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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 63 51 254 it is the complementary color RGB 192 204 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 63 51 254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 63 51 254 shade: RGB 68 51 249, RGB 85 69 255, RGB 102 87 255, RGB 119 105 255 and RGB 136 123 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 63 51 254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 63 51 254 shade: RGB 63 51 254, RGB 46 33 235, RGB 29 15 216, RGB 12 0 197 and RGB 0 0 178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 63 51 254 shade: RGB 63 52 253, RGB 118 52 253, RGB 172 52 253, RGB 227 52 253 and RGB 253 52 226

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 63 51 254 shade: RGB 63 52 253 and RGB 52 52 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 63 51 254 shade matches the following richer shades: RGB 63 52 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 63 51 254 shade: RGB 63 52 253, RGB 78 68 237, RGB 93 85 220, RGB 107 101 204 and RGB 122 118 187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 63 51 254 shade: RGB 52 149 253, RGB 52 95 253, RGB 62 52 253, RGB 115 52 253 and RGB 169 52 253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 63 51 254 shade: RGB 14 1 222, RGB 25 10 253, RGB 63 52 253, RGB 102 93 254 and RGB 141 134 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 63 51 254 shade: RGB 63 51 254, RGB 253 52 203 and RGB 122 253 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 63 51 254 shade: RGB 63 51 254, RGB 253 62 52 and RGB 52 253 62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 63 51 254 shade: RGB 63 51 254, RGB 253 52 203, RGB 243 253 52 and RGB 52 253 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 63 51 254 shade: RGB 63 51 254, RGB 253 52 142, RGB 243 253 52 and RGB 52 253 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 80 / 0 / 0

HEX #3F33FE

RGB 63 51 254

HSL 243.55, 0.99%, 0.6%

LAB 38.86, 66.38, -96.31

 

Complementary color

CMYK 6 / 0 / 100 / 20

HEX #C0CC01

RGB 192 204 1

HSL 63.55, 0.99%, 0.4%

LAB 78.69, -23.32, 78.65

 

CMYK 73 / 80 / 0 / 2

HEX #4433F9

RGB 68 51 249

HSL 245.15, 0.94%, 0.59%

LAB 38.61, 65.26, -93.91

 

CMYK 67 / 73 / 0 / 0

HEX #5545FF

RGB 85 69 255

HSL 245.16, 1%, 0.64%

LAB 43.37, 59.79, -89.37

 

CMYK 60 / 66 / 0 / 0

HEX #6657FF

RGB 102 87 255

HSL 245.36, 1%, 0.67%

LAB 48.08, 52.2, -81.58

 

CMYK 53 / 59 / 0 / 0

HEX #7769FF

RGB 119 105 255

HSL 245.6, 1%, 0.71%

LAB 53.22, 44.75, -73.16

 

CMYK 47 / 52 / 0 / 0

HEX #887BFF

RGB 136 123 255

HSL 245.91, 1%, 0.74%

LAB 58.62, 37.71, -64.37

 

CMYK 75 / 80 / 0 / 0

HEX #3F33FE

RGB 63 51 254

HSL 243.55, 0.99%, 0.6%

LAB 38.86, 66.38, -96.31

 

CMYK 80 / 86 / 0 / 8

HEX #2E21EB

RGB 46 33 235

HSL 243.86, 0.83%, 0.53%

LAB 33.28, 67.45, -94.9

 

CMYK 87 / 93 / 0 / 15

HEX #1D0FD8

RGB 29 15 216

HSL 244.18, 0.87%, 0.45%

LAB 28.28, 67.25, -92.37

 

CMYK 94 / 100 / 0 / 23

HEX #0C00C5

RGB 12 0 197

HSL 243.65, 1%, 0.39%

LAB 24.03, 65.29, -88.39

 

CMYK 100 / 100 / 0 / 30

HEX #0000B2

RGB 0 0 178

HSL 240, 1%, 0.35%

LAB 20.88, 60.47, -82.36

 

CMYK 75 / 79 / 0 / 1

HEX #3F34FD

RGB 63 52 253

HSL 243.28, 0.98%, 0.6%

LAB 38.91, 65.64, -95.68

 

CMYK 53 / 79 / 0 / 1

HEX #7634FD

RGB 118 52 253

HSL 259.7, 0.98%, 0.6%

LAB 43.36, 70.49, -88.18

 

CMYK 32 / 79 / 0 / 1

HEX #AC34FD

RGB 172 52 253

HSL 275.82, 0.98%, 0.6%

LAB 49.88, 77.7, -77.23

 

CMYK 10 / 79 / 0 / 1

HEX #E334FD

RGB 227 52 253

HSL 292.24, 0.98%, 0.6%

LAB 57.92, 86.7, -63.83

 

CMYK 0 / 79 / 11 / 1

HEX #FD34E2

RGB 253 52 226

HSL 308.06, 0.98%, 0.6%

LAB 60.63, 87.52, -44.19

 

CMYK 75 / 79 / 0 / 1

HEX #3F34FD

RGB 63 52 253

HSL 243.28, 0.98%, 0.6%

LAB 38.91, 65.64, -95.68

 

CMYK 79 / 79 / 0 / 1

HEX #3434FD

RGB 52 52 253

HSL 240, 0.98%, 0.6%

LAB 38.34, 65.03, -96.64

 

CMYK 75 / 79 / 0 / 1

HEX #3F34FD

RGB 63 52 253

HSL 243.28, 0.98%, 0.6%

LAB 38.91, 65.64, -95.68

 

CMYK 75 / 79 / 0 / 1

HEX #3F34FD

RGB 63 52 253

HSL 243.28, 0.98%, 0.6%

LAB 38.91, 65.64, -95.68

 

