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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 129 193 it is the complementary color RGB 250 126 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 129 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 129 193 shade: RGB 10 129 188, RGB 27 147 207, RGB 44 165 226, RGB 61 183 245 and RGB 78 201 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 129 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 129 193 shade: RGB 5 129 193, RGB 0 111 174, RGB 0 93 155, RGB 0 75 136 and RGB 0 57 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 129 193 shade: RGB 4 129 193, RGB 4 78 193, RGB 4 27 193, RGB 33 4 193 and RGB 84 4 193

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 129 193 shade: RGB 4 129 193, RGB 4 78 193, RGB 4 27 193 and RGB 4 4 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 129 193 shade matches the following richer shades: RGB 4 129 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 129 193 shade: RGB 4 129 193, RGB 21 124 177, RGB 37 119 161, RGB 53 114 145 and RGB 69 109 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 129 193 shade: RGB 4 193 156, RGB 4 181 193, RGB 4 130 193, RGB 4 80 193 and RGB 4 30 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 129 193 shade: RGB 2 75 113, RGB 3 102 153, RGB 4 129 193, RGB 6 156 234 and RGB 32 175 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 129 193 shade: RGB 5 129 193, RGB 105 4 193 and RGB 193 181 4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 129 193 shade: RGB 5 129 193, RGB 193 4 130 and RGB 130 193 4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 129 193 shade: RGB 5 129 193, RGB 105 4 193, RGB 193 67 4 and RGB 93 193 4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 129 193 shade: RGB 5 129 193, RGB 162 4 193, RGB 193 67 4 and RGB 36 193 4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 33 / 0 / 24

HEX #0581C1

RGB 5 129 193

HSL 200.43, 0.95%, 0.39%

LAB 51.36, -5.7, -41.49

 

Complementary color

CMYK 0 / 50 / 75 / 2

HEX #FA7E3E

RGB 250 126 62

HSL 20.43, 0.95%, 0.61%

LAB 66.21, 43.15, 54.91

 

CMYK 95 / 31 / 0 / 26

HEX #0A81BC

RGB 10 129 188

HSL 199.89, 0.9%, 0.39%

LAB 51.15, -7.42, -38.96

 

CMYK 87 / 29 / 0 / 19

HEX #1B93CF

RGB 27 147 207

HSL 200, 0.77%, 0.46%

LAB 57.66, -9.82, -39.49

 

CMYK 81 / 27 / 0 / 11

HEX #2CA5E2

RGB 44 165 226

HSL 200.11, 0.76%, 0.53%

LAB 64.11, -11.73, -39.93

 

CMYK 75 / 25 / 0 / 4

HEX #3DB7F5

RGB 61 183 245

HSL 200.22, 0.9%, 0.6%

LAB 70.49, -13.27, -40.31

 

CMYK 69 / 21 / 0 / 0

HEX #4EC9FF

RGB 78 201 255

HSL 198.31, 1%, 0.65%

LAB 76.44, -17.39, -36.41

 

CMYK 97 / 33 / 0 / 24

HEX #0581C1

RGB 5 129 193

HSL 200.43, 0.95%, 0.39%

LAB 51.36, -5.7, -41.49

 

CMYK 100 / 36 / 0 / 32

HEX #006FAE

RGB 0 111 174

HSL 201.72, 1%, 0.34%

LAB 44.84, -2.48, -40.84

 

CMYK 100 / 40 / 0 / 39

HEX #005D9B

RGB 0 93 155

HSL 204, 1%, 0.3%

LAB 38.19, 1.12, -40.17

 

CMYK 100 / 45 / 0 / 47

HEX #004B88

RGB 0 75 136

HSL 206.91, 1%, 0.27%

LAB 31.37, 5, -39.54

 

CMYK 100 / 51 / 0 / 54

HEX #003975

RGB 0 57 117

HSL 210.77, 1%, 0.23%

LAB 24.36, 9.24, -38.95

 

