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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 206 126 it is the complementary color RGB 196 49 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 206 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 206 126 shade: RGB 64 206 121, RGB 81 224 140, RGB 98 242 159, RGB 115 255 178 and RGB 132 255 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 206 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 206 126 shade: RGB 59 206 126, RGB 42 188 107, RGB 25 170 88, RGB 8 152 69 and RGB 0 134 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 206 126 shade: RGB 59 206 126, RGB 59 206 86, RGB 71 206 59, RGB 111 206 59 and RGB 150 206 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 206 126 shade: RGB 59 206 126, RGB 59 206 165, RGB 59 206 205, RGB 59 167 206 and RGB 59 127 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 206 126 shade matches the following richer shades: RGB 59 206 126, RGB 39 225 124 and RGB 19 245 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 206 126 shade: RGB 59 206 126, RGB 78 186 127, RGB 98 166 129, RGB 118 146 131 and RGB 138 126 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 206 126 shade: RGB 71 206 59, RGB 59 206 86, RGB 59 206 125, RGB 59 206 164 and RGB 59 206 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 206 126 shade: RGB 36 146 86, RGB 44 179 106, RGB 59 206 126, RGB 92 214 147 and RGB 125 222 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 206 126 shade: RGB 59 206 126, RGB 59 110 206 and RGB 206 66 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 206 126 shade: RGB 59 206 126, RGB 125 59 206 and RGB 206 125 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 206 126 shade: RGB 59 206 126, RGB 59 110 206, RGB 206 59 139 and RGB 206 154 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 206 126 shade: RGB 59 206 126, RGB 59 66 206, RGB 206 59 139 and RGB 206 198 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 39 / 19

HEX #3BCE7E

RGB 59 206 126

HSL 147.35, 0.6%, 0.52%

LAB 73.92, -56.32, 28.96

 

Complementary color

CMYK 0 / 75 / 34 / 23

HEX #C43181

RGB 196 49 129

HSL 327.35, 0.6%, 0.48%

LAB 46.33, 63.32, -10.41

 

CMYK 69 / 0 / 41 / 19

HEX #40CE79

RGB 64 206 121

HSL 144.08, 0.59%, 0.53%

LAB 73.94, -56.43, 31.58

 

CMYK 64 / 0 / 38 / 12

HEX #51E08C

RGB 81 224 140

HSL 144.76, 0.7%, 0.6%

LAB 80.15, -56.82, 30.13

 

CMYK 60 / 0 / 34 / 5

HEX #62F29F

RGB 98 242 159

HSL 145.42, 0.85%, 0.67%

LAB 86.31, -57, 28.78

 

CMYK 55 / 0 / 30 / 0

HEX #73FFB2

RGB 115 255 178

HSL 147, 1%, 0.73%

LAB 90.95, -55.06, 25.54

 

CMYK 48 / 0 / 23 / 0

HEX #84FFC5

RGB 132 255 197

HSL 151.71, 1%, 0.76%

LAB 91.89, -47.49, 17.24

 

CMYK 71 / 0 / 39 / 19

HEX #3BCE7E

RGB 59 206 126

HSL 147.35, 0.6%, 0.52%

LAB 73.92, -56.32, 28.96

 

CMYK 78 / 0 / 43 / 26

HEX #2ABC6B

RGB 42 188 107

HSL 146.71, 0.63%, 0.45%

LAB 67.67, -55.54, 30.53

 

CMYK 85 / 0 / 48 / 33

HEX #19AA58

RGB 25 170 88

HSL 146.07, 0.74%, 0.38%

LAB 61.36, -54.32, 32.23

 

CMYK 95 / 0 / 55 / 40

HEX #089845

RGB 8 152 69

HSL 145.42, 0.9%, 0.31%

LAB 55.01, -52.46, 34.02

 

CMYK 100 / 0 / 63 / 47

HEX #008632

RGB 0 134 50

HSL 142.39, 1%, 0.26%

LAB 48.61, -49.75, 35.83

 

CMYK 71 / 0 / 39 / 19

HEX #3BCE7E

RGB 59 206 126

HSL 147.35, 0.6%, 0.52%

LAB 73.92, -56.32, 28.96

 

