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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 209 55 it is the complementary color RGB 250 46 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 209 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 209 55 shade: RGB 10 209 50, RGB 27 227 69, RGB 44 245 88, RGB 61 255 107 and RGB 78 255 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 209 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 209 55 shade: RGB 5 209 55, RGB 0 191 36, RGB 0 173 17, RGB 0 155 0 and RGB 0 137 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 209 55 shade: RGB 5 208 55, RGB 10 208 5, RGB 65 208 5, RGB 120 208 5 and RGB 174 208 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 209 55 shade: RGB 5 208 55, RGB 5 208 110, RGB 5 208 164, RGB 5 197 208 and RGB 5 142 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 209 55 shade matches the following richer shades: RGB 5 208 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 209 55 shade: RGB 5 208 55, RGB 22 191 64, RGB 40 174 72, RGB 57 156 81 and RGB 74 139 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 209 55 shade: RGB 66 208 5, RGB 12 208 5, RGB 5 208 52, RGB 5 208 107 and RGB 5 208 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 209 55 shade: RGB 3 128 33, RGB 4 168 44, RGB 5 208 55, RGB 6 248 66 and RGB 47 249 96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 209 55 shade: RGB 5 209 55, RGB 5 120 208 and RGB 208 5 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 209 55 shade: RGB 5 209 55, RGB 52 5 208 and RGB 208 52 5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 209 55 shade: RGB 5 209 55, RGB 5 120 208, RGB 208 5 161 and RGB 208 93 5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 209 55 shade: RGB 5 209 55, RGB 5 59 208, RGB 208 5 161 and RGB 208 154 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 74 / 18

HEX #05D137

RGB 5 209 55

HSL 134.71, 0.95%, 0.42%

LAB 73.49, -71.66, 60.48

 

Complementary color

CMYK 0 / 82 / 20 / 2

HEX #FA2EC8

RGB 250 46 200

HSL 314.71, 0.95%, 0.58%

LAB 58.46, 84.89, -32.88

 

CMYK 95 / 0 / 76 / 18

HEX #0AD132

RGB 10 209 50

HSL 132.06, 0.91%, 0.43%

LAB 73.48, -71.85, 62.16

 

CMYK 88 / 0 / 70 / 11

HEX #1BE345

RGB 27 227 69

HSL 132.6, 0.79%, 0.5%

LAB 79.39, -74.56, 61.55

 

CMYK 82 / 0 / 64 / 4

HEX #2CF558

RGB 44 245 88

HSL 133.13, 0.91%, 0.57%

LAB 85.27, -76.6, 60.53

 

CMYK 76 / 0 / 58 / 0

HEX #3DFF6B

RGB 61 255 107

HSL 134.23, 1%, 0.62%

LAB 88.72, -75.63, 56.5

 

CMYK 69 / 0 / 51 / 0

HEX #4EFF7E

RGB 78 255 126

HSL 136.27, 1%, 0.65%

LAB 89.23, -70.72, 48.6

 

CMYK 98 / 0 / 74 / 18

HEX #05D137

RGB 5 209 55

HSL 134.71, 0.95%, 0.42%

LAB 73.49, -71.66, 60.48

 

CMYK 100 / 0 / 81 / 25

HEX #00BF24

RGB 0 191 36

HSL 131.31, 1%, 0.37%

LAB 67.57, -68.11, 60.71

 

CMYK 100 / 0 / 90 / 32

HEX #00AD11

RGB 0 173 17

HSL 125.9, 1%, 0.34%

LAB 61.59, -63.98, 59.78

 

CMYK 100 / 0 / 100 / 39

HEX #009B00

RGB 0 155 0

HSL 120, 1%, 0.3%

LAB 55.53, -59.42, 57.35

 

CMYK 100 / 0 / 100 / 46

HEX #008900

RGB 0 137 0

HSL 120, 1%, 0.27%

LAB 49.36, -54.3, 52.41

 

