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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 36 43 it is the complementary color RGB 196 219 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 36 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 36 43 shade: RGB 64 36 38, RGB 81 54 57, RGB 98 72 76, RGB 115 90 95 and RGB 132 108 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 36 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 36 43 shade: RGB 59 36 43, RGB 42 18 24, RGB 25 0 5 and RGB 8 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 36 43 shade: RGB 60 36 43, RGB 60 36 37 and RGB 60 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 36 43 shade: RGB 60 36 43, RGB 60 36 50, RGB 60 36 56, RGB 57 36 60 and RGB 51 36 60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 36 43 shade matches the following richer shades: RGB 60 36 43, RGB 67 28 40, RGB 75 21 37, RGB 83 13 34 and RGB 91 5 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 36 43 shade: RGB 60 36 43, RGB 52 44 46, RGB 44 52 50, RGB 36 60 53 and RGB 28 68 56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 36 43 shade: RGB 60 36 56, RGB 60 36 50, RGB 60 36 44, RGB 60 36 37 and RGB 60 41 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 36 43 shade: RGB 8 5 6, RGB 34 21 25, RGB 60 36 43, RGB 85 52 62 and RGB 111 68 81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 36 43 shade: RGB 59 36 43, RGB 60 57 36 and RGB 36 53 60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 36 43 shade: RGB 59 36 43, RGB 44 60 36 and RGB 36 44 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 36 43 shade: RGB 59 36 43, RGB 60 57 36, RGB 36 60 52 and RGB 36 39 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 36 43 shade: RGB 59 36 43, RGB 55 60 36, RGB 36 60 52 and RGB 41 36 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 27 / 77

HEX #3B242B

RGB 59 36 43

HSL 341.74, 0.24%, 0.19%

LAB 17.3, 12.17, -0.11

 

Complementary color

CMYK 11 / 0 / 3 / 14

HEX #C4DBD4

RGB 196 219 212

HSL 161.74, 0.24%, 0.81%

LAB 85.58, -8.98, 0.83

 

CMYK 0 / 44 / 41 / 75

HEX #402426

RGB 64 36 38

HSL 355.71, 0.28%, 0.2%

LAB 17.88, 13.63, 4.35

 

CMYK 0 / 33 / 30 / 68

HEX #513639

RGB 81 54 57

HSL 353.33, 0.2%, 0.26%

LAB 25.81, 12.59, 3.01

 

CMYK 0 / 27 / 22 / 62

HEX #62484C

RGB 98 72 76

HSL 350.77, 0.15%, 0.33%

LAB 33.46, 11.78, 1.94

 

CMYK 0 / 22 / 17 / 55

HEX #735A5F

RGB 115 90 95

HSL 348, 0.12%, 0.4%

LAB 40.87, 11.11, 1.04

 

CMYK 0 / 18 / 14 / 48

HEX #846C72

RGB 132 108 114

HSL 345, 0.1%, 0.47%

LAB 48.06, 10.54, 0.23

 

CMYK 0 / 39 / 27 / 77

HEX #3B242B

RGB 59 36 43

HSL 341.74, 0.24%, 0.19%

LAB 17.3, 12.17, -0.11

 

CMYK 0 / 57 / 43 / 84

HEX #2A1218

RGB 42 18 24

HSL 345, 0.4%, 0.12%

LAB 8.91, 13.28, 1.28

 

CMYK 0 / 100 / 80 / 90

HEX #190005

RGB 25 0 5

HSL 348, 1%, 0.05%

LAB 1.97, 9.07, 1.06

 

CMYK 0 / 100 / 100 / 97

HEX #080000

RGB 8 0 0

HSL 0, 1%, 0.02%

LAB 0.47, 2.09, 0.74

 

CMYK 0 / 40 / 28 / 76

HEX #3C242B

RGB 60 36 43

HSL 342.5, 0.25%, 0.19%

LAB 17.45, 12.62, 0.12

 

