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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 189 84 it is the complementary color RGB 250 66 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 189 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 189 84 shade: RGB 10 189 79, RGB 27 207 98, RGB 44 225 117, RGB 61 243 136 and RGB 78 255 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 189 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 189 84 shade: RGB 5 189 84, RGB 0 171 65, RGB 0 153 46, RGB 0 135 27 and RGB 0 117 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 189 84 shade: RGB 4 188 83, RGB 4 188 34, RGB 25 188 4, RGB 74 188 4 and RGB 124 188 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 189 84 shade: RGB 4 188 83, RGB 4 188 133, RGB 4 188 183, RGB 4 145 188 and RGB 4 95 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 189 84 shade matches the following richer shades: RGB 4 188 83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 189 84 shade: RGB 4 188 83, RGB 20 173 86, RGB 36 157 88, RGB 51 141 90 and RGB 67 126 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 189 84 shade: RGB 26 188 4, RGB 4 188 32, RGB 4 188 81, RGB 4 188 130 and RGB 4 188 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 189 84 shade: RGB 2 108 48, RGB 3 148 66, RGB 4 188 83, RGB 5 229 101 and RGB 27 249 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 189 84 shade: RGB 5 189 84, RGB 4 75 188 and RGB 188 7 4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 189 84 shade: RGB 5 189 84, RGB 81 4 188 and RGB 188 81 4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 189 84 shade: RGB 5 189 84, RGB 4 75 188, RGB 188 4 112 and RGB 188 118 4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 189 84 shade: RGB 5 189 84, RGB 4 20 188, RGB 188 4 112 and RGB 188 173 4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 56 / 26

HEX #05BD54

RGB 5 189 84

HSL 145.76, 0.95%, 0.38%

LAB 67.33, -62.47, 41.55

 

Complementary color

CMYK 0 / 74 / 32 / 2

HEX #FA42AB

RGB 250 66 171

HSL 325.76, 0.95%, 0.62%

LAB 59.12, 76.36, -15.14

 

CMYK 95 / 0 / 58 / 26

HEX #0ABD4F

RGB 10 189 79

HSL 143.13, 0.9%, 0.39%

LAB 67.3, -62.96, 43.88

 

CMYK 87 / 0 / 53 / 19

HEX #1BCF62

RGB 27 207 98

HSL 143.67, 0.77%, 0.46%

LAB 73.38, -65.02, 42.2

 

CMYK 80 / 0 / 48 / 12

HEX #2CE175

RGB 44 225 117

HSL 144.2, 0.75%, 0.53%

LAB 79.43, -66.5, 40.56

 

CMYK 75 / 0 / 44 / 5

HEX #3DF388

RGB 61 243 136

HSL 144.73, 0.88%, 0.6%

LAB 85.44, -67.54, 38.98

 

CMYK 69 / 0 / 39 / 0

HEX #4EFF9B

RGB 78 255 155

HSL 146.1, 1%, 0.65%

LAB 89.63, -66.13, 35.13

 

CMYK 97 / 0 / 56 / 26

HEX #05BD54

RGB 5 189 84

HSL 145.76, 0.95%, 0.38%

LAB 67.33, -62.47, 41.55

 

CMYK 100 / 0 / 62 / 33

HEX #00AB41

RGB 0 171 65

HSL 142.81, 1%, 0.34%

LAB 61.23, -59.6, 43.28

 

CMYK 100 / 0 / 70 / 40

HEX #00992E

RGB 0 153 46

HSL 138.04, 1%, 0.3%

LAB 55.05, -56.23, 44.76

 

CMYK 100 / 0 / 80 / 47

HEX #00871B

RGB 0 135 27

HSL 132, 1%, 0.26%

LAB 48.77, -52.45, 45.58

 

CMYK 100 / 0 / 93 / 54

HEX #007508

RGB 0 117 8

HSL 124.1, 1%, 0.23%

LAB 42.37, -48.12, 44.94

 