CMYK 98 / 0 / 74 / 18

HEX #05D037

RGB 5 208 55

HSL 134.78, 0.95%, 0.42%

LAB 73.17, -71.38, 60.16

 

CMYK 95 / 0 / 98 / 18

HEX #0AD005

RGB 10 208 5

HSL 118.52, 0.95%, 0.42%

LAB 73.02, -73.43, 70.88

 

CMYK 69 / 0 / 98 / 18

HEX #41D005

RGB 65 208 5

HSL 102.27, 0.95%, 0.42%

LAB 73.71, -67.32, 71.73

 

CMYK 42 / 0 / 98 / 18

HEX #78D005

RGB 120 208 5

HSL 86.01, 0.95%, 0.42%

LAB 75.52, -52.82, 73.94

 

CMYK 16 / 0 / 98 / 18

HEX #AED005

RGB 174 208 5

HSL 70.05, 0.95%, 0.42%

LAB 78.53, -32.65, 77.58

 

CMYK 98 / 0 / 74 / 18

HEX #05D037

RGB 5 208 55

HSL 134.78, 0.95%, 0.42%

LAB 73.17, -71.38, 60.16

 

CMYK 98 / 0 / 47 / 18

HEX #05D06E

RGB 5 208 110

HSL 151.03, 0.95%, 0.42%

LAB 73.72, -64.53, 36.73

 

CMYK 98 / 0 / 21 / 18

HEX #05D0A4

RGB 5 208 164

HSL 167, 0.95%, 0.42%

LAB 74.71, -53.17, 9.89

 

CMYK 98 / 5 / 0 / 18

HEX #05C5D0

RGB 5 197 208

HSL 183.25, 0.95%, 0.42%

LAB 72.57, -36.09, -17.07

 

CMYK 98 / 32 / 0 / 18

HEX #058ED0

RGB 5 142 208

HSL 199.51, 0.95%, 0.42%

LAB 56.02, -7.58, -42.64

 

CMYK 98 / 0 / 74 / 18

HEX #05D037

RGB 5 208 55

HSL 134.78, 0.95%, 0.42%

LAB 73.17, -71.38, 60.16

 

CMYK 98 / 0 / 74 / 18

HEX #05D037

RGB 5 208 55

HSL 134.78, 0.95%, 0.42%

LAB 73.17, -71.38, 60.16

 

CMYK 88 / 0 / 66 / 25

HEX #16BF40

RGB 22 191 64

HSL 134.91, 0.79%, 0.42%

LAB 67.87, -64.69, 51.19

 

CMYK 77 / 0 / 59 / 32

HEX #28AE48

RGB 40 174 72

HSL 134.33, 0.63%, 0.42%

LAB 62.67, -56.38, 41.8

 

CMYK 63 / 0 / 48 / 39

HEX #399C51

RGB 57 156 81

HSL 134.55, 0.46%, 0.42%

LAB 57.31, -45.42, 30.87

 

CMYK 47 / 0 / 35 / 45

HEX #4A8B5A

RGB 74 139 90

HSL 134.77, 0.31%, 0.42%

LAB 52.57, -32.14, 19.93

 

CMYK 68 / 0 / 98 / 18

HEX #42D005

RGB 66 208 5

HSL 101.97, 0.95%, 0.42%

LAB 73.73, -67.12, 71.75

 

CMYK 94 / 0 / 98 / 18

HEX #0CD005

RGB 12 208 5

HSL 117.93, 0.95%, 0.42%

LAB 73.02, -73.35, 70.89

 

CMYK 98 / 0 / 75 / 18

HEX #05D034

RGB 5 208 52

HSL 133.89, 0.95%, 0.42%

LAB 73.15, -71.61, 61.17

 

CMYK 98 / 0 / 49 / 18

HEX #05D06B

RGB 5 208 107

HSL 150.15, 0.95%, 0.42%

LAB 73.68, -65.03, 38.16

 