CMYK 0 / 40 / 38 / 76

HEX #3C2425

RGB 60 36 37

HSL 357.5, 0.25%, 0.19%

LAB 17.25, 11.6, 4.08

 

CMYK 0 / 40 / 40 / 76

HEX #3C2424

RGB 60 36 36

HSL 0, 0.25%, 0.19%

LAB 17.23, 11.45, 4.74

 

CMYK 0 / 40 / 28 / 76

HEX #3C242B

RGB 60 36 43

HSL 342.5, 0.25%, 0.19%

LAB 17.45, 12.62, 0.12

 

CMYK 0 / 40 / 17 / 76

HEX #3C2432

RGB 60 36 50

HSL 325, 0.25%, 0.19%

LAB 17.7, 13.96, -4.43

 

CMYK 0 / 40 / 7 / 76

HEX #3C2438

RGB 60 36 56

HSL 310, 0.25%, 0.19%

LAB 17.95, 15.23, -8.25

 

CMYK 5 / 40 / 0 / 76

HEX #39243C

RGB 57 36 60

HSL 292.5, 0.25%, 0.19%

LAB 17.73, 14.96, -11.43

 

CMYK 15 / 40 / 0 / 76

HEX #33243C

RGB 51 36 60

HSL 277.5, 0.25%, 0.19%

LAB 16.95, 12.61, -12.69

 

CMYK 0 / 40 / 28 / 76

HEX #3C242B

RGB 60 36 43

HSL 342.5, 0.25%, 0.19%

LAB 17.45, 12.62, 0.12

 

CMYK 0 / 58 / 40 / 74

HEX #431C28

RGB 67 28 40

HSL 341.54, 0.41%, 0.19%

LAB 16.39, 20.36, 0.85

 

CMYK 0 / 72 / 51 / 71

HEX #4B1525

RGB 75 21 37

HSL 342.22, 0.56%, 0.19%

LAB 16.33, 27.03, 3.12

 

CMYK 0 / 84 / 59 / 67

HEX #530D22

RGB 83 13 34

HSL 342, 0.73%, 0.19%

LAB 16.71, 32.92, 6.07

 

CMYK 0 / 95 / 66 / 64

HEX #5B051F

RGB 91 5 31

HSL 341.86, 0.9%, 0.19%

LAB 17.61, 37.57, 9.76

 

CMYK 0 / 40 / 28 / 76

HEX #3C242B

RGB 60 36 43

HSL 342.5, 0.25%, 0.19%

LAB 17.45, 12.62, 0.12

 

CMYK 0 / 15 / 12 / 80

HEX #342C2E

RGB 52 44 46

HSL 345, 0.08%, 0.19%

LAB 18.92, 4.08, 0.05

 

CMYK 15 / 0 / 4 / 80

HEX #2C3432

RGB 44 52 50

HSL 165, 0.08%, 0.19%

LAB 20.91, -3.9, 0.11

 

CMYK 40 / 0 / 12 / 76

HEX #243C35

RGB 36 60 53

HSL 162.5, 0.25%, 0.19%

LAB 23.22, -11.27, 1.37

 

CMYK 59 / 0 / 18 / 73

HEX #1C4438

RGB 28 68 56

HSL 162, 0.42%, 0.19%

LAB 25.76, -17.56, 3.01

 

CMYK 0 / 40 / 7 / 76

HEX #3C2438

RGB 60 36 56

HSL 310, 0.25%, 0.19%

LAB 17.95, 15.23, -8.25

 

CMYK 0 / 40 / 17 / 76

HEX #3C2432

RGB 60 36 50

HSL 325, 0.25%, 0.19%

LAB 17.7, 13.96, -4.43

 

CMYK 0 / 40 / 27 / 76

HEX #3C242C

RGB 60 36 44

HSL 340, 0.25%, 0.19%

LAB 17.48, 12.8, -0.54

 

CMYK 0 / 40 / 38 / 76

HEX #3C2425

RGB 60 36 37

HSL 357.5, 0.25%, 0.19%

LAB 17.25, 11.6, 4.08

 

