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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 218 201 it is the complementary color RGB 250 37 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 218 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 218 201 shade: RGB 10 218 196, RGB 27 236 215, RGB 44 254 234, RGB 61 255 253 and RGB 78 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 218 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 218 201 shade: RGB 5 218 201, RGB 0 200 182, RGB 0 182 163, RGB 0 164 144 and RGB 0 146 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 218 201 shade: RGB 4 219 202, RGB 4 219 144, RGB 4 219 86, RGB 4 219 28 and RGB 38 219 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 218 201 shade: RGB 4 219 202, RGB 4 179 219, RGB 4 120 219, RGB 4 62 219 and RGB 4 4 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 218 201 shade matches the following richer shades: RGB 4 219 202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 218 201 shade: RGB 4 219 202, RGB 22 201 187, RGB 40 183 172, RGB 58 165 156 and RGB 77 147 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 218 201 shade: RGB 4 219 87, RGB 4 219 144, RGB 4 219 201, RGB 4 180 219 and RGB 4 122 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 218 201 shade: RGB 2 139 128, RGB 3 179 165, RGB 4 219 202, RGB 15 250 231 and RGB 55 250 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 218 201 shade: RGB 5 218 201, RGB 29 4 219 and RGB 219 115 4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 218 201 shade: RGB 5 218 201, RGB 201 4 219 and RGB 219 201 4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 218 201 shade: RGB 5 218 201, RGB 29 4 219, RGB 219 4 22 and RGB 194 219 4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 218 201 shade: RGB 5 218 201, RGB 94 4 219, RGB 219 4 22 and RGB 130 219 4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 8 / 15

HEX #05DAC9

RGB 5 218 201

HSL 175.21, 0.96%, 0.44%

LAB 78.69, -47.47, -4.17

 

Complementary color

CMYK 0 / 85 / 78 / 2

HEX #FA2536

RGB 250 37 54

HSL 355.21, 0.96%, 0.56%

LAB 53.94, 75.58, 46.33

 

CMYK 95 / 0 / 10 / 15

HEX #0ADAC4

RGB 10 218 196

HSL 173.65, 0.91%, 0.45%

LAB 78.57, -48.72, -1.66

 

CMYK 89 / 0 / 9 / 7

HEX #1BECD7

RGB 27 236 215

HSL 173.97, 0.85%, 0.52%

LAB 84.55, -50.43, -2.96

 

CMYK 83 / 0 / 8 / 0

HEX #2CFEEA

RGB 44 254 234

HSL 174.29, 0.99%, 0.58%

LAB 90.49, -51.82, -4.15

 

CMYK 76 / 0 / 1 / 0

HEX #3DFFFD

RGB 61 255 253

HSL 179.38, 1%, 0.62%

LAB 91.51, -45.69, -12.47

 

CMYK 69 / 0 / 0 / 0

HEX #4EFFFF

RGB 78 255 255

HSL 180, 1%, 0.65%

LAB 91.85, -43.33, -12.97

 

CMYK 98 / 0 / 8 / 15

HEX #05DAC9

RGB 5 218 201

HSL 175.21, 0.96%, 0.44%

LAB 78.69, -47.47, -4.17

 

CMYK 100 / 0 / 9 / 22

HEX #00C8B6

RGB 0 200 182

HSL 174.6, 1%, 0.39%

LAB 72.68, -45.28, -2.77

 

CMYK 100 / 0 / 10 / 29

HEX #00B6A3

RGB 0 182 163

HSL 173.74, 1%, 0.36%

LAB 66.6, -42.92, -1.29

 

CMYK 100 / 0 / 12 / 36

HEX #00A490

RGB 0 164 144

HSL 172.68, 1%, 0.32%

LAB 60.4, -40.52, 0.24

 

CMYK 100 / 0 / 14 / 43

HEX #00927D

RGB 0 146 125

HSL 171.37, 1%, 0.29%

LAB 54.07, -38.08, 1.84

 

