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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 178 90 it is the complementary color RGB 250 77 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 178 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 178 90 shade: RGB 10 178 85, RGB 27 196 104, RGB 44 214 123, RGB 61 232 142 and RGB 78 250 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 178 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 178 90 shade: RGB 5 178 90, RGB 0 160 71, RGB 0 142 52, RGB 0 124 33 and RGB 0 106 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 178 90 shade: RGB 4 179 90, RGB 4 179 43, RGB 12 179 4, RGB 59 179 4 and RGB 107 179 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 178 90 shade: RGB 4 179 90, RGB 4 179 137, RGB 4 173 179, RGB 4 126 179 and RGB 4 79 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 178 90 shade matches the following richer shades: RGB 4 179 90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 178 90 shade: RGB 4 179 90, RGB 19 164 90, RGB 34 149 90, RGB 49 134 91 and RGB 64 119 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 178 90 shade: RGB 13 179 4, RGB 4 179 42, RGB 4 179 88, RGB 4 179 135 and RGB 4 176 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 178 90 shade: RGB 2 98 49, RGB 3 138 69, RGB 4 179 90, RGB 5 219 110 and RGB 17 248 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 178 90 shade: RGB 5 178 90, RGB 4 59 179 and RGB 179 19 4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 178 90 shade: RGB 5 178 90, RGB 88 4 179 and RGB 179 88 4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 178 90 shade: RGB 5 178 90, RGB 4 59 179, RGB 179 4 94 and RGB 179 123 4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 178 90 shade: RGB 5 178 90, RGB 4 7 179, RGB 179 4 94 and RGB 179 176 4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 49 / 30

HEX #05B25A

RGB 5 178 90

HSL 149.48, 0.95%, 0.36%

LAB 63.84, -57.94, 34.31

 

Complementary color

CMYK 0 / 69 / 34 / 2

HEX #FA4DA5

RGB 250 77 165

HSL 329.48, 0.95%, 0.64%

LAB 60.2, 72.11, -10.04

 

CMYK 94 / 0 / 52 / 30

HEX #0AB255

RGB 10 178 85

HSL 146.79, 0.89%, 0.37%

LAB 63.8, -58.53, 36.78

 

CMYK 86 / 0 / 47 / 23

HEX #1BC468

RGB 27 196 104

HSL 147.34, 0.76%, 0.44%

LAB 69.97, -60.4, 35

 

CMYK 79 / 0 / 43 / 16

HEX #2CD67B

RGB 44 214 123

HSL 147.88, 0.67%, 0.51%

LAB 76.11, -61.72, 33.32

 

CMYK 74 / 0 / 39 / 9

HEX #3DE88E

RGB 61 232 142

HSL 148.42, 0.79%, 0.57%

LAB 82.19, -62.62, 31.75

 

CMYK 69 / 0 / 36 / 2

HEX #4EFAA1

RGB 78 250 161

HSL 148.95, 0.95%, 0.64%

LAB 88.24, -63.22, 30.29

 

CMYK 97 / 0 / 49 / 30

HEX #05B25A

RGB 5 178 90

HSL 149.48, 0.95%, 0.36%

LAB 63.84, -57.94, 34.31

 

CMYK 100 / 0 / 56 / 37

HEX #00A047

RGB 0 160 71

HSL 146.63, 1%, 0.31%

LAB 57.65, -55.26, 36.21

 

CMYK 100 / 0 / 63 / 44

HEX #008E34

RGB 0 142 52

HSL 141.97, 1%, 0.28%

LAB 51.37, -52.08, 38.05

 

CMYK 100 / 0 / 73 / 51

HEX #007C21

RGB 0 124 33

HSL 135.97, 1%, 0.24%

LAB 44.98, -48.54, 39.5

 

CMYK 100 / 0 / 87 / 58

HEX #006A0E

RGB 0 106 14

HSL 127.92, 1%, 0.21%

LAB 38.45, -44.46, 39.94

 