CMYK 0 / 32 / 40 / 76

HEX #3C2924

RGB 60 41 36

HSL 12.5, 0.25%, 0.19%

LAB 18.69, 8.06, 6.79

 

CMYK 0 / 37 / 25 / 97

HEX #080506

RGB 8 5 6

HSL 340, 0.23%, 0.03%

LAB 1.57, 0.92, -0.1

 

CMYK 0 / 38 / 26 / 87

HEX #221519

RGB 34 21 25

HSL 341.54, 0.24%, 0.11%

LAB 8.54, 7.44, -0.18

 

CMYK 0 / 40 / 28 / 76

HEX #3C242B

RGB 60 36 43

HSL 342.5, 0.25%, 0.19%

LAB 17.45, 12.62, 0.12

 

CMYK 0 / 39 / 27 / 67

HEX #55343E

RGB 85 52 62

HSL 341.82, 0.24%, 0.27%

LAB 25.97, 16.45, -0.04

 

CMYK 0 / 39 / 27 / 56

HEX #6F4451

RGB 111 68 81

HSL 341.86, 0.24%, 0.35%

LAB 34.21, 20.48, 0.04

 

CMYK 0 / 39 / 27 / 77

HEX #3B242B

RGB 59 36 43

HSL 341.74, 0.24%, 0.19%

LAB 17.3, 12.17, -0.11

 

CMYK 0 / 5 / 40 / 76

HEX #3C3924

RGB 60 57 36

HSL 52.5, 0.25%, 0.19%

LAB 23.72, -2.59, 13.58

 

CMYK 40 / 12 / 0 / 76

HEX #24353C

RGB 36 53 60

HSL 197.5, 0.25%, 0.19%

LAB 21.01, -4.8, -6.61

 

CMYK 0 / 39 / 27 / 77

HEX #3B242B

RGB 59 36 43

HSL 341.74, 0.24%, 0.19%

LAB 17.3, 12.17, -0.11

 

CMYK 27 / 0 / 40 / 76

HEX #2C3C24

RGB 44 60 36

HSL 100, 0.25%, 0.19%

LAB 23.32, -11.94, 12.8

 

CMYK 40 / 27 / 0 / 76

HEX #242C3C

RGB 36 44 60

HSL 220, 0.25%, 0.19%

LAB 17.93, 1.32, -11.3

 

CMYK 0 / 39 / 27 / 77

HEX #3B242B

RGB 59 36 43

HSL 341.74, 0.24%, 0.19%

LAB 17.3, 12.17, -0.11

 

CMYK 0 / 5 / 40 / 76

HEX #3C3924

RGB 60 57 36

HSL 52.5, 0.25%, 0.19%

LAB 23.72, -2.59, 13.58

 

CMYK 40 / 0 / 13 / 76

HEX #243C34

RGB 36 60 52

HSL 160, 0.25%, 0.19%

LAB 23.19, -11.53, 1.99

 

CMYK 40 / 35 / 0 / 76

HEX #24273C

RGB 36 39 60

HSL 232.5, 0.25%, 0.19%

LAB 16.27, 4.88, -13.88

 

CMYK 0 / 39 / 27 / 77

HEX #3B242B

RGB 59 36 43

HSL 341.74, 0.24%, 0.19%

LAB 17.3, 12.17, -0.11

 

CMYK 8 / 0 / 40 / 76

HEX #373C24

RGB 55 60 36

HSL 72.5, 0.25%, 0.19%

LAB 24.23, -6.9, 14.16

 

CMYK 40 / 0 / 13 / 76

HEX #243C34

RGB 36 60 52

HSL 160, 0.25%, 0.19%

LAB 23.19, -11.53, 1.99

 

CMYK 32 / 40 / 0 / 76

HEX #29243C

RGB 41 36 60

HSL 252.5, 0.25%, 0.19%

LAB 15.8, 8.84, -14.57

 

Description

Color code: RGB 59 36 43 | qconv.com Color code: RGB 59 36 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 36 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 36 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 27 yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 27% 77% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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