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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 236 190 it is the complementary color RGB 196 19 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 236 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 236 190 shade: RGB 64 236 185, RGB 81 254 204, RGB 98 255 223, RGB 115 255 242 and RGB 132 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 236 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 236 190 shade: RGB 59 236 190, RGB 42 218 171, RGB 25 200 152, RGB 8 182 133 and RGB 0 164 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 236 190 shade: RGB 60 235 190, RGB 60 235 142, RGB 60 235 95, RGB 72 235 60 and RGB 119 235 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 236 190 shade: RGB 60 235 190, RGB 60 233 235, RGB 60 186 235, RGB 60 139 235 and RGB 60 91 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 236 190 shade matches the following richer shades: RGB 60 235 190 and RGB 42 253 198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 236 190 shade: RGB 60 235 190, RGB 77 218 181, RGB 94 201 173, RGB 112 183 165 and RGB 129 166 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 236 190 shade: RGB 60 235 95, RGB 60 235 142, RGB 60 235 188, RGB 60 235 235 and RGB 60 188 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 236 190 shade: RGB 19 194 148, RGB 22 231 177, RGB 60 235 190, RGB 97 239 202 and RGB 135 243 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 236 190 shade: RGB 59 236 190, RGB 60 71 235 and RGB 235 118 60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 236 190 shade: RGB 59 236 190, RGB 188 60 235 and RGB 235 188 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 236 190 shade: RGB 59 236 190, RGB 60 71 235, RGB 235 60 106 and RGB 235 224 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 236 190 shade: RGB 59 236 190, RGB 101 60 235, RGB 235 60 106 and RGB 194 235 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 19 / 7

HEX #3BECBE

RGB 59 236 190

HSL 164.41, 0.82%, 0.58%

LAB 84.3, -54.24, 9.85

 

Complementary color

CMYK 0 / 90 / 67 / 23

HEX #C41341

RGB 196 19 65

HSL 344.41, 0.82%, 0.42%

LAB 42.13, 65.27, 23.41

 

CMYK 73 / 0 / 22 / 7

HEX #40ECB9

RGB 64 236 185

HSL 162.21, 0.82%, 0.59%

LAB 84.27, -54.81, 12.44

 

CMYK 68 / 0 / 20 / 0

HEX #51FECC

RGB 81 254 204

HSL 162.66, 0.99%, 0.66%

LAB 90.32, -55.36, 11.22

 

CMYK 62 / 0 / 13 / 0

HEX #62FFDF

RGB 98 255 223

HSL 167.77, 1%, 0.69%

LAB 91.43, -48.67, 3.05

 

CMYK 55 / 0 / 5 / 0

HEX #73FFF2

RGB 115 255 242

HSL 174.43, 1%, 0.73%

LAB 92.39, -41.01, -5.33

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFF

RGB 132 255 255

HSL 180, 1%, 0.76%

LAB 93.3, -34.4, -10.66

 

CMYK 75 / 0 / 19 / 7

HEX #3BECBE

RGB 59 236 190

HSL 164.41, 0.82%, 0.58%

LAB 84.3, -54.24, 9.85

 

CMYK 81 / 0 / 22 / 15

HEX #2ADAAB

RGB 42 218 171

HSL 163.98, 0.7%, 0.51%

LAB 78.21, -53.34, 11.17

 

CMYK 88 / 0 / 24 / 22

HEX #19C898

RGB 25 200 152

HSL 163.54, 0.78%, 0.44%

LAB 72.08, -52.11, 12.62

 

CMYK 96 / 0 / 27 / 29

HEX #08B685

RGB 8 182 133

HSL 163.1, 0.92%, 0.37%

LAB 65.9, -50.47, 14.22

 

CMYK 100 / 0 / 30 / 36

HEX #00A472

RGB 0 164 114

HSL 161.71, 1%, 0.32%

LAB 59.68, -48.33, 16

 

CMYK 74 / 0 / 19 / 8

HEX #3CEBBE

RGB 60 235 190

HSL 164.57, 0.81%, 0.58%

LAB 84.02, -53.72, 9.45

 