CMYK 98 / 33 / 0 / 24

HEX #0481C1

RGB 4 129 193

HSL 200.32, 0.96%, 0.39%

LAB 51.36, -5.73, -41.5

 

CMYK 98 / 60 / 0 / 24

HEX #044EC1

RGB 4 78 193

HSL 216.51, 0.96%, 0.39%

LAB 36.6, 26.86, -65.23

 

CMYK 98 / 86 / 0 / 24

HEX #041BC1

RGB 4 27 193

HSL 232.7, 0.96%, 0.39%

LAB 25.74, 56.65, -83.17

 

CMYK 83 / 98 / 0 / 24

HEX #2104C1

RGB 33 4 193

HSL 249.21, 0.96%, 0.39%

LAB 24.51, 63.72, -85.2

 

CMYK 56 / 98 / 0 / 24

HEX #5404C1

RGB 84 4 193

HSL 265.4, 0.96%, 0.39%

LAB 28.96, 65.96, -77.68

 

CMYK 98 / 33 / 0 / 24

HEX #0481C1

RGB 4 129 193

HSL 200.32, 0.96%, 0.39%

LAB 51.36, -5.73, -41.5

 

CMYK 98 / 60 / 0 / 24

HEX #044EC1

RGB 4 78 193

HSL 216.51, 0.96%, 0.39%

LAB 36.6, 26.86, -65.23

 

CMYK 98 / 86 / 0 / 24

HEX #041BC1

RGB 4 27 193

HSL 232.7, 0.96%, 0.39%

LAB 25.74, 56.65, -83.17

 

CMYK 98 / 98 / 0 / 24

HEX #0404C1

RGB 4 4 193

HSL 240, 0.96%, 0.39%

LAB 23.55, 63.34, -86.83

 

CMYK 98 / 33 / 0 / 24

HEX #0481C1

RGB 4 129 193

HSL 200.32, 0.96%, 0.39%

LAB 51.36, -5.73, -41.5

 

CMYK 98 / 33 / 0 / 24

HEX #0481C1

RGB 4 129 193

HSL 200.32, 0.96%, 0.39%

LAB 51.36, -5.73, -41.5

 

CMYK 88 / 30 / 0 / 31

HEX #157CB1

RGB 21 124 177

HSL 200.38, 0.79%, 0.39%

LAB 49.19, -8.1, -35.7

 

CMYK 77 / 26 / 0 / 37

HEX #2577A1

RGB 37 119 161

HSL 200.32, 0.63%, 0.39%

LAB 47.18, -9.6, -29.5

 

CMYK 63 / 21 / 0 / 43

HEX #357291

RGB 53 114 145

HSL 200.22, 0.46%, 0.39%

LAB 45.41, -9.77, -22.78

 

CMYK 47 / 16 / 0 / 49

HEX #456D81

RGB 69 109 129

HSL 200, 0.3%, 0.39%

LAB 43.93, -8.27, -15.45

 

CMYK 98 / 0 / 19 / 24

HEX #04C19C

RGB 4 193 156

HSL 168.25, 0.96%, 0.39%

LAB 69.87, -49.26, 7.29

 

CMYK 98 / 6 / 0 / 24

HEX #04B5C1

RGB 4 181 193

HSL 183.81, 0.96%, 0.39%

LAB 67.22, -33.3, -16.95

 

CMYK 98 / 33 / 0 / 24

HEX #0482C1

RGB 4 130 193

HSL 200, 0.96%, 0.39%

LAB 51.66, -6.32, -41.02

 

CMYK 98 / 59 / 0 / 24

HEX #0450C1

RGB 4 80 193

HSL 215.87, 0.96%, 0.39%

LAB 37.14, 25.52, -64.36

 

CMYK 98 / 84 / 0 / 24

HEX #041EC1

RGB 4 30 193

HSL 231.75, 0.96%, 0.39%

LAB 26.17, 55.37, -82.46

 