CMYK 98 / 0 / 56 / 26

HEX #04BC53

RGB 4 188 83

HSL 145.76, 0.96%, 0.38%

LAB 66.99, -62.34, 41.62

 

CMYK 98 / 0 / 82 / 26

HEX #04BC22

RGB 4 188 34

HSL 129.78, 0.96%, 0.38%

LAB 66.6, -67.21, 60.37

 

CMYK 87 / 0 / 98 / 26

HEX #19BC04

RGB 25 188 4

HSL 113.15, 0.96%, 0.38%

LAB 66.66, -67.01, 65.87

 

CMYK 61 / 0 / 98 / 26

HEX #4ABC04

RGB 74 188 4

HSL 97.17, 0.96%, 0.38%

LAB 67.6, -58.89, 67.02

 

CMYK 34 / 0 / 98 / 26

HEX #7CBC04

RGB 124 188 4

HSL 80.87, 0.96%, 0.38%

LAB 69.65, -43.31, 69.52

 

CMYK 98 / 0 / 56 / 26

HEX #04BC53

RGB 4 188 83

HSL 145.76, 0.96%, 0.38%

LAB 66.99, -62.34, 41.62

 

CMYK 98 / 0 / 29 / 26

HEX #04BC85

RGB 4 188 133

HSL 162.07, 0.96%, 0.38%

LAB 67.79, -52.92, 16.84

 

CMYK 98 / 0 / 3 / 26

HEX #04BCB7

RGB 4 188 183

HSL 178.37, 0.96%, 0.38%

LAB 69.05, -39.61, -8.69

 

CMYK 98 / 23 / 0 / 26

HEX #0491BC

RGB 4 145 188

HSL 194.02, 0.96%, 0.38%

LAB 56, -16.68, -31.37

 

CMYK 98 / 49 / 0 / 26

HEX #045FBC

RGB 4 95 188

HSL 210.33, 0.96%, 0.38%

LAB 40.96, 13.53, -55.23

 

CMYK 98 / 0 / 56 / 26

HEX #04BC53

RGB 4 188 83

HSL 145.76, 0.96%, 0.38%

LAB 66.99, -62.34, 41.62

 

CMYK 98 / 0 / 56 / 26

HEX #04BC53

RGB 4 188 83

HSL 145.76, 0.96%, 0.38%

LAB 66.99, -62.34, 41.62

 

CMYK 88 / 0 / 50 / 32

HEX #14AD56

RGB 20 173 86

HSL 145.88, 0.79%, 0.38%

LAB 62.26, -56.1, 34.37

 

CMYK 77 / 0 / 44 / 38

HEX #249D58

RGB 36 157 88

HSL 145.79, 0.63%, 0.38%

LAB 57.26, -48.34, 27.01

 

CMYK 64 / 0 / 36 / 45

HEX #338D5A

RGB 51 141 90

HSL 146, 0.47%, 0.38%

LAB 52.39, -38.92, 19.54

 

CMYK 47 / 0 / 27 / 51

HEX #437E5C

RGB 67 126 92

HSL 145.42, 0.31%, 0.38%

LAB 48.12, -27.59, 12.66

 

CMYK 86 / 0 / 98 / 26

HEX #1ABC04

RGB 26 188 4

HSL 112.83, 0.96%, 0.38%

LAB 66.67, -66.92, 65.88

 

CMYK 98 / 0 / 83 / 26

HEX #04BC20

RGB 4 188 32

HSL 129.13, 0.96%, 0.38%

LAB 66.59, -67.32, 60.9

 

CMYK 98 / 0 / 57 / 26

HEX #04BC51

RGB 4 188 81

HSL 145.11, 0.96%, 0.38%

LAB 66.97, -62.62, 42.54

 

CMYK 98 / 0 / 31 / 26

HEX #04BC82

RGB 4 188 130

HSL 161.09, 0.96%, 0.38%

LAB 67.73, -53.61, 18.38

 