CMYK 74 / 0 / 40 / 8

HEX #3CEB8E

RGB 60 235 142

HSL 148.11, 0.81%, 0.58%

LAB 83.09, -63.83, 32.93

 

CMYK 74 / 0 / 60 / 8

HEX #3CEB5F

RGB 60 235 95

HSL 132, 0.81%, 0.58%

LAB 82.49, -70.85, 54.5

 

CMYK 69 / 0 / 74 / 8

HEX #48EB3C

RGB 72 235 60

HSL 115.89, 0.81%, 0.58%

LAB 82.44, -72.21, 68.02

 

CMYK 49 / 0 / 74 / 8

HEX #77EB3C

RGB 119 235 60

HSL 99.77, 0.81%, 0.58%

LAB 83.79, -61.37, 69.79

 

CMYK 74 / 0 / 19 / 8

HEX #3CEBBE

RGB 60 235 190

HSL 164.57, 0.81%, 0.58%

LAB 84.02, -53.72, 9.45

 

CMYK 74 / 1 / 0 / 8

HEX #3CE9EB

RGB 60 233 235

HSL 180.69, 0.81%, 0.58%

LAB 84.61, -41.09, -13.38

 

CMYK 74 / 21 / 0 / 8

HEX #3CBAEB

RGB 60 186 235

HSL 196.8, 0.81%, 0.58%

LAB 70.92, -18.29, -34.22

 

CMYK 74 / 41 / 0 / 8

HEX #3C8BEB

RGB 60 139 235

HSL 212.91, 0.81%, 0.58%

LAB 57.49, 8.2, -55.36

 

CMYK 74 / 61 / 0 / 8

HEX #3C5BEB

RGB 60 91 235

HSL 229.37, 0.81%, 0.58%

LAB 44.86, 38.02, -75.77

 

CMYK 74 / 0 / 19 / 8

HEX #3CEBBE

RGB 60 235 190

HSL 164.57, 0.81%, 0.58%

LAB 84.02, -53.72, 9.45

 

CMYK 83 / 0 / 22 / 1

HEX #2AFDC6

RGB 42 253 198

HSL 164.36, 0.98%, 0.58%

LAB 89.31, -60.58, 12.79

 

CMYK 74 / 0 / 19 / 8

HEX #3CEBBE

RGB 60 235 190

HSL 164.57, 0.81%, 0.58%

LAB 84.02, -53.72, 9.45

 

CMYK 65 / 0 / 17 / 15

HEX #4DDAB5

RGB 77 218 181

HSL 164.26, 0.66%, 0.58%

LAB 79.07, -46.46, 7.17

 

CMYK 53 / 0 / 14 / 21

HEX #5EC9AD

RGB 94 201 173

HSL 164.3, 0.5%, 0.58%

LAB 74.3, -37.63, 4.65

 

CMYK 39 / 0 / 10 / 28

HEX #70B7A5

RGB 112 183 165

HSL 164.79, 0.33%, 0.58%

LAB 69.49, -26.52, 2.13

 

CMYK 22 / 0 / 6 / 35

HEX #81A69C

RGB 129 166 156

HSL 163.78, 0.17%, 0.58%

LAB 65.23, -14.73, 1.03

 

CMYK 74 / 0 / 60 / 8

HEX #3CEB5F

RGB 60 235 95

HSL 132, 0.81%, 0.58%

LAB 82.49, -70.85, 54.5

 

CMYK 74 / 0 / 40 / 8

HEX #3CEB8E

RGB 60 235 142

HSL 148.11, 0.81%, 0.58%

LAB 83.09, -63.83, 32.93

 

CMYK 74 / 0 / 20 / 8

HEX #3CEBBC

RGB 60 235 188

HSL 163.89, 0.81%, 0.58%

LAB 83.97, -54.2, 10.43

 

CMYK 74 / 0 / 0 / 8

HEX #3CEBEB

RGB 60 235 235

HSL 180, 0.81%, 0.58%

LAB 85.19, -41.98, -12.51

 