CMYK 98 / 0 / 8 / 14

HEX #04DBCA

RGB 4 219 202

HSL 175.26, 0.96%, 0.44%

LAB 79.01, -47.64, -4.22

 

CMYK 98 / 0 / 34 / 14

HEX #04DB90

RGB 4 219 144

HSL 159.07, 0.96%, 0.44%

LAB 77.7, -61.88, 24.6

 

CMYK 98 / 0 / 61 / 14

HEX #04DB56

RGB 4 219 86

HSL 142.88, 0.96%, 0.44%

LAB 76.9, -71.49, 51.86

 

CMYK 98 / 0 / 87 / 14

HEX #04DB1C

RGB 4 219 28

HSL 126.7, 0.96%, 0.44%

LAB 76.54, -76.02, 70.69

 

CMYK 83 / 0 / 98 / 14

HEX #26DB04

RGB 38 219 4

HSL 110.51, 0.96%, 0.44%

LAB 76.73, -74.49, 74.08

 

CMYK 98 / 0 / 8 / 14

HEX #04DBCA

RGB 4 219 202

HSL 175.26, 0.96%, 0.44%

LAB 79.01, -47.64, -4.22

 

CMYK 98 / 18 / 0 / 14

HEX #04B3DB

RGB 4 179 219

HSL 191.16, 0.96%, 0.44%

LAB 67.56, -23.74, -30.74

 

CMYK 98 / 45 / 0 / 14

HEX #0478DB

RGB 4 120 219

HSL 207.63, 0.96%, 0.44%

LAB 50.18, 9.89, -58.15

 

CMYK 98 / 72 / 0 / 14

HEX #043EDB

RGB 4 62 219

HSL 223.81, 0.96%, 0.44%

LAB 35.17, 46.95, -82.65

 

CMYK 98 / 98 / 0 / 14

HEX #0404DB

RGB 4 4 219

HSL 240, 0.96%, 0.44%

LAB 27.37, 69.87, -95.63

 

CMYK 98 / 0 / 8 / 14

HEX #04DBCA

RGB 4 219 202

HSL 175.26, 0.96%, 0.44%

LAB 79.01, -47.64, -4.22

 

CMYK 98 / 0 / 8 / 14

HEX #04DBCA

RGB 4 219 202

HSL 175.26, 0.96%, 0.44%

LAB 79.01, -47.64, -4.22

 

CMYK 89 / 0 / 7 / 21

HEX #16C9BB

RGB 22 201 187

HSL 175.31, 0.8%, 0.44%

LAB 73.24, -43.52, -4.65

 

CMYK 78 / 0 / 6 / 28

HEX #28B7AC

RGB 40 183 172

HSL 175.38, 0.64%, 0.44%

LAB 67.5, -38.46, -4.9

 

CMYK 65 / 0 / 5 / 35

HEX #3AA59C

RGB 58 165 156

HSL 174.95, 0.48%, 0.44%

LAB 61.84, -32.26, -4.31

 

CMYK 48 / 0 / 4 / 42

HEX #4D938D

RGB 77 147 141

HSL 174.86, 0.31%, 0.44%

LAB 56.45, -23.58, -3.67

 

CMYK 98 / 0 / 60 / 14

HEX #04DB57

RGB 4 219 87

HSL 143.16, 0.96%, 0.44%

LAB 76.91, -71.36, 51.43

 

CMYK 98 / 0 / 34 / 14

HEX #04DB90

RGB 4 219 144

HSL 159.07, 0.96%, 0.44%

LAB 77.7, -61.88, 24.6

 

CMYK 98 / 0 / 8 / 14

HEX #04DBC9

RGB 4 219 201

HSL 174.98, 0.96%, 0.44%

LAB 78.99, -47.92, -3.73

 

CMYK 98 / 18 / 0 / 14

HEX #04B4DB

RGB 4 180 219

HSL 190.88, 0.96%, 0.44%

LAB 67.86, -24.25, -30.28

 

CMYK 98 / 44 / 0 / 14

HEX #047ADB

RGB 4 122 219

HSL 207.07, 0.96%, 0.44%

LAB 50.76, 8.64, -57.23

 

