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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 255 64 it is the complementary color RGB 196 0 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 255 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 255 64 shade: RGB 64 255 59, RGB 81 255 78, RGB 98 255 97, RGB 115 255 116 and RGB 132 255 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 255 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 255 64 shade: RGB 59 255 64, RGB 42 237 45, RGB 25 219 26, RGB 8 201 7 and RGB 0 183 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 255 64 shade: RGB 61 255 66, RGB 108 255 61, RGB 160 255 61, RGB 213 255 61 and RGB 255 244 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 255 64 shade: RGB 61 255 66, RGB 61 255 118, RGB 61 255 170, RGB 61 255 222 and RGB 61 234 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 255 64 shade matches the following richer shades: RGB 61 255 66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 255 64 shade: RGB 61 255 66, RGB 76 239 81, RGB 92 223 95, RGB 108 207 110 and RGB 123 192 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 255 64 shade: RGB 161 255 61, RGB 109 255 61, RGB 61 255 64, RGB 61 255 116 and RGB 61 255 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 255 64 shade: RGB 0 233 5, RGB 19 255 25, RGB 61 255 66, RGB 102 255 106 and RGB 143 255 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 255 64 shade: RGB 59 255 64, RGB 61 213 255 and RGB 255 61 135

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 255 64 shade: RGB 59 255 64, RGB 64 61 255 and RGB 255 64 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 255 64 shade: RGB 59 255 64, RGB 61 213 255, RGB 255 61 251 and RGB 255 103 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 255 64 shade: RGB 59 255 64, RGB 61 154 255, RGB 255 61 251 and RGB 255 161 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 75 / 0

HEX #3BFF40

RGB 59 255 64

HSL 121.53, 1%, 0.62%

LAB 88.36, -79.92, 72.5

 

Complementary color

CMYK 0 / 100 / 3 / 23

HEX #C400BF

RGB 196 0 191

HSL 301.53, 1%, 0.38%

LAB 46.31, 79.88, -47.47

 

CMYK 75 / 0 / 77 / 0

HEX #40FF3B

RGB 64 255 59

HSL 118.47, 1%, 0.62%

LAB 88.41, -79.58, 74.1

 

CMYK 68 / 0 / 69 / 0

HEX #51FF4E

RGB 81 255 78

HSL 118.98, 1%, 0.65%

LAB 88.84, -75.55, 68.37

 

CMYK 62 / 0 / 62 / 0

HEX #62FF61

RGB 98 255 97

HSL 119.62, 1%, 0.69%

LAB 89.38, -70.54, 61.7

 

CMYK 55 / 0 / 55 / 0

HEX #73FF74

RGB 115 255 116

HSL 120.43, 1%, 0.73%

LAB 90.06, -64.63, 54.4

 

CMYK 48 / 0 / 47 / 0

HEX #84FF87

RGB 132 255 135

HSL 121.46, 1%, 0.76%

LAB 90.86, -57.92, 46.72

 

CMYK 77 / 0 / 75 / 0

HEX #3BFF40

RGB 59 255 64

HSL 121.53, 1%, 0.62%

LAB 88.36, -79.92, 72.5

 

CMYK 82 / 0 / 81 / 7

HEX #2AED2D

RGB 42 237 45

HSL 120.92, 0.84%, 0.55%

LAB 82.51, -77.83, 72.3

 

CMYK 89 / 0 / 88 / 14

HEX #19DB1A

RGB 25 219 26

HSL 120.31, 0.8%, 0.48%

LAB 76.65, -75.1, 71.2

 

CMYK 96 / 0 / 97 / 21

HEX #08C907

RGB 8 201 7

HSL 119.69, 0.93%, 0.41%

LAB 70.76, -71.58, 68.83

 

CMYK 100 / 0 / 100 / 28

HEX #00B700

RGB 0 183 0

HSL 120, 1%, 0.36%

LAB 64.86, -67.18, 64.83

 

