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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 236 158 it is the complementary color RGB 196 19 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 236 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 236 158 shade: RGB 64 236 153, RGB 81 254 172, RGB 98 255 191, RGB 115 255 210 and RGB 132 255 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 236 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 236 158 shade: RGB 59 236 158, RGB 42 218 139, RGB 25 200 120, RGB 8 182 101 and RGB 0 164 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 236 158 shade: RGB 60 235 158, RGB 60 235 110, RGB 60 235 63, RGB 103 235 60 and RGB 151 235 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 236 158 shade: RGB 60 235 158, RGB 60 235 205, RGB 60 218 235, RGB 60 171 235 and RGB 60 123 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 236 158 shade matches the following richer shades: RGB 60 235 158 and RGB 42 253 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 236 158 shade: RGB 60 235 158, RGB 77 218 156, RGB 94 201 154, RGB 112 183 152 and RGB 129 166 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 236 158 shade: RGB 60 235 63, RGB 60 235 109, RGB 60 235 156, RGB 60 235 203 and RGB 60 221 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 236 158 shade: RGB 19 194 117, RGB 22 231 139, RGB 60 235 158, RGB 97 239 176 and RGB 135 243 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 236 158 shade: RGB 59 236 158, RGB 60 103 235 and RGB 235 86 60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 236 158 shade: RGB 59 236 158, RGB 156 60 235 and RGB 235 156 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 236 158 shade: RGB 59 236 158, RGB 60 103 235, RGB 235 60 139 and RGB 235 191 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 236 158 shade: RGB 59 236 158, RGB 68 60 235, RGB 235 60 139 and RGB 226 235 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 33 / 7

HEX #3BEC9E

RGB 59 236 158

HSL 153.56, 0.82%, 0.58%

LAB 83.65, -61.26, 25.55

 

Complementary color

CMYK 0 / 90 / 51 / 23

HEX #C41361

RGB 196 19 97

HSL 333.56, 0.82%, 0.42%

LAB 42.86, 67.31, 4.27

 

CMYK 73 / 0 / 35 / 7

HEX #40EC99

RGB 64 236 153

HSL 151.05, 0.82%, 0.59%

LAB 83.64, -61.6, 28.11

 

CMYK 68 / 0 / 32 / 0

HEX #51FEAC

RGB 81 254 172

HSL 151.56, 0.99%, 0.66%

LAB 89.68, -62.15, 26.69

 

CMYK 62 / 0 / 25 / 0

HEX #62FFBF

RGB 98 255 191

HSL 155.54, 1%, 0.69%

LAB 90.72, -55.85, 18.53

 

CMYK 55 / 0 / 18 / 0

HEX #73FFD2

RGB 115 255 210

HSL 160.71, 1%, 0.73%

LAB 91.6, -48.51, 10.07

 

CMYK 48 / 0 / 10 / 0

HEX #84FFE5

RGB 132 255 229

HSL 167.32, 1%, 0.76%

LAB 92.61, -40.62, 1.79

 

CMYK 75 / 0 / 33 / 7

HEX #3BEC9E

RGB 59 236 158

HSL 153.56, 0.82%, 0.58%

LAB 83.65, -61.26, 25.55

 

CMYK 81 / 0 / 36 / 15

HEX #2ADA8B

RGB 42 218 139

HSL 153.07, 0.7%, 0.51%

LAB 77.58, -60.35, 27.08

 

CMYK 88 / 0 / 40 / 22

HEX #19C878

RGB 25 200 120

HSL 152.57, 0.78%, 0.44%

LAB 71.47, -59.04, 28.74

 

CMYK 96 / 0 / 45 / 29

HEX #08B665

RGB 8 182 101

HSL 152.07, 0.92%, 0.37%

LAB 65.32, -57.24, 30.54

 

CMYK 100 / 0 / 50 / 36

HEX #00A452

RGB 0 164 82

HSL 150, 1%, 0.32%

LAB 59.12, -54.82, 32.46

 

CMYK 74 / 0 / 33 / 8

HEX #3CEB9E

RGB 60 235 158

HSL 153.6, 0.81%, 0.58%

LAB 83.36, -60.77, 25.16

 

