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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 165 203 it is the complementary color RGB 250 90 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 165 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 165 203 shade: RGB 10 165 198, RGB 27 183 217, RGB 44 201 236, RGB 61 219 255 and RGB 78 237 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 165 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 165 203 shade: RGB 5 165 203, RGB 0 147 184, RGB 0 129 165, RGB 0 111 146 and RGB 0 93 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 165 203 shade: RGB 5 165 203, RGB 5 112 203, RGB 5 58 203, RGB 5 5 203 and RGB 58 5 203

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 165 203 shade: RGB 5 165 203, RGB 5 112 203, RGB 5 58 203 and RGB 5 5 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 165 203 shade matches the following richer shades: RGB 5 165 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 165 203 shade: RGB 5 165 203, RGB 22 155 186, RGB 39 144 170, RGB 55 134 153 and RGB 72 124 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 165 203 shade: RGB 5 203 134, RGB 5 203 187, RGB 5 167 203, RGB 5 114 203 and RGB 5 61 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 165 203 shade: RGB 3 100 123, RGB 4 133 163, RGB 5 165 203, RGB 6 198 244 and RGB 42 209 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 165 203 shade: RGB 5 165 203, RGB 81 5 203 and RGB 203 160 5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 165 203 shade: RGB 5 165 203, RGB 203 5 167 and RGB 167 203 5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 165 203 shade: RGB 5 165 203, RGB 81 5 203, RGB 203 41 5 and RGB 127 203 5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 165 203 shade: RGB 5 165 203, RGB 140 5 203, RGB 203 41 5 and RGB 68 203 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 19 / 0 / 20

HEX #05A5CB

RGB 5 165 203

HSL 191.52, 0.95%, 0.41%

LAB 62.72, -21.99, -29.37

 

Complementary color

CMYK 0 / 64 / 79 / 2

HEX #FA5A34

RGB 250 90 52

HSL 11.52, 0.95%, 0.59%

LAB 59.78, 59.25, 53.19

 

CMYK 95 / 17 / 0 / 22

HEX #0AA5C6

RGB 10 165 198

HSL 190.53, 0.9%, 0.41%

LAB 62.55, -23.55, -26.85

 

CMYK 88 / 16 / 0 / 15

HEX #1BB7D9

RGB 27 183 217

HSL 190.74, 0.78%, 0.48%

LAB 68.83, -25.56, -27.67

 

CMYK 81 / 15 / 0 / 7

HEX #2CC9EC

RGB 44 201 236

HSL 190.94, 0.83%, 0.55%

LAB 75.05, -27.18, -28.41

 

CMYK 76 / 14 / 0 / 0

HEX #3DDBFF

RGB 61 219 255

HSL 191.13, 1%, 0.62%

LAB 81.22, -28.49, -29.08

 

CMYK 69 / 7 / 0 / 0

HEX #4EEDFF

RGB 78 237 255

HSL 186.1, 1%, 0.65%

LAB 86.71, -35.14, -20.7

 

CMYK 98 / 19 / 0 / 20

HEX #05A5CB

RGB 5 165 203

HSL 191.52, 0.95%, 0.41%

LAB 62.72, -21.99, -29.37

 

CMYK 100 / 20 / 0 / 28

HEX #0093B8

RGB 0 147 184

HSL 192.07, 1%, 0.36%

LAB 56.41, -19.34, -28.45

 

CMYK 100 / 22 / 0 / 35

HEX #0081A5

RGB 0 129 165

HSL 193.09, 1%, 0.32%

LAB 50, -16.44, -27.49

 

CMYK 100 / 24 / 0 / 43

HEX #006F92

RGB 0 111 146

HSL 194.38, 1%, 0.29%

LAB 43.43, -13.42, -26.54

 

CMYK 100 / 27 / 0 / 50

HEX #005D7F

RGB 0 93 127

HSL 196.06, 1%, 0.25%

LAB 36.67, -10.26, -25.61

 

