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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 220 79 it is the complementary color RGB 196 35 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 220 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 220 79 shade: RGB 64 220 74, RGB 81 238 93, RGB 98 255 112, RGB 115 255 131 and RGB 132 255 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 220 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 220 79 shade: RGB 59 220 79, RGB 42 202 60, RGB 25 184 41, RGB 8 166 22 and RGB 0 148 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 220 79 shade: RGB 59 220 79, RGB 83 220 59, RGB 126 220 59, RGB 169 220 59 and RGB 213 220 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 220 79 shade: RGB 59 220 79, RGB 59 220 123, RGB 59 220 166, RGB 59 220 209 and RGB 59 187 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 220 79 shade matches the following richer shades: RGB 59 220 79 and RGB 41 239 65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 220 79 shade: RGB 59 220 79, RGB 78 202 93, RGB 97 183 107, RGB 115 164 121 and RGB 134 146 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 220 79 shade: RGB 126 220 59, RGB 84 220 59, RGB 59 220 78, RGB 59 220 121 and RGB 59 220 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 220 79 shade: RGB 29 168 46, RGB 35 203 56, RGB 59 220 79, RGB 94 226 111 and RGB 130 232 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 220 79 shade: RGB 59 220 79, RGB 59 169 220 and RGB 220 59 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 220 79 shade: RGB 59 220 79, RGB 78 59 220 and RGB 220 78 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 220 79 shade: RGB 59 220 79, RGB 59 169 220, RGB 220 59 201 and RGB 220 110 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 220 79 shade: RGB 59 220 79, RGB 59 121 220, RGB 220 59 201 and RGB 220 158 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 64 / 14

HEX #3BDC4F

RGB 59 220 79

HSL 127.45, 0.7%, 0.55%

LAB 77.69, -67.96, 55.88

 

Complementary color

CMYK 0 / 82 / 10 / 23

HEX #C423B0

RGB 196 35 176

HSL 307.45, 0.7%, 0.45%

LAB 47.07, 73.07, -37.46

 

CMYK 71 / 0 / 66 / 14

HEX #40DC4A

RGB 64 220 74

HSL 123.85, 0.69%, 0.56%

LAB 77.74, -67.66, 58.01

 

CMYK 66 / 0 / 61 / 7

HEX #51EE5D

RGB 81 238 93

HSL 124.59, 0.82%, 0.63%

LAB 83.8, -68.61, 56.97

 

CMYK 62 / 0 / 56 / 0

HEX #62FF70

RGB 98 255 112

HSL 125.35, 1%, 0.69%

LAB 89.53, -68.89, 55.43

 

CMYK 55 / 0 / 49 / 0

HEX #73FF83

RGB 115 255 131

HSL 126.86, 1%, 0.73%

LAB 90.23, -62.71, 47.71

 

CMYK 48 / 0 / 41 / 0

HEX #84FF96

RGB 132 255 150

HSL 128.78, 1%, 0.76%

LAB 91.07, -55.77, 39.76

 

CMYK 73 / 0 / 64 / 14

HEX #3BDC4F

RGB 59 220 79

HSL 127.45, 0.7%, 0.55%

LAB 77.69, -67.96, 55.88

 

CMYK 79 / 0 / 70 / 21

HEX #2ACA3C

RGB 42 202 60

HSL 126.75, 0.66%, 0.48%

LAB 71.6, -66.48, 56.82

 

CMYK 86 / 0 / 78 / 28

HEX #19B829

RGB 25 184 41

HSL 126.04, 0.76%, 0.41%

LAB 65.47, -64.36, 57.27

 

CMYK 95 / 0 / 87 / 35

HEX #08A616

RGB 8 166 22

HSL 125.32, 0.91%, 0.34%

LAB 59.33, -61.37, 56.79

 

CMYK 100 / 0 / 98 / 42

HEX #009403

RGB 0 148 3

HSL 121.22, 1%, 0.29%

LAB 53.15, -57.35, 54.94

 

CMYK 73 / 0 / 64 / 14

HEX #3BDC4F

RGB 59 220 79

HSL 127.45, 0.7%, 0.55%

LAB 77.69, -67.96, 55.88

 