CMYK 76 / 0 / 74 / 0

HEX #3DFF42

RGB 61 255 66

HSL 121.55, 1%, 0.62%

LAB 88.4, -79.52, 71.91

 

CMYK 58 / 0 / 76 / 0

HEX #6CFF3D

RGB 108 255 61

HSL 105.46, 1%, 0.62%

LAB 89.41, -71.17, 74.81

 

CMYK 37 / 0 / 76 / 0

HEX #A0FF3D

RGB 160 255 61

HSL 89.38, 1%, 0.62%

LAB 91.38, -56.3, 77.38

 

CMYK 16 / 0 / 76 / 0

HEX #D5FF3D

RGB 213 255 61

HSL 72.99, 1%, 0.62%

LAB 94.31, -37.15, 81.17

 

CMYK 0 / 4 / 76 / 0

HEX #FFF43D

RGB 255 244 61

HSL 56.6, 1%, 0.62%

LAB 94.44, -15.16, 82.41

 

CMYK 76 / 0 / 74 / 0

HEX #3DFF42

RGB 61 255 66

HSL 121.55, 1%, 0.62%

LAB 88.4, -79.52, 71.91

 

CMYK 76 / 0 / 54 / 0

HEX #3DFF76

RGB 61 255 118

HSL 137.63, 1%, 0.62%

LAB 88.84, -74.23, 51.74

 

CMYK 76 / 0 / 33 / 0

HEX #3DFFAA

RGB 61 255 170

HSL 153.71, 1%, 0.62%

LAB 89.59, -65.59, 27.52

 

CMYK 76 / 0 / 13 / 0

HEX #3DFFDE

RGB 61 255 222

HSL 169.79, 1%, 0.62%

LAB 90.68, -53.88, 2.39

 

CMYK 76 / 8 / 0 / 0

HEX #3DEAFF

RGB 61 234 255

HSL 186.49, 1%, 0.62%

LAB 85.53, -35.64, -22.5

 

CMYK 76 / 0 / 74 / 0

HEX #3DFF42

RGB 61 255 66

HSL 121.55, 1%, 0.62%

LAB 88.4, -79.52, 71.91

 

CMYK 76 / 0 / 74 / 0

HEX #3DFF42

RGB 61 255 66

HSL 121.55, 1%, 0.62%

LAB 88.4, -79.52, 71.91

 

CMYK 68 / 0 / 66 / 6

HEX #4CEF51

RGB 76 239 81

HSL 121.84, 0.84%, 0.62%

LAB 83.89, -71.07, 61.96

 

CMYK 59 / 0 / 57 / 13

HEX #5CDF5F

RGB 92 223 95

HSL 121.37, 0.67%, 0.62%

LAB 79.54, -60.88, 51.27

 

CMYK 48 / 0 / 47 / 19

HEX #6CCF6E

RGB 108 207 110

HSL 121.21, 0.51%, 0.62%

LAB 75.41, -48.7, 39.28

 

CMYK 36 / 0 / 35 / 25

HEX #7BC07D

RGB 123 192 125

HSL 121.74, 0.35%, 0.62%

LAB 71.82, -35.4, 27.08

 

CMYK 37 / 0 / 76 / 0

HEX #A1FF3D

RGB 161 255 61

HSL 89.07, 1%, 0.62%

LAB 91.43, -55.97, 77.44

 

CMYK 57 / 0 / 76 / 0

HEX #6DFF3D

RGB 109 255 61

HSL 105.15, 1%, 0.62%

LAB 89.44, -70.93, 74.85

 

CMYK 76 / 0 / 75 / 0

HEX #3DFF40

RGB 61 255 64

HSL 120.93, 1%, 0.62%

LAB 88.39, -79.66, 72.54

 

CMYK 76 / 0 / 55 / 0

HEX #3DFF74

RGB 61 255 116

HSL 137.01, 1%, 0.62%

LAB 88.82, -74.5, 52.62

 