CMYK 74 / 0 / 53 / 8

HEX #3CEB6E

RGB 60 235 110

HSL 137.14, 0.81%, 0.58%

LAB 82.65, -68.93, 47.93

 

CMYK 74 / 0 / 73 / 8

HEX #3CEB3F

RGB 60 235 63

HSL 121.03, 0.81%, 0.58%

LAB 82.24, -73.91, 66.74

 

CMYK 56 / 0 / 74 / 8

HEX #67EB3C

RGB 103 235 60

HSL 105.26, 0.81%, 0.58%

LAB 83.25, -65.63, 69.08

 

CMYK 36 / 0 / 74 / 8

HEX #97EB3C

RGB 151 235 60

HSL 88.8, 0.81%, 0.58%

LAB 85.16, -51.35, 71.59

 

CMYK 74 / 0 / 33 / 8

HEX #3CEB9E

RGB 60 235 158

HSL 153.6, 0.81%, 0.58%

LAB 83.36, -60.77, 25.16

 

CMYK 74 / 0 / 13 / 8

HEX #3CEBCD

RGB 60 235 205

HSL 169.71, 0.81%, 0.58%

LAB 84.37, -50.02, 2.09

 

CMYK 74 / 7 / 0 / 8

HEX #3CDAEB

RGB 60 218 235

HSL 185.83, 0.81%, 0.58%

LAB 80.24, -34.19, -19.95

 

CMYK 74 / 27 / 0 / 8

HEX #3CABEB

RGB 60 171 235

HSL 201.94, 0.81%, 0.58%

LAB 66.58, -10.24, -40.97

 

CMYK 74 / 48 / 0 / 8

HEX #3C7BEB

RGB 60 123 235

HSL 218.4, 0.81%, 0.58%

LAB 53.09, 17.99, -62.41

 

CMYK 74 / 0 / 33 / 8

HEX #3CEB9E

RGB 60 235 158

HSL 153.6, 0.81%, 0.58%

LAB 83.36, -60.77, 25.16

 

CMYK 83 / 0 / 37 / 1

HEX #2AFDA0

RGB 42 253 160

HSL 153.55, 0.98%, 0.58%

LAB 88.58, -68.66, 31.15

 

CMYK 74 / 0 / 33 / 8

HEX #3CEB9E

RGB 60 235 158

HSL 153.6, 0.81%, 0.58%

LAB 83.36, -60.77, 25.16

 

CMYK 65 / 0 / 28 / 15

HEX #4DDA9C

RGB 77 218 156

HSL 153.62, 0.66%, 0.58%

LAB 78.53, -52.07, 19.63

 

CMYK 53 / 0 / 23 / 21

HEX #5EC99A

RGB 94 201 154

HSL 153.64, 0.5%, 0.58%

LAB 73.86, -41.92, 14.25

 

CMYK 39 / 0 / 17 / 28

HEX #70B798

RGB 112 183 152

HSL 153.8, 0.33%, 0.58%

LAB 69.17, -29.41, 8.8

 

CMYK 22 / 0 / 10 / 35

HEX #81A696

RGB 129 166 150

HSL 154.05, 0.17%, 0.58%

LAB 65.07, -16, 4.15

 

CMYK 74 / 0 / 73 / 8

HEX #3CEB3F

RGB 60 235 63

HSL 121.03, 0.81%, 0.58%

LAB 82.24, -73.91, 66.74

 

CMYK 74 / 0 / 54 / 8

HEX #3CEB6D

RGB 60 235 109

HSL 136.8, 0.81%, 0.58%

LAB 82.64, -69.07, 48.37

 

CMYK 74 / 0 / 34 / 8

HEX #3CEB9C

RGB 60 235 156

HSL 152.91, 0.81%, 0.58%

LAB 83.33, -61.17, 26.14

 

CMYK 74 / 0 / 14 / 8

HEX #3CEBCB

RGB 60 235 203

HSL 169.03, 0.81%, 0.58%

LAB 84.32, -50.53, 3.07

 