CMYK 71 / 0 / 58 / 19

HEX #3BCE56

RGB 59 206 86

HSL 131.02, 0.6%, 0.52%

LAB 73.38, -62.54, 47.94

 

CMYK 66 / 0 / 71 / 19

HEX #47CE3B

RGB 71 206 59

HSL 115.1, 0.6%, 0.52%

LAB 73.41, -63.1, 59.25

 

CMYK 46 / 0 / 71 / 19

HEX #6FCE3B

RGB 111 206 59

HSL 98.78, 0.6%, 0.52%

LAB 74.72, -52.84, 61.01

 

CMYK 27 / 0 / 71 / 19

HEX #96CE3B

RGB 150 206 59

HSL 82.86, 0.6%, 0.52%

LAB 76.64, -39.46, 63.57

 

CMYK 71 / 0 / 39 / 19

HEX #3BCE7E

RGB 59 206 126

HSL 147.35, 0.6%, 0.52%

LAB 73.92, -56.32, 28.96

 

CMYK 71 / 0 / 20 / 19

HEX #3BCEA5

RGB 59 206 165

HSL 163.27, 0.6%, 0.52%

LAB 74.69, -47.98, 9.4

 

CMYK 71 / 0 / 0 / 19

HEX #3BCECD

RGB 59 206 205

HSL 179.59, 0.6%, 0.52%

LAB 75.75, -37.45, -10.62

 

CMYK 71 / 19 / 0 / 19

HEX #3BA7CE

RGB 59 167 206

HSL 195.92, 0.6%, 0.52%

LAB 64.18, -17.88, -28.73

 

CMYK 71 / 38 / 0 / 19

HEX #3B7FCE

RGB 59 127 206

HSL 212.24, 0.6%, 0.52%

LAB 52.47, 4.89, -47.07

 

CMYK 71 / 0 / 39 / 19

HEX #3BCE7E

RGB 59 206 126

HSL 147.35, 0.6%, 0.52%

LAB 73.92, -56.32, 28.96

 

CMYK 83 / 0 / 45 / 12

HEX #27E17C

RGB 39 225 124

HSL 147.42, 0.76%, 0.52%

LAB 79.46, -65.83, 37.15

 

CMYK 92 / 0 / 50 / 4

HEX #13F57A

RGB 19 245 122

HSL 147.35, 0.92%, 0.52%

LAB 85.43, -73.98, 45.61

 

CMYK 71 / 0 / 39 / 19

HEX #3BCE7E

RGB 59 206 126

HSL 147.35, 0.6%, 0.52%

LAB 73.92, -56.32, 28.96

 

CMYK 58 / 0 / 32 / 27

HEX #4EBA7F

RGB 78 186 127

HSL 147.22, 0.44%, 0.52%

LAB 68.22, -44.67, 20.85

 

CMYK 41 / 0 / 22 / 35

HEX #62A681

RGB 98 166 129

HSL 147.35, 0.28%, 0.52%

LAB 62.89, -30.12, 12.5

 

CMYK 19 / 0 / 10 / 43

HEX #769283

RGB 118 146 131

HSL 147.86, 0.11%, 0.52%

LAB 58.08, -13.04, 4.69

 

CMYK 0 / 9 / 4 / 46

HEX #8A7E85

RGB 138 126 133

HSL 325, 0.05%, 0.52%

LAB 54.05, 5.89, -2.14

 

CMYK 66 / 0 / 71 / 19

HEX #47CE3B

RGB 71 206 59

HSL 115.1, 0.6%, 0.52%

LAB 73.41, -63.1, 59.25

 

CMYK 71 / 0 / 58 / 19

HEX #3BCE56

RGB 59 206 86

HSL 131.02, 0.6%, 0.52%

LAB 73.38, -62.54, 47.94

 

CMYK 71 / 0 / 39 / 19

HEX #3BCE7D

RGB 59 206 125

HSL 146.94, 0.6%, 0.52%

LAB 73.9, -56.51, 29.46

 

CMYK 71 / 0 / 20 / 19

HEX #3BCEA4

RGB 59 206 164

HSL 162.86, 0.6%, 0.52%

LAB 74.67, -48.22, 9.9

 

