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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 254 140 it is the complementary color RGB 250 1 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 254 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 254 140 shade: RGB 10 254 135, RGB 27 255 154, RGB 44 255 173, RGB 61 255 192 and RGB 78 255 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 254 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 254 140 shade: RGB 5 254 140, RGB 0 236 121, RGB 0 218 102, RGB 0 200 83 and RGB 0 182 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 254 140 shade: RGB 6 253 140, RGB 6 253 73, RGB 6 253 7, RGB 72 253 6 and RGB 139 253 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 254 140 shade: RGB 6 253 140, RGB 6 253 207, RGB 6 233 253, RGB 6 166 253 and RGB 6 100 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 254 140 shade matches the following richer shades: RGB 6 253 140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 254 140 shade: RGB 6 253 140, RGB 26 233 138, RGB 46 213 137, RGB 67 193 135 and RGB 87 172 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 254 140 shade: RGB 6 253 6, RGB 6 253 72, RGB 6 253 138, RGB 6 253 204 and RGB 6 237 253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 254 140 shade: RGB 0 176 96, RGB 1 217 118, RGB 6 253 140, RGB 47 253 159 and RGB 88 254 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 254 140 shade: RGB 5 254 140, RGB 6 72 253 and RGB 253 39 6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 254 140 shade: RGB 5 254 140, RGB 138 6 253 and RGB 253 138 6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 254 140 shade: RGB 5 254 140, RGB 6 72 253, RGB 253 6 121 and RGB 253 187 6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 254 140 shade: RGB 5 254 140, RGB 14 6 253, RGB 253 6 121 and RGB 245 253 6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 45 / 0

HEX #05FE8C

RGB 5 254 140

HSL 152.53, 0.99%, 0.51%

LAB 88.36, -74.38, 40.68

 

Complementary color

CMYK 0 / 100 / 54 / 2

HEX #FA0173

RGB 250 1 115

HSL 332.53, 0.99%, 0.49%

LAB 53.58, 82.51, 9.91

 

CMYK 96 / 0 / 47 / 0

HEX #0AFE87

RGB 10 254 135

HSL 150.74, 0.99%, 0.52%

LAB 88.3, -75.08, 43.03

 

CMYK 89 / 0 / 40 / 0

HEX #1BFF9A

RGB 27 255 154

HSL 153.42, 1%, 0.55%

LAB 88.96, -71.45, 34.63

 

CMYK 83 / 0 / 32 / 0

HEX #2CFFAD

RGB 44 255 173

HSL 156.68, 1%, 0.59%

LAB 89.43, -66.64, 25.75

 

CMYK 76 / 0 / 25 / 0

HEX #3DFFC0

RGB 61 255 192

HSL 160.52, 1%, 0.62%

LAB 90.01, -60.98, 16.9

 

CMYK 69 / 0 / 17 / 0

HEX #4EFFD3

RGB 78 255 211

HSL 165.08, 1%, 0.65%

LAB 90.71, -54.55, 8.15

 

CMYK 98 / 0 / 45 / 0

HEX #05FE8C

RGB 5 254 140

HSL 152.53, 0.99%, 0.51%

LAB 88.36, -74.38, 40.68

 

CMYK 100 / 0 / 49 / 7

HEX #00EC79

RGB 0 236 121

HSL 150.76, 1%, 0.46%

LAB 82.58, -71.91, 42.52

 

CMYK 100 / 0 / 53 / 15

HEX #00DA66

RGB 0 218 102

HSL 148.07, 1%, 0.43%

LAB 76.74, -69.17, 44.37

 

CMYK 100 / 0 / 59 / 22

HEX #00C853

RGB 0 200 83

HSL 144.9, 1%, 0.39%

LAB 70.82, -66.25, 46.16

 

CMYK 100 / 0 / 65 / 29

HEX #00B640

RGB 0 182 64

HSL 141.1, 1%, 0.36%

LAB 64.82, -63.1, 47.79

 