CMYK 62 / 0 / 73 / 14

HEX #53DC3B

RGB 83 220 59

HSL 111.06, 0.7%, 0.55%

LAB 78.08, -65.26, 64.09

 

CMYK 43 / 0 / 73 / 14

HEX #7EDC3B

RGB 126 220 59

HSL 95.03, 0.7%, 0.55%

LAB 79.58, -53.64, 66.08

 

CMYK 23 / 0 / 73 / 14

HEX #A9DC3B

RGB 169 220 59

HSL 79.01, 0.7%, 0.55%

LAB 81.8, -38.49, 69.01

 

CMYK 3 / 0 / 73 / 14

HEX #D5DC3B

RGB 213 220 59

HSL 62.61, 0.7%, 0.55%

LAB 84.82, -20.89, 72.94

 

CMYK 73 / 0 / 64 / 14

HEX #3BDC4F

RGB 59 220 79

HSL 127.45, 0.7%, 0.55%

LAB 77.69, -67.96, 55.88

 

CMYK 73 / 0 / 44 / 14

HEX #3BDC7B

RGB 59 220 123

HSL 143.85, 0.7%, 0.55%

LAB 78.2, -61.95, 36.08

 

CMYK 73 / 0 / 25 / 14

HEX #3BDCA6

RGB 59 220 166

HSL 159.88, 0.7%, 0.55%

LAB 78.97, -53.43, 14.91

 

CMYK 73 / 0 / 5 / 14

HEX #3BDCD1

RGB 59 220 209

HSL 175.9, 0.7%, 0.55%

LAB 80.02, -42.64, -6.42

 

CMYK 73 / 15 / 0 / 14

HEX #3BBBDC

RGB 59 187 220

HSL 192.3, 0.7%, 0.55%

LAB 70.62, -23.75, -26.52

 

CMYK 73 / 0 / 64 / 14

HEX #3BDC4F

RGB 59 220 79

HSL 127.45, 0.7%, 0.55%

LAB 77.69, -67.96, 55.88

 

CMYK 83 / 0 / 73 / 6

HEX #29EF41

RGB 41 239 65

HSL 127.27, 0.86%, 0.55%

LAB 83.22, -77.21, 66.97

 

CMYK 73 / 0 / 64 / 14

HEX #3BDC4F

RGB 59 220 79

HSL 127.45, 0.7%, 0.55%

LAB 77.69, -67.96, 55.88

 

CMYK 61 / 0 / 54 / 21

HEX #4ECA5D

RGB 78 202 93

HSL 127.26, 0.54%, 0.55%

LAB 72.66, -56.6, 43.94

 

CMYK 47 / 0 / 42 / 28

HEX #61B76B

RGB 97 183 107

HSL 126.98, 0.37%, 0.55%

LAB 67.63, -42.18, 30.78

 

CMYK 30 / 0 / 26 / 36

HEX #73A479

RGB 115 164 121

HSL 127.35, 0.21%, 0.55%

LAB 62.99, -25.34, 17.2

 

CMYK 8 / 0 / 8 / 43

HEX #869287

RGB 134 146 135

HSL 125, 0.05%, 0.55%

LAB 59.32, -6.52, 4.34

 

CMYK 43 / 0 / 73 / 14

HEX #7EDC3B

RGB 126 220 59

HSL 95.03, 0.7%, 0.55%

LAB 79.58, -53.64, 66.08

 

CMYK 62 / 0 / 73 / 14

HEX #54DC3B

RGB 84 220 59

HSL 110.68, 0.7%, 0.55%

LAB 78.1, -65.04, 64.12

 

CMYK 73 / 0 / 65 / 14

HEX #3BDC4E

RGB 59 220 78

HSL 127.08, 0.7%, 0.55%

LAB 77.68, -68.06, 56.29

 

CMYK 73 / 0 / 45 / 14

HEX #3BDC79

RGB 59 220 121

HSL 143.11, 0.7%, 0.55%

LAB 78.17, -62.28, 37.03

 