CMYK 98 / 0 / 23 / 18

HEX #05D0A1

RGB 5 208 161

HSL 166.11, 0.95%, 0.42%

LAB 74.65, -53.91, 11.4

 

CMYK 98 / 0 / 74 / 50

HEX #038021

RGB 3 128 33

HSL 134.4, 0.95%, 0.26%

LAB 46.4, -49.57, 40.99

 

CMYK 98 / 0 / 74 / 34

HEX #04A82C

RGB 4 168 44

HSL 134.63, 0.95%, 0.34%

LAB 60.08, -60.72, 50.81

 

CMYK 98 / 0 / 74 / 18

HEX #05D037

RGB 5 208 55

HSL 134.78, 0.95%, 0.42%

LAB 73.17, -71.38, 60.16

 

CMYK 98 / 0 / 73 / 3

HEX #06F842

RGB 6 248 66

HSL 134.88, 0.95%, 0.5%

LAB 85.79, -81.65, 69.15

 

CMYK 81 / 0 / 61 / 2

HEX #2FF960

RGB 47 249 96

HSL 134.55, 0.94%, 0.58%

LAB 86.6, -76.65, 58.72

 

CMYK 98 / 0 / 74 / 18

HEX #05D137

RGB 5 209 55

HSL 134.71, 0.95%, 0.42%

LAB 73.49, -71.66, 60.48

 

CMYK 98 / 42 / 0 / 18

HEX #0578D0

RGB 5 120 208

HSL 206.01, 0.95%, 0.42%

LAB 49.52, 5.59, -52.98

 

CMYK 0 / 98 / 81 / 18

HEX #D00527

RGB 208 5 39

HSL 349.95, 0.95%, 0.42%

LAB 43.75, 68.83, 41.53

 

CMYK 98 / 0 / 74 / 18

HEX #05D137

RGB 5 209 55

HSL 134.71, 0.95%, 0.42%

LAB 73.49, -71.66, 60.48

 

CMYK 75 / 98 / 0 / 18

HEX #3405D0

RGB 52 5 208

HSL 253.89, 0.95%, 0.42%

LAB 27.83, 67.76, -88.44

 

CMYK 0 / 75 / 98 / 18

HEX #D03405

RGB 208 52 5

HSL 13.89, 0.95%, 0.42%

LAB 46.81, 59.02, 57.62

 

CMYK 98 / 0 / 74 / 18

HEX #05D137

RGB 5 209 55

HSL 134.71, 0.95%, 0.42%

LAB 73.49, -71.66, 60.48

 

CMYK 98 / 42 / 0 / 18

HEX #0578D0

RGB 5 120 208

HSL 206.01, 0.95%, 0.42%

LAB 49.52, 5.59, -52.98

 

CMYK 0 / 98 / 23 / 18

HEX #D005A1

RGB 208 5 161

HSL 313.89, 0.95%, 0.42%

LAB 47.09, 77.68, -28.37

 

CMYK 0 / 55 / 98 / 18

HEX #D05D05

RGB 208 93 5

HSL 26.01, 0.95%, 0.42%

LAB 53.22, 41.89, 61.27

 

CMYK 98 / 0 / 74 / 18

HEX #05D137

RGB 5 209 55

HSL 134.71, 0.95%, 0.42%

LAB 73.49, -71.66, 60.48

 

CMYK 98 / 72 / 0 / 18

HEX #053BD0

RGB 5 59 208

HSL 224.04, 0.95%, 0.42%

LAB 33.38, 44.85, -79.26

 

CMYK 0 / 98 / 23 / 18

HEX #D005A1

RGB 208 5 161

HSL 313.89, 0.95%, 0.42%

LAB 47.09, 77.68, -28.37

 

CMYK 0 / 26 / 98 / 18

HEX #D09A05

RGB 208 154 5

HSL 44.04, 0.95%, 0.42%

LAB 66.92, 9.6, 70.35

 

Description

Color code: RGB 5 209 55 | qconv.com Color code: RGB 5 209 55 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 209 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 209 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 74 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 74% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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