CMYK 98 / 0 / 50 / 30

HEX #04B35A

RGB 4 179 90

HSL 149.49, 0.96%, 0.36%

LAB 64.16, -58.32, 34.71

 

CMYK 98 / 0 / 76 / 30

HEX #04B32B

RGB 4 179 43

HSL 133.37, 0.96%, 0.36%

LAB 63.71, -64.04, 54.82

 

CMYK 93 / 0 / 98 / 30

HEX #0CB304

RGB 12 179 4

HSL 117.26, 0.96%, 0.36%

LAB 63.61, -65.4, 63.35

 

CMYK 67 / 0 / 98 / 30

HEX #3BB304

RGB 59 179 4

HSL 101.14, 0.96%, 0.36%

LAB 64.31, -59.3, 64.2

 

CMYK 40 / 0 / 98 / 30

HEX #6BB304

RGB 107 179 4

HSL 84.69, 0.96%, 0.36%

LAB 66.04, -45.67, 66.31

 

CMYK 98 / 0 / 50 / 30

HEX #04B35A

RGB 4 179 90

HSL 149.49, 0.96%, 0.36%

LAB 64.16, -58.32, 34.71

 

CMYK 98 / 0 / 23 / 30

HEX #04B389

RGB 4 179 137

HSL 165.6, 0.96%, 0.36%

LAB 65.02, -48.47, 10.78

 

CMYK 98 / 3 / 0 / 30

HEX #04ADB3

RGB 4 173 179

HSL 182.06, 0.96%, 0.36%

LAB 64.3, -33.94, -13.59

 

CMYK 98 / 30 / 0 / 30

HEX #047EB3

RGB 4 126 179

HSL 198.17, 0.96%, 0.36%

LAB 49.74, -9.33, -36

 

CMYK 98 / 56 / 0 / 30

HEX #044FB3

RGB 4 79 179

HSL 214.29, 0.96%, 0.36%

LAB 35.74, 20.53, -58.42

 

CMYK 98 / 0 / 50 / 30

HEX #04B35A

RGB 4 179 90

HSL 149.49, 0.96%, 0.36%

LAB 64.16, -58.32, 34.71

 

CMYK 98 / 0 / 50 / 30

HEX #04B35A

RGB 4 179 90

HSL 149.49, 0.96%, 0.36%

LAB 64.16, -58.32, 34.71

 

CMYK 88 / 0 / 45 / 36

HEX #13A45A

RGB 19 164 90

HSL 149.38, 0.79%, 0.36%

LAB 59.37, -52.34, 28.63

 

CMYK 77 / 0 / 40 / 42

HEX #22955A

RGB 34 149 90

HSL 149.22, 0.63%, 0.36%

LAB 54.63, -45.17, 22.46

 

CMYK 63 / 0 / 32 / 47

HEX #31865B

RGB 49 134 91

HSL 149.65, 0.46%, 0.36%

LAB 50.05, -36.1, 15.79

 

CMYK 46 / 0 / 24 / 53

HEX #40775B

RGB 64 119 91

HSL 149.45, 0.3%, 0.36%

LAB 45.69, -25.23, 9.83

 

CMYK 93 / 0 / 98 / 30

HEX #0DB304

RGB 13 179 4

HSL 116.91, 0.96%, 0.36%

LAB 63.62, -65.35, 63.36

 

CMYK 98 / 0 / 77 / 30

HEX #04B32A

RGB 4 179 42

HSL 133.03, 0.96%, 0.36%

LAB 63.7, -64.11, 55.15

 

CMYK 98 / 0 / 51 / 30

HEX #04B358

RGB 4 179 88

HSL 148.8, 0.96%, 0.36%

LAB 64.14, -58.65, 35.68

 

CMYK 98 / 0 / 25 / 30

HEX #04B387

RGB 4 179 135

HSL 164.91, 0.96%, 0.36%

LAB 64.97, -48.96, 11.82

 