CMYK 98 / 34 / 0 / 56

HEX #024B71

RGB 2 75 113

HSL 200.54, 0.97%, 0.23%

LAB 30, -4.64, -27.39

 

CMYK 98 / 33 / 0 / 40

HEX #036699

RGB 3 102 153

HSL 200.4, 0.96%, 0.31%

LAB 40.93, -5.19, -34.62

 

CMYK 98 / 33 / 0 / 24

HEX #0481C1

RGB 4 129 193

HSL 200.32, 0.96%, 0.39%

LAB 51.36, -5.73, -41.5

 

CMYK 97 / 33 / 0 / 8

HEX #069CEA

RGB 6 156 234

HSL 200.53, 0.95%, 0.47%

LAB 61.44, -5.88, -48.57

 

CMYK 87 / 30 / 0 / 2

HEX #20AFF9

RGB 32 175 249

HSL 200.46, 0.95%, 0.55%

LAB 67.88, -10.03, -46.61

 

CMYK 97 / 33 / 0 / 24

HEX #0581C1

RGB 5 129 193

HSL 200.43, 0.95%, 0.39%

LAB 51.36, -5.7, -41.49

 

CMYK 46 / 98 / 0 / 24

HEX #6904C1

RGB 105 4 193

HSL 272.06, 0.96%, 0.39%

LAB 31.67, 67.66, -73.11

 

CMYK 0 / 6 / 98 / 24

HEX #C1B504

RGB 193 181 4

HSL 56.19, 0.96%, 0.39%

LAB 72.49, -11.35, 73.8

 

CMYK 97 / 33 / 0 / 24

HEX #0581C1

RGB 5 129 193

HSL 200.43, 0.95%, 0.39%

LAB 51.36, -5.7, -41.49

 

CMYK 0 / 98 / 33 / 24

HEX #C10482

RGB 193 4 130

HSL 320, 0.96%, 0.39%

LAB 42.82, 71.32, -16.41

 

CMYK 33 / 0 / 98 / 24

HEX #82C104

RGB 130 193 4

HSL 80, 0.96%, 0.39%

LAB 71.48, -43.22, 71.09

 

CMYK 97 / 33 / 0 / 24

HEX #0581C1

RGB 5 129 193

HSL 200.43, 0.95%, 0.39%

LAB 51.36, -5.7, -41.49

 

CMYK 46 / 98 / 0 / 24

HEX #6904C1

RGB 105 4 193

HSL 272.06, 0.96%, 0.39%

LAB 31.67, 67.66, -73.11

 

CMYK 0 / 65 / 98 / 24

HEX #C14304

RGB 193 67 4

HSL 20, 0.96%, 0.39%

LAB 46.12, 48.35, 56.03

 

CMYK 52 / 0 / 98 / 24

HEX #5DC104

RGB 93 193 4

HSL 91.75, 0.96%, 0.39%

LAB 69.81, -55.57, 69.05

 

CMYK 97 / 33 / 0 / 24

HEX #0581C1

RGB 5 129 193

HSL 200.43, 0.95%, 0.39%

LAB 51.36, -5.7, -41.49

 

CMYK 16 / 98 / 0 / 24

HEX #A204C1

RGB 162 4 193

HSL 290.16, 0.96%, 0.39%

LAB 40.6, 74.53, -58.14

 

CMYK 0 / 65 / 98 / 24

HEX #C14304

RGB 193 67 4

HSL 20, 0.96%, 0.39%

LAB 46.12, 48.35, 56.03

 

CMYK 81 / 0 / 98 / 24

HEX #24C104

RGB 36 193 4

HSL 109.84, 0.96%, 0.39%

LAB 68.4, -67.32, 67.34

 

Description

Color code: RGB 5 129 193 | qconv.com Color code: RGB 5 129 193 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 129 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 129 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 33 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 33% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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