CMYK 98 / 0 / 5 / 26

HEX #04BCB3

RGB 4 188 179

HSL 177.07, 0.96%, 0.38%

LAB 68.93, -40.8, -6.67

 

CMYK 98 / 0 / 56 / 58

HEX #026C30

RGB 2 108 48

HSL 146.04, 0.96%, 0.22%

LAB 39.5, -41.01, 26.04

 

CMYK 98 / 0 / 55 / 42

HEX #039442

RGB 3 148 66

HSL 146.07, 0.96%, 0.3%

LAB 53.59, -51.87, 33.81

 

CMYK 98 / 0 / 56 / 26

HEX #04BC53

RGB 4 188 83

HSL 145.76, 0.96%, 0.38%

LAB 66.99, -62.34, 41.62

 

CMYK 98 / 0 / 56 / 10

HEX #05E565

RGB 5 229 101

HSL 145.71, 0.96%, 0.46%

LAB 80.19, -72.54, 48.99

 

CMYK 89 / 0 / 51 / 2

HEX #1BF97A

RGB 27 249 122

HSL 145.68, 0.95%, 0.54%

LAB 86.7, -74.83, 47.19

 

CMYK 97 / 0 / 56 / 26

HEX #05BD54

RGB 5 189 84

HSL 145.76, 0.95%, 0.38%

LAB 67.33, -62.47, 41.55

 

CMYK 98 / 60 / 0 / 26

HEX #044BBC

RGB 4 75 188

HSL 216.85, 0.96%, 0.38%

LAB 35.38, 26.86, -64.31

 

CMYK 0 / 96 / 98 / 26

HEX #BC0704

RGB 188 7 4

HSL 0.98, 0.96%, 0.38%

LAB 39.33, 62.99, 52.01

 

CMYK 97 / 0 / 56 / 26

HEX #05BD54

RGB 5 189 84

HSL 145.76, 0.95%, 0.38%

LAB 67.33, -62.47, 41.55

 

CMYK 57 / 98 / 0 / 26

HEX #5104BC

RGB 81 4 188

HSL 265.11, 0.96%, 0.38%

LAB 28.03, 64.6, -76.28

 

CMYK 0 / 57 / 98 / 26

HEX #BC5104

RGB 188 81 4

HSL 25.11, 0.96%, 0.38%

LAB 47.73, 40.01, 56.53

 

CMYK 97 / 0 / 56 / 26

HEX #05BD54

RGB 5 189 84

HSL 145.76, 0.95%, 0.38%

LAB 67.33, -62.47, 41.55

 

CMYK 98 / 60 / 0 / 26

HEX #044BBC

RGB 4 75 188

HSL 216.85, 0.96%, 0.38%

LAB 35.38, 26.86, -64.31

 

CMYK 0 / 98 / 40 / 26

HEX #BC0470

RGB 188 4 112

HSL 324.78, 0.96%, 0.38%

LAB 41.13, 68.47, -7.88

 

CMYK 0 / 37 / 98 / 26

HEX #BC7604

RGB 188 118 4

HSL 37.17, 0.96%, 0.38%

LAB 55.74, 20.42, 61.68

 

CMYK 97 / 0 / 56 / 26

HEX #05BD54

RGB 5 189 84

HSL 145.76, 0.95%, 0.38%

LAB 67.33, -62.47, 41.55

 

CMYK 98 / 89 / 0 / 26

HEX #0414BC

RGB 4 20 188

HSL 234.78, 0.96%, 0.38%

LAB 24.18, 57.83, -82.81

 

CMYK 0 / 98 / 40 / 26

HEX #BC0470

RGB 188 4 112

HSL 324.78, 0.96%, 0.38%

LAB 41.13, 68.47, -7.88

 

CMYK 0 / 8 / 98 / 26

HEX #BCAD04

RGB 188 173 4

HSL 55.11, 0.96%, 0.38%

LAB 69.89, -9.43, 71.69

 

Description

Color code: RGB 5 189 84 | qconv.com Color code: RGB 5 189 84 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 189 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 189 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 56 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 56% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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