CMYK 98 / 0 / 45 / 1

HEX #06FD8C

RGB 6 253 140

HSL 152.55, 0.98%, 0.51%

LAB 88.06, -74.03, 40.3

 

CMYK 98 / 0 / 71 / 1

HEX #06FD49

RGB 6 253 73

HSL 136.28, 0.98%, 0.51%

LAB 87.37, -82.47, 68.37

 

CMYK 98 / 0 / 97 / 1

HEX #06FD07

RGB 6 253 7

HSL 120.24, 0.98%, 0.51%

LAB 87.15, -85.4, 82.18

 

CMYK 72 / 0 / 98 / 1

HEX #48FD06

RGB 72 253 6

HSL 103.97, 0.98%, 0.51%

LAB 87.8, -79.6, 83.05

 

CMYK 45 / 0 / 98 / 1

HEX #8BFD06

RGB 139 253 6

HSL 87.69, 0.98%, 0.51%

LAB 89.74, -63.79, 85.43

 

CMYK 98 / 0 / 45 / 1

HEX #06FD8C

RGB 6 253 140

HSL 152.55, 0.98%, 0.51%

LAB 88.06, -74.03, 40.3

 

CMYK 98 / 0 / 18 / 1

HEX #06FDCF

RGB 6 253 207

HSL 168.83, 0.98%, 0.51%

LAB 89.3, -59.99, 8.1

 

CMYK 98 / 8 / 0 / 1

HEX #06E9FD

RGB 6 233 253

HSL 184.86, 0.98%, 0.51%

LAB 84.69, -38.8, -22.77

 

CMYK 98 / 34 / 0 / 1

HEX #06A6FD

RGB 6 166 253

HSL 201.13, 0.98%, 0.51%

LAB 65.28, -4.55, -52.9

 

CMYK 98 / 60 / 0 / 1

HEX #0664FD

RGB 6 100 253

HSL 217.17, 0.98%, 0.51%

LAB 47.29, 35.85, -81.91

 

CMYK 98 / 0 / 45 / 1

HEX #06FD8C

RGB 6 253 140

HSL 152.55, 0.98%, 0.51%

LAB 88.06, -74.03, 40.3

 

CMYK 98 / 0 / 45 / 1

HEX #06FD8C

RGB 6 253 140

HSL 152.55, 0.98%, 0.51%

LAB 88.06, -74.03, 40.3

 

CMYK 89 / 0 / 41 / 9

HEX #1AE98A

RGB 26 233 138

HSL 152.46, 0.82%, 0.51%

LAB 82.02, -67.03, 33.46

 

CMYK 78 / 0 / 36 / 16

HEX #2ED589

RGB 46 213 137

HSL 152.69, 0.67%, 0.51%

LAB 76.05, -58.5, 26.07

 

CMYK 65 / 0 / 30 / 24

HEX #43C187

RGB 67 193 135

HSL 152.38, 0.5%, 0.51%

LAB 70.23, -48.13, 19.27

 

CMYK 49 / 0 / 23 / 33

HEX #57AC85

RGB 87 172 133

HSL 152.47, 0.34%, 0.51%

LAB 64.34, -35.1, 12.26

 

CMYK 98 / 0 / 98 / 1

HEX #06FD06

RGB 6 253 6

HSL 120, 0.98%, 0.51%

LAB 87.14, -85.41, 82.25

 

CMYK 98 / 0 / 72 / 1

HEX #06FD48

RGB 6 253 72

HSL 136.03, 0.98%, 0.51%

LAB 87.37, -82.55, 68.71

 

CMYK 98 / 0 / 45 / 1

HEX #06FD8A

RGB 6 253 138

HSL 152.06, 0.98%, 0.51%

LAB 88.03, -74.37, 41.23

 

CMYK 98 / 0 / 19 / 1

HEX #06FDCC

RGB 6 253 204

HSL 168.1, 0.98%, 0.51%

LAB 89.23, -60.72, 9.55

 