CMYK 76 / 0 / 35 / 0

HEX #3DFFA7

RGB 61 255 167

HSL 152.78, 1%, 0.62%

LAB 89.53, -66.18, 28.96

 

CMYK 100 / 0 / 98 / 9

HEX #00E905

RGB 0 233 5

HSL 121.29, 1%, 0.46%

LAB 80.9, -80.42, 77.26

 

CMYK 93 / 0 / 90 / 0

HEX #13FF19

RGB 19 255 25

HSL 121.53, 1%, 0.54%

LAB 87.84, -85.13, 80.91

 

CMYK 76 / 0 / 74 / 0

HEX #3DFF42

RGB 61 255 66

HSL 121.55, 1%, 0.62%

LAB 88.4, -79.52, 71.91

 

CMYK 60 / 0 / 58 / 0

HEX #66FF6A

RGB 102 255 106

HSL 121.57, 1%, 0.7%

LAB 89.57, -68.73, 58.14

 

CMYK 44 / 0 / 43 / 0

HEX #8FFF92

RGB 143 255 146

HSL 121.61, 1%, 0.78%

LAB 91.43, -53.4, 42.26

 

CMYK 77 / 0 / 75 / 0

HEX #3BFF40

RGB 59 255 64

HSL 121.53, 1%, 0.62%

LAB 88.36, -79.92, 72.5

 

CMYK 76 / 16 / 0 / 0

HEX #3DD5FF

RGB 61 213 255

HSL 192.99, 1%, 0.62%

LAB 79.5, -25.53, -31.72

 

CMYK 0 / 76 / 47 / 0

HEX #FF3D87

RGB 255 61 135

HSL 337.11, 1%, 0.62%

LAB 58.36, 75.64, 4.91

 

CMYK 77 / 0 / 75 / 0

HEX #3BFF40

RGB 59 255 64

HSL 121.53, 1%, 0.62%

LAB 88.36, -79.92, 72.5

 

CMYK 75 / 76 / 0 / 0

HEX #403DFF

RGB 64 61 255

HSL 240.93, 1%, 0.62%

LAB 40.65, 62.03, -93.91

 

CMYK 0 / 75 / 76 / 0

HEX #FF403D

RGB 255 64 61

HSL 0.93, 1%, 0.62%

LAB 57.33, 70.46, 46.4

 

CMYK 77 / 0 / 75 / 0

HEX #3BFF40

RGB 59 255 64

HSL 121.53, 1%, 0.62%

LAB 88.36, -79.92, 72.5

 

CMYK 76 / 16 / 0 / 0

HEX #3DD5FF

RGB 61 213 255

HSL 192.99, 1%, 0.62%

LAB 79.5, -25.53, -31.72

 

CMYK 0 / 76 / 2 / 0

HEX #FF3DFB

RGB 255 61 251

HSL 301.24, 1%, 0.62%

LAB 62.98, 89.25, -54.39

 

CMYK 0 / 60 / 76 / 0

HEX #FF673D

RGB 255 103 61

HSL 12.99, 1%, 0.62%

LAB 62.76, 55.72, 52.08

 

CMYK 77 / 0 / 75 / 0

HEX #3BFF40

RGB 59 255 64

HSL 121.53, 1%, 0.62%

LAB 88.36, -79.92, 72.5

 

CMYK 76 / 40 / 0 / 0

HEX #3D9AFF

RGB 61 154 255

HSL 211.24, 1%, 0.62%

LAB 62.78, 6.56, -57.92

 

CMYK 0 / 76 / 2 / 0

HEX #FF3DFB

RGB 255 61 251

HSL 301.24, 1%, 0.62%

LAB 62.98, 89.25, -54.39

 

CMYK 0 / 37 / 76 / 0

HEX #FFA13D

RGB 255 161 61

HSL 30.93, 1%, 0.62%

LAB 74.25, 27.23, 63.55

 

Description

Color code: RGB 59 255 64 | qconv.com Color code: RGB 59 255 64 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 255 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 255 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 75 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 75% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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