CMYK 73 / 0 / 25 / 14

HEX #3BDCA4

RGB 59 220 164

HSL 159.13, 0.7%, 0.55%

LAB 78.92, -53.88, 15.91

 

CMYK 83 / 0 / 73 / 34

HEX #1DA82E

RGB 29 168 46

HSL 127.34, 0.71%, 0.39%

LAB 60.31, -58.69, 50.36

 

CMYK 83 / 0 / 72 / 20

HEX #23CB38

RGB 35 203 56

HSL 127.5, 0.71%, 0.47%

LAB 71.8, -67.92, 58.48

 

CMYK 73 / 0 / 64 / 14

HEX #3BDC4F

RGB 59 220 79

HSL 127.45, 0.7%, 0.55%

LAB 77.69, -67.96, 55.88

 

CMYK 58 / 0 / 51 / 11

HEX #5EE26F

RGB 94 226 111

HSL 127.73, 0.69%, 0.63%

LAB 80.69, -59.49, 45.25

 

CMYK 44 / 0 / 39 / 9

HEX #82E88E

RGB 130 232 142

HSL 127.06, 0.69%, 0.71%

LAB 84.18, -48.14, 34.73

 

CMYK 73 / 0 / 64 / 14

HEX #3BDC4F

RGB 59 220 79

HSL 127.45, 0.7%, 0.55%

LAB 77.69, -67.96, 55.88

 

CMYK 73 / 23 / 0 / 14

HEX #3BA9DC

RGB 59 169 220

HSL 199.01, 0.7%, 0.55%

LAB 65.34, -14.33, -34.68

 

CMYK 0 / 73 / 52 / 14

HEX #DC3B69

RGB 220 59 105

HSL 342.86, 0.7%, 0.55%

LAB 51.11, 64.37, 11.66

 

CMYK 73 / 0 / 64 / 14

HEX #3BDC4F

RGB 59 220 79

HSL 127.45, 0.7%, 0.55%

LAB 77.69, -67.96, 55.88

 

CMYK 65 / 73 / 0 / 14

HEX #4E3BDC

RGB 78 59 220

HSL 247.08, 0.7%, 0.55%

LAB 37.69, 53.7, -78.97

 

CMYK 0 / 65 / 73 / 14

HEX #DC4E3B

RGB 220 78 59

HSL 7.08, 0.7%, 0.55%

LAB 52.93, 54.42, 40.89

 

CMYK 73 / 0 / 64 / 14

HEX #3BDC4F

RGB 59 220 79

HSL 127.45, 0.7%, 0.55%

LAB 77.69, -67.96, 55.88

 

CMYK 73 / 23 / 0 / 14

HEX #3BA9DC

RGB 59 169 220

HSL 199.01, 0.7%, 0.55%

LAB 65.34, -14.33, -34.68

 

CMYK 0 / 73 / 9 / 14

HEX #DC3BC9

RGB 220 59 201

HSL 307.08, 0.7%, 0.55%

LAB 54.62, 75.31, -39.83

 

CMYK 0 / 50 / 73 / 14

HEX #DC6E3B

RGB 220 110 59

HSL 19.01, 0.7%, 0.55%

LAB 58.68, 39.47, 47.15

 

CMYK 73 / 0 / 64 / 14

HEX #3BDC4F

RGB 59 220 79

HSL 127.45, 0.7%, 0.55%

LAB 77.69, -67.96, 55.88

 

CMYK 73 / 45 / 0 / 14

HEX #3B79DC

RGB 59 121 220

HSL 216.89, 0.7%, 0.55%

LAB 51.58, 13.65, -56.42

 

CMYK 0 / 73 / 9 / 14

HEX #DC3BC9

RGB 220 59 201

HSL 307.08, 0.7%, 0.55%

LAB 54.62, 75.31, -39.83

 

CMYK 0 / 28 / 73 / 14

HEX #DC9E3B

RGB 220 158 59

HSL 36.89, 0.7%, 0.55%

LAB 69.46, 14.08, 58.28

 

Description

Color code: RGB 59 220 79 | qconv.com Color code: RGB 59 220 79 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 220 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 220 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 64 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 64% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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