CMYK 74 / 20 / 0 / 8

HEX #3CBCEB

RGB 60 188 235

HSL 196.11, 0.81%, 0.58%

LAB 71.5, -19.33, -33.32

 

CMYK 90 / 0 / 24 / 24

HEX #13C294

RGB 19 194 148

HSL 164.23, 0.82%, 0.42%

LAB 70.08, -51.07, 11.94

 

CMYK 90 / 0 / 23 / 9

HEX #16E7B1

RGB 22 231 177

HSL 164.5, 0.83%, 0.5%

LAB 82.11, -58.31, 13.49

 

CMYK 74 / 0 / 19 / 8

HEX #3CEBBE

RGB 60 235 190

HSL 164.57, 0.81%, 0.58%

LAB 84.02, -53.72, 9.45

 

CMYK 59 / 0 / 15 / 6

HEX #61EFCA

RGB 97 239 202

HSL 164.37, 0.82%, 0.66%

LAB 86.28, -46.98, 6.51

 

CMYK 44 / 0 / 12 / 5

HEX #87F3D7

RGB 135 243 215

HSL 164.44, 0.82%, 0.74%

LAB 89, -37.67, 3.82

 

CMYK 75 / 0 / 19 / 7

HEX #3BECBE

RGB 59 236 190

HSL 164.41, 0.82%, 0.58%

LAB 84.3, -54.24, 9.85

 

CMYK 74 / 70 / 0 / 8

HEX #3C47EB

RGB 60 71 235

HSL 236.23, 0.81%, 0.58%

LAB 40.35, 50.03, -83.16

 

CMYK 0 / 50 / 74 / 8

HEX #EB763C

RGB 235 118 60

HSL 19.89, 0.81%, 0.58%

LAB 62.46, 41.29, 51.31

 

CMYK 75 / 0 / 19 / 7

HEX #3BECBE

RGB 59 236 190

HSL 164.41, 0.82%, 0.58%

LAB 84.3, -54.24, 9.85

 

CMYK 20 / 74 / 0 / 8

HEX #BC3CEB

RGB 188 60 235

HSL 283.89, 0.81%, 0.58%

LAB 51.75, 74.21, -64.02

 

CMYK 0 / 20 / 74 / 8

HEX #EBBC3C

RGB 235 188 60

HSL 43.89, 0.81%, 0.58%

LAB 78.44, 4.65, 67.22

 

CMYK 75 / 0 / 19 / 7

HEX #3BECBE

RGB 59 236 190

HSL 164.41, 0.82%, 0.58%

LAB 84.3, -54.24, 9.85

 

CMYK 74 / 70 / 0 / 8

HEX #3C47EB

RGB 60 71 235

HSL 236.23, 0.81%, 0.58%

LAB 40.35, 50.03, -83.16

 

CMYK 0 / 74 / 55 / 8

HEX #EB3C6A

RGB 235 60 106

HSL 344.23, 0.81%, 0.58%

LAB 53.96, 68.34, 15.43

 

CMYK 0 / 5 / 74 / 8

HEX #EBE03C

RGB 235 224 60

HSL 56.23, 0.81%, 0.58%

LAB 87.63, -13.68, 75.88

 

CMYK 75 / 0 / 19 / 7

HEX #3BECBE

RGB 59 236 190

HSL 164.41, 0.82%, 0.58%

LAB 84.3, -54.24, 9.85

 

CMYK 57 / 74 / 0 / 8

HEX #653CEB

RGB 101 60 235

HSL 254.06, 0.81%, 0.58%

LAB 41.21, 60.3, -81.65

 

CMYK 0 / 74 / 55 / 8

HEX #EB3C6A

RGB 235 60 106

HSL 344.23, 0.81%, 0.58%

LAB 53.96, 68.34, 15.43

 

CMYK 17 / 0 / 74 / 8

HEX #C2EB3C

RGB 194 235 60

HSL 74.06, 0.81%, 0.58%

LAB 87.59, -35.55, 74.76

 

Description

Color code: RGB 59 236 190 | qconv.com Color code: RGB 59 236 190 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 236 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 236 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 19 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 19% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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