CMYK 98 / 19 / 0 / 20

HEX #05A5CB

RGB 5 165 203

HSL 191.52, 0.95%, 0.41%

LAB 62.72, -21.99, -29.37

 

CMYK 98 / 45 / 0 / 20

HEX #0570CB

RGB 5 112 203

HSL 207.58, 0.95%, 0.41%

LAB 46.89, 8.63, -54.35

 

CMYK 98 / 71 / 0 / 20

HEX #053ACB

RGB 5 58 203

HSL 223.94, 0.95%, 0.41%

LAB 32.64, 43.65, -77.59

 

CMYK 98 / 98 / 0 / 20

HEX #0505CB

RGB 5 5 203

HSL 240, 0.95%, 0.41%

LAB 25.11, 65.68, -90.1

 

CMYK 71 / 98 / 0 / 20

HEX #3A05CB

RGB 58 5 203

HSL 256.06, 0.95%, 0.41%

LAB 27.63, 66.75, -85.84

 

CMYK 98 / 19 / 0 / 20

HEX #05A5CB

RGB 5 165 203

HSL 191.52, 0.95%, 0.41%

LAB 62.72, -21.99, -29.37

 

CMYK 98 / 45 / 0 / 20

HEX #0570CB

RGB 5 112 203

HSL 207.58, 0.95%, 0.41%

LAB 46.89, 8.63, -54.35

 

CMYK 98 / 71 / 0 / 20

HEX #053ACB

RGB 5 58 203

HSL 223.94, 0.95%, 0.41%

LAB 32.64, 43.65, -77.59

 

CMYK 98 / 98 / 0 / 20

HEX #0505CB

RGB 5 5 203

HSL 240, 0.95%, 0.41%

LAB 25.11, 65.68, -90.1

 

CMYK 98 / 19 / 0 / 20

HEX #05A5CB

RGB 5 165 203

HSL 191.52, 0.95%, 0.41%

LAB 62.72, -21.99, -29.37

 

CMYK 98 / 19 / 0 / 20

HEX #05A5CB

RGB 5 165 203

HSL 191.52, 0.95%, 0.41%

LAB 62.72, -21.99, -29.37

 

CMYK 88 / 17 / 0 / 27

HEX #169BBA

RGB 22 155 186

HSL 191.34, 0.79%, 0.41%

LAB 59.12, -21.93, -25.39

 

CMYK 77 / 15 / 0 / 33

HEX #2790AA

RGB 39 144 170

HSL 191.91, 0.63%, 0.41%

LAB 55.36, -20.1, -22.06

 

CMYK 64 / 12 / 0 / 40

HEX #378699

RGB 55 134 153

HSL 191.63, 0.47%, 0.41%

LAB 52.02, -17.98, -17.33

 

CMYK 47 / 9 / 0 / 47

HEX #487C88

RGB 72 124 136

HSL 191.25, 0.31%, 0.41%

LAB 48.97, -13.97, -11.95

 

CMYK 98 / 0 / 34 / 20

HEX #05CB86

RGB 5 203 134

HSL 159.09, 0.95%, 0.41%

LAB 72.54, -58.22, 22.83

 

CMYK 98 / 0 / 8 / 20

HEX #05CBBB

RGB 5 203 187

HSL 175.15, 0.95%, 0.41%

LAB 73.76, -45, -3.9

 

CMYK 98 / 18 / 0 / 20

HEX #05A7CB

RGB 5 167 203

HSL 190.91, 0.95%, 0.41%

LAB 63.33, -23.03, -28.44

 

CMYK 98 / 44 / 0 / 20

HEX #0572CB

RGB 5 114 203

HSL 206.97, 0.95%, 0.41%

LAB 47.47, 7.37, -53.42

 

CMYK 98 / 70 / 0 / 20

HEX #053DCB

RGB 5 61 203

HSL 223.03, 0.95%, 0.41%

LAB 33.31, 41.8, -76.47

 

