB 26.31, -1.95, 2.77

 

CMYK 13 / 22 / 0 / 73

HEX #3B3544

RGB 59 53 68

HSL 264, 0.12%, 0.24%

LAB 23.32, 6.18, -8.34

 

CMYK 26 / 45 / 0 / 69

HEX #3A2B4E

RGB 58 43 78

HSL 265.71, 0.29%, 0.24%

LAB 20.74, 15.32, -19.04

 

CMYK 36 / 63 / 0 / 65

HEX #382158

RGB 56 33 88

HSL 265.09, 0.45%, 0.24%

LAB 18.51, 24.24, -29.31

 

CMYK 0 / 4 / 34 / 71

HEX #494630

RGB 73 70 48

HSL 52.8, 0.21%, 0.24%

LAB 29.44, -2.8, 13.75

 

CMYK 5 / 0 / 34 / 71

HEX #454930

RGB 69 73 48

HSL 69.6, 0.21%, 0.24%

LAB 30.02, -6.5, 14.46

 

CMYK 14 / 0 / 34 / 71

HEX #3F4930

RGB 63 73 48

HSL 84, 0.21%, 0.24%

LAB 29.5, -9.21, 13.67

 

CMYK 23 / 0 / 34 / 71

HEX #384930

RGB 56 73 48

HSL 100.8, 0.21%, 0.24%

LAB 28.95, -12.25, 12.84

 

CMYK 32 / 0 / 34 / 71

HEX #324930

RGB 50 73 48

HSL 115.2, 0.21%, 0.24%

LAB 28.53, -14.73, 12.2

 

CMYK 13 / 0 / 35 / 91

HEX #14170F

RGB 20 23 15

HSL 82.5, 0.21%, 0.07%

LAB 7.19, -3.09, 4.25

 

CMYK 15 / 0 / 33 / 81

HEX #293020

RGB 41 48 32

HSL 86.25, 0.2%, 0.16%

LAB 18.76, -6.62, 9.28

 

CMYK 14 / 0 / 34 / 71

HEX #3F4930

RGB 63 73 48

HSL 84, 0.21%, 0.24%

LAB 29.5, -9.21, 13.67

 

CMYK 14 / 0 / 34 / 62

HEX #546241

RGB 84 98 65

HSL 85.45, 0.2%, 0.32%

LAB 39.58, -11.87, 17.07

 

CMYK 14 / 0 / 34 / 52

HEX #697A51

RGB 105 122 81

HSL 84.88, 0.2%, 0.4%

LAB 48.9, -14.01, 20.44

 

CMYK 14 / 0 / 33 / 71

HEX #3F4931

RGB 63 73 49

HSL 85, 0.2%, 0.24%

LAB 29.52, -9.03, 13.07

 

CMYK 34 / 0 / 12 / 71

HEX #304940

RGB 48 73 64

HSL 158.4, 0.21%, 0.24%

LAB 28.81, -11.9, 2.33

 

CMYK 0 / 34 / 0 / 71

HEX #493049

RGB 73 48 73

HSL 300, 0.21%, 0.24%

LAB 23.71, 16.28, -10.94

 

CMYK 14 / 0 / 33 / 71

HEX #3F4931

RGB 63 73 49

HSL 85, 0.2%, 0.24%

LAB 29.52, -9.03, 13.07

 

CMYK 34 / 14 / 0 / 71

HEX #303F49

RGB 48 63 73

HSL 204, 0.21%, 0.24%

LAB 25.76, -3.23, -8.06

 

CMYK 0 / 34 / 14 / 71

HEX #49303F

RGB 73 48 63

HSL 324, 0.21%, 0.24%

LAB 23.3, 14.14, -4.83

 

CMYK 14 / 0 / 33 / 71

HEX #3F4931

RGB 63 73 49

HSL 85, 0.2%, 0.24%

LAB 29.52, -9.03, 13.07

 

CMYK 34 / 0 / 12 / 71

HEX #304940

RGB 48 73 64

HSL 158.4, 0.21%, 0.24%

LAB 28.81, -11.9, 2.33

 

CMYK 19 / 34 / 0 / 71

HEX #3B3049

RGB 59 48 73

HSL 266.4, 0.21%, 0.24%

LAB 22.03, 10.89, -13.66

 

CMYK 0 / 34 / 21 / 71

HEX #49303A

RGB 73 48 58

HSL 336, 0.21%, 0.24%

LAB 23.12, 13.17, -1.71

 

CMYK 14 / 0 / 33 / 71

HEX #3F4931

RGB 63 73 49

HSL 85, 0.2%, 0.24%

LAB 29.52, -9.03, 13.07

 

CMYK 34 / 0 / 3 / 71

HEX #304947

RGB 48 73 71

HSL 175.2, 0.21%, 0.24%

LAB 29.03, -10.05, -1.87

 

CMYK 19 / 34 / 0 / 71

HEX #3B3049

RGB 59 48 73

HSL 266.4, 0.21%, 0.24%

LAB 22.03, 10.89, -13.66

 

CMYK 0 / 34 / 32 / 71

HEX #493032

RGB 73 48 50

HSL 355.2, 0.21%, 0.24%

LAB 22.86, 11.75, 3.34

 

Description

Color code: RGB 63 73 49 | qconv.com Color code: RGB 63 73 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 73 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 73 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 33 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 33% 71% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

33% - Bitcoin Data Platfor...
Link: http://bitcoin.clarkmoody.com

Verification of their color palette as a manufacturer!

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