CMYK 74 / 6 / 0 / 8

HEX #3CDDEB

RGB 60 221 235

HSL 184.8, 0.81%, 0.58%

LAB 81.11, -35.59, -18.63

 

CMYK 90 / 0 / 40 / 24

HEX #13C275

RGB 19 194 117

HSL 153.6, 0.82%, 0.42%

LAB 69.47, -57.88, 27.65

 

CMYK 90 / 0 / 40 / 9

HEX #16E78B

RGB 22 231 139

HSL 153.59, 0.83%, 0.5%

LAB 81.39, -66.38, 32.13

 

CMYK 74 / 0 / 33 / 8

HEX #3CEB9E

RGB 60 235 158

HSL 153.6, 0.81%, 0.58%

LAB 83.36, -60.77, 25.16

 

CMYK 59 / 0 / 26 / 6

HEX #61EFB0

RGB 97 239 176

HSL 153.38, 0.82%, 0.66%

LAB 85.71, -52.7, 19.25

 

CMYK 44 / 0 / 20 / 5

HEX #87F3C3

RGB 135 243 195

HSL 153.33, 0.82%, 0.74%

LAB 88.54, -41.94, 13.56

 

CMYK 75 / 0 / 33 / 7

HEX #3BEC9E

RGB 59 236 158

HSL 153.56, 0.82%, 0.58%

LAB 83.65, -61.26, 25.55

 

CMYK 74 / 56 / 0 / 8

HEX #3C67EB

RGB 60 103 235

HSL 225.26, 0.81%, 0.58%

LAB 47.83, 30.52, -70.92

 

CMYK 0 / 63 / 74 / 8

HEX #EB563C

RGB 235 86 60

HSL 8.91, 0.81%, 0.58%

LAB 56.73, 56.17, 45.24

 

CMYK 75 / 0 / 33 / 7

HEX #3BEC9E

RGB 59 236 158

HSL 153.56, 0.82%, 0.58%

LAB 83.65, -61.26, 25.55

 

CMYK 34 / 74 / 0 / 8

HEX #9C3CEB

RGB 156 60 235

HSL 272.91, 0.81%, 0.58%

LAB 47.36, 68.53, -71.33

 

CMYK 0 / 34 / 74 / 8

HEX #EB9C3C

RGB 235 156 60

HSL 32.91, 0.81%, 0.58%

LAB 70.71, 21.54, 59.68

 

CMYK 75 / 0 / 33 / 7

HEX #3BEC9E

RGB 59 236 158

HSL 153.56, 0.82%, 0.58%

LAB 83.65, -61.26, 25.55

 

CMYK 74 / 56 / 0 / 8

HEX #3C67EB

RGB 60 103 235

HSL 225.26, 0.81%, 0.58%

LAB 47.83, 30.52, -70.92

 

CMYK 0 / 74 / 41 / 8

HEX #EB3C8B

RGB 235 60 139

HSL 332.91, 0.81%, 0.58%

LAB 54.82, 71.1, -3.05

 

CMYK 0 / 19 / 74 / 8

HEX #EBBF3C

RGB 235 191 60

HSL 44.91, 0.81%, 0.58%

LAB 79.19, 3.09, 67.93

 

CMYK 75 / 0 / 33 / 7

HEX #3BEC9E

RGB 59 236 158

HSL 153.56, 0.82%, 0.58%

LAB 83.65, -61.26, 25.55

 

CMYK 71 / 74 / 0 / 8

HEX #443CEB

RGB 68 60 235

HSL 242.74, 0.81%, 0.58%

LAB 38.65, 56.75, -85.95

 

CMYK 0 / 74 / 41 / 8

HEX #EB3C8B

RGB 235 60 139

HSL 332.91, 0.81%, 0.58%

LAB 54.82, 71.1, -3.05

 

CMYK 4 / 0 / 74 / 8

HEX #E2EB3C

RGB 226 235 60

HSL 63.09, 0.81%, 0.58%

LAB 89.82, -22.74, 77.65

 

Description

Color code: RGB 59 236 158 | qconv.com Color code: RGB 59 236 158 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 236 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 236 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 33 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 33% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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