CMYK 98 / 19 / 0 / 52

HEX #03647B

RGB 3 100 123

HSL 191.5, 0.95%, 0.25%

LAB 38.84, -15.7, -19.8

 

CMYK 98 / 18 / 0 / 36

HEX #0485A3

RGB 4 133 163

HSL 191.32, 0.95%, 0.33%

LAB 51.2, -19.18, -24.46

 

CMYK 98 / 19 / 0 / 20

HEX #05A5CB

RGB 5 165 203

HSL 191.52, 0.95%, 0.41%

LAB 62.72, -21.99, -29.37

 

CMYK 98 / 19 / 0 / 4

HEX #06C6F4

RGB 6 198 244

HSL 191.6, 0.95%, 0.49%

LAB 74.16, -24.88, -34.12

 

CMYK 83 / 16 / 0 / 2

HEX #2AD1F9

RGB 42 209 249

HSL 191.59, 0.95%, 0.57%

LAB 77.84, -27.12, -31.11

 

CMYK 98 / 19 / 0 / 20

HEX #05A5CB

RGB 5 165 203

HSL 191.52, 0.95%, 0.41%

LAB 62.72, -21.99, -29.37

 

CMYK 60 / 98 / 0 / 20

HEX #5105CB

RGB 81 5 203

HSL 263.03, 0.95%, 0.41%

LAB 29.84, 67.91, -82.1

 

CMYK 0 / 21 / 98 / 20

HEX #CBA005

RGB 203 160 5

HSL 46.97, 0.95%, 0.41%

LAB 67.91, 4.15, 70.8

 

CMYK 98 / 19 / 0 / 20

HEX #05A5CB

RGB 5 165 203

HSL 191.52, 0.95%, 0.41%

LAB 62.72, -21.99, -29.37

 

CMYK 0 / 98 / 18 / 20

HEX #CB05A7

RGB 203 5 167

HSL 310.91, 0.95%, 0.41%

LAB 46.44, 77.46, -33.04

 

CMYK 18 / 0 / 98 / 20

HEX #A7CB05

RGB 167 203 5

HSL 70.91, 0.95%, 0.41%

LAB 76.64, -33.19, 75.93

 

CMYK 98 / 19 / 0 / 20

HEX #05A5CB

RGB 5 165 203

HSL 191.52, 0.95%, 0.41%

LAB 62.72, -21.99, -29.37

 

CMYK 60 / 98 / 0 / 20

HEX #5105CB

RGB 81 5 203

HSL 263.03, 0.95%, 0.41%

LAB 29.84, 67.91, -82.1

 

CMYK 0 / 80 / 98 / 20

HEX #CB2905

RGB 203 41 5

HSL 10.91, 0.95%, 0.41%

LAB 44.65, 60.84, 55.98

 

CMYK 37 / 0 / 98 / 20

HEX #7FCB05

RGB 127 203 5

HSL 83.03, 0.95%, 0.41%

LAB 74.34, -48.45, 73.15

 

CMYK 98 / 19 / 0 / 20

HEX #05A5CB

RGB 5 165 203

HSL 191.52, 0.95%, 0.41%

LAB 62.72, -21.99, -29.37

 

CMYK 31 / 98 / 0 / 20

HEX #8C05CB

RGB 140 5 203

HSL 280.91, 0.95%, 0.41%

LAB 37.83, 73.31, -68.64

 

CMYK 0 / 80 / 98 / 20

HEX #CB2905

RGB 203 41 5

HSL 10.91, 0.95%, 0.41%

LAB 44.65, 60.84, 55.98

 

CMYK 67 / 0 / 98 / 20

HEX #44CB05

RGB 68 203 5

HSL 100.91, 0.95%, 0.41%

LAB 72.2, -65.15, 70.54

 

Description

Color code: RGB 5 165 203 | qconv.com Color code: RGB 5 165 203 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 165 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 165 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 19 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 19% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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