CMYK 99 / 0 / 8 / 45

HEX #028B80

RGB 2 139 128

HSL 175.18, 0.97%, 0.28%

LAB 51.88, -33.95, -3.1

 

CMYK 98 / 0 / 8 / 30

HEX #03B3A5

RGB 3 179 165

HSL 175.23, 0.97%, 0.36%

LAB 65.73, -40.94, -3.67

 

CMYK 98 / 0 / 8 / 14

HEX #04DBCA

RGB 4 219 202

HSL 175.26, 0.96%, 0.44%

LAB 79.01, -47.64, -4.22

 

CMYK 94 / 0 / 8 / 2

HEX #0FFAE7

RGB 15 250 231

HSL 175.15, 0.96%, 0.52%

LAB 89.04, -52.36, -4.74

 

CMYK 78 / 0 / 6 / 2

HEX #37FAEB

RGB 55 250 235

HSL 175.38, 0.95%, 0.6%

LAB 89.48, -48.99, -6.14

 

CMYK 98 / 0 / 8 / 15

HEX #05DAC9

RGB 5 218 201

HSL 175.21, 0.96%, 0.44%

LAB 78.69, -47.47, -4.17

 

CMYK 87 / 98 / 0 / 14

HEX #1D04DB

RGB 29 4 219

HSL 246.98, 0.96%, 0.44%

LAB 28.01, 70.1, -94.54

 

CMYK 0 / 47 / 98 / 14

HEX #DB7304

RGB 219 115 4

HSL 30.98, 0.96%, 0.44%

LAB 59.28, 35.15, 66.04

 

CMYK 98 / 0 / 8 / 15

HEX #05DAC9

RGB 5 218 201

HSL 175.21, 0.96%, 0.44%

LAB 78.69, -47.47, -4.17

 

CMYK 8 / 98 / 0 / 14

HEX #C904DB

RGB 201 4 219

HSL 294.98, 0.96%, 0.44%

LAB 49.03, 84.51, -59.23

 

CMYK 0 / 8 / 98 / 14

HEX #DBC904

RGB 219 201 4

HSL 54.98, 0.96%, 0.44%

LAB 80.09, -10.23, 80.38

 

CMYK 98 / 0 / 8 / 15

HEX #05DAC9

RGB 5 218 201

HSL 175.21, 0.96%, 0.44%

LAB 78.69, -47.47, -4.17

 

CMYK 87 / 98 / 0 / 14

HEX #1D04DB

RGB 29 4 219

HSL 246.98, 0.96%, 0.44%

LAB 28.01, 70.1, -94.54

 

CMYK 0 / 98 / 90 / 14

HEX #DB0416

RGB 219 4 22

HSL 354.98, 0.96%, 0.44%

LAB 45.91, 71.29, 52.74

 

CMYK 11 / 0 / 98 / 14

HEX #C2DB04

RGB 194 219 4

HSL 66.98, 0.96%, 0.44%

LAB 82.99, -29.61, 81.65

 

CMYK 98 / 0 / 8 / 15

HEX #05DAC9

RGB 5 218 201

HSL 175.21, 0.96%, 0.44%

LAB 78.69, -47.47, -4.17

 

CMYK 57 / 98 / 0 / 14

HEX #5E04DB

RGB 94 4 219

HSL 265.12, 0.96%, 0.44%

LAB 33.09, 72.54, -85.94

 

CMYK 0 / 98 / 90 / 14

HEX #DB0416

RGB 219 4 22

HSL 354.98, 0.96%, 0.44%

LAB 45.91, 71.29, 52.74

 

CMYK 41 / 0 / 98 / 14

HEX #82DB04

RGB 130 219 4

HSL 84.84, 0.96%, 0.44%

LAB 79.28, -53.82, 77.19

 

Description

Color code: RGB 5 218 201 | qconv.com Color code: RGB 5 218 201 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 218 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 218 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 8 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 8% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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