CMYK 98 / 2 / 0 / 30

HEX #04B0B3

RGB 4 176 179

HSL 181.03, 0.96%, 0.36%

LAB 65.22, -35.35, -12.2

 

CMYK 98 / 0 / 50 / 62

HEX #026231

RGB 2 98 49

HSL 149.38, 0.96%, 0.2%

LAB 35.93, -37.14, 21.02

 

CMYK 98 / 0 / 50 / 46

HEX #038A45

RGB 3 138 69

HSL 149.33, 0.96%, 0.28%

LAB 50.25, -47.94, 28.12

 

CMYK 98 / 0 / 50 / 30

HEX #04B35A

RGB 4 179 90

HSL 149.49, 0.96%, 0.36%

LAB 64.16, -58.32, 34.71

 

CMYK 98 / 0 / 50 / 14

HEX #05DB6E

RGB 5 219 110

HSL 149.44, 0.96%, 0.44%

LAB 77.17, -68.09, 41.07

 

CMYK 93 / 0 / 47 / 3

HEX #11F883

RGB 17 248 131

HSL 149.61, 0.94%, 0.52%

LAB 86.45, -73.59, 42.61

 

CMYK 97 / 0 / 49 / 30

HEX #05B25A

RGB 5 178 90

HSL 149.48, 0.95%, 0.36%

LAB 63.84, -57.94, 34.31

 

CMYK 98 / 67 / 0 / 30

HEX #043BB3

RGB 4 59 179

HSL 221.14, 0.96%, 0.36%

LAB 30.42, 33.98, -67.12

 

CMYK 0 / 89 / 98 / 30

HEX #B31304

RGB 179 19 4

HSL 5.14, 0.96%, 0.36%

LAB 37.95, 59.03, 50.27

 

CMYK 97 / 0 / 49 / 30

HEX #05B25A

RGB 5 178 90

HSL 149.48, 0.95%, 0.36%

LAB 63.84, -57.94, 34.31

 

CMYK 51 / 98 / 0 / 30

HEX #5804B3

RGB 88 4 179

HSL 268.8, 0.96%, 0.36%

LAB 27.89, 63.07, -71.12

 

CMYK 0 / 51 / 98 / 30

HEX #B35804

RGB 179 88 4

HSL 28.8, 0.96%, 0.36%

LAB 47.72, 32.83, 55.81

 

CMYK 97 / 0 / 49 / 30

HEX #05B25A

RGB 5 178 90

HSL 149.48, 0.95%, 0.36%

LAB 63.84, -57.94, 34.31

 

CMYK 98 / 67 / 0 / 30

HEX #043BB3

RGB 4 59 179

HSL 221.14, 0.96%, 0.36%

LAB 30.42, 33.98, -67.12

 

CMYK 0 / 98 / 47 / 30

HEX #B3045E

RGB 179 4 94

HSL 329.14, 0.96%, 0.36%

LAB 38.69, 64.88, -0.31

 

CMYK 0 / 31 / 98 / 30

HEX #B37B04

RGB 179 123 4

HSL 40.8, 0.96%, 0.36%

LAB 55.85, 13.62, 61.22

 

CMYK 97 / 0 / 49 / 30

HEX #05B25A

RGB 5 178 90

HSL 149.48, 0.95%, 0.36%

LAB 63.84, -57.94, 34.31

 

CMYK 98 / 96 / 0 / 30

HEX #0407B3

RGB 4 7 179

HSL 238.97, 0.96%, 0.36%

LAB 21.7, 59, -81.59

 

CMYK 0 / 98 / 47 / 30

HEX #B3045E

RGB 179 4 94

HSL 329.14, 0.96%, 0.36%

LAB 38.69, 64.88, -0.31

 

CMYK 0 / 2 / 98 / 30

HEX #B3B004

RGB 179 176 4

HSL 58.97, 0.96%, 0.36%

LAB 69.93, -14.95, 71.37

 

Description

Color code: RGB 5 178 90 | qconv.com Color code: RGB 5 178 90 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 178 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 178 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 49 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 49% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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