CMYK 71 / 0 / 1 / 19

HEX #3BCECB

RGB 59 206 203

HSL 178.78, 0.6%, 0.52%

LAB 75.69, -38.02, -9.63

 

CMYK 75 / 0 / 41 / 43

HEX #249256

RGB 36 146 86

HSL 147.27, 0.6%, 0.36%

LAB 53.61, -44.5, 23.31

 

CMYK 75 / 0 / 41 / 30

HEX #2CB36A

RGB 44 179 106

HSL 147.56, 0.61%, 0.44%

LAB 64.82, -52.14, 27.34

 

CMYK 71 / 0 / 39 / 19

HEX #3BCE7E

RGB 59 206 126

HSL 147.35, 0.6%, 0.52%

LAB 73.92, -56.32, 28.96

 

CMYK 57 / 0 / 31 / 16

HEX #5CD693

RGB 92 214 147

HSL 147.05, 0.6%, 0.6%

LAB 77.56, -49.31, 23.08

 

CMYK 44 / 0 / 24 / 13

HEX #7DDEA9

RGB 125 222 169

HSL 147.22, 0.6%, 0.68%

LAB 81.55, -40.41, 17.23

 

CMYK 71 / 0 / 39 / 19

HEX #3BCE7E

RGB 59 206 126

HSL 147.35, 0.6%, 0.52%

LAB 73.92, -56.32, 28.96

 

CMYK 71 / 47 / 0 / 19

HEX #3B6ECE

RGB 59 110 206

HSL 219.18, 0.6%, 0.52%

LAB 47.67, 15.42, -54.74

 

CMYK 0 / 68 / 71 / 19

HEX #CE423B

RGB 206 66 59

HSL 2.86, 0.6%, 0.52%

LAB 48.68, 54.66, 35.42

 

CMYK 71 / 0 / 39 / 19

HEX #3BCE7E

RGB 59 206 126

HSL 147.35, 0.6%, 0.52%

LAB 73.92, -56.32, 28.96

 

CMYK 39 / 71 / 0 / 19

HEX #7D3BCE

RGB 125 59 206

HSL 266.94, 0.6%, 0.52%

LAB 41.13, 56.81, -65.09

 

CMYK 0 / 39 / 71 / 19

HEX #CE7D3B

RGB 206 125 59

HSL 26.94, 0.6%, 0.52%

LAB 59.98, 25.94, 47.97

 

CMYK 71 / 0 / 39 / 19

HEX #3BCE7E

RGB 59 206 126

HSL 147.35, 0.6%, 0.52%

LAB 73.92, -56.32, 28.96

 

CMYK 71 / 47 / 0 / 19

HEX #3B6ECE

RGB 59 110 206

HSL 219.18, 0.6%, 0.52%

LAB 47.67, 15.42, -54.74

 

CMYK 0 / 71 / 33 / 19

HEX #CE3B8B

RGB 206 59 139

HSL 327.35, 0.6%, 0.52%

LAB 49.63, 63.76, -11.32

 

CMYK 0 / 25 / 71 / 19

HEX #CE9A3B

RGB 206 154 59

HSL 38.78, 0.6%, 0.52%

LAB 66.94, 10.2, 55.23

 

CMYK 71 / 0 / 39 / 19

HEX #3BCE7E

RGB 59 206 126

HSL 147.35, 0.6%, 0.52%

LAB 73.92, -56.32, 28.96

 

CMYK 71 / 68 / 0 / 19

HEX #3B42CE

RGB 59 66 206

HSL 237.14, 0.6%, 0.52%

LAB 36.52, 43.16, -72.86

 

CMYK 0 / 71 / 33 / 19

HEX #CE3B8B

RGB 206 59 139

HSL 327.35, 0.6%, 0.52%

LAB 49.63, 63.76, -11.32

 

CMYK 0 / 4 / 71 / 19

HEX #CEC63B

RGB 206 198 59

HSL 56.73, 0.6%, 0.52%

LAB 78.36, -12.92, 66.59

 

Description

Color code: RGB 59 206 126 | qconv.com Color code: RGB 59 206 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 206 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 206 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 39 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 39% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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