CMYK 67 / 71 / 0 / 7

HEX #4E44ED

RGB 78 68 237

HSL 243.55, 0.82%, 0.6%

LAB 41.01, 54.11, -83.18

 

CMYK 58 / 61 / 0 / 14

HEX #5D55DC

RGB 93 85 220

HSL 243.56, 0.66%, 0.6%

LAB 44.22, 41.16, -68.23

 

CMYK 48 / 50 / 0 / 20

HEX #6B65CC

RGB 107 101 204

HSL 243.5, 0.5%, 0.6%

LAB 48, 29.35, -52.92

 

CMYK 35 / 37 / 0 / 27

HEX #7A76BB

RGB 122 118 187

HSL 243.48, 0.34%, 0.6%

LAB 52.6, 18.01, -35.79

 

CMYK 79 / 41 / 0 / 1

HEX #3495FD

RGB 52 149 253

HSL 211.04, 0.98%, 0.6%

LAB 61.06, 7.87, -59.59

 

CMYK 79 / 62 / 0 / 1

HEX #345FFD

RGB 52 95 253

HSL 227.16, 0.98%, 0.6%

LAB 46.98, 41.17, -82.38

 

CMYK 75 / 79 / 0 / 1

HEX #3E34FD

RGB 62 52 253

HSL 242.99, 0.98%, 0.6%

LAB 38.85, 65.58, -95.78

 

CMYK 55 / 79 / 0 / 1

HEX #7334FD

RGB 115 52 253

HSL 258.81, 0.98%, 0.6%

LAB 43.05, 70.16, -88.69

 

CMYK 33 / 79 / 0 / 1

HEX #A934FD

RGB 169 52 253

HSL 274.93, 0.98%, 0.6%

LAB 49.48, 77.25, -77.91

 

CMYK 94 / 100 / 0 / 13

HEX #0E01DE

RGB 14 1 222

HSL 243.53, 0.99%, 0.44%

LAB 27.82, 71.22, -96.61

 

CMYK 90 / 96 / 0 / 1

HEX #190AFD

RGB 25 10 253

HSL 243.7, 0.98%, 0.52%

LAB 32.95, 77.39, -105.64

 

CMYK 75 / 79 / 0 / 1

HEX #3F34FD

RGB 63 52 253

HSL 243.28, 0.98%, 0.6%

LAB 38.91, 65.64, -95.68

 

CMYK 60 / 63 / 0 / 0

HEX #665DFE

RGB 102 93 254

HSL 243.35, 0.99%, 0.68%

LAB 49.26, 48.52, -79.1

 

CMYK 44 / 47 / 0 / 0

HEX #8D86FE

RGB 141 134 254

HSL 243.5, 0.98%, 0.76%

LAB 61.54, 32.16, -59.12

 

CMYK 75 / 80 / 0 / 0

HEX #3F33FE

RGB 63 51 254

HSL 243.55, 0.99%, 0.6%

LAB 38.86, 66.38, -96.31

 

CMYK 0 / 79 / 20 / 1

HEX #FD34CB

RGB 253 52 203

HSL 314.93, 0.98%, 0.6%

LAB 59.57, 84.55, -32.82

 

CMYK 52 / 0 / 79 / 1

HEX #7AFD34

RGB 122 253 52

HSL 99.1, 0.98%, 0.6%

LAB 89.22, -67.43, 77.33

 

CMYK 75 / 80 / 0 / 0

HEX #3F33FE

RGB 63 51 254

HSL 243.55, 0.99%, 0.6%

LAB 38.86, 66.38, -96.31

 

CMYK 0 / 75 / 79 / 1

HEX #FD3E34

RGB 253 62 52

HSL 2.99, 0.98%, 0.6%

LAB 56.66, 70.2, 50.31

 

CMYK 79 / 0 / 75 / 1

HEX #34FD3E

RGB 52 253 62

HSL 122.99, 0.98%, 0.6%

LAB 87.64, -80.31, 72.39

 

CMYK 75 / 80 / 0 / 0

HEX #3F33FE

RGB 63 51 254

HSL 243.55, 0.99%, 0.6%

LAB 38.86, 66.38, -96.31

 

CMYK 0 / 79 / 20 / 1

HEX #FD34CB

RGB 253 52 203

HSL 314.93, 0.98%, 0.6%

LAB 59.57, 84.55, -32.82

 

CMYK 4 / 0 / 79 / 1

HEX #F3FD34

RGB 243 253 52

HSL 62.99, 0.98%, 0.6%

LAB 95.81, -24.66, 85.72

 

CMYK 79 / 0 / 60 / 1

HEX #34FD66

RGB 52 253 102

HSL 134.93, 0.98%, 0.6%

LAB 87.94, -76.66, 57.72

 

CMYK 75 / 80 / 0 / 0

HEX #3F33FE

RGB 63 51 254

HSL 243.55, 0.99%, 0.6%

LAB 38.86, 66.38, -96.31

 

CMYK 0 / 79 / 44 / 1

HEX #FD348E

RGB 253 52 142

HSL 333.13, 0.98%, 0.6%

LAB 57.36, 78.11, -0.73

 

CMYK 4 / 0 / 79 / 1

HEX #F3FD34

RGB 243 253 52

HSL 62.99, 0.98%, 0.6%

LAB 95.81, -24.66, 85.72

 

CMYK 79 / 0 / 36 / 1

HEX #34FDA3

RGB 52 253 163

HSL 153.13, 0.98%, 0.6%

LAB 88.74, -67.2, 29.89

 

Description

Color code: RGB 63 51 254 | qconv.com Color code: RGB 63 51 254 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 51 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 51 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 80 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 80% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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