CMYK 98 / 6 / 0 / 1

HEX #06EDFD

RGB 6 237 253

HSL 183.89, 0.98%, 0.51%

LAB 85.86, -40.62, -21.01

 

CMYK 100 / 0 / 45 / 31

HEX #00B060

RGB 0 176 96

HSL 152.73, 1%, 0.35%

LAB 63.26, -56.43, 30.47

 

CMYK 100 / 0 / 46 / 15

HEX #01D976

RGB 1 217 118

HSL 152.5, 0.99%, 0.43%

LAB 76.64, -66.25, 36.46

 

CMYK 98 / 0 / 45 / 1

HEX #06FD8C

RGB 6 253 140

HSL 152.55, 0.98%, 0.51%

LAB 88.06, -74.03, 40.3

 

CMYK 81 / 0 / 37 / 1

HEX #2FFD9F

RGB 47 253 159

HSL 152.62, 0.98%, 0.59%

LAB 88.62, -68.43, 31.71

 

CMYK 65 / 0 / 30 / 0

HEX #58FEB2

RGB 88 254 178

HSL 152.53, 0.99%, 0.67%

LAB 89.94, -59.84, 24.03

 

CMYK 98 / 0 / 45 / 0

HEX #05FE8C

RGB 5 254 140

HSL 152.53, 0.99%, 0.51%

LAB 88.36, -74.38, 40.68

 

CMYK 98 / 72 / 0 / 1

HEX #0648FD

RGB 6 72 253

HSL 223.97, 0.98%, 0.51%

LAB 40.84, 53, -92.53

 

CMYK 0 / 85 / 98 / 1

HEX #FD2706

RGB 253 39 6

HSL 8.02, 0.98%, 0.51%

LAB 54.39, 75.19, 66

 

CMYK 98 / 0 / 45 / 0

HEX #05FE8C

RGB 5 254 140

HSL 152.53, 0.99%, 0.51%

LAB 88.36, -74.38, 40.68

 

CMYK 45 / 98 / 0 / 1

HEX #8A06FD

RGB 138 6 253

HSL 272.06, 0.98%, 0.51%

LAB 42.19, 82.95, -90.02

 

CMYK 0 / 45 / 98 / 1

HEX #FD8A06

RGB 253 138 6

HSL 32.06, 0.98%, 0.51%

LAB 68.8, 37.09, 74.13

 

CMYK 98 / 0 / 45 / 0

HEX #05FE8C

RGB 5 254 140

HSL 152.53, 0.99%, 0.51%

LAB 88.36, -74.38, 40.68

 

CMYK 98 / 72 / 0 / 1

HEX #0648FD

RGB 6 72 253

HSL 223.97, 0.98%, 0.51%

LAB 40.84, 53, -92.53

 

CMYK 0 / 98 / 52 / 1

HEX #FD0679

RGB 253 6 121

HSL 332.06, 0.98%, 0.51%

LAB 54.44, 83.23, 7.59

 

CMYK 0 / 26 / 98 / 1

HEX #FDBB06

RGB 253 187 6

HSL 43.97, 0.98%, 0.51%

LAB 79.86, 11.66, 81.54

 

CMYK 98 / 0 / 45 / 0

HEX #05FE8C

RGB 5 254 140

HSL 152.53, 0.99%, 0.51%

LAB 88.36, -74.38, 40.68

 

CMYK 94 / 98 / 0 / 1

HEX #0E06FD

RGB 14 6 253

HSL 241.94, 0.98%, 0.51%

LAB 32.51, 77.89, -106.38

 

CMYK 0 / 98 / 52 / 1

HEX #FD0679

RGB 253 6 121

HSL 332.06, 0.98%, 0.51%

LAB 54.44, 83.23, 7.59

 

CMYK 3 / 0 / 98 / 1

HEX #F5FD06

RGB 245 253 6

HSL 61.94, 0.98%, 0.51%

LAB 95.86, -24.66, 92.78

 

Description

Color code: RGB 5 254 140 | qconv.com Color code: RGB 5 254 140 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 254 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